100 Best Film Books of All Time

We've ranked the best film books using expert recommendations, sales data, and millions of reader ratings. At Shortform, we know books. Our book guides are the best in the world. Learn why.

1

Hitchcock. Edition définitive

François Truffaut

5.0
En 1955, François Truffaut rencontre Alfred Hitchcock pour les Cahiers du cinéma. En 1962, Jules et Jim vient consacrer son talent de cinéaste et il prépare La peau douce (1964), de son aveu même le plus hitchcockien de ses films. Aux États-Unis, Hitchcock, avec Frenzy (1962), est au faîte de sa créativité et de son succès. Mais les critiques restent réticents.
Naît alors l'idée du «Hitchbook» : un
2

In the Blink of an Eye

Walter Murch

4.9
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and disco
Making Movies book cover3

Making Movies

Sidney Lumet

4.9
From one of America's most acclaimed directors comes a book that is both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on 40 years of experience on movies ranging from Long Day's Journey Into Night to The Verdict, Lumet explains the painstaking labor that results in two hours of screen magic.
Easy Riders, Raging Bulls book cover4

Easy Riders, Raging Bulls

Peter Biskind

4.8
This down-and-dirty romp through Hollywood in the 1970s introduces the young filmmakers--Coppola, Scorsese, Lucas, Spielberg, Altman, and Beatty--and recreates an era that transformed American culture forever.
Sculpting in Time book cover5

Sculpting in Time

Andrey Tarkovsky, Kitty Hunter-Blair

4.8
An alternate cover edition can be found here.

Andrey Tarkovsky, the genius of modern Russian cinema--hailed by Ingmar Bergman as "the most important director of our time"--died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962,
6

The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made

Greg Sestero, Tom Bissell

4.7
New York Times bestseller—now a major motion picture directed by and starring James Franco!

From the actor who somehow lived through it all, a “sharply detailed…funny book about a cinematic comedy of errors” (The New York Times): the making of the cult film phenomenon The Room.

In 2003, an independent film called The Room—starring and written, produced, and directed by a mysteriously wealthy social
Story: Substance, Structure, Style, and the Principles of Screenwriting book cover7

Story: Substance, Structure, Style, and the Principles of Screenwriting

Robert McKee

4.7
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni. Writers, producers, development executives and agents all flock to his lecture series
Save the Cat: The Last Book on Screenwriting You'll Ever Need book cover8

Save the Cat: The Last Book on Screenwriting You'll Ever Need

Blake Snyder

4.6
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
Adventures in the Screen Trade book cover9

Adventures in the Screen Trade

William Goldman

4.6
Now available as an ebook for the first time!

No one knows the writer's Hollywood more intimately than William Goldman. Two-time Academy Award-winning screenwriter and the bestselling author of Marathon Man, Tinsel, Boys and Girls Together, and other novels, Goldman now takes you into Hollywood's inner sanctums...on and behind the scenes for Butch Cassidy and the Sundance Kid, All the President's
10

On Directing Film

David Mamet

4.6
According to David Mamet, a film director must, above all things, think visually. Most of this instructive and funny book is written in dialogue form and based on film classes Mamet taught at Columbia University. He encourages his students to tell their stories not with words, but through the juxtaposition of uninflected images. The best films, Mamet argues, are composed of simple shots. The great
Notes on the Cinematograph book cover11

Notes on the Cinematograph

Robert Bresson

4.6
A key influence on the French New Wave and the director of such iconic works as Pickpocket and A Man Escaped, Robert Bresson is one of the central figures of French cinema. Notes on the Cinematograph is not only his definitive treatise on film—its inherent peculiarity and potential—but an ascetic meditation on how art transcends, and is transformed by, the senses.

Bresson upends inherited truths
12

Rebel Without a Crew: Or, How a 23-year-old Film Maker with $7,000 Became a Hollywood Player

Robert Rodriguez

4.6
The film-maker Robert Rodriguez describes how he made El Mariachi for $7000, demonstrating many ways in which a film-maker can do for nothing what professionals spend thousands of dollars doing without a second thought.
13

Film Art: An Introduction

David Bordwell, Kristin Thompson

4.6
Film Art is often assigned to college students taking their first film class. Authors David Bordwell and Kristin Thompson do not follow the traditional method of teaching film art through a close analysis of individual films. Instead, they provide an overview of the major issues students confront when they watch movies. In clear, straightforward prose, the authors describe and dissect the complexi
14

The Great Movies

Roger Ebert

4.5
America’s most trusted and best-known film critic Roger Ebert presents one hundred brilliant essays on some of the best movies ever made.

For the past five years Roger Ebert, the famed film writer and critic, has been writing biweekly essays for a feature called "The Great Movies," in which he offers a fresh and fervent appreciation of a great film. The Great Movies collects one hundred of these
Screenplay: The Foundations of Screenwriting book cover15

Screenplay: The Foundations of Screenwriting

Syd Field

4.5
A generation of screenwriters has used Syd Field’s bestselling books to ignite successful careers in film. Now the celebrated producer, lecturer, teacher, and bestselling author has updated his classic guide for a new generation of filmmakers, offering a fresh insider’s perspective on the film industry today. From concept to character, from opening scene to finished script, here are easily underst
16

What is Cinema?: Volume 1

Andre Bazin, Hugh Gray, Jean Renoir, Dudley Andrew

4.5
André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of t
17

Lynch on Lynch

David Lynch

4.5

David Lynch erupted onto the cinema landscape in 1977 with Eraserhead, establishing himself as one of the most original and imaginative directors at work in contemporary cinema. Over the course of his career, he has remained true to a vision of the innocent lost in darkness and confusion, balancing hallucination and surrealism with a sense of Americana that is as pure and simple as his compelling

18

Something Like an Autobiography

Akira Kurosawa

4.4
"A first rate book and a joy to read...It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book...Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of s
19

The Conversations: Walter Murch and the Art of Editing Film

Michael Ondaatje

4.4
The Conversations is a treasure, essential for any lover or student of film, and a rare, intimate glimpse into the worlds of two accomplished artists who share a great passion for film and storytelling, and whose knowledge and love of the crafts of writing and film shine through.

It was on the set of the movie adaptation of his Booker Prize-winning novel, The English Patient, that Michael Ondaatje
As You Wish: Inconceivable Tales from the Making of The Princess Bride book cover20

As You Wish: Inconceivable Tales from the Making of The Princess Bride

Cary Elwes, Joe Layden, Rob Reiner

4.4
From actor Cary Elwes, who played the iconic role of Westley in The Princess Bride, comes a first-person account and behind-the-scenes look at the making of the cult classic film filled with never-before-told stories, exclusive photographs, and interviews with costars Robin Wright, Wallace Shawn, Billy Crystal, Christopher Guest, and Mandy Patinkin, as well as author and screenwriter William Goldm
21

Film Directing: Shot by Shot - 25th Anniversary Edition: Visualizing from Concept to Screen

Steven D. Katz

4.4
This international best-seller is filled with visual techniques for filmmakers and screenwriters who want to expand their stylistic knowledge.
My Last Sigh book cover22

My Last Sigh

Luis Bunuel

4.4
This long out-of-paint autobiography provides insight into the genesis of Bunuel's films and conveys his frank opinions on dwarves, Catholicism, the Marquis de Sade, food, and smoking, not to mention his recipe for a good dry martini!
23

Herzog on Herzog

Paul Cronin, Werner Herzog

4.4
An invaluable set of career-length interviews with the German genius hailed by François Truffaut as "the most important film director alive"

Most of what we've heard about Werner Herzog is untrue. The sheer number of false rumors and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog's body of work is one of the most important in postwar European cinema.
His in
24

Film as a Subversive Art: By Amos Vogel

Amos Vogel, Scott MacDonald

4.4
A classic returns! The original edition of Amos Vogel's seminal book, "Film as a Subversive Art" was first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidde
The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company book cover25

The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company

Robert Iger

4.3
A grand vision defined: The CEO of Disney, one of Time's most influential people of 2019, shares the ideas and values he embraced to reinvent one of the most beloved companies in the world and inspire the people who bring the magic to life.

Robert Iger became CEO of The Walt Disney Company in 2005, during a difficult time. Competition was more intense than ever and technology was changing faster th
The Hunger Games (The Hunger Games, #1) book cover26

The Hunger Games (The Hunger Games, #1)

Suzanne Collins

4.3
WINNING MEANS FAME AND FORTUNE.
LOSING MEANS CERTAIN DEATH.
THE HUNGER GAMES HAVE BEGUN. . . .


In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. The Capitol is harsh and cruel and keeps the districts in line by forcing them all to send one boy and once girl between the ages of twelve and eighteen to participate in
27

The Filmmaker's Handbook: A Comprehensive Guide for the Digital Age: 2013 Edition

Steven Ascher and Edward Pincus

4.3
The authoritative guide to producing, directing, shooting, editing, and distributing your video or film

Widely acknowledged as the “bible” of video and film production, and used in courses around the world, The Filmmaker’s Handbook is now updated with the latest advances in HD and new digital formats. For students and teachers, professionals and novices, this indispensable handbook covers all aspe
28

On Filmmaking: An Introduction to the Craft of the Director

Alexander Mackendrick, Paul Cronin, Martin Scorsese

4.3
An invaluable analysis of the director's art and craft, from one of the most revered of all film school directors. Alexander 'Sandy' Mackendrick directed classic Ealing comedies plus a Hollywood masterpiece, Sweet Smell of Success. But after retiring from film-making in 1969, he then spent nearly 25 years teaching his craft at the California Institute of the Arts in Los Angeles.

Mackendrick produce
29

Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film

Peter Biskind

4.3

DOWN AND DIRTY PICTURES chronicles the rise of independent filmmakers and of the twin engines the Sundance Film Festival and Miramax Films that have powered them. Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse. Candid, pen

30

Film Form: Essays In Film Theory

Sergei Eisenstein, Jay Leyda

4.3
Twelve essays written between 1928 and 1945 that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an Introduction by Jay Leyda; Index; photographs and diagrams.
31

Directing: Film Techniques and Aesthetics

Michael Rabiger and Mick Hurbis-Cherrier

4.3
This comprehensive manual has inspired tens of thousands of readers worldwide to realize their artistic vision and produce well-constructed films. Filled with practical advice on every stage of production, this is the book you will return to throughout your career.

Directing covers the methods, technologies, thought processes, and judgments that a director must use throughout the fascinating proc
32

The Magic Lantern

Ingmar Bergman, Joan Tate

4.3
“When a film is not a document, it is a dream. . . . At the editing table, when I run the strip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood.” Bergman, who has conveyed this heady sense of wonder and vision to moviegoers for decades, traces his lifelong love affair with film in his breathtakingly visual autobiography, The Magic Lantern.

More grand mosaic t
33

Directing Actors

Judith Weston

4.3
Internationally-renowned directing coach Weston demonstrates what constitutes a good performance, what actors want from a director, what directors do wrong, script analysis and preparation, how actors work, and shares insights into the director/actor relationship.
Hollywood Babylon: The Legendary Underground Classic of Hollywood's Darkest and Best Kept Secrets book cover34

Hollywood Babylon: The Legendary Underground Classic of Hollywood's Darkest and Best Kept Secrets

Kenneth Anger

4.3
"Hollywood Babylon" was originally published in Paris, and quickly became an underground legend. Not a word has been changed. Not a story omitted. Here is the hot, luscious plum of sizzling scandal that continues to shock the world.
If Chins Could Kill: Confessions of a B Movie Actor book cover35

If Chins Could Kill: Confessions of a B Movie Actor

Bruce Campbell

4.3
Okay, so at least you're interested enough to pick up this book and look inside. I think you and I are going to get along just fine.

Life is full of choices. Right now, yours is whether or not to buy the autobiography of a mid-grade, kind of hammy actor.

Am I supposed to know this guy? you think to yourself.

No, and that's exactly the point. Bookstores are chock full of household name actors and thei
36

Pictures at a Revolution: Five Movies and the Birth of the New Hollywood

Mark Harris

4.3
Explores the epic human drama behind the making of the five movies nominated for Best Picture in 1967-Guess Who's Coming to Dinner, The Graduate, In the Heat of the Night, Doctor Doolittle, and Bonnie and Clyde-and through them, the larger story of the cultural revolution that transformed Hollywood, and America, forever.
The Wes Anderson Collection book cover37

The Wes Anderson Collection

Matt Zoller Seitz

4.2
Wes Anderson is one of the most influential voices from the past two decades of American cinema. A true auteur, Anderson is known for the visual artistry, inimitable tone, and idiosyncratic characterizations that make each of his films—Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom—instantly recogni
Men, Women, and Chain Saws: Gender in the Modern Horror Film book cover38

Men, Women, and Chain Saws: Gender in the Modern Horror Film

Carol J. Clover

4.2
Do the pleasures of horror movies really begin and end in sadism? So the public discussion of film assumes, and so film theory claims. Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.
Harry Potter and the Sorcerer's Stone book cover39

Harry Potter and the Sorcerer's Stone

J. K. Rowling

4.2
Harry Potter has never been the star of a Quidditch team, scoring points while riding a broom far above the ground. He knows no spells, has never helped to hatch a dragon, and has never worn a cloak of invisibility.

All he knows is a miserable life with the Dursleys, his horrible aunt and uncle, and their abominable son, Dudley - a great big swollen spoiled bully. Harry’s room is a tiny closet at t
How to Read a Film: The World of Movies, Media, Multimedia: Language, History, Theory book cover40

How to Read a Film: The World of Movies, Media, Multimedia: Language, History, Theory

James Monaco

4.2
First published in 1977, this popular book has become the source on film and media. Now, James Monaco offers a revised and rewritten third edition incorporating every major aspect of this dynamic medium right up to the present.
Looking at film from many vantage points, How to Read a Film: Movies, Media, Multimedia explores the medium as both art and craft, sensibility and science, tradition and te
The Writer's Journey: Mythic Structure for Writers book cover41

The Writer's Journey: Mythic Structure for Writers

Christopher Vogler

4.2
Provides new insights and observations from Vogler's pioneering work in mythic structure for writers.
The Anatomy of Story: 22 Steps to Becoming a Master Storyteller book cover42

The Anatomy of Story: 22 Steps to Becoming a Master Storyteller

John Truby

4.2
John Truby is one of the most respected and sought-after story consultants in the film industry, and his students have gone on to pen some of Hollywood's most successful films, including Sleepless in Seattle, Scream, and Shrek. The Anatomy of Story is his long-awaited first book, and it shares all of his secrets for writing a compelling script. Based on the lessons in his award-winning class, Grea
Catching the Big Fish: Meditation, Consciousness, and Creativity book cover43

Catching the Big Fish: Meditation, Consciousness, and Creativity

David Lynch

4.2
Where do ideas come from?

In Catching the Big Fish, internationally acclaimed filmmaker David Lynch provides a rare window into his methods as an artist, his personal working style, and the immense creative benefits he has experienced from the practice of meditation.

Lynch describes the experience of "diving within" and "catching" ideas like fish - and then preparing them for television or movie scr
Film Theory and Criticism: Introductory Readings book cover44

Film Theory and Criticism: Introductory Readings

Leo Braudy, Marshall Cohen

4.2
Since publication of the first edition in 1974, Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Extensively revised and updated, this sixth edition highlights both classic texts and cutting edge essays from more than a century of thought and writing about the movies. Editors Leo Braudy and Marshall Cohen have reformulated the book's sect
45

Transcendental Style in Film: Ozu, Bresson, Dreyer

Paul Schrader

4.2
With a new introduction, acclaimed director and screenwriter Paul Schrader revisits and updates his contemplation of slow cinema over the past fifty years. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state by means of austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This seminal t
This Is Orson Welles book cover46

This Is Orson Welles

Orson Welles, Peter Bogdanovich, Jonathan Rosenbaum

4.2
Innovative film and theater director, radio producer, actor, writer, painter, narrator, and magician, Orson Welles (1915–1985) was the last true Renaissance man of the twentieth century. From such great radio works as "War of the Worlds" to his cinematic masterpieces Citizen Kane, The Magnificent Ambersons, Othello, Macbeth, Touch of Evil, and Chimes at Midnight, Welles was a master storyteller, a
Cinema 1: The Movement-Image book cover47

Cinema 1: The Movement-Image

Gilles Deleuze

4.2
The New Biographical Dictionary of Film book cover48

The New Biographical Dictionary of Film

David Thomson

4.2
David Thomson’s New Biographical Dictionary of Film topped Sight & Sound magazine’s 2010 poll of international critics and writers as the best film book of all time.

Now in its fifth edition, updated, and with more than 130 new entries—from Judd Apatow to Lena Horne—the classic, beloved film book is better than ever.

For thirty-five years, David Thomson’s Biographical Dictionary of Film has been “fi
Film History: An Introduction book cover49

Film History: An Introduction

David Bordwell, Kristin Thompson

4.2
50

The Story of Film

Mark Cousins

4.2
51

Conquest of the Useless: Reflections from the Making of Fitzcarraldo

Werner Herzog

4.2
Werner Herzog (Grizzly Man) is one of the most revered and enigmatic filmmakers of our time, and Fitzcarraldo is one of his most honored and admired films. More than just Herzog’s journal of the making of the monumental, problematical motion picture, which involved, among other things, major cast changes and reshoots, and the hauling (without the use of special effects) of a 360-ton steamship over
52

Cinematography: Theory and Practice: Image Making for Cinematographers and Directors

Blain Brown

4.2
The world of cinematography has changed more in the last few years than it has since it has in 1929, when sound recording was introduced. New technology, new tools and new methods have revolutionized the art and craft of telling stories visually. While some aspects of visual language, lighting and color are eternal, shooting methods, workflow and cameras have changed radically. Even experienced fi
The Celluloid Closet: Homosexuality in the Movies book cover53

The Celluloid Closet: Homosexuality in the Movies

Vito Russo

4.1
Praised by the Chicago Tribune as "an impressive study" and written with incisive wit and searing perception--the definitive, highly acclaimed landmark work on the portrayal of homosexuality in film.
1001 Movies You Must See Before You Die book cover54

1001 Movies You Must See Before You Die

Steven Jay Schneider

4.1
Updated with brand-new entries to describe the most recent major motion pictures, this critically-acclaimed volume spans more than a century of moviemaking, concisely describing 1001 of the best films from around the world. New in this edition are entries to describe such film hits as "Lord of the Rings", "Mystic River", "Fahrenheit 9/11", and "Million Dollar Baby". But in fact, this volume's team
To Kill a Mockingbird book cover55

To Kill a Mockingbird

Harper Lee, Sissy Spacek, et al

4.1
The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.

Compassionate, dramatic, and deeply moving, To Kill A Mocki
Harry Potter and the Goblet of Fire (Harry Potter, #4) book cover56

Harry Potter and the Goblet of Fire (Harry Potter, #4)

J.K. Rowling

4.1
It is the summer holidays, and one night Harry Potter wakes up with his scar burning. He has had a strange dream, one that he can't help worrying about...until a timely invitation from Ron Weasley arrives: to nothing less than the Quidditch World Cup!

Soon Harry is reunited with Ron and Hermione and gasping at the thrills of an international Quidditch match. But then something horrible happens whic
57

Cassavetes on Cassavetes

John Cassavetes, Ray Carney

4.1

Since his death in 1989, John Cassavettes has become increasingly renowned as a cinematic hero--a renegade loner who fought the Hollywood system, steering his own creative course in a career spanning thirty years. Having already established himself as an actor, he struck out as a filmmaker in 1959 with Shadows, and proceeded to build a formidable body of work, including such classics as Faces, Wom

The Invention of Hugo Cabret book cover58

The Invention of Hugo Cabret

Brian Selznick

4.1
Orphan, clock keeper, and thief, Hugo lives in the walls of a busy Paris train station, where his survival depends on secrets and anonymity. But when his world suddenly interlocks with an eccentric, bookish girl and a bitter old man who runs a toy booth in the station, Hugo's undercover life, and his most precious secret, are put in jeopardy. A cryptic drawing, a treasured notebook, a stolen key,
Godard on Godard: Critical Writings book cover59

Godard on Godard: Critical Writings

Jean-Luc Godard, Tom Milne, Annette Michelson

4.1
Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Welles, Bergman, Truffaut,
Pride and Prejudice book cover60

Pride and Prejudice

Jane Auste

4.1
Alternate cover edition of ISBN 9780679783268

Since its immediate success in 1813, Pride and Prejudice has remained one of the most popular novels in the English language. Jane Austen called this brilliant work "her own darling child" and its vivacious heroine, Elizabeth Bennet, "as delightful a creature as ever appeared in print." The romantic clash between the opinionated Elizabeth and her proud
From Caligari to Hitler: A Psychological History of the German Film book cover61

From Caligari to Hitler: A Psychological History of the German Film

Siegfried Kracauer

4.1
A landmark, now classic, study of the rich cinematic history of the Weimar Republic, From Caligari to Hitler was first published by Princeton University Press in 1947. Siegfried Kracauer--a prominent German film critic and member of Walter Benjamin's and Theodor Adorno's intellectual circle--broke new ground in exploring the connections between film aesthetics, the prevailing psychological state o
House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films book cover62

House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films

Kier-La Janiss

4.1
House of Psychotic Women is an autobiographical exploration of female neurosis in horror and exploitation films. Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness,
Cronenberg on Cronenberg book cover63

Cronenberg on Cronenberg

David Cronenberg, Chris Rodley

4.1
With films such as The Brood and Videodrome, David Cronenberg established himself as Canada's most provocative director. With subsequent movies such as The Dead Zone, The Fly, Dead Ringers and Naked Lunch, Cronenberg demonstrated his ability not only to touch painful nerves but also to invest his own developing genre with seriousness, philosophical dimension and a rare emotional intensity.

Cronenbe
I Lost it at the Movies: Film Writings, 1954-1965 book cover64

I Lost it at the Movies: Film Writings, 1954-1965

Pauline Kael

4.1
I Lost it at the Movies is vintage Kael on such classics of post-War cinema as On the Waterfront, Smiles of a Summer Night, West Side Story, The Seven Samurai, Lolita, Jules et Jim etc. Her comments are so fresh and direct, it's as if the movies had only been released last week.
65

Silver Screen Fiend: Learning About Life from an Addiction to Film

Patton Oswalt

4.1
Between 1995 and 1999, Patton Oswalt lived with an unshakable addiction. It wasn’t drugs, alcohol, or sex: it was film. After moving to Los Angeles, Oswalt became a huge film buff (or as he calls it, a sprocket fiend), absorbing classics, cult hits, and new releases at the famous New Beverly Cinema. Silver screen celluloid became Patton’s life schoolbook, informing his notion of acting, writing, c
66

Life Itself

Roger Ebert

4.1
Roger Ebert is the best-known film critic of our time. He has been reviewing films for the Chicago Sun-Times since 1967, and was the first film critic ever to win a Pulitzer Prize. He has appeared on television for four decades, including twenty-three years as cohost of Siskel & Ebert at the Movies.

In 2006, complications from thyroid cancer treatment resulted in the loss of his ability to eat, dri
Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration book cover67

Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration

Ed Catmull

4.1
“What does it mean to manage well?”
From Ed Catmull, co-founder (with Steve Jobs and John Lasseter) of Pixar Animation Studios, comes an incisive book about creativity in business—sure to appeal to readers of Daniel Pink, Tom Peters, and Chip and Dan Heath. Creativity, Inc. is a book for managers who want to lead their employees to new heights, a manual for anyone who strives for originality, and t
The Genius of the System: Hollywood Filmmaking in the Studio Era book cover68

The Genius of the System: Hollywood Filmmaking in the Studio Era

Thomas Schatz

4.1
At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's tradional blend of business and art. This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the dev
The Kite Runner book cover69

The Kite Runner

Khaled Hosseini and Simon & Schuster Audi

4.1
The unforgettable, heartbreaking story of the unlikely friendship between a wealthy boy and the son of his father’s servant, The Kite Runner is a beautifully crafted novel set in a country that is in the process of being destroyed. It is about the power of reading, the price of betrayal, and the possibility of redemption; and an exploration of the power of fathers over sons—their love, their sacri
Harry Potter and the Prisoner of Azkaban (Harry Potter, #3) book cover70

Harry Potter and the Prisoner of Azkaban (Harry Potter, #3)

J.K. Rowling

4.1
For Twelve long years, the dread fortress of Azkaban held an infamous prisoner named Sirius Black. Convicted of killing thirteen people with a single curse, he was said to be the heir apparent to the Dark Lord, Voldemort.

Now he has escaped, leaving only two clues as to where he might be headed: Harry Potter's defeat of You-Know-Who was Black's downfall as well. And the Azkaban guards heard Black m
Fight Club book cover71

Fight Club

Chuck Palahniuk

4.1
"THE FIRST RULE ABOUT FIGHT CLUB IS YOU DON'T TALK ABOUT CLUB."

Every weekend, in the basements and parking lots of bars across the country, young men with good white-collar jobs and absent fathers take off their shoes and shirts and fight each other barehanded for as long as they have to. Then they go back to those jobs with blackened eyes and loosened teeth and the sense that they can handle anyt
The American Cinema: Directors and Directions, 1929-1968 book cover72

The American Cinema: Directors and Directions, 1929-1968

Andrew Sarris

4.1
"The American Cinema is the Citizen Kane of film criticism, a brilliant book that elevated American directors from craftsmen to artists, launched the careers of numerous film critics, and shaped the aesthetics of a whole generation of viewers by providing new ways of looking at movies."--Emanuel Levy, author of George Cukor, Master of Elegance


The auteur theory, of which film critic Andrew Sarris w
Five Came Back: A Story of Hollywood and the Second World War book cover73

Five Came Back: A Story of Hollywood and the Second World War

Mark Harris

4.1
In Pictures at a Revolution, Mark Harris turned the story of the five movies nominated for Best Picture in 1967 into a landmark work of cultural history, a book about the transformation of an art form and the larger social shift it signified. In Five Came Back, he achieves something larger and even more remarkable, giving us the untold story of how Hollywood changed World War II, and how World War
The Good, The Bad and The Multiplex: What's Wrong With Modern Movies? book cover74

The Good, The Bad and The Multiplex: What's Wrong With Modern Movies?

Mark Kermode

4.1
In It's Only a Movie, the incomparable Mark Kermode showed us the weird world of a film critic's life lived in widescreen. Now, in The Good, The Bad and The Multiplex, he takes us into the belly of the beast to ask: 'What's wrong with modern movies?'

If blockbusters make money no matter how bad they are, then why not make a good one for a change? How can 3-D be the future of cinema when it's been g
75

Final Cut Dreams and Disasters In The

Steven Bach

4.1
Harry Potter and the Order of the Phoenix (Harry Potter, #5) book cover76

Harry Potter and the Order of the Phoenix (Harry Potter, #5)

J. K. Rowling

4.1
Dumbledore lowered his hands and surveyed Harry through his half-moon glasses. 'It is time,' he said, 'for me to tell you what I should have told you five years ago, Harry. Please sit down. I am going to tell you everything.'

Harry Potter is due to start his fifth year at Hogwarts School of Witchcraft and Wizadry. He is desperate to get back to school and find out why his friends Ron and Hermione
The Parade's Gone By... book cover77

The Parade's Gone By...

Kevin Brownlow

4.1
The magic of the silent screen, illuminated by the recollections of those who created it.
A narrative and photographic history of the early days of the movies, combining fact, anecdote, and reminiscence in a critical survey of films, actors, directors, producers, writers, editors, technicians, and other participants and hangers-on.
Cinema 2: The Time-Image book cover78

Cinema 2: The Time-Image

Gilles Deleuze

4.1
Cinema 2: The Time-Image brings to completion Gilles Deleuze's work on the theoretical implications of the cinematographic image. In Cinema 1: The Movement-Image, Deleuze proposed a new way to understand narrative cinema, based on Henri Bergson's notion of the movement-image and C.S. Pierce's classification of images and signs. In Cinema 2, he explains why, since World War II, time has come to dom
79

The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition

Gustavo Mercado

4.1
This is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them.

Loaded with hundreds of full-color examples, The Filmmaker's Eye is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. This book has
The Films of Akira Kurosawa book cover80

The Films of Akira Kurosawa

Donald Richie

4.1
In an epilogue provided for his incomparable study of Akira Kurosawa (1910-1998), Donald Richie reflects on Kurosawa's life work of thirty feature films and describes his last, unfinished project, a film set in the Edo period to be called The Ocean Was Watching.

Kurosawa remains unchallenged as one of the century's greatest film directors. Through his long and distinguished career he managed, like
Images: My Life in Film book cover81

Images: My Life in Film

Ingmar Bergman, Marianne Ruuth

4.1
Following the success of his bestselling autobiography The Magic Lantern, the most influential film director of our time shares his wisdom and insights about himself and his cinematic work. Bergman's career spanned 40 years and produced over 50 films, many of which are considered classics. Over 200 photos.
The Help book cover82

The Help

Kathryn Stockett

4.0
Three ordinary women are about to take one extraordinary step.

Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and
Room to Dream book cover83

Room to Dream

David Lynch

4.0
The extraordinary, highly anticipated memoir from visionary filmmaker David Lynch

In this memoir, David Lynch, co-creator of Twin Peaks and writer and director of groundbreaking films like Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive, opens up about a lifetime of extraordinary creativity, the friendships he has made along the way and the struggles he has faced--sometimes successfu
The Great Gatsby book cover84

The Great Gatsby

F. Scott Fitzgerald

4.0
A young man, newly rich, tries to recapture the past and win back his former love, despite the fact that she has married.
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece book cover85

Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece

Michael Benson

4.0
The definitive story of the making of 2001: A Space Odyssey, acclaimed today as one of the greatest films ever made, and of director Stanley Kubrick and writer Arthur C. Clarke—“a tremendous explication of a tremendous film….Breathtaking” (The Washington Post).

Fifty years ago a strikingly original film had its premiere. Still acclaimed as one of the most remarkable and important motion pictures ev
The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt book cover86

The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt

Lotte Eisner

4.0
The Golden Age of German cinema began at the end of the First World War and ended shortly after the coming of sound. From The Cabinet of Dr. Caligari onwards the principal films of this period were characterized by two influences: literary Expressionism, and the innovations of the theatre directors of this period, in particular Max Reinhardt. This book demonstrates the connection between German Ro
87

The Five C's of Cinematography: Motion Picture Filming Techniques

Joseph V Mascelli

4.0
With the aid of photographs and diagrams, this text concisely presents concepts and techniques of motion picture camerawork and the allied areas of film-making with which they interact with and impact. Included are discussions on: cinematic time and space; compositional rules; and types of editing.
Who the Devil Made It: Conversations with Legendary Film Directors book cover88

Who the Devil Made It: Conversations with Legendary Film Directors

Peter Bogdanovich

4.0
Peter Bogdanovich, director, screenwriter, actor and critic, interviews sixteen legendary directors of the first hundred years of film - from Allan Dwan and Raoul Walsh to Leo McCarey, Alfred Hitchcock and Sidney Lumet. The conversations brought together in this book give us a history of the movies. They are the stories of pioneers who came to the picture business from many worlds. Some were adven
Complicated Women: Sex and Power in Pre-Code Hollywood book cover89

Complicated Women: Sex and Power in Pre-Code Hollywood

MICK LASALLE

4.0
In the pre-Code Hollywood era, between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers, and, in general, acted the way many think women only acted after 1968.

Before then, women on screen had come in two varieties-sweet ingenue or vamp. Then two stars came along: Greta Garbo, who turned t
90

Cinematic Storytelling

Jennifer Van Sijll

4.0
What the industry's most succcessful writers and directors have in common is that they have mastered the cinematic conventions specific to the medium.
The Great Movies II book cover91

The Great Movies II

Roger Ebert

4.0
Continuing the pitch-perfect critiques begun in The Great Movies, Roger Ebert's The Great Movies II collects 100 additional essays, each one of them a gem of critical appreciation and an amalgam of love, analysis, and history that will send readers back to films with a fresh set of eyes and renewed enthusiasm—or perhaps to an avid first-time viewing. Neither a snob nor a shill, Ebert manages in th
Scorsese on Scorsese book cover92

Scorsese on Scorsese

David Thompson, Ian Christie, Michael Powell

4.0
The interviews with the director Martin Scorsese which make up this book reveal a man with an unbridled passion for film. This revised edition contains material on GoodFellas, Cape Fear, The Age of Innocence, and other projects up to Casino.
The Stanley Kubrick Archives book cover93

The Stanley Kubrick Archives

Alison Castle

4.0
The first book to explore Stanley Kubrick's archives is also the most comprehensive study of the filmmaker to date Part 1: The films In 1968, when Stanley Kubrick was asked to comment on the metaphysical significance of 2001: A Space Odyssey, he replied: ?It's not a message I ever intended to convey in words. 2001 is a nonverbal experience?. I tried to create a visual experience, one that bypasses
Kitchen Confidential: Adventures in the Culinary Underbelly book cover94

Kitchen Confidential: Adventures in the Culinary Underbelly

Anthony Bourdain

4.0
A deliciously funny, delectably shocking banquet of wild-but-true tales of life in the culinary trade from Chef Anthony Bourdain, laying out his more than a quarter-century of drugs, sex, and haute cuisine—now with all-new, never-before-published material.

New York Chef Tony Bourdain gives away secrets of the trade in his wickedly funny, inspiring memoir/expose. Kitchen Confidential reveals what Bo
My Autobiography book cover95

My Autobiography

Charlie Chaplin

4.0
Chaplin’s heartfelt and hilarious autobiography tells the story of his childhood, the challenge of identifying and perfecting his talent, his subsequent film career and worldwide celebrity. In this, one of the very first celebrity memoirs, Chaplin displays all the charms, peculiarities and deeply-held beliefs that made him such an endearing and lasting character.

Re-issued as part of Melville House
Harry Potter and the Deathly Hallows (Harry Potter, #7) book cover96

Harry Potter and the Deathly Hallows (Harry Potter, #7)

J. K. Rowling, Mary GrandPré

4.0
Harry Potter is leaving Privet Drive for the last time. But as he climbs into the sidecar of Hagrid’s motorbike and they take to the skies, he knows Lord Voldemort and the Death Eaters will not be far behind.

The protective charm that has kept him safe until now is broken. But the Dark Lord is breathing fear into everything he loves. And he knows he can’t keep hiding.

To stop Voldemort, Harry knows
Harry Potter and the Chamber of Secrets (Harry Potter, #2) book cover97

Harry Potter and the Chamber of Secrets (Harry Potter, #2)

J.K. Rowling

4.0
The Dursleys were so mean and hideous that summer that all Harry Potter wanted was to get back to the Hogwarts School for Witchcraft and Wizardry. But just as he's packing his bags, Harry receives a warning from a strange, impish creature named Dobby who says that if Harry Potter returns to Hogwarts, disaster will strike

And strike it does. For in Harry's second year at Hogwarts, fresh torments and
Lulu in Hollywood book cover98

Lulu in Hollywood

Louise Brooks

4.0
Louise Brooks (1906-1985) is one of the most famous actresses of the silent era, renowned as much for her rebellion against the Hollywood system as for her performances in such influential films as Pandora’s Box and Diary of a Lost Girl. Eight autobiographical essays by Brooks, on topics ranging from her childhood in Kansas and her early days as a Denishawn and Ziegfeld Follies dancer to her frien
The Princess Diarist book cover99

The Princess Diarist

Carrie Fisher

4.0
The last book from beloved Hollywood icon Carrie Fisher, The Princess Diarist is an intimate, hilarious, and revealing recollection of what happened behind the scenes on one of the most famous film sets of all time, the first Star Wars movie.

When Carrie Fisher discovered the journals she kept during the filming of the first Star Wars movie, she was astonished to see what they had preserved--plain
Open Book book cover100

Open Book

Jessica Simpson

4.0
Jessica reveals for the first time her inner monologue and most intimate struggles. Guided by the journals she's kept since age fifteen, and brimming with her unique humor and down-to-earth humanity, Open Book is as inspiring as it is entertaining.

This was supposed to be a very different book. Five years ago, Jessica Simpson was approached to write a motivational guide to living your best life. Sh