The Path of Mastery: Expect a Journey, Not a Destination

This article is an excerpt from the Shortform book guide to "Mastery" by Robert Greene. Shortform has the world's best summaries and analyses of books you should be reading.

Like this article? Sign up for a free trial here.

What’s mastery? What’s the life of a master like? Is being a dabbler, an obsessive, or a hacker keeping you from becoming a master?

If you want to master something, you should expect to travel a path, not arrive at a destination. George Leonard explains that mastery isn’t an end goal so much as a continual process of learning, discovery, and exploration of that skill, whether it’s taekwondo, oil painting, marathon running, or chess. 

Read more to learn what to expect on the path of mastery.

The Path of Mastery

To begin, we’ll explain Leonard’s definition of “mastery.” Put simply, mastery is the continual, focused pursuit of developing a skill. In this sense, it’s the way of life lived by those who choose to walk the path of the master.

That concept—that mastery is a path, rather than a goal—is the core of Leonard’s perspective. To live his notion of mastery is to immerse yourself in the lifelong process of discovering, refining, and constantly learning more about the skill you choose to pursue.

Thus, Leonard says, mastery is an endless journey along which you commit to deep, dedicated learning of the myriad minutiae of your chosen skill. The path of mastery takes patience and focus to steadily grind away at the fundamentals, build a solid base of basic skills, and choose to keep going. All along the way, remember that the end goal isn’t the point—rather, the path itself is the point.

Differing Definitions of Mastery

In his book of the same title, Mastery, Robert Greene offers a different definition of mastery. Specifically, he contends that mastery is a state of fully developed creative excellence—the point at the end of the path where you’ve perfected a skill, field, or discipline. This assertion that mastery is a result, rather than a path, runs counter to Leonard’s perspective.

At the same time, Greene does agree that there is a path of mastery—just that there are concrete stages along it and that mastery is a final stage that can be attained. He explains three stages:

Apprenticeship, where you build your foundational skills and integrate into the social fabric of your field or discipline through your mentors and peers.

Creative independence, where you begin to pursue your creative inclinations and develop your own projects, thinking, and so on.

Mastery, where you’ve understood the entirety of your field—all available knowledge as well as all available technical skills and social interconnections.

From Greene’s perspective, you aren’t a master until you’ve gone through many years of hard work and training. In contrast, Leonard would argue that living as a master simply means approaching life (and your skill) with the attitude of a master: with patient, diligent focus.

Embrace the Plateaus, Reject Easy Shortcuts

If mastery is a path, then the main features of that path, according to Leonard, are its recurrent plateaus or flat zones. Put another way, he contends that, when you develop a new skill, your growth looks not like a continual upward trend but rather like a series of long, flat periods of hard work with few visible results. Every once in a while, these flat zones give way to spurts of growth—intermittent moments when everything you’ve been training for comes together, and you finally achieve competence in the technique or move you’ve been learning.

These plateaus are the main reason many people fall off the path of mastery. Leonard says that most, if not all of us, want to be good at something. However, we feel daunted by how long it takes to achieve real skillfulness. When we hear that it may be years before we can properly pitch a ball or perform on the piano, we lose all motivation. We don’t want to struggle through the long days of grinding away at mundane, minute techniques with little to show for it.

The Plateau Is the Path

Falling off of the plateau, Leonard says, is a tragedy, because we’re all born with the potential to be masters. Human beings are learning animals: We’re wired to develop skills that we aren’t born with, a capacity that no other animal has. We can learn to write grand symphonies, hike the highest mountains, create wonderful meals, or run faster than anyone ever has. We’re all born with the potential to master some skill, be it music, athletics, relationships, or business. Wasting that potential is a terrible loss.

To avoid that mistake, embrace the plateaus you’ll encounter along your path of mastery. Since most of the path consists of these flat periods, we need to sink deep into them—deep into the steady, diligent practice of fundamentals, repeating the technique dozens or hundreds of times. In other words, Leonard says, we must learn to love practice for its own sake; to recognize that learning happens all along the way, even if the motivating results only appear to happen every once in a while.

Put another way, Leonard argues that to become a master is to learn to do something simply because you love it rather than for any external rewards or motivations. When you have that desire to do something out of a simple, quiet joy for the activity itself, you know you’re on the path of mastery.

The Path of Mastery: Expect a Journey, Not a Destination

———End of Preview———

Like what you just read? Read the rest of the world's best book summary and analysis of Robert Greene's "Mastery" at Shortform.

Here's what you'll find in our full Mastery summary:

  • How to walk the path of the master by being disciplined in your skill or art
  • Why mastery isn't an end goal, but rather a continual process of learning
  • Why the master's path is the only guaranteed way to live a fulfilling life

Elizabeth Whitworth

Elizabeth has a lifelong love of books. She devours nonfiction, especially in the areas of history, theology, and philosophy. A switch to audiobooks has kindled her enjoyment of well-narrated fiction, particularly Victorian and early 20th-century works. She appreciates idea-driven books—and a classic murder mystery now and then. Elizabeth has a Substack and is writing a book about what the Bible says about death and hell.

Leave a Reply

Your email address will not be published. Required fields are marked *