Want to know what books Austin Kleon recommends? We've researched interviews, social media posts, podcasts, and articles to build a comprehensive list of Austin Kleon's favorite book recommendations of all time. At Shortform, we know books. Our book guides are the best in the world. Learn why.
Psychologist Mihaly Csikszentmihalyi's famous investigations of "optimal experience" have revealed that what makes an experience genuinely satisfying is a state of consciousness called flow. During flow, people typically experience deep enjoyment, creativity, and a total involvement with life. In this new edition of his groundbreaking classic work, Csikszentmihalyi demonstrates the ways this positive state can be controlled, not just left to chance. Flow: The Psychology of Optimal Experience teaches how, by ordering the information that enters our consciousness, we can discover true happiness and greatly improve the quality of our lives.
While re-reading Mihaly Csikszentmihalyi’s wonderful book Flow: The Psychology of Optimal Experience, I came across this passage on working crossword puzzles. I think he could just as well be talking about making blackout poems: "There is much to be said in favor of this popular pastime, which in its best form resembles the ancient riddle contests. It is inexpensive and portable, its challenges can be finely graduated so that both novices and experts can enjoy it, and its solution produces a sense of pleasing order that gives one a satisfying feeling of accomplishment. It provides opportunities to experience a mild state of flow to many people who are stranded in airport lounges, who travel on commuter trains, or who are simply whiling away Sunday mornings." [source]
Tom Chatfield
The notion of flow is the idea that there is a state that is characterised by complete immersion in an activity, by a constant response to stimuli, and a perfect match between your ability and the challenge in front of you. [source]
Cover unavailable
2
Understanding Comics: The Invisible Art
Scott McCloud
4.3
The bestselling international classic on storytelling and visual communication
"You must read this book." — Neil Gaiman
Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.
…
Recommended by Ev Williams, Austin Kleon, Bret Victor, and 1 others.
Unsolicited, but here’s my advice for visual thinkers (and others) who want to be better writers: … Cartoonists, because their work demands work from two disciplines (writing/art, poetry/design, words/pictures), are highly instructive when it comes to visual people learning to write, writers learning to make art, etc. (Check out Scott McCloud’s Understanding Comics for more.) [source]
Will Brooker
Understanding Comics is a book about how comics work, told in comic form. It’s very accessible, it’s for the general reader and is about comics in general, not just superhero comics. It explores areas like pacing and editing – how motion can be created through static panels on a page, and how arranging those panels in different ways, or drawing in different styles, or combining text and image, has different effects. It’s almost like a book on film study which explores the role of sound, lighting or editing. Scott McCloud is an artist himself, and he draws pastiches to show how different styles produce different effects. [source]
As in the Obstacle is the way, Ryan holiday delivers practical and inspiring philosophy, this time exploring a powerful concept that runs back centuries, across borders and schools of thought: Ego. Ego is our biggest enemy. Early in our careers, it can prevent us from learning and developing our talents. When we taste success, ego can blind us to our own faults, alienate us from others and lead to our downfall. In failure, ego is devastating and makes recovery all the more difficult. It is only by identifying our ego, speaking to its desires and systematically disarming it that we can create our best work. Organised into bite-sized observations featuring characters and narratives that illustrate themes and life lessons designed to resonate, uplift and inspire, Ego is the Enemy shows how you can be humble in your aspirations, gracious in your success and resilient in your failures. It is an inspiring and timely reminder that humility and confidence are still our greatest friends when confronting the challenges of a culture which tends to fan the flames of ego and encourage the cult of personality at all costs.
The Comedian BIll Hicks said the world was tainted with fevered egos. In Ego Is the Enemy, Ryan Holiday writes us all a prescription: humility. This book is packed with stories and quotes that will help you get out of your own way. Whether you're starting out or starting over, you'll find something to steal here. [source]
This is one of my favorite authors on the planet @ryanholiday one of his many books is titled “Ego Is The Enemy.” So if you want more from him on the subject of ego than what’s in this 60 second clip that’s the book… https://t.co/0QDe9V69KV [source]
Inspiring yet practical... teaches us how to manage and tame this beast within us so that we can focus on what really matters - producing the best work possible. [source]
Cover unavailable
4
The Folded Clock: A Diary
Heidi Julavits
3.9
Like many young people, Heidi Julavits kept a diary. Decades later she found her old diaries in a storage bin, and hoped to discover the early evidence of the person (and writer) she’d since become. Instead, “The actual diaries revealed me to possess the mind of a paranoid tax auditor.” Thus was born a desire to try again, to chronicle her daily life as a fortysomething woman, wife, mother, and writer. The dazzling result is The Folded Clock, in which the diary form becomes a meditation on time and self, youth and aging, betrayal and loyalty, friendship and romance, faith and fate, marriage and family, desire and death, gossip and secrets, art and ambition. The Folded Clock is as playful as it is brilliant, a tour de force by one of the most gifted prose stylists in American letters.
I’m not so sure that Julavitz and I would get along together at a party, but dang, I liked her book. [source]
Cover unavailable
5
Tao Te Ching: By Lao Tzu - Illustrated
Lao Tse
4.4
A lucid translation of the well-known Taoist classic by a leading scholar-now in a Shambhala Pocket Library edition. Written more than two thousand years ago, the Tao Teh Ching, or -The Classic of the Way and Its Virtue, - is one of the true classics of the world of spiritual literature. Traditionally attributed to the legendary -Old Master, - Lao Tzu, the Tao Teh Ching teaches that the qualities of the enlightened sage or ideal ruler are identical with those of the perfected individual. Today, Lao Tzu's words are as useful in mastering the arts of leadership in business and politics as they are in developing a sense of balance and harmony in everyday life. To follow the Tao or Way of all things and realize their true nature is to embody humility, spontaneity, and generosity. John C. H. Wu has done a remarkable job of rendering this subtle text into English while retaining the freshness and depth of the original. A jurist and scholar, Dr. Wu was a recognized authority on Taoism and the translator of several Taoist and Zen texts and of Chinese poetry. This book is part of the Shambhala Pocket Library series. The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.
Every one of these poems reads like a subtweet of the president. Le Guin’s footnotes are great, too: In response to “having a lot of things, a lot of money: / shameless theives. / Surely their way / isn’t the way,” she writes, “So much for capitalism.”) [source]
Q: What are the books that had a major influence on you? Or simply the ones you like the most. : Tao te Ching, score takes care of itself, between the world and me, the four agreements, the old man and the sea...I love reading! [source]
According to a Yibada interview with Chen Wei, who wrote Ma’s 2014 authorized biography, the Alibaba founder and executive chairman always carries the Tao Te Ching, the foundational text of Taoist philosophy, religion and ethics composed by Lao Tzu in the sixth century B.C. [source]
Cover unavailable
6
Amusing Ourselves to Death: Public Discourse in the Age of Show Business
Television has conditioned us to tolerate visually entertaining material measured out in spoonfuls of time, to the detriment of rational public discourse and reasoned public affairs. In this eloquent, persuasive book, Neil Postman alerts us to the real and present dangers of this state of affairs, and offers compelling suggestions as to how to withstand the media onslaught. Before we hand over politics, education, religion, and journalism to the show business demands of the television age, we must recognize the ways in which the media shape our lives and the ways we can, in turn, shape them to serve out highest goals.
…
Recommended by Austin Kleon, Kara Nortman, Stephen Kinsella, and 3 others.
Earlier this year Postman’s son Andrew wrote an op-ed with the title, “My dad predicted Trump in 1985 — it’s not Orwell, he warned, it’s Brave New World.” Postman wrote: “What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one.” [source]
Kara Nortman
@andrewchen Also a great book on the topic - Amusing Ourselves to Death https://t.co/yWLBxKumLQ [source]
Stephen Kinsella
@AlanReillyIRL @t0nyyates @WhelanKarl Yes! Fantastic book. So glad you're re-reading it. [source]
Cover unavailable
7
How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer
Sarah Bakewell
4.4
Winner of the 2010 National Book Critics Circle Award for Biography
How to get along with people, how to deal with violence, how to adjust to losing someone you love—such questions arise in most people’s lives. They are all versions of a bigger question: how do you live? How do you do the good or honorable thing, while flourishing and feeling happy?
This question obsessed Renaissance writers, none more than Michel Eyquem de Monatigne, perhaps the first truly modern individual. A nobleman, public official and wine-grower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them “essays,” meaning “attempts” or “tries.” Into them, he put whatever was in his head: his tastes in wine and food, his childhood memories, the way his dog’s ears twitched when it was dreaming, as well as the appalling events of the religious civil wars raging around him. The Essays was an instant bestseller and, over four hundred years later, Montaigne’s honesty and charm still draw people to him. Readers come in search of companionship, wisdom and entertainment—and in search of themselves.
This book, a spirited and singular biography, relates the story of his life by way of the questions he posed and the answers he explored. It traces his bizarre upbringing, youthful career and sexual adventures, his travels, and his friendships with the scholar and poet Étienne de La Boétie and with his adopted “daughter,” Marie de Gournay. And we also meet his readers—who for centuries have found in Montaigne an inexhaustible source of answers to the haunting question, “how to live?”
How to get along with people, how to deal with violence, how to adjust to losing someone you love—All versions of a bigger question: How do you live? [source]
Montaigne is one of humanities greatest treasures. If you've not read any of his essays or Sarah Bakewell's magnificent book How To Live … you are missing out. [source]
Cover unavailable
8
The Gift: Creativity and the Artist in the Modern World
Lewis Hyde
4.1
“A manifesto of sorts for anyone who makes art [and] cares for it.” —Zadie Smith
“The best book I know of for talented but unacknowledged creators. . . . A masterpiece.” —Margaret Atwood
“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster Wallace
By now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.
An illuminating and transformative book, and completely original in its view of the world, The Gift is cherished by artists, writers, musicians, and thinkers. It is in itself a gift to all who discover the classic wisdom found in its pages.
I’m not really sure what to say about this book. It just kind of re-affirmed a lot of what I’ve been thinking about making art: that it’s important for me to have a day job, so I can separate work from play, and that the more generous you are with your audience (through blogging, teaching, sharing, etc.) the better off you’ll be as an artist—spiritually and financially. [source]
Armina Sirbu
It's amazing to realize how gifts have impacted and influenced the human race. [source]
Lucy Newlyn
The Gift is not a book about Wordsworth. The subtitle of the UK edition is “How the Creative Spirit Transforms the World”. Lewis Hyde looks at creativity not as the route to celebrity, but rather in terms of a “gift economy”. He plays off the great Marcel Mauss’s 1923 anthropological essay The Gift, building on Mauss’s idea that there’s no such thing as a free gift – when you give something, you expect something in return. If you apply this notion to creativity, thinking of creative artefacts as gifts that elicit further gifts, then you begin to understand creativity in terms of community – as an economy that is spiritual, communal, energising and potentially transformative, rather than simply egotistical, for fame and money. [source]
Cover unavailable
9
The Summer Book
Tove Jansson, Thomas Teal, Kathryn Davis
4.2
In The Summer Book Tove Jansson distills the essence of the summer—its sunlight and storms—into twenty-two crystalline vignettes. This brief novel tells the story of Sophia, a six-year-old girl awakening to existence, and Sophia’s grandmother, nearing the end of hers, as they spend the summer on a tiny unspoiled island in the Gulf of Finland. The grandmother is unsentimental and wise, if a little cranky; Sophia is impetuous and volatile, but she tends to her grandmother with the care of a new parent. Together they amble over coastline and forest in easy companionship, build boats from bark, create a miniature Venice, write a fanciful study of local bugs. They discuss things that matter to young and old alike: life, death, the nature of God and of love. “On an island,” thinks the grandmother, “everything is complete.” In The Summer Book, Jansson creates her own complete world, full of the varied joys and sorrows of life.
Tove Jansson, whose Moomintroll comic strip and books brought her international acclaim, lived for much of her life on an island like the one described in The Summer Book, and the work can be enjoyed as her closely observed journal of the sounds, sights, and feel of a summer spent in intimate contact with the natural world.
The Summer Book is translated from the Swedish by Thomas Teal.
…
Recommended by Austin Kleon, Jean Webb, and Zoe Kazan.
All of Jansson’s work makes me want to move to Finland and live on an island. Less fanciful than my beloved Moomin comics, these stories have an undercurrent of sorrow to them. Really gorgeous book. [source]
Jean Webb
On the island the grandmother, who is an artist, creates a whole world—a forest with animals made from pieces of wood for the granddaughter. The book explores ways in which they engage with each other. [source]
Zoe Kazan
@nanzhda I love this book. I’ve given it away so many times I no longer have a copy x [source]
Cover unavailable
10
Tape for the Turn of the Year
Ammons R A
4.5
In the form of a journal covering the period December 6, 1963, through January 10, 1964, A. R. Ammons’s long, thin poem was written on a roll of adding-machine tape, then transferred foot by foot to manuscript. He chose this method as a serious experiment in making a poem adapt to something outside itself. The tape determined both the length of the poem’s lines and when it ends. Tape for the Turn of the Year is a poem of infinite variety, blessed by the rich resources of one of this century’s greatest poets. By turns witty, serious, lyrical, and meditative, it is at once a superbly entertaining book and a significant literary achievement.
I started the book on December 6 of last year, and followed along with each entry until January 10th. [source]
Cover unavailable
11
Reinventing Bach
Paul Elie
4.0
The story of a revolution in classical music and technology, told through a century of recordings of the music of Johann Sebastian Bach
In Reinventing Bach, his remarkable second book, Paul Elie tells the electrifying story of how musicians of genius have made Bach's music new in our time, at once restoring Bach as a universally revered composer and revolutionizing the ways that music figures into our lives. As a musician in eighteenth-century Germany, Bach was on the technological frontier—restoring organs, inventing instruments, and perfecting the tuning system still in use today. Two centuries later, pioneering musicians began to take advantage of breakthroughs in audio recording to make Bach's music the sound of modern transcendence. The sainted organist Albert Schweitzer played to a mobile recording unit set up at London's Church of All Hallows in order to spread Bach's organ works to the world beyond the churches. Pablo Casals, recording at Abbey Road Studios, made Bach's cello suites existentialism for the living room; Leopold Stokowski and Walt Disney, with Fantasia, made Bach the sound of children's playtime and Hollywood grandeur alike. Glenn Gould's Goldberg Variations opened and closed the LP era and made Bach the byword for postwar cool; and Yo-Yo Ma has brought Bach into the digital present, where computers and smartphones put the sound of Bach all around us. In this book we see these musicians and dozens of others searching, experimenting, and collaborating with one another in the service of Bach, who emerges as the very image of the spiritualized, technically savvy artist. Reinventing Bach is a gorgeously written story of music, invention, and human passion—and a story with special relevance in our time, for it shows that great things can happen when high art meets new technology.
Takes a look at Bach’s work through the recordings of his works throughout the years. I especially liked reading about Glenn Gould and Pablo Casals. [source]
Cover unavailable
12
Prince And The Purple Rain Era Studio Sessions 1983-1984
Duane Tudahl, Questlove
4.8
Prince and the Purple Rain Era Studio Sessions pulls back the paisley curtain to reveal the untold story of Prince’s rise from cult favorite to the biggest rock star on the planet. His journey is meticulously documented through detailed accounts of his time secluded behind the doors of the recording studio as well as his days on tour.
With unprecedented access to the musicians, singers, and studio engineers who knew Prince best, including members of The Revolution and The Time, Duane Tudahl weaves an intimate saga of an eccentric genius and the people and events who helped shape the groundbreaking music he created. From Sunset Sound Studios' daily recording logs and Warner Brothers' vault of information, Tudahl uncovers hidden truths about the origins of songs such as “Purple Rain,” “When Doves Cry,” and “Raspberry Beret” and also reveals never-before-published details about Prince's unreleased outtakes.
This definitive chronicle of Prince's creative brilliance during 1983 and 1984 reveals a new experience of the Purple Rain album as an integral part of Prince's life and the lives of those closest to him.
A day-by-day play-by-play of Prince in the recording studio at the height of his powers. I did a lot of skimming and skipping around, but really enjoyed it. [source]
Cover unavailable
13
A Philosophy of Walking
Frederic Gros, Clifford Harper, John Howe
4.0
In A Philosophy of Walking, a bestseller in France, leading thinker Frédéric Gros charts the many different ways we get from A to B — the pilgrimage, the promenade, the protest march, the nature ramble — and reveals what they say about us.
Gros draws attention to other thinkers who also saw walking as something central to their practice. On his travels he ponders Thoreau’s eager seclusion in Walden Woods; the reason Rimbaud walked in a fury, while Nerval rambled to cure his melancholy. He shows us how Rousseau walked in order to think, while Nietzsche wandered the mountainside to write. In contrast, Kant marched through his hometown every day, exactly at the same hour, to escape the compulsion of thought. Brilliant and erudite, A Philosophy of Walking is an entertaining and insightful manifesto for putting one foot in front of the other.
What is “Art”? It’s widely accepted that art serves an important function in society. But the concept falls under such an absurdly large umbrella and can manifest in so many different ways. Art can be self indulgent, goofy, serious, altruistic, evil, or expressive, or any number of other things. But how can it truly make lasting, positive change? In Why Art?, acclaimed graphic novelist Eleanor Davis (How To Be Happy) unpacks some of these concepts in ways both critical and positive, in an attempt to illuminate the highest possible potential an artwork might hope to achieve. A work of art unto itself, Davis leavens her exploration with a sense of humor and a thirst for challenging preconceptions of art worth of Magritte, instantly drawing the reader in as a willing accomplice in her quest.
Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011
Lizzy Goodman
4.3
Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands.
In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem.
Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.
How much you enjoy it will probably depend on your familiarity with the music — I was eighteen and a freshman in college when I saw The Strokes in Newport, KY, in 2001, so it made me pretty danged nostalgic. [source]
Cover unavailable
16
Priestdaddy: A Memoir
Patricia Lockwood
3.7
The childhood of Patricia Lockwood, the poet dubbed "The Smutty-Metaphor Queen of Lawrence, Kansas" by TheNew York Times, was unusual in many respects. There was the location: an impoverished, nuclear waste-riddled area of the American Midwest. There was her mother, a woman who speaks almost entirely in strange koans and warnings of impending danger. Above all, there was her gun-toting, guitar-riffing, frequently semi-naked father, who underwent a religious conversion on a submarine and discovered a loophole which saw him approved for the Catholic priesthood by the future Pope Benedict XVI - despite already having a wife and children.
When the expense of a medical procedure forces the 30-year-old Patricia to move back in with her parents, husband in tow, she must learn to live again with her family's simmering madness, and to reckon with the dark side of a childhood spent in the bosom of the Catholic Church. Told with the comic sensibility of a brasher, bluer Waugh or Wodehouse, this is at the same time a lyrical and affecting story of how, having ventured into the underworld, we can emerge with our levity and our sense of justice intact.
I was a year late to this, but it’s as advertised: Smart, smutty, and laugh-out-loud funny. [source]
Cover unavailable
17
Twentieth-Century Boy: Notebooks of the Seventies
Duncan Hannah
3.9
A celebrated New York City painter's rollicking and vividly immediate account of his life amid the city's glamorous demimondes in their most vital era as an aspiring artist, roaring boy, dandy, cultural omnivore, and far-from-obscure object of desire.
Duncan Hannah arrived in New York City from Minneapolis in the early 1970s as an art student hungry for experience, game for almost anything, and with a prodigious taste for drugs, girls, alcohol, movies, rock and roll, books, parties, and everything else the city had to offer. He also happened to be outrageously, androgynously beautiful, attracting the attention of the city's most prominent gay scenemeisters, who found his adamant heterosexuality a source of immense frustration. Taken directly from the notebooks Hannah kept throughout the seventies, Twentieth-Century Boy is a louche, sometimes lurid, and incredibly entertaining report from a now almost mythical time and place, full of outrageously bad behavior, naked ambition, gender-bending celebrities, fantastically good music and evaporating barriers of taste and decorum. At its center: a young man in the mix and on the make, determined to forge an identity for himself as an artist while being at risk from his own heedless appetites. A time capsule from a scary, seedy, but irresistible time and place.
I loved this book, which was edited from Hannah’s actual diaries that he kept as a young man in 70s NYC. My only gripe is that the book doesn’t include images of the actual notebooks, which are wonderfully visual. [source]
Cover unavailable
18
Words Without Music: A Memoir
Philip Glass
4.3
A world-renowned composer of symphonies, operas, and film scores, Philip Glass has, almost single-handedly, crafted the dominant sound of late-twentieth-century classical music. Yet here in Words Without Music, he creates an entirely new and unexpected voice, that of a born storyteller and an acutely insightful chronicler, whose behind-the-scenes recollections allow readers to experience those moments of creative fusion when life so magically merged with art.
"If you go to New York City to study music, you'll end up like your uncle Henry," Glass's mother warned her incautious and curious nineteen-year-old son. It was the early summer of 1956, and Ida Glass was concerned that her precocious Philip, already a graduate of the University of Chicago, would end up an itinerant musician, playing in vaudeville houses and dance halls all over the country, just like his cigar-smoking, bantamweight uncle. One could hardly blame Mrs. Glass for worrying that her teenage son would end up as a musical vagabond after initially failing to get into Juilliard. Yet, the transformation of a young man from budding musical prodigy to world-renowned composer is the story of this commanding memoir.
From his childhood in post–World War II Baltimore to his student days in Chicago, at Juilliard, and his first journey to Paris, where he studied under the formidable Nadia Boulanger, Glass movingly recalls his early mentors, while reconstructing the places that helped shape his artistic consciousness. From a life-changing trip to India, where he met with gurus and first learned of Gandhi’s Salt March, to the gritty streets of New York in the 1970s, where the composer returned, working day jobs as a furniture mover, cabbie, and an unlicensed plumber, Glass leads the life of a Parisian bohemian artist, only now transported to late-twentieth-century America.
Yet even after Glass’s talent was first widely recognized with the sensational premiere of Einstein on the Beach in 1976, even after he stopped renewing his hack license and gained international recognition for operatic works like Satyagraha, Orphée, and Akhnaten, the son of a Baltimore record store owner never abandoned his earliest universal ideals throughout his memorable collaborations with Allen Ginsberg, Ravi Shankar, Robert Wilson, Doris Lessing, Martin Scorsese, and many others, all of the highest artistic order.
Few major composers are celebrated as writers, but Philip Glass, in this loving and slyly humorous autobiography, breaks across genres and re-creates, here in words, the thrill that results from artistic creation. Words Without Music ultimately affirms the power of music to change the world.
Devoured this one, and afterwards, was surprised it took me so long to pick it up. Glass writes about so many of my favorite topics: creativity, day jobs, parenting, lineage, etc. Totally accessible, and made me want to listen to more of his music. [source]
Cover unavailable
19
You & a Bike & a Road
Eleanor Davis
4.4
In 2016, acclaimed cartoonist and illustrator Eleanor Davis documented her cross-country bike tour as it happened. The immediacy of Davis’ comics journal makes for an incredible chronicle of human experience on the most efficient and humane form of human transportation.
Eleanor Davis is a cartoonist and illustrator. She lives in Athens, GA and was born in Tucson, Arizona. In 2009, Davis won the Eisner's Russ Manning Most Promising Newcomer Award and was named one of Print magazine's New Visual Artists. In 2015, her book How To Be Happy won the Ignatz Award for Outstanding Anthology or Collection.
A comic diary of Davis’s bike across the south. I love her work so much. If I had to pick, this might be my favorite book I read this year. She’s on fire, and I can’t wait to read what’s next. [source]
Cover unavailable
20
The Largesse of the Sea Maiden
Denis Johnson
4.0
The Largesse of the Sea Maiden is the long-awaited new story collection from Denis Johnson. It follows the groundbreaking, highly acclaimed Jesus’ Son. Written in the same luminous prose, this collection finds Johnson in new territory, contemplating old age, mortality, the ghosts of the past, and the elusive and unexpected ways the mysteries of the universe assert themselves. Finished shortly before Johnson’s death in May 2017, this collection is the last word from a writer whose work will live on for many years to come.
As 2018 draws to a close, I’m continuing a favorite tradition of mine and sharing my year-end lists. It gives me a moment to pause and reflect on the year through the books I found most thought-provoking, inspiring, or just plain loved. It also gives me a chance to highlight talented authors – some who are household names and others who you may not have heard of before. Here’s my best of 2018 list. [source]
Cover unavailable
21
Slow Days, Fast Company: The World, the Flesh, and L.A.
Eve Babitz, Matthew Specktor
4.2
No one burned hotter than Eve Babitz. Possessing skin that radiated “its own kind of moral laws,” spectacular teeth, and a figure that was the stuff of legend, she seduced seemingly everyone who was anyone in Los Angeles for a long stretch of the 1960s and ’70s. One man proved elusive, however, and so Babitz did what she did best, she wrote him a book. Slow Days, Fast Company is a full-fledged and full-bodied evocation of a bygone Southern California that far exceeds its mash-note premise. In ten sun-baked, Santa Ana wind–swept sketches, Babitz re-creates a Los Angeles of movie stars distraught over their success, socialites on three-day drug binges holed up in the Chateau Marmont, soap-opera actors worried that tomorrow’s script will kill them off, Italian femmes fatales even more fatal than Babitz. And she even leaves LA now and then, spending an afternoon at the house of flawless Orange County suburbanites, a day among the grape pickers of the Central Valley, a weekend in Palm Springs where her dreams of romance fizzle and her only solace is Virginia Woolf. In the end it doesn’t matter if Babitz ever gets the guy—she seduces us.
I love reading and thinking about Los Angeles, and I love writing that’s smart and trashy, so I liked this a lot. [source]
Cover unavailable
22
Let's Explore Diabetes with Owls
David Sedaris
4.0
A guy walks into a bar car and...
From here the story could take many turns. When this guy is David Sedaris, the possibilities are endless, but the result is always the same: he will both delight you with twists of humor and intelligence and leave you deeply moved.
Sedaris remembers his father's dinnertime attire (shirtsleeves and underpants), his first colonoscopy (remarkably pleasant), and the time he considered buying the skeleton of a murdered Pygmy.
With Let's Explore Diabetes with Owls, David Sedaris shows once again why his work has been called "hilarious, elegant, and surprisingly moving" (Washington Post).
I read this one, then I read his collected diaries, Theft By Finding, and then I read the visual compendium, which might have even been the most interesting of the three books, but I’m listing this one because it’s hilarious, although with the interstitial fiction bits, it’s sort of like one of those classic 90s hip-hop albums where you skip the “skit” tracks. [source]
Cover unavailable
23
The Importance of Living
Lin Yutang
4.2
The Importance of Living is a wry, witty antidote to the dizzying pace of the modern world. Lin Yutang's prescription is the classic Chinese philosophy of life: Revere inaction as much as action, invoke humor to maintain a healthy attitude, and never forget that there will always be plenty of fools around who are willing-indeed, eager-to be busy, to make themselves useful, and to exercise power while you bask in the simple joy of existence.At a time when we're overwhelmed with wake-up calls, here is a refreshing, playful reminder to savor life's simple pleasures.
I learned about this 1937 bestseller while reading Will Schwalbe’s Books For Living. It’s basically a book about the ancient Chinese art of chilling out and living a good life. (One thing: If you pick it up, just skip chapter 8 and Lin Yutang’s sexist views.) The book celebrates other writers who got me through the year — Thoreau, Whitman, Lao Tzu. I find it fitting that the only other person I knew who’d ever read it was the late Amy Krouse Rosenthal, who said in 2010, “If you read 1 book this year… make it this… no words to describe.) [source]
Cover unavailable
24
Inventing Kindergarten
Norman Brosterman
4.6
Adults over a certain age probably have similar memories of their first taste of school--the half-day kindergarten that featured singing, finger-painting, stories, and naptime. Whatever lessons we absorbed during those halcyon hours were not obvious ones, but we developed confidence, exercised our imaginations, and learned the basic schoolroom drill concerning school buses, milk money, and raising our hands before asking or answering a question. These days, kindergarten is a far departure from its earlier incarnation; instead of a loosely structured time to play and discover, modern kindergartens are more like First Grade 101, in which children are taught their numbers and letters and even assigned homework. Norman Brosterman, author of Inventing Kindergarten, doesn't approve.
Inventing Kindergarten is partly Brosterman's views about the importance of the traditional kindergarten in shaping the hearts and minds of children, partly a biography of an almost-forgotten educator, Friedrich Froebel, the inventor of kindergarten. In tracing Froebel's life and beliefs about education, Brosterman makes a strong case for returning to Froebel's original model in order to encourage the development of "a sensitive, inquisitive child with an uninhibited curiosity and a genuine respect for nature, family and society." Even if you don't agree with Brosterman's belief that kindergarten is responsible for many of modern art's geniuses, it's hard to argue with a philosophy that makes room for the importance of play in early education.
This is not only a beautifully produced illustrated history of Friedrich Froebel’s institution, it also presents a compelling case that kindergarten influenced the origins of abstract art and modern architecture. (The juxtaposition of children’s art with paintings and blueprints reminds me of David Hockney’s Secret Knowledge.) [source]
Cover unavailable
25
In the Blink of an Eye
Walter Murch
4.4
In the Blink of an Eye is celebrated film editor Walter Murch's vivid, multifaceted, thought-provoking essay on film editing. Starting with what might be the most basic editing question - Why do cuts work? - Murch treats the reader to a wonderful ride through the aesthetics and practical concerns of cutting film. Along the way, he offers his unique insights on such subjects as continuity and discontinuity in editing, dreaming, and reality; criteria for a good cut; the blink of the eye as an emotional cue; digital editing; and much more. In this second edition, Murch reconsiders and completely revises his popular first edition's lengthy meditation on digital editing (which accounts for a third of the book's pages) in light of the technological changes that have taken place in the six years since its publication.
A short, brilliant book about film editing that has quite a few lessons for writers, too. (It would make an excellent companion to Sidney Lumet’s Making Movies.) I first read about Murch in Lawrence Weschler’s book about his adventures in astrophysics, Waves Passing In The Night, which I picked randomly off my local library’s New Arrivals shelf. [source]
Cover unavailable
26
The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made
Greg Sestero, Tom Bissell
4.6
New York Times bestseller—now a major motion picture directed by and starring James Franco!
From the actor who somehow lived through it all, a “sharply detailed…funny book about a cinematic comedy of errors” (The New York Times): the making of the cult film phenomenon The Room.
In 2003, an independent film called The Room—starring and written, produced, and directed by a mysteriously wealthy social misfit named Tommy Wiseau—made its disastrous debut in Los Angeles. Described by one reviewer as “like getting stabbed in the head,” the $6 million film earned a grand total of $1,800 at the box office and closed after two weeks. Years later, it’s an international cult phenomenon, whose legions of fans attend screenings featuring costumes, audience rituals, merchandising, and thousands of plastic spoons.
Hailed by The Huffington Post as “possibly the most important piece of literature ever printed,” The Disaster Artist is the hilarious, behind-the-scenes story of a deliciously awful cinematic phenomenon as well as the story of an odd and inspiring Hollywood friendship. Actor Greg Sestero, Tommy’s costar and longtime best friend, recounts the film’s bizarre journey to infamy, unraveling mysteries for fans (like, who is Steven? And what’s with that hospital on Guerrero Street?)—as well as the most important question: how the hell did a movie this awful ever get made? But more than just a riotously funny story about cinematic hubris, “The Disaster Artist is one of the most honest books about friendship I’ve read in years” (Los Angeles Times).
I’ve been watching The Room for years, and I first read Bissell on the subject in Magic Hours. This was a total behind-the-scenes trip, and it is no surprise to me that the movie based on it has gotten great reviews. (I still haven’t seen it.) [source]
Cover unavailable
27
300 Arguments
Sarah Manguso
3.8
A brilliant and exhilarating sequence of aphorisms from one of our greatest essayists
There will come a time when people decide you’ve had enough of your grief, and they’ll try to take it away from you. Bad art is from no one to no one. Am I happy? Damned if I know, but give me a few minutes and I’ll tell you whether you are. Thank heaven I don’t have my friends’ problems. But sometimes I notice an expression on one of their faces that I recognize as secret gratitude. I read sad stories to inoculate myself against grief. I watch action movies to identify with the quick-witted heroes. Both the same fantasy: I’ll escape the worst of it.
—from 300 Arguments
A “Proustian minimalist on the order of Lydia Davis” (Kirkus Reviews), Sarah Manguso is one of the finest literary artists at work today. To read her work is to witness acrobatic acts of compression in the service of extraordinary psychological and spiritual insight.
300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms. But, as in the work of David Markson, the pieces reveal themselves as a masterful arrangement that steadily gathers power. Manguso’s arguments about desire, ambition, relationships, and failure are pithy, unsentimental, and defiant, and they add up to an unexpected and renegade wisdom literature.
…
Recommended by Frank Blake, Andrew Hui, and Austin Kleon.
I had a couple of magical Manguso readings this year: On a summer trip to San Francisco, I bought this in the morning at Christopher’s Books in Potrero, and then read most of it later that afternoon in the Yerba Buena Gardens. Later in the year, I found a used copy of Ongoingness: The End of A Diary in a market in Antigua, Guatemala, and read that in one sitting, too. [source]
Frank Blake
Bounces around with different observations, some of which you go, god, that’s brilliant and some of it, eh. [source]
Andrew Hui
Sarah Manguso is a contemporary American author, and I think she is the 21st-century La Rochefoucauld! She is an astute and profound observer of our digital lives today, and how much of our lives are mediated in electronic forms. [source]
Cover unavailable
28
How to Think: A Survival Guide for a World at Odds
Alan Jacobs
4.2
How to Think is a contrarian treatise on why we're not as good at thinking as we assume - but how recovering this lost art can rescue our inner lives from the chaos of modern life.
As a celebrated cultural critic and a writer for national publications like The Atlantic and Harper's, Alan Jacobs has spent his adult life belonging to communities that often clash in America's culture wars. And in his years of confronting the big issues that divide us--political, social, religious--Jacobs has learned that many of our fiercest disputes occur not because we're doomed to be divided, but because the people involved simply aren't thinking.
Most of us don't want to think, Jacobs writes. Thinking is trouble. Thinking can force us out of familiar, comforting habits, and it can complicate our relationships with like-minded friends. Finally, thinking is slow, and that's a problem when our habits of consuming information (mostly online) leave us lost in the spin cycle of social media, partisan bickering, and confirmation bias.
In this smart, endlessly entertaining book, Jacobs diagnoses the many forces that act on us to prevent thinking--forces that have only worsened in the age of Twitter, "alternative facts," and information overload--and he also dispels the many myths we hold about what it means to think well. (For example: It's impossible to "think for yourself.")
Drawing on sources as far-flung as novelist Marilynne Robinson, basketball legend Wilt Chamberlain, British philosopher John Stuart Mill, and Christian theologian C.S. Lewis, Jacobs digs into the nuts and bolts of the cognitive process, offering hope that each of us can reclaim our mental lives from the impediments that plague us all. Because if we can learn to think together, maybe we can learn to live together, too.
I read this book twice: first, when Alan asked for a blurb, and second, when I offered to interview him at Bookpeople upon its publication. It’s a brisk, 150-page plea for sanity. Alan is a rare writer: one who not only genuinely loves to write books, but also genuinely loves teaching. [source]
Cover unavailable
29
Arbitrary Stupid Goal
Tamara Shopsin
4.2
In Arbitrary Stupid Goal, Tamara Shopsin takes the reader on a pointillist time-travel trip to the Greenwich Village of her bohemian 1970s childhood, a funky, tight-knit small town in the big city, long before Sex and the City tours and luxury condos. The center of Tamara's universe is Shopsin's, her family's legendary greasy spoon, aka "The Store," run by her inimitable dad, Kenny--a loquacious, contrary, huge-hearted man who, aside from dishing up New York's best egg salad on rye, is Village sheriff, philosopher, and fixer all at once. All comers find a place at Shopsin's table and feast on Kenny's tall tales and trenchant advice along with the incomparable chili con carne.
Filled with clever illustrations and witty, nostalgic photographs and graphics, and told in a sly, elliptical narrative that is both hilarious and endearing, Arbitrary Stupid Goal is an offbeat memory-book mosaic about the secrets of living an unconventional life, which is becoming a forgotten art.
Certainly my favorite book cover of the year, the graphic designer’s memoir drops you right into a kid’s eye view of 1970s Greenwich Village. With it’s chunked sections and hand-drawn illustrations, it gave me the same kind of quick, skippy joy I get when reading Vonnegut. [source]
Cover unavailable
30
Henry David Thoreau: A Life
Laura Dassow Walls
4.7
“Walden. Yesterday I came here to live.” That entry from the journal of Henry David Thoreau, and the intellectual journey it began, would by themselves be enough to place Thoreau in the American pantheon. His attempt to “live deliberately” in a small woods at the edge of his hometown of Concord has been a touchstone for individualists and seekers since the publication of Walden in 1854.
But there was much more to Thoreau than his brief experiment in living at Walden Pond. A member of the vibrant intellectual circle centered on his neighbor Ralph Waldo Emerson, he was also an ardent naturalist, a manual laborer and inventor, a radical political activist, and more. Many books have taken up various aspects of Thoreau’s character and achievements, but, as Laura Dassow Walls writes, “Thoreau has never been captured between covers; he was too quixotic, mischievous, many-sided.” Two hundred years after his birth, and two generations after the last full-scale biography, Walls restores Henry David Thoreau to us in all his profound, inspiring complexity.
Walls traces the full arc of Thoreau’s life, from his early days in the intellectual hothouse of Concord, when the American experiment still felt fresh and precarious, and “America was a family affair, earned by one generation and about to pass to the next.” By the time he died in 1862, at only forty-four years of age, Thoreau had witnessed the transformation of his world from a community of farmers and artisans into a bustling, interconnected commercial nation. What did that portend for the contemplative individual and abundant, wild nature that Thoreau celebrated?
Drawing on Thoreau’s copious writings, published and unpublished, Walls presents a Thoreau vigorously alive in all his quirks and contradictions: the young man shattered by the sudden death of his brother; the ambitious Harvard College student; the ecstatic visionary who closed Walden with an account of the regenerative power of the Cosmos. We meet the man whose belief in human freedom and the value of labor made him an uncompromising abolitionist; the solitary walker who found society in nature, but also found his own nature in the society of which he was a deeply interwoven part. And, running through it all, Thoreau the passionate naturalist, who, long before the age of environmentalism, saw tragedy for future generations in the human heedlessness around him.
“The Thoreau I sought was not in any book, so I wrote this one,” says Walls. The result is a Thoreau unlike any seen since he walked the streets of Concord, a Thoreau for our time and all time.
There’s been a lot of anti-Thoreau sentiment in the past years (heck, Kathryn Schulz published an article in the New Yorker called “Pond Scum”), and I didn’t even think I liked Thoreau, but Walls does a beautiful job of painting a portrait of a writer who was deeply rooted in and connected to his place, who tried his best to carve out a “deliberate” life for himself. (Pair it with NYRB’s reader edition of Thoreau’s journal, which I’ve been reading daily.) [source]
Cover unavailable
31
Sum: Forty Tales from the Afterlives
David Eagleman
4.3
At once funny, wistful and unsettling, Sum is a dazzling exploration of unexpected afterlives—each presented as a vignette that offers a stunning lens through which to see ourselves in the here and now. In one afterlife, you may find that God is the size of a microbe and unaware of your existence. In another version, you work as a background character in other people’s dreams. Or you may find that God is a married couple, or that the universe is running backward, or that you are forced to live out your afterlife with annoying versions of who you could have been. With a probing imagination and deep understanding of the human condition, acclaimed neuroscientist David Eagleman offers wonderfully imagined tales that shine a brilliant light on the here and now.
An imaginative, extremely readable book of short stories. I read at the very beginning of the year and it has stuck with me. (I think about these two afterlives a lot.) [source]
Awesomely creative think-piece. 40 very short fictional stories about what happens when you die. [source]
Cover unavailable
32
Montaigne
Stefan Zweig, Will Stone
4.1
Stefan Zweig was already an émigré-driven from a Europe torn apart by brutality and totalitarianism-when he found, in a damp cellar, a copy of Michel de Montaigne's Essais. Montaigne would become Zweig's last great occupation, helping him make sense of his own life and his obsessions-with personal freedom, with the sanctity of the individual. Through his writings on suicide, he would also, finally, lead Zweig to his death.
With the intense psychological acuity and elegant prose so characteristic of Zweig's fiction, this account of Montaigne's life asks how we ought to think, and how to live. It is an intense and wonderful insight into both subject and biographer.
Zweig wrote this before his suicide, while exiled in Brazil during World War II. To get Montaigne, Zweig said, “you should not be too young, too deprived of experience and life’s deceptions, and it is precisely a generation like ours, cast by fate into the cataract of the world’s turmoil, to whom the freedom and consistency of his thought conveys the most precious aid.” [source]
If you’ve been struggling with the onslaught of negative news and political turmoil, start with Montaigne. Why? It’s the biography of man who retreated from the chaos of 16th century France to study himself, written by a man fleeing the chaos of 20th century Europe. … This book helped me get through 2017, no question. [source]
Cover unavailable
33
Ed Emberley's Drawing Book: Make a World
Ed Emberley
4.6
Using simple shapes, Ed Emberley shows would-be artists how to draw over 400 things, such as an airplane, anteater, submarine, train, kangaroo, gondola, and much much more! This classic book is packed with cool things that kids-and not a few adults-really want to draw. Easy and fun, the book provides hours of art-full entertainment.
I only came to Ed Emberley’s Ed Emberley’s Drawing Book: Make A World last year, but it’s quickly become the #1 book I recommend to people I meet who say, “I can’t draw.” In it, Ed Emberley shows you how to “make a world” with just a few simple shapes, step-by-step. I love the emphasis on simplicity: if you can draw a triangle, a square, a circle, and a line, you’re good to go. [source]
Cover unavailable
34
Reality Hunger: A Manifesto
David Shields
3.8
With this landmark book, David Shields fast-forwards the discussion of the central artistic issues of our time. Who owns ideas? How clear is the distinction between fiction and nonfiction? Has the velocity of digital culture rendered traditional modes obsolete? Exploring these and related questions, Shields orchestrates a chorus of voices, past and present, to reframe debates about the veracity of memoir and the relevance of the novel. He argues that our culture is obsessed with “reality,” precisely because we experience hardly any, and urgently calls for new forms that embody and convey the fractured nature of contemporary experience.
How do objects summon memories? What do real images feel like? For decades, these types of questions have permeated the pages of Lynda Barry’s compositions, with words attracting pictures and conjuring places through a pen that first and foremost keeps on moving. What It Is demonstrates a tried-and-true creative method that is playful, powerful, and accessible to anyone with an inquisitive wish to write or to remember. Composed of completely new material, each page of Barry’s first Drawn & Quarterly book is a full-color collage that is not only a gentle guide to this process but an invigorating example of exactly what it is: “The ordinary is extraordinary.”
Unsolicited, but here’s my advice for visual thinkers (and others) who want to be better writers: Get Lynda Barry’s What It Is and do the exercises every day in a private notebook. [source]
1
