The Hero With a Thousand Faces: Book Overview

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Why is Joseph Campbell’s book, The Hero With a Thousand Faces important? What was the role of mythologies in ancient societies?

The book, The Hero With a Thousand Faces explores the existence of common themes and story elements in the mythologies of ancient societies, even though those cultures belonged to vastly different eras. Those myths served as the manifestations of the inner conflicts and desires of each society. They helped people make sense of their subconscious desires.

Read on to discover how the book, The Hero With a Thousand Faces explains the functional template of hero myths in ancient societies.

The Mythological Template

The book, The Hero With a Thousand Faces is a journey through the world’s mythological traditions, from the ancient Egyptians, to the Romans, the Hindu and Buddhist legends of the east, and the folk-tales and foundation myths of the indigenous peoples of the Americas and Oceania.

In the book The Hero With a Thousand Faces, the author explores the common themes and story elements that define the world’s mythologies—though cultures are separated by vast gulfs of space and time, they all tell their stories in similar ways, using the same essential mythological template: the hero’s journey

The Hero’s Journey

The archetypal myth is that of the hero’s journey, which details the exploits of an exalted figure such as a legendary warrior or king. But the hero can also start out as an obscure figure of humble origins, on the fringes of society. Frequently, this hero is born to lowly circumstances in a remote corner of the world and is the product of immaculate conception and virgin birth. Thus, they start out with some essential element of the gods already inside them. 

The hero sets out on a journey to acquire some object or attain some sort of divine wisdom. This can be something material (like Arthur’s quest for the Holy Grail) or something with far greater spiritual weight (like the Buddha’s journey to find ultimate enlightenment). The hero undergoes great trials and tribulations during the course of their quest, undergoes a spiritual (and sometimes literal) death and rebirth, and transforms into an entirely new being. They gain new powers, and with those powers, achieve their goal—they receive the ultimate boon. They then return home to share this heavenly reward with their people—and in doing so, redeem all mankind.

Although the hero’s journey is often filled with daring exploits, the slaying of fantastical monsters, and unions with strange and beautiful goddesses, it is at heart a deeply introspective and inward-looking adventure, one with profound spiritual and psychological implications. Through their arduous trial, the hero learns new things about himself or herself and discovers hidden strengths that were dormant within them the entire time. In the book The Hero With a Thousand Faces, the author describes how in fairy tales, this is often made literal by the revelation of the hero to have been “the Chosen One” or “the King’s son.” These new (but latent) powers enable a thorough transformation of the hero’s outward being and psyche. 

When viewed this way, mythology is deeply egalitarian. It tells us who we are and the rewards that await us if we would only set aside our focus on the day-to-day humdrum of life and embrace the hero’s journey. The hero, far from being just a literary character of long-dead civilizations, symbolizes the great godly potential within all of us.

In the book The Hero With a Thousand Faces, this mythological template is broken down even further and it also explores the creation and destruction stories that mankind has told since before the age of recorded history, from cultures all over the world. A few key themes emerge.

The Monomyth

The core structure of mythology is called the monomyth. In the book The Hero With a Thousand Faces, the monomyth is described as essentially a system of three rites of passage—separation, initiation, and return. From the myths of the ancient Egyptians and the medieval Arthurian legend to the folk-tales of the native Maoris of New Zealand, the pattern of the hero’s journey usually follows this cycle: a separation from the world he or she has always known (embarking on the quest), gaining some spiritual or other-worldly power, and a return in which they share the boon of the new power with humanity. 

There are familiar beats throughout world-legend—the call to action; the initial reluctance of the hero; the aid of a supernatural helper; the crossing of the threshold into the world of the unknown; union with the mother-goddess; the slaying of the father-god; the return to the land of the living; and the sharing of the ultimate boon.

Creation and Destruction

According to the author in the book The Hero With a Thousand Faces, Myths also point us to our place in the cosmos, our role in the great movement of the universe. Just as the monomyth shows the death, birth, and transformation of the individual in the form of the hero, so does mythology show the workings of all time and space—the origin story of the universe, and the means by which it will be destroyed and rebuilt. This is often represented as a universe without end, a universal round. 

In a version of this cycle told among the Aztecs of pre-Columbian Mexico, each of the four elements—water, earth, air, and fire—in their turn marked the end of an age of the world: 

  • the age of water ended in a flood (flood-myths are a common feature of mythological tradition)
  • the age of earth culminated in an earthquake
  • the age of wind finished with destruction by wind, or hurricane
  • and the (present) age of fire would be brought to an end by flames. 

In the cosmogonic cycle of the Jains, eternity is represented as a spoked wheel, with each spoke representing one of the endlessly repeated ages of the universe, continuing in a permanent cycle.

Psychological Journey

Myths are a society’s outward manifestations of inner conflicts and desires—they represent the expression of unconscious fears and desires. In the book The Hero With a Thousand Faces, the following are identified as common elements in myths that relate to psychological tensions or needs:

  • The hero often first refuses the call to adventure. In psychoanalysis terms, this reflects the clinging to infantile needs for security. The mother and father are the figures preventing true growth and transformation.
  • Once set off on an adventure, the hero encounters a point where they are further away from the world of comfort and familiarity than they have ever been before. This aspect of the heroic monomyth parallels the dangers and uncertainties of growing out of childhood and away from the protection of one’s parents. 
  • The hero often encounters goddesses, taking the form either of beauty and the feminine ideal, or of a witch who attempts to harm the hero. These figures represent the need to balance 1) our need for the love and protection of our parents (especially our mothers) with 2) our concurrent need to grow up and become independent adults.
  • The hero also often encounters a father-god figure whom the hero must either overcome or reconcile with. In Freudian terms, this echoes the psychological rivalry that children feel toward their fathers. The father is the original intruder who enters the infant’s life after the serenity and union with the mother (goddess) in utero.
  • After conquering their fears, the hero at last achieves their long-sought enlightenment. They have shattered the bounds of consciousness and reached a divine state. This teaches us that this power lives within us all—we achieve it through our own herohood.

In modern times, this need to express unconscious desires is filled by the psychoanalyst, who analyzes and interprets dreams (a pure expression of the unconscious) and gives them meaning and structure. This is, in fact, a deeply ancient and profoundly mythic function— the psychoanalyst, like the medicine man and bard of old, helps us gain a deeper understanding of ourselves, our world, and our relationship to the cosmos. When we open ourselves up on the therapist’s couch, we are going into the furthest corners of the mind—we are, in effect, undergoing our own hero’s journey. 

The Function of Mythology Today

Unlike the ancients, we do not have the benefit of allegory and mythology to help us make sense of the bubbling up of our subconscious. As a secular, rational society, we increasingly lack the language to process this—psychoanalysis may be the closest thing, but it is not a substitute for the power of mythology and religion. Indeed, we have rationalized and argued our gods away

With the coming of secularization and rationalization, supernatural elements are often played down or meant to be interpreted simply as allegory or instructive fable. It is easy for this to happen to myths in modern, science-driven society, because it is easy to prove that the myths aren’t literally “true.” As history, biography, and science, mythology is obviously nonsense. But to make this observation is to miss the point about what myths are and what purpose they serve for the human experience. They are about the endless journey of the soul, the adventure into the furthest recesses of the self. 

It is only through studying these ancient soothsayers and shamans and the dead gods they once worshipped that we can truly grasp our fullest humanity.

Mythology is still relevant. It binds us closer and provides us with a shared sense of community. Though we may lead atomized lives as husbands, wives, sons, daughters, professionals, and members of this or that nationality, we are bound together through shared myths. The ceremonies that derive from mythology, those of birth, initiation, marriage, and death, remind us that we are part of something much larger than ourselves. We are only a cell, an organ of a much larger being. This is as true for us as it was for the ancients. Like Odysseus, like the Buddha, like Cuchulainn, great marvels and unfathomable transformations await the modern hero who heeds the mythic call.

The Hero With a Thousand Faces: Book Overview

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Here's what you'll find in our full The Hero with a Thousand Faces summary:

  • How the Hero's Journey reappears hundreds of times in different cultures and ages
  • How we attach our psychology to heroes, and how they help embolden us in our lives
  • Why stories and mythology are so important, even in today's world

Joseph Adebisi

Joseph has had a lifelong obsession with reading and acquiring new knowledge. He reads and writes for a living, and reads some more when he is supposedly taking a break from work. The first literature he read as a kid were Shakespeare's plays. Not surprisingly, he barely understood any of it. His favorite fiction authors are Tom Clancy, Ted Bell, and John Grisham. His preferred non-fiction genres are history, philosophy, business & economics, and instructional guides.

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