We've ranked the best aesthetics books using expert recommendations, sales data, and millions of reader ratings. At Shortform, we know books. Our book guides are the best in the world. Learn why.
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In Praise of Shadows
Jun'ichiro Tanizaki
5.0
An essay on aesthetics by the Japanese novelist, this book explores architecture, jade, food, and even toilets, combining an acute sense of the use of space in buildings. The book also includes descriptions of laquerware under candlelight, and women in the darkness of the house of pleasure.
Tanizaki is mourning what has been paved over, which is the old Japanese aesthetic of darkness, of softness, of appreciating the imperfect—rather than the cold, glossy surfaces of industrialized modernity that the West had brought to Japan at that moment. For me, that’s really valuable, because it does preserve a different way of looking at the world. [source]
John Berger’s Classic Text on Art John Berger's Ways of Seeing is one of the most stimulating and the most influential books on art in any language. First published in 1972, it was based on the BBC television series about which the (London) Sunday Times critic commented: "This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures." By now he has.
"Berger has the ability to cut right through the mystification of the professional art critics . . . He is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation" —Peter Fuller, Arts Review
"The influence of the series and the book . . . was enormous . . . It opened up for general attention to areas of cultural study that are now commonplace" —Geoff Dyer in Ways of Telling
Winner of the 1972 Booker Prize for his novel, G., John Peter Berger (born November 5th, 1926) is an art critic, painter and author of many novels including A Painter of Our Time, From A to X and Bento’s Sketchbook.
You have to understand the Marxist interpretation of art; it is absolutely fundamental to the way that art history departments now study the material. Then you have to critique it, because we’ve moved on from the 1970s and the collapse of Marxism in most of the world shows—amongst other things—that the model was flawed. But it’s still a very good book to read, for a teenager especially. [source]
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Poetics
Aristotle and Malcolm Heath
4.7
‘The plot is the source and the soul of tragedy’
In his near-contemporary account of Greek tragedy, Aristotle examines the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, The Poetics introduces into literary criticism such central concepts as mimesis (‘imitation’), hamartia (‘error’), and katharsis (‘purification’). Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, centring on characters of heroic stature, idealized yet true to life. One of the most powerful, perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since.
Malcolm Heath’s lucid English translation makes the Poetics fully accessible to the modern reader. It is accompanied by an extended introduction, which discusses the key concepts in detail and includes suggestions for further reading.
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Recommended by Bill Liao and Richard Walter.
Bill Liao
The Book "Made to Stick" combined with "The Poetics" by Aristotle really helped me to see the power of telling great stories with surprises in them and every time I meet a start-up I can always make a contribution to their pitch. [source]
Richard Walter
Aristotle’s Poetics is the user’s guide to dramatic narrative and dramatic structure. It’s just a ragged little pamphlet really. [source]
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Critique of Judgment
Immanuel Kant, Werner S. Pluhar, Mary J. Gregor
4.5
In THE CRITIQUE OF JUDGMENT (1790), Immanuel Kant (1724-1804) seeks to establish the a priori principles underlying the faculty of judgment, just as he did in his previous critiques of pure and practical reason. The first part deals with the subject of our aesthetic sensibility; we respond to certain natural phenomena as beautiful, says Kant, when we recognize in nature a harmonious order that satisfies the mind's own need for order. The second half of the critique concentrates on the apparent teleology in nature's design of organisms. Kant argues that our minds are inclined to see purpose and order in nature and this is the main principle underlying all of our judgments. Although this might imply a super sensible Designer, Kant insists that we cannot prove a supernatural dimension or the existence of God. Such considerations are beyond reason and are solely the province of faith.
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Recommended by Adrian Moore.
Adrian Moore
Kant tackles questions about aesthetics: the whole idea of beauty (which he considers at great length); the whole idea of the sublime. [source]
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Aesthetic Theory
Theodor W. Adorno
4.5
Perhaps the most important aesthetics of the twentieth century appears here newly translated, in English that is for the first time faithful to the intricately demanding language of the original German. The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Theodor W. Adorno's magnum opus, the clarifying lens through which the whole of his work is best viewed, providing a framework within which his other major writings cohere.
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The Birth of Tragedy
Friedrich Nietzsche, Michael Tanner, Shaun Whiteside
4.5
A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction, The Birth of Tragedy has become a key text in European culture and in literary criticism.
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Wabi-Sabi for Artists, Designers, Poets & Philosophers
Leonard Koren
4.4
An updated version of the classic volume on the beauty of things imperfect, impermanent, and incomplete.
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Aesthetics and Politics
Theodor Adorno, Walter Benjamin, Ernst Bloch, Bertolt Brecht, Georg Lukacs
4.4
No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.
Discussing expressionism / Ernst Bloch Realism in the balance / Georg Lukacs Against Georg Luckacs / Bertolt Brecht Conversations with Brecht / Walter Benjamin Letters to Walter Benjamin / Theodor Adorno Reply / Walter Benjamin Reconciliation under duress ; Commitment / Theodor Adorno
Reflections in conclusion / Fredric Jameson
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Beauty: A Very Short Introduction
Roger Scruton
4.4
Beauty can be consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. It can affect us in an unlimited variety of ways. Yet it is never viewed with indifference. In this Very Short Introduction, the renowned philosopher Roger Scruton explores the concept of beauty, asking what makes an object--either in art, in nature, or the human form--beautiful, and examining how we can compare differing judgments of beauty when it is evident all around us that our tastes vary so widely. Is there a right judgment to be made about beauty? Is it right to say there is more beauty in a classical temple than a concrete office block, more in a Rembrandt than in an Andy Warhol Campbell Soup Can? Forthright and thought-provoking, and as accessible as it is intellectually rigorous, this introduction to the philosophy of beauty draws conclusions that some may find controversial, but, as Scruton shows, help us to find greater sense of meaning in the beautiful objects that fill our lives.
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The Poetics of Space
Gaston Bachelard, Maria Jolas, John R. Stilgoe
4.4
Since its first publication in English in 1964, French philosopher Gaston Bachelard's Poetics of Space remains one of the most appealing and lyrical explorations of home. Bachelard takes us on a journey, from cellar to attic, to show how our perceptions of houses and other shelters shape our thoughts, memories, and dreams.
"A magical book. . . . The Poetics of Space is a prism through which all worlds from literary creation to housework to aesthetics to carpentry take on enhanced-and enchanted-significances. Every reader of it will never see ordinary spaces in ordinary ways. Instead the reader will see with the soul of the eye, the glint of Gaston Bachelard." -from the new foreword by John R. Stilgoe
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The Book of Tea
Okakura Kakuzo
4.4
Discover the fascinating character of Okakura Kakuzo and the story of how he came to write one of the twentieth century’s most influential books on art, beauty, and simplicity—all steeped in the world’s communal cup of tea.
His incredible journey took him from Yokohama to New York, Paris, Bombay, and Boston, where his life intertwined with such luminaries as Rabindranath Tagore, John Singer Sargent, Henry James, John La Farge, Isabella Stewart Gardner, and Henri Matisse. His original 1906 Book of Tea influenced the work of such notable artists as Frank Lloyd Wright and Georgia O’Keeffe.
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Tao Te Ching: By Lao Tzu - Illustrated
Lao Tse
4.4
A lucid translation of the well-known Taoist classic by a leading scholar-now in a Shambhala Pocket Library edition. Written more than two thousand years ago, the Tao Teh Ching, or -The Classic of the Way and Its Virtue, - is one of the true classics of the world of spiritual literature. Traditionally attributed to the legendary -Old Master, - Lao Tzu, the Tao Teh Ching teaches that the qualities of the enlightened sage or ideal ruler are identical with those of the perfected individual. Today, Lao Tzu's words are as useful in mastering the arts of leadership in business and politics as they are in developing a sense of balance and harmony in everyday life. To follow the Tao or Way of all things and realize their true nature is to embody humility, spontaneity, and generosity. John C. H. Wu has done a remarkable job of rendering this subtle text into English while retaining the freshness and depth of the original. A jurist and scholar, Dr. Wu was a recognized authority on Taoism and the translator of several Taoist and Zen texts and of Chinese poetry. This book is part of the Shambhala Pocket Library series. The Shambhala Pocket Library is a collection of short, portable teachings from notable figures across religious traditions and classic texts. The covers in this series are rendered by Colorado artist Robert Spellman. The books in this collection distill the wisdom and heart of the work Shambhala Publications has published over 50 years into a compact format that is collectible, reader-friendly, and applicable to everyday life.
Q: What are the books that had a major influence on you? Or simply the ones you like the most. : Tao te Ching, score takes care of itself, between the world and me, the four agreements, the old man and the sea...I love reading! [source]
According to a Yibada interview with Chen Wei, who wrote Ma’s 2014 authorized biography, the Alibaba founder and executive chairman always carries the Tao Te Ching, the foundational text of Taoist philosophy, religion and ethics composed by Lao Tzu in the sixth century B.C. [source]
In the philosophy side, I’ve been rereading the Tao Te Ching. [source]
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History of Beauty
Umberto Eco, Alastair McEwen
4.4
Umberto Eco’s groundbreaking and much-acclaimed first illustrated book has been a critical success since its first publication in 2004. What is beauty? Umberto Eco, among Italy’s finest and most important contemporary thinkers, explores the nature, the meaning, and the very history of the idea of beauty in Western culture. The profound and subtle text is lavishly illustrated with abundant examples of sublime painting and sculpture and lengthy quotations from writers and philosophers. This is the first paperback edition of History of Beauty, making this intellectual and philosophical journey with one of the world’s most acclaimed thinkers available in a more compact and affordable format.
From the Trade Paperback edition
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Gödel, Escher, Bach: An Eternal Golden Braid
Douglas R. Hofstadter
4.4
Douglas Hofstadter's book is concerned directly with the nature of “maps” or links between formal systems. However, according to Hofstadter, the formal system that underlies all mental activity transcends the system that supports it. If life can grow out of the formal chemical substrate of the cell, if consciousness can emerge out of a formal system of firing neurons, then so too will computers attain human intelligence. Gödel, Escher, Bach is a wonderful exploration of fascinating ideas at the heart of cognitive science: meaning, reduction, recursion, and much more.
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Recommended by Steve Jurvetson, Seth Godin, Cory Zue, and 2 others.
Steve Jurvetson
Steve Jurvetson recommended this book on the podcast "The Tim Ferriss Show". [source]
In the last week, I discovered that at least two of my smart friends hadn't read Godel, Escher, Bach. They have now. You should too. [source]
Cory Zue
More recently books like Godel, Escher, Bach and Sapiens have influenced my thinking a lot. [source]
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On the Aesthetic Education of Man
Friedrich Schiller, Reginald Snell
4.4
“Essential reading.” — New Society. A classic of eighteenth-century thought, Friedrich Schiller’s treatise on the role of art in society ranks among German philosophy’s most profound works. In addition to its importance to the history of ideas, this 1795 essay remains relevant to our own time. Beginning with a political analysis of contemporary society — in particular, the French Revolution and its failure to implement universal freedom — Schiller observes that people cannot transcend their circumstances without education. He conceives of art as the vehicle of education, one that can liberate individuals from the constraints and excesses of either pure nature or pure mind. Through aesthetic experience, he asserts, people can reconcile the inner antagonism between sense and intellect, nature and reason. Schiller’s proposal of art as fundamental to the development of society and the individual is an enduringly influential concept, and this volume offers his philosophy’s clearest, most vital expression.
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Art as Experience
John Dewey
4.4
Based on John Dewey's lectures on esthetics, delivered as the first William James Lecturer at Harvard in 1932, Art as Experience has grown to be considered internationally as the most distinguished work ever written by an American on the formal structure and characteristic effects of all the arts: architecture, sculpture, painting, music, and literature.
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Understanding Comics: The Invisible Art
Scott McCloud
4.4
The bestselling international classic on storytelling and visual communication
"You must read this book." — Neil Gaiman
Praised throughout the cartoon industry by such luminaries as Art Spiegelman, Matt Groening, and Will Eisner, Scott McCloud's Understanding Comics is a seminal examination of comics art: its rich history, surprising technical components, and major cultural significance. Explore the secret world between the panels, through the lines, and within the hidden symbols of a powerful but misunderstood art form.
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Recommended by Ev Williams, Austin Kleon, Bret Victor, and 1 others.
Unsolicited, but here’s my advice for visual thinkers (and others) who want to be better writers: … Cartoonists, because their work demands work from two disciplines (writing/art, poetry/design, words/pictures), are highly instructive when it comes to visual people learning to write, writers learning to make art, etc. (Check out Scott McCloud’s Understanding Comics for more.) [source]
Will Brooker
Understanding Comics is a book about how comics work, told in comic form. It’s very accessible, it’s for the general reader and is about comics in general, not just superhero comics. It explores areas like pacing and editing – how motion can be created through static panels on a page, and how arranging those panels in different ways, or drawing in different styles, or combining text and image, has different effects. It’s almost like a book on film study which explores the role of sound, lighting or editing. Scott McCloud is an artist himself, and he draws pastiches to show how different styles produce different effects. [source]
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Poetry, Language, Thought
Martin Heidegger
4.4
Poetry, Language, Thought collects Martin Heidegger's pivotal writings on art, its role in human life and culture, and its relationship to thinking and truth. Essential reading for students and anyone interested in the great philosophers, this book opens up appreciation of Heidegger beyond the study of philosophy to the reaches of poetry and our fundamental relationship to the world. Featuring "The Origin of the Work of Art," a milestone in Heidegger's canon, this enduring volume provides potent, accessible entry to one of the most brilliant thinkers of modern times.
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Introductory Lectures on Aesthetics
Georg Wilhelm Friedrich Hegel
4.4
Librarian note: an alternate cover for this edition can be found here.
For Georg Wilhelm Friedrich Hegel (1770-1831), art almost ranked with religion and philosophy in its power to reveal the fundamental nature of existence. But although he lived in the German golden age of Goethe, Schiller and Mozart, he also believed that art was in terminal decline.
To resolve this apparent paradox, as Michael Inwood explains in his incisive Introduction, we must understand the particular place of aesthetics in Hegel's vast intellectual edifice. Its central pillars consist of logic, philosophy of nature and philosophy of spirit. Art derives its value from offering a sensory vision of the God-like absolute, from its harmonious fusion of form and content, and from summing up the world-view of an age such as Homer's. While it scaled supreme heights in ancient Greece, Hegel doubted art's ability to encompass Christian belief or the reflective irony characteristic of modern societies. Many such challenging ideas are developed in this superb treatise; it counts among the most stimulating works of a master thinker.
Table of Contents Introductory Lectures on Aesthetics Introduction A Note on the Translation and Commentary INTRODUCTORY LECTURES ON AESTHETICS
Chapter I: The Range of Aesthetic Defined, and Some Objections against the Philosophy of Art Refuted [α Aesthetic confined to Beauty of Art β Does Art merit Scientific Treatment? γ Is Scientific Treatment appropriate to Art? δ Answer to β ε Answer to γ]
Chapter II: Methods of Science Applicable to Beauty and Art [1. Empirical Method - Art-scholarship (a) Its Range (b) It generates Rules and Theories (c) The Rights of Genius 2. Abstract Reflection 3. The Philosophical Conception of Artistic Beauty, general notion of]
Chapter III: The Conception of Artistic Beauty Part I - The Work of Art as Made and as Sensuous 1. Work of Art as Product of Human Activity [(a) Conscious Production by Rule (b) Artistic Inspiration (c) Dignity of Production by Man (d) Man's Need to produce Works of Art] 2. Work of Art as addressed to Man's Sense [(a) Object of Art - Pleasant Feeling? (b) Feeling of Beauty - Taste (c) Art-scholarship (d) Profounder Consequences of Sensuous Nature of Art (α) Relations of the Sensuous to the Mind (αα) Desire (ββ) Theory (γγ) Sensuous as Symbol of Spiritual (β) The Sensuous Element, how Present in the Artist (γ) The Content of Art Sensuous]
Part II - The End of Art 3. [The Interest or End of Art (a) Imitation of Nature? (α) Mere Repetition of Nature is - (αα) Superfluous (ββ) Imperfect (γγ) Amusing Merely as Sleight of Hand (β) What is Good to Imitate? (γ) Some Arts cannot be called Imitative (b) Humani nihil - ? (c) Mitigation of the Passions? (α) How Art mitigates the Passions (β) How Art purifies the Passions (αα) It must have a Worthy Content (ββ) But ought not to be Didactic (γγ) Nor explicitly addressed to a Moral Purpose (d) Art has its own Purpose as Revelation of Truth]
Chapter IV: Historical Deducation of the True Idea of Art in Modern Philosophy 1. Kant [(a) Pleasure in Beauty not Appetitive (b) Pleasure in Beauty Universal (c) The Beautiful in its Teleological Aspect (d) Delight in the Beautiful necessary though felt] 2. Schiller, Winckelmann, Schelling 3. The Irony
Chapter V: Division of the Subject [1. The Condition of Artistic Presentation is the Correspondence of Matter and Plastic Form 2. Part I - The Ideal 3. Part II - The Types of Art (α) Symbolic Art (β) Classical Art (γ) Romantic Art 4. Part III - The Several Arts (α) Architecture (β) Sculpture (γ) Romantic Art, comprising (i) Painting (ii) Music (iii) Poetry 5. Conclusion]
Commentary
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On Photography
Susan Sontag
4.4
First published in 1973, this is a study of the force of photographic images which are continually inserted between experience and reality. Sontag develops further the concept of 'transparency'. When anything can be photographed and photography has destroyed the boundaries and definitions of art, a viewer can approach a photograph freely with no expectations of discovering what it means. This collection of six lucid and invigorating essays, the most famous being "In Plato's Cave", make up a deep exploration of how the image has affected society.
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Recommended by Susan Bordo.
Susan Bordo
Sontag was the first to make the claim, which at the time was very controversial, that photography is misleading and seductive because it looks like reality but is in fact highly selective. [source]
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Camera Lucida: Reflections on Photography
Roland Barthes, Richard Howard
4.3
A graceful, contemplative volume, Camera Lucida was first published in 1979. Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucidaas one of the most important books of theory on this subject, along with Susan Sontag's On Photography.
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The Picture of Dorian Gray
Oscar Wilde
4.3
On its first publication The Picture of Dorian Gray was regarded as dangerously modern in its depiction of fin-de-siècle decadence. In this updated version of the Faust story, the tempter is Lord Henry Wotton, who lives selfishly for amoral pleasure; Dorian's good angel is the portrait painter Basil Hallward, whom Dorian murders. The book highlights the tension between the polished surface of high society and the life of secret vice. Although sin is punished in the end the book has a flavour of the elegantly perverse.
With an Afterword by Peter Harness.
Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautifully bound gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure.
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Recommended by Andra Zaharia, Eric Berkowitz, Marc Montagne, and 1 others.
Andra Zaharia
A copy from 1903 of this book is my most prized possession. [source]
Eric Berkowitz
The Picture of Dorian Gray is now a part of the canon that no one would admit to not having read. Most of us have read it and delighted in its witticisms. It’s hard to imagine, but when Dorian Gray was first published, the book was not well received at all. It was totally panned. It was held against him as being an example of an effete character. It was being serialised by Lippincott’s Magazine, and the serialisation of the novel stopped when it became too inflammatory. [source]
Marc Montagne
My favorite fiction book is the The Picture of Dorian Gray by Oscar Wilde. I'm a huge Oscar Wilde fan, he has one of the brightest minds and the Picture is a masterpiece and his unique novel. I consider that you should only read books that you would consider reading again at some point while still enjoying the same pleasure. The Picture is definitely one of those. [source]
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The Symposium
Plato, Christopher Gill
4.3
A fascinating discussion on sex, gender, and human instincts, as relevant today as ever.
In the course of a lively drinking party, a group of Athenian intellectuals exchange views on eros, or desire. From their conversation emerges a series of subtle reflections on gender roles, sex in society and the sublimation of basic human instincts. The discussion culminates in a radical challenge to conventional views by Plato's mentor, Socrates, who advocates transcendence through spiritual love. The Symposium is a deft interweaving of different viewpoints and ideas about the nature of love--as a response to beauty, a cosmic force, a motive for social action and as a means of ethical education.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Bryan Callen recommended this book on the podcast "The Tim Ferriss Show". [source]
Edward Skidelsky
Plato is the founding figure in the Western philosophical tradition and the Symposium is one of his most charming books – you can read it like a novel. [source]
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On Ugliness
Umberto Eco, Alastair McEwen (translator)
4.3
In the mold of his acclaimed "History of Beauty," renowned cultural critic Umberto Eco's "On Ugliness" is an exploration of the monstrous and the repellant in visual culture and the arts. What is the voyeuristic impulse behind our attraction to the gruesome and the horrible? Where does the magnetic appeal of the sordid and the scandalous come from? Is ugliness also in the eye of the beholder? Eco's encyclopedic knowledge and captivating storytelling skills combine in this ingenious study of the Ugly, revealing that what we often shield ourselves from and shun in everyday life is what we're most attracted to subliminally. Topics range from Milton's Satan to Goethe's Mephistopheles; from witchcraft and medieval torture tactics to martyrs, hermits, and penitents; from lunar births and disemboweled corpses to mythic monsters and sideshow freaks; and from Decadentism and picturesque ugliness to the tacky, kitsch, and camp, and the aesthetics of excess and vice. With abundant examples of painting and sculpture ranging from ancient Greek amphorae to Bosch, Brueghel, and Goya among others, and with quotations from the most celebrated writers and philosophers of each age, this provocative discussion explores in-depth the concepts of evil, depravity, and darkness in art and literature.
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A Philosophical Enquiry Into the Sublime and Beautiful
Edmund Burke
4.3
Edited with an introduction and notes by James T. Boulton.
'One of the greatest essays ever written on art.'- The Guardian
Edmund Burke's A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful is one of the most important works of aesthetics ever published. Whilst many writers have taken up their pen to write of "the beautiful", Burke's subject here was the quality he uniquely distinguished as "the sublime"--an all-consuming force beyond beauty that compelled terror as much as rapture in all who beheld it. It was an analysis that would go on to inspire some of the leading thinkers of the age, including Immanuel Kant and Denis Diderot. The Routledge Classics edition presents the authoritative text of the first critical edition of Burke's essay ever published, including a substantial critical and historical commentary.
Edmund Burke (1729-1797). A politician, philosopher and orator, Burke lived during a turbulent time in world history, which saw revolutions in America and France that inspired his most famous work, Reflections on the Revolution in France.
Milk and Honey is a collection of poetry and prose about survival. About the experience of violence, abuse, love, loss, and femininity.
The book is divided into four chapters, and each chapter serves a different purpose. Deals with a different pain. Heals a different heartache. Milk and Honey takes readers through a journey of the most bitter moments in life and finds sweetness in them because there is sweetness everywhere if you are just willing to look.
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The Republic: The Influential Classic
Plato
4.3
The newest deluxe edition in the bestselling Capstone Classics Series This ancient classic has had a make-over. In recent years these Capstone Classic deluxe editions have caught the book buying public's imagination. The volumes of international bestsellers such as Think and Grow Rich and The Art of War have quickly become the market leaders. Now Plato's best known work, one of the most intellectually and historically influential works of philosophy and political theory, has been brought to life in this luxury, hardback, keep-sake edition.
This edition includes:
Plato's plans for a perfect society characterised by a blend of wisdom, courage, self-discipline and justice Lessons to learn about living according to eternal truths, instead of existing simply for survival and pleasure A new introduction by Tom Butler Bowdon, the classic personal development expert
It’s very readable even if you aren’t a professional philosopher. Take the story of ‘The Ring of Gyges,’ which raises the question of whether you would continue to act like a good person if you had a ring of invisibility that let you get away with doing whatever you wanted to do. That’s a fascinating thought experiment that anybody can appreciate. [source]
I’m about a third through this and still can’t tell whether Plato is making a mockery of Socrates ideas for the idyllic society or not. So many of the arguments presented as Socrates’ are so tortured and with so disconnected leaps of logic that it’s hard to take it at face value. Yet still, it’s good fun to follow the dialogue. It reads more like a play than a book, and again, immensely accessible. It’s fun to see the lines that continue from a book like this to the considerations of the Stoics all the way to Adam Smith and the Wealth of Nations and then onto a modern critique and history in that Debt: First 5,000 Years. A conversation spanning millennia. [source]
Jonathan Glover
It contains a tremendous amount of nonsense about what the ideal society would be like. But it is an unmissable book because of Socrates. He invented the method of doing and teaching philosophy that has never been improved on. [source]
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Illuminations: Essays and Reflections
Walter Benjamin
4.3
Studies on contemporary art and culture by one of the most original, critical and analytical minds of this century. Illuminations includes Benjamin's views on Kafka, with whom he felt the closest personal affinity, his studies on Baudelaire and Proust (both of whom he translated), his essays on Leskov and on Brecht's Epic Theater.
Also included are his penetrating study on "The Work of Art in the Age of Mechanical Reproduction," an illuminating discussion of translation as a literary mode, and his thesis on the philosophy of history. Hannah Arendt selected the essays for this volume and prefaces them with a substantial, admirably informed introduction that presents Benjamin's personality and intellectual development, as well as his work and his life in dark times. Reflections the companion volume to this book, is also available as a Schocken paperback.
Unpacking My Library, 1931 The Task of the Translator, 1913 The Storyteller, 1936 Franz Kafka, 1934 Some Reflections on Kafka, 1938 What Is Epic Theater?, 1939 On Some Motifs in Baudelaire, 1939 The Image of Proust, 1929 The Work of Art in the Age of Mechanical Reproduction, 1936 Theses on the Philosophy of History, written 1940, pub. 1950
It’s a meditation on history, a meditation on philosophy, a meditation on collecting and an autobiography as well. [source]
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The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media
Walter Benjamin, Michael W. Jennings, et al.
4.3
Benjamin’s famous 'Work of Art' essay sets out his boldest thoughts--on media and on culture in general--in their most realized form, while retaining an edge that gets under the skin of everyone who reads it. In this essay the visual arts of the machine age morph into literature and theory and then back again to images, gestures, and thought.
This essay, however, is only the beginning of a vast collection of writings that the editors have assembled to demonstrate what was revolutionary about Benjamin's explorations on media. Long before Marshall McLuhan, Benjamin saw that the way a bullet rips into its victim is exactly the way a movie or pop song lodges in the soul.
This book contains the second, and most daring, of the four versions of the 'Work of Art' essay the one that addresses the utopian developments of the modern media. The collection tracks Benjamin's observations on the media as they are revealed in essays on the production and reception of art; on film, radio, and photography; and on the modern transformations of literature and painting. The volume contains some of Benjamin's best-known work alongside fascinating, little-known essays--some appearing for the first time in English. In the context of his passionate engagement with questions of aesthetics, the scope of Benjamin's media theory can be fully appreciated.
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Francis Bacon: The Logic of Sensation
Gilles Deleuze
4.2
Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze’s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century’s most original and important painters. In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory.
First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze’s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon’s paintings but also as a crucial text within Deleuze’s broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon’s paintings but at the same time finds a place in the “general logic of sensation.”
Illuminating Bacon’s paintings, the non-rational logic of sensation, and the act of painting itself, this work—presented in lucid and nuanced translation—also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze’s philosophy as a whole.
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31
Against Interpretation and Other Essays
Susan Sontag
4.2
Against Interpretation was Susan Sontag's first collection of essays and is a modern classic. Originally published in 1966, it has never gone out of print and has influenced generations of readers all over the world. It includes the famous essays "Notes on Camp" and "Against Interpretation," as well as her impassioned discussions of Sartre, Camus, Simone Weil, Godard, Beckett, Lévi-Strauss, science-fiction movies, psychoanalysis, and contemporary religious thought.
This edition has a new afterword, "Thirty Years Later," in which Sontag restates the terms of her battle against philistinism and against ethical shallowness and indifference.
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32
The Story of Art
E.H. Gombrich
4.2
This text is the 16th revised and updated edition of this introduction to art, from the earliest cave paintings to experimental art. Eight new artists from the modern period have been introduced. They are: Corot, Kollwitz, Nolde, de Chirico, Brancussi, Magritte, Nicolson and Morandi. A sequence of new endings have been added, and the captions are now fuller, including the medium and dimension of the works illustrated. Six fold-outs present selected large-scale works. They are: Van Eyck's Ghent Altarpiece, Leonardo's Last Supper, Botticelli's Birth of Venus, Jackson Pollock's One (Number 31, 1950), Van der Weyden's Descent from the Cross and Michelangelo's Sistine Chapel ceiling.
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33
Phenomenology of Perception
Maurice Merleau-Ponty
4.2
Together with Sartre, Merleau-Ponty was the foremost French philosopher of the post-war period and Phenomenology of Perception, first published in 1945, is his masterpiece. What makes this work so important is that it returned the body to the forefront of philosophy for the first time since Plato.
Recommended by Michael Fried.
Michael Fried
Yes. Merleau-Ponty was a French philosopher from the 40s and 50s, a contemporary of Sartre and De Beauvoir. I read him for the first time in my early 20s before his works were translated. He represents so-called ‘existential phenomenology’. Of fundamental importance to him was that we are ‘embodied’ creatures, not disembodied perceptual systems and free-floating intelligences. He understood painting to be involved in a network of relations in which embodiment is crucial to the creation and experience of the work. [source]
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34
The Society of the Spectacle
Guy Debord, Donald Nicholson-Smith
4.2
Few works of political and cultural theory have been as enduringly provocative as Guy Debord's The Society of the Spectacle. From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture.
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Recommended by Dave Elitch and Sanja Zepan.
Dave Elitch
Dave Elitch recommended this book on the podcast "The Tim Ferriss Show". [source]
Sanja Zepan
The most dramatic change was definitely when I read Guy Debord's The Society of Spectacle in high school. That book made me go study communicology and media, instead of everything else I wanted to study back then. It really cemented my university application. [source]
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35
Our Aesthetic Categories: Zany, Cute, Interesting
Sianne Ngai
4.2
The zany, the cute, and the interesting saturate postmodern culture. They dominate the look of its art and commodities as well as our discourse about the ambivalent feelings these objects often inspire. In this radiant study, Sianne Ngai offers a theory of the aesthetic categories that most people use to process the hypercommodified, mass-mediated, performance-driven world of late capitalism, treating them with the same seriousness philosophers have reserved for analysis of the beautiful and the sublime.
Ngai explores how each of these aesthetic categories expresses conflicting feelings that connect to the ways in which postmodern subjects work, exchange, and consume. As a style of performing that takes the form of affective labor, the zany is bound up with production and engages our playfulness and our sense of desperation. The interesting is tied to the circulation of discourse and inspires interest but also boredom. The cute’s involvement with consumption brings out feelings of tenderness and aggression simultaneously. At the deepest level, Ngai argues, these equivocal categories are about our complex relationship to performing, information, and commodities.
Through readings of Adorno, Schlegel, and Nietzsche alongside cultural artifacts ranging from Bob Perelman’s poetry to Ed Ruscha’s photography books to the situation comedy of Lucille Ball, Ngai shows how these everyday aesthetic categories also provide traction to classic problems in aesthetic theory. The zany, cute, and interesting are not postmodernity’s only meaningful aesthetic categories, Ngai argues, but the ones best suited for grasping the radical transformation of aesthetic experience and discourse under its conditions.
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36
The Beauty of the Infinite: The Aesthetics of Christian Truth
David Bentley Hart
4.2
The Beauty of the Infinite is a splendid extended essay in "theological aesthetics." David Bentley Hart here meditates on the power of a Christian understanding of beauty and sublimity to rise above the violence -- both philosophical and literal -- characteristic of the postmodern world.
The book begins by tracing the shifting use and nature of metaphysics in the thought of Kant, Hegel, Nietzsche, Heidegger, Lyotard, Derrida, Deleuze, Nancy, Levinas, and others. Hart pays special attention to Nietzsche's famous narrative of the "will to power" -- a narrative largely adopted by the world today -- and he offers an engaging revision (though not rejection) of the genealogy of nihilism, thereby highlighting the significant "interruption" that Christian thought introduced into the history of metaphysics.
This discussion sets the stage for a retrieval of the classic Christian account of beauty and sublimity, and of the relation of both to the question of being. Written in the form of a dogmatica minora, this main section of the book offers a pointed reading of the Christian story in four moments, or parts: Trinity, creation, salvation, and eschaton. Through a combination of narrative and argument throughout, Hart ends up demonstrating the power of Christian metaphysics not only to withstand the critiques of modern and postmodern thought but also to move well beyond them.
Strikingly original and deeply rewarding, The Beauty of the Infinite is both a constructively critical account of the history of metaphysics and a compelling contribution to it.
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37
Sculpting in Time
Andrey Tarkovsky, Kitty Hunter-Blair
4.2
An alternate cover edition can be found here.
Andrey Tarkovsky, the genius of modern Russian cinema--hailed by Ingmar Bergman as "the most important director of our time"--died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.
In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.
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38
The Arcades Project
Walter Benjamin, Howard Eiland, Kevin McLaughlin
4.2
"To great writers," Walter Benjamin once wrote, "finished works weigh lighter than those fragments on which they labor their entire lives." Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, The Arcades Project (in German, Das Passagen-Werk) is a monumental ruin, meticulously constructed over the course of thirteen years--"the theater," as Benjamin called it, "of all my struggles and all my ideas."
Focusing on the arcades of nineteenth-century Paris-glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources, arranging them in thirty-six categories with descriptive rubrics such as "Fashion," "Boredom," "Dream City," "Photography," "Catacombs," "Advertising," "Prostitution," "Baudelaire," and "Theory of Progress." His central preoccupation is what he calls the commodification of things--a process in which he locates the decisive shift to the modern age.
The Arcades Project is Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history, and, in so doing, to liberate the suppressed "true history" that underlay the ideological mask. In the bustling, cluttered arcades, street and interior merge and historical time is broken up into kaleidoscopic distractions and displays of ephemera. Here, at a distance from what is normally meant by "progress," Benjamin finds the lost time(s) embedded in the spaces of things.
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39
Regarding the Pain of Others
Susan Sontag
4.2
Twenty-five years after her classic On Photography, Susan Sontag returns to the subject of visual representations of war and violence in our culture today. How does the spectacle of the sufferings of others (via television or newspapers) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty?
In Regarding the Pain of Others, Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001. In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.
Features an analysis of our numbed response to images of horror. This title alters our thinking about the uses and meanings of images, and about the nature of war, the limits of sympathy, and the obligations of conscience.
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40
Aesthetics Exposed: Mastering Skin Care in a Medical Setting and Beyond
Terri A. Wojak LE, Brian W. Budzynski, et al.
4.2
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41
What Is Art?
Leo Tolstoy, Aylmer Maude
4.2
During the decades of his world fame as sage & preacher as well as author of War & Peace & Anna Karenina, Tolstoy wrote prolifically in a series of essays & polemics on issues of morality, social justice & religion. These culminated in What is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered & rejected the idea that art reveals & reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire & even his own novels are condemned in the course of Tolstoy's impassioned & iconoclastic redefinition of art as a force for good, for the improvement of humankind.
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42
Concerning the Spiritual in Art
Wassily Kandinsky, M. T. H. Sadler
4.2
A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art. Kandinsky's ideas are presented in two parts. The first part, called "About General Aesthetic," issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, "About Painting," Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky's art and theories, while a new Preface by Richard Stratton discusses Kandinsky's career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings. This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.
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43
The Genealogy of Morals (Translated by Horace B. Samuel with an Introduction by Willard Huntington Wright)
Friedrich Nietzsche, Horace B. Samuel, Willard Huntington Wright
4.2
German philosopher, Friedrich Nietzsche was one the most controversial figures of the 19th century. His evocative writings on religion, morality, culture, philosophy, and science were often polemic attacks against the established views of his time. First published in 1887, "The Genealogy of Morals," is a work which follows and expands upon the principles of his previous works, "Thus Spoke Zarathustra" and "Beyond Good and Evil." In a preface and three interrelated essays, Nietzsche outlines his theories on the origins of our moral prejudices. "The Genealogy of Morals," was written partly in response to his friend Paul R�e's book "The Origin of the Moral Sensations," whose genealogical hypothesis of morality he found unsatisfactory. Nietzsche begins by reiterating in his first essay the historical conflict between socio-economic classes that has given rise to the varying definitions of good and evil. In the second essay, Nietzsche discusses the origins of the institution of punishment, asserting that it arises from a straightforward relationship between creditors and debtors. Lastly, in the third essay, the philosopher considers the meaning of ascetic ideals. A classic work of moral philosophy, "The Genealogy of Morals" is considered by many as one of Nietzsche's finest. This edition is printed on premium acid-free paper, follows the translation of Horace B. Samuel, and includes an introduction by Willard Huntington Wright.
I don’t know I would single it out as the masterpiece, but it’s a fascinating book which follows on many of the themes of Beyond Good and Evil. It’s unusual because it’s less aphoristic, but rather three essays. The essays have more structure and extended argumentation than is typical in most of Nietzsche’s works. [source]
Of course, I read Nietzsche. On the Genealogy of Morality, etc, where the truths and the truisms are really cut and dried in a lot of ways. It's the equivalent of, I guess, intellectual red meat. [source]
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44
After the End of Art: Contemporary Art and the Pale of History
Arthur C. Danto
4.2
Over a decade ago, Arthur Danto announced that art ended in the sixties. Ever since this declaration, he has been at the forefront of a radical critique of the nature of art in our time. After the End of Art presents Danto's first full-scale reformulation of his original insight, showing how, with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, he leads the way to a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol's Brillo Box and the product found in the grocery store. Here we are engaged in a series of insightful and entertaining conversations on the most relevant aesthetic and philosophical issues of art, conducted by an especially acute observer of the art scene today.
Originally delivered as the prestigious Mellon Lectures on the Fine Arts, these writings cover art history, pop art, "people's art," the future role of museums, and the critical contributions of Clement Greenberg--who helped make sense of modernism for viewers over two generations ago through an aesthetics-based criticism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist's philosophy), Danto shows that it wasn't until the invention of Pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways of producing art, hinged on a narrative.
Traditional notions of aesthetics can no longer apply to contemporary art, argues Danto. Instead he focuses on a philosophy of art criticism that can deal with perhaps the most perplexing feature of contemporary art: that everything is possible.
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Recommended by Noël Carroll.
Noël Carroll
You can have objects that are indiscernible between being artworks and being everyday things. It’s a philsophical problem as it raises the problem of indiscernibles. [source]
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45
Philosophies of Art and Beauty: Selected Readings in Aesthetics from Plato to Heidegger
Albert Hofstadter, Richard Kuhns
4.2
This anthology is remarkable not only for the selections themselves, among which the Schelling and the Heidegger essays were translated especially for this volume, but also for the editors' general introduction and the introductory essays for each selection, which make this volume an invaluable aid to the study of the powerful, recurrent ideas concerning art, beauty, critical method, and the nature of representation. Because this collection makes clear the ways in which the philosophy of art relates to and is part of general philosophical positions, it will be an essential sourcebook to students of philosophy, art history, and literary criticism.
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46
Laocoon: An Essay on the Limits of Painting and Poetry
Prof Gotthold Ephraim Lessing, Prof Edward Allen McCormick
4.1
Originally published in 1766, the Laocoön has been called the first extended attempt in modern times to define the distinctive spheres of art and poetry.
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47
On Great Writing (On the Sublime)
Longinus, G. M. A. Grube
4.1
Celebrated for its own clarity and sublime style, this classic work of literary theory draws on the writings of Demosthenes, Plato, Sappho, Thucydides, Euripides, and Aeschylus, among others, to examine and delineate the essentials of a noble style. The complete translation, from the Greek of A. O. Prickard's Oxford text, features an introduction by Grube, establishing the historical and critical context of the work, and a biographical index.
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48
The Transfiguration of the Commonplace: A Philosophy of Art
Arthur C. Danto
4.1
Arthur C. Danto argues that recent developments in the art world, in particular the production of works of art that cannot be told from ordinary things, make urgent the need for a new theory of art and make plain the factors such a theory can and cannot involve. In the course of constructing such a theory, he seeks to demonstrate the relationship between philosophy and art, as well as the connections that hold between art and social institutions and art history.
The book distinguishes what belongs to artistic theory from what has traditionally been confused with it, namely aesthetic theory and offers as well a systematic account of metaphor, expression, and style, together with an original account of artistic representation. A wealth of examples, drawn especially from recent and contemporary art, illuminate the argument.
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49
Rites of Spring: The Great War and the Birth of the Modern Age
Modris Eksteins
4.1
A rare and remarkable cultural history of World War I that unearths the roots of modernism
Dazzling in its originality, Rites of Spring probes the origins, impact, and aftermath of World War I, from the premiere of Stravinsky's ballet The Rite of Spring in 1913, to the death of Hitler in 1945. Recognizing that The Great War was the psychological turning point . . . for modernism as a whole, author Modris Eksteins examines the lives of ordinary people, works of modern literature, and pivotal historical events to redefine the way we look at our past and toward our future.
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Recommended by Brent Glass, John Cusack, and Jonathan Boff.
Brent Glass
What the Civil War was about was mass killing on a scale that we had never ever dreamed of. [source]
John Cusack
Great book ⬇️ RT @PuddockII: Wow. https://t.co/EF6Iyc0Kmc [source]
Jonathan Boff
What this book does is it views the war as a cultural phenomenon, rather than a military phenomenon. Eksteins is a cultural historian who thinks in terms of literature, music, plastic arts, and so on. [source]
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50
The Architecture of Happiness
Alain De Botton
4.1
One of the great but often unmentioned causes of both happiness and misery is the quality of our environment: the kinds of walls, chairs, buildings and streets that surround us.
And yet a concern for architecture and design is too often described as frivolous, even self-indulgent. The Architecture of Happiness starts from the idea that where we are heavily influences who we can be, and it argues that it is architecture's task to stand as an eloquent reminder of our full potential.
Whereas many architects are wary of openly discussing the word beauty, this book has at its center the large and naïve question: What is a beautiful building? It is a tour through the philosophy and psychology of architecture that aims to change the way we think about our homes, our streets and ourselves.
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51
Image-Music-Text
Roland Barthes, Stephen Heath
4.1
Image-Music-Text brings together major essays by Roland Barthes on the structural analysis of narrative and on issues in literary theory, on the semiotics of photograph and film, and on the practice of music and voice.
Throughout the volume runs a constant movement from work to text: an attention to the very ‘grain’ of signifying activity and the desire to follow – in literature, image, film, song and theatre – whatever turns, displaces, shifts, disperses.
Stephen Heath, whose translation has been described as ‘skilful and readable’ (TLS) and ‘quite brilliant’ (TES), is the author of Vertige du déplacement, a study of Barthes. His selection of essays, each important in its own right, also serves as ‘the best... introduction so far to Barthes’ career as the slayer of contemporary myths’. (John Sturrock, New Statesman)
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52
Art and Visual Perception: A Psychology of the Creative Eye
Rudolf Arnheim
4.1
Since its first publication in 1954, this work has established itself as a unique classic. It applies the approaches and findings of modern psychology to the study of art; it descirbes the visual process that takes place when people create - or look at - works in the various arts, and explains how they organize visual material according to definite psychological laws. Artists, critics, art historicans, students, and general readers have found it a highly readable book. Now Arnheim has throughtly revised and enlarged the text and adds new illustrations, taking advantage of recent developments in his own work and that of others.
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53
Aesthetics, Method, and Epistemology
Michel Foucault
4.1
The definitive edition of Foucault's articles, interviews, and seminars.
Few philosophers have had as strong an influence on the twentieth century as Michel Foucault. His work has affected the teaching of any number of disciplines and remains, twenty years after his death, critically important. This newly available edition is drawn from the complete collection of all of Foucault's courses, articles, and interviews, and brings his most important work to a new generation of readers.
Aesthetics, Method and Epistemology surveys Foucault's diverse but sustained address of the historical forms and interplay of passion, experience, and truth.
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54
The Aesthetics of Architecture
Roger Scruton
4.1
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55
Silence: Lectures and Writings
John Cage
4.1
Silence, A Year from Monday, M, Empty Words and X (in this order) form the five parts of a series of books in which Cage tries, as he says, to find a way of writing which comes from ideas, is not about them, but which produces them. Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching (what Cage called writing through).
John Cage is one of the composers most associated with minimalism. He’s a kind of pioneer, not just in music, but also for the arts, and for philosophy as well. In the 1940s and 1950s, he had already cultivated an interest in Zen philosophy. He experimented with these forms of emptiness in art that were very radical at the time. [source]
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56
Design as Art
Bruno Munari
4.1
One of the last surviving members of the futurist generation, Bruno Munari's Design as Art is an illustrated journey into the artistic possibilities of modern design translated by Patrick Creagh published as part of the 'Penguin on Design' series in Penguin Modern Classics.
'The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing'
Bruno Munari was among the most inspirational designers of all time, described by Picasso as 'the new Leonardo'. Munari insisted that design be beautiful, functional and accessible, and this enlightening and highly entertaining book sets out his ideas about visual, graphic and industrial design and the role it plays in the objects we use everyday. Lamps, road signs, typography, posters, children's books, advertising, cars and chairs - these are just some of the subjects to which he turns his illuminating gaze.
How do we see the world around us? The Penguin on Design series includes the works of creative thinkers whose writings on art, design and the media have changed our vision forever.
Bruno Munari (1907-1998), born in Milan, was the enfant terrible of Italian art and design for most of the twentieth century, contributing to many fields of both visual (paint, sculpture, film, industrial design, graphics) and non-visual arts (literature, poetry). He was twice awarded the Compasso d'Oro design prize for excellence in his field.
If you enjoyed Design as Art, you might like John Berger's Ways of Seeing, also available in Penguin Modern Classics.
'One of the most influential designers of the twentieth century ... Munari has encouraged people to go beyond formal conventions and stereotypes by showing them how to widen their perceptual awareness' International Herald Tribune
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Recommended by Coleen Baik.
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The Future of the Image
Jacques Ranciere
4.1
Lauded by major contemporary artists and philosophers, Jacques Rancière’s work returns politics to its central place in understanding art.
In The Future of the Image, Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, filmmakers such as Godard and Bresson, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Rancière shows that contemporary theorists of the image are suffering from religious tendencies.
He argues that there is a stark political choice in art: it can either reinforce a radical democracy, or create a new reactionary mysticism. For Rancière there is never a pure art: the aesthetic revolution must always embrace egalitarian ideals.
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58
Cinema 2: The Time-Image
Gilles Deleuze
4.1
Cinema 2: The Time-Image brings to completion Gilles Deleuze's work on the theoretical implications of the cinematographic image. In Cinema 1: The Movement-Image, Deleuze proposed a new way to understand narrative cinema, based on Henri Bergson's notion of the movement-image and C.S. Pierce's classification of images and signs. In Cinema 2, he explains why, since World War II, time has come to dominate film: the fragment or solitary image, in supplanting narrative cinema's rational development of events, illustrates this new significance of time.
Deleuze ascribes this shift to the condition of postwar Europe: the situations and spaces 'we no longer know how to describe'—buildings deserted but inhabited, cities undergoing demolition or reconstruction—and the new race of characters who emerged from this rubble, mutants who 'saw rather than acted.' Deleuze discusses the films of Rossellini, De Sica, Fellini, Godard, Resnais, Antonioni, Pasolini, Rohmer, Ophuls, and many others, suggesting that contemporary cinema, far from being dead, is only beginning to find new ways to capture time in the image.
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59
The Ideology of the Aesthetic
Terry Eagleton
4.1
"The Ideology of the Aesthetic" presents a history & critique of the concept of the aesthetic throughout modern Western thought. As such, this is a critical survey of modern Western philosophy, focusing in particular on the complex relations between aesthetics, ethics & politics. Eagleton provides a brilliant & challenging introduction to these concerns, as characterized in the work of Kant, Schiller, Schopenhauer, Kierkegaard, Marx, Nietzsche, Freud, Heidegger, Lukacs, Adorno, Habermas & others. Wide in span, as well as morally & politically committed, this is his major work to date. It forms both an original enquiry & an exemplary introduction.
"No denunciation without its proper instrument of close analysis," Roland Barthes wrote in his preface to Mythologies. There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them.
Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, and happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked.
What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.
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61
Aesthetics Volume I
Dietrich von Hildebrand, Robert E. Wood, et al.
4.1
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62
Beauty: The Invisible Embrace: Rediscovering the True Sources of Compassion, Serenity, and Hope
John O'Donohue
4.1
The human soul is hungry for beauty; we seek it everywhere in landscape, music, art, clothes, furniture, gardening, companionship, love, religion, and in ourselves. When we experience the Beautiful, there is a wonderful sense of homecoming; we feel fully alive. Our lives become illuminated, and behind the shudder of appearances we come to glimpse the sure form of things.
On Beauty: The Invisible Embrace, Irish poet and philosopher John O'Donohue invites us to remember and to awaken the Beautiful; it is always secretly there, awaiting but our attention and reverence in order to come alive.
Beauty is the true priestess of individuation. But our times are dominated by anxiety and by what is vulgar, coarse, and artificial. Were Beauty to awaken in the fields of politics, religion, planning, discourse, and seeing, our world would heal, and fresh wells of hope would refresh us. Kathleen Raine, the English poet says: "Strangest of all is the ease with which the vision is lost, consciousness contracts, we forget over and over again, until recollection is stirred by some icon of that beauty. Then we remember and wonder why we ever forgot."
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63
The Birth of Tragedy / The Case of Wagner
Friedrich Nietzsche
4.1
The Birth of Tragedy (1872) was Nietzsche's 1st book. Its youthful faults were exposed by him in the brilliant 'Attempt at a Self-Criticism' which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down thru the Victorian era. It sounded themes developed in the 20th century by classicists, existentialists, psychoanalysts & others. The Case of Wagner (1888) was one his last books & his wittiest. In attitude & style it's diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects & deal with art & culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished new translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom & the vitality of his style. Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, &, for the 1st time in any edition, an extensive index to each book.
Nietzsche as a young man was completely besotted with Wagner, and had to fight his way out of this obsession. [source]
Alex Ross
Nietzsche as a young man was completely besotted with Wagner, and had to fight his way out of this obsession. [source]
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64
On Beauty and Being Just
Elaine Scarry
4.1
Have we become beauty-blind? For two decades or more in the humanities, various political arguments have been put forward against beauty: that it distracts us from more important issues; that it is the handmaiden of privilege; and that it masks political interests. In On Beauty and Being Just Elaine Scarry not only defends beauty from the political arguments against it but also argues that beauty does indeed press us toward a greater concern for justice. Taking inspiration from writers and thinkers as diverse as Homer, Plato, Marcel Proust, Simone Weil, and Iris Murdoch as well as her own experiences, Scarry offers up an elegant, passionate manifesto for the revival of beauty in our intellectual work as well as our homes, museums, and classrooms.
Scarry argues that our responses to beauty are perceptual events of profound significance for the individual and for society. Presenting us with a rare and exceptional opportunity to witness fairness, beauty assists us in our attention to justice. The beautiful object renders fairness, an abstract concept, concrete by making it directly available to our sensory perceptions. With its direct appeal to the senses, beauty stops us, transfixes us, fills us with a "surfeit of aliveness." In so doing, it takes the individual away from the center of his or her self-preoccupation and thus prompts a distribution of attention outward toward others and, ultimately, she contends, toward ethical fairness.
Scarry, author of the landmark The Body in Pain and one of our bravest and most creative thinkers, offers us here philosophical critique written with clarity and conviction as well as a passionate plea that we change the way we think about beauty.
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65
Art and Beauty in the Middle Ages
Umberto Eco, Hugh Bredin
4.1
In this authoritative, lively book, the celebrated Italian novelist and philosopher Umberto Eco presents a learned summary of medieval aesthetic ideas. Juxtaposing theology and science, poetry and mysticism, Eco explores the relationship that existed between the aesthetic theories and the artistic experience and practice of medieval culture.
“[A] delightful study. . . . [Eco’s] remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject.” —Robert Taylor, Boston Globe
“The book lays out so many exciting ideas and interesting facts that readers will find it gripping.” —Washington Post Book World
“A lively introduction to the subject.” —Michael Camille, The Burlington Magazine
“If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco’s short volume.” —D. C. Barrett, Art Monthly
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66
A Thousand Plateaus: Capitalism and Schizophrenia
Gilles Deleuze, Felix Guattari, Brian Massumi
4.0
Gilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key figure in poststructuralism, and one of the most influential philosophers of the twentieth century. Felix Guattari (1930-1992) was a psychoanalyst at the la Borde Clinic, as well as being a major social theorist and radical activist.
A Thousand Plateaus is part of Deleuze and Guattari's landmark philosophical project, Capitalism and Schizophrenia - a project that still sets the terms of contemporary philosophical debate. A Thousand Plateaus provides a compelling analysis of social phenomena and offers fresh alternatives for thinking about philosophy and culture. Its radical perspective provides a toolbox for nomadic thought and has had a galvanizing influence on today's anti-capitalist movement.
Translated by Brian Massumi
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Recommended by Chibli Mallat.
Chibli Mallat
Yes, my interest in Deleuze started when I read his Proust et les Signes in high school in Paris in 1977. He was still relatively unknown outside France. Since then I have pillaged his extraordinary conceptual coinage – I use ‘Thousand Planes’ (my translation of Mille Plateaux) in my Introduction to Middle Eastern Law as a holding concept for 4,000 years of Middle Eastern and Islamic law. It is impossible to circumvent Deleuze as the major philosopher of the century. Foucault predicted as much in a famous quote that goes something like: the 21st century will be Deleuzian or nothing. Deleuze, who died in1995, has indeed moved from being a maverick thinker to becoming a major world political and philosophical reference. [source]
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67
The Age of Insight: The Quest to Understand the Unconscious in Art, Mind, and Brain from Vienna 1900 to the Present
Eric Kandel
4.0
A brilliant book by Nobel Prize winner Eric R. Kandel, The Age of Insight takes us to Vienna 1900, where leaders in science, medicine, and art began a revolution that changed forever how we think about the human mind—our conscious and unconscious thoughts and emotions—and how mind and brain relate to art.
At the turn of the century, Vienna was the cultural capital of Europe. Artists and scientists met in glittering salons, where they freely exchanged ideas that led to revolutionary breakthroughs in psychology, brain science, literature, and art. Kandel takes us into the world of Vienna to trace, in rich and rewarding detail, the ideas and advances made then, and their enduring influence today.
The Vienna School of Medicine led the way with its realization that truth lies hidden beneath the surface. That principle infused Viennese culture and strongly influenced the other pioneers of Vienna 1900. Sigmund Freud shocked the world with his insights into how our everyday unconscious aggressive and erotic desires are repressed and disguised in symbols, dreams, and behavior. Arthur Schnitzler revealed women’s unconscious sexuality in his novels through his innovative use of the interior monologue. Gustav Klimt, Oscar Kokoschka, and Egon Schiele created startlingly evocative and honest portraits that expressed unconscious lust, desire, anxiety, and the fear of death.
Kandel tells the story of how these pioneers—Freud, Schnitzler, Klimt, Kokoschka, and Schiele—inspired by the Vienna School of Medicine, in turn influenced the founders of the Vienna School of Art History to ask pivotal questions such as What does the viewer bring to a work of art? How does the beholder respond to it? These questions prompted new and ongoing discoveries in psychology and brain biology, leading to revelations about how we see and perceive, how we think and feel, and how we respond to and create works of art. Kandel, one of the leading scientific thinkers of our time, places these five innovators in the context of today’s cutting-edge science and gives us a new understanding of the modernist art of Klimt, Kokoschka, and Schiele, as well as the school of thought of Freud and Schnitzler. Reinvigorating the intellectual enquiry that began in Vienna 1900, The Age of Insight is a wonderfully written, superbly researched, and beautifully illustrated book that also provides a foundation for future work in neuroscience and the humanities. It is an extraordinary book from an international leader in neuroscience and intellectual history.
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68
The Unknown Craftsman: A Japanese Insight Into Beauty
Bernard Leach
4.0
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69
Designing Design
Kenya Hara
4.0
Representing a new generation of designers in Japan, Kenya Hara (born 1958) pays tribute to his mentors, using long overlooked Japanese icons and images in much of his work. In Designing Design, he impresses upon the reader the importance of emptiness in both the visual and philosophical traditions of Japan, and its application to design, made visible by means of numerous examples from his own work: Hara for instance designed the opening and closing ceremony programs for the Nagano Winter Olympic Games 1998. In 2001, he enrolled as a board member for the Japanese label MUJI and has considerably moulded the identity of this successful corporation as communication and design advisor ever since. Kenya Hara, alongside Naoto Fukasawa one of the leading design personalities in Japan, has also called attention to himself with exhibitions such as Re-Design: The Daily Products of the 21st Century.
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Recommended by Ryan Len.
Ryan Len
When asked what books he would recommend to youngsters interested in his professional path, Ryan mentioned Designing Design. [source]
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70
Cinema 1: The Movement-Image
Gilles Deleuze
4.0
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71
Notes on the Cinematograph
Robert Bresson
4.0
A key influence on the French New Wave and the director of such iconic works as Pickpocket and A Man Escaped, Robert Bresson is one of the central figures of French cinema. Notes on the Cinematograph is not only his definitive treatise on film—its inherent peculiarity and potential—but an ascetic meditation on how art transcends, and is transformed by, the senses.
Bresson upends inherited truths with empirical ones, calling for film to divest itself of the trappings of theater in order to come into its own as an art form. While theater is capable of simulation, film can capture immanent being. Therefore, he argues, the two forms are innately at odds: “No marriage of theater and cinematography without both being exterminated.”
To this end, Bresson rechristens his actors “models” and conducts them through grueling shoots where they repeat their lines and movements until he deems them vacant of actorly intention and charged, instead, with inscrutability: “A model. Enclosed in his mysterious appearance. He has brought home to him all of him that was outside. He is there, behind that forehead, those cheeks.”
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72
The Politics of Aesthetics
Jacques Ranciere, Gabriel Rockhill
4.0
The Politics of Aesthetics rethinks the relationship between art and politics, reclaiming "aesthetics" from the narrow confines it is often reduced to. Jacques Rancière reveals its intrinsic link to politics by analysing what they both have in common: the delimitation of the visible and the invisible, the audible and the inaudible, the thinkable and the unthinkable, the possible and the impossible.
Presented as a set of inter-linked interviews, The Politics of Aesthetics provides the most comprehensive introduction to Rancière's work to date, ranging across the history of art and politics from the Greek polis to the aesthetic revolution of the modern age.
Already translated into five languages, this English edition of The Politics of Aesthetics includes a new afterword by Slavoj Zizek, an interview for the English edition, a glossary of technical terms and an extensive bibliography.
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73
Situationist International Anthology: Revised and Expanded Edition
Ken Knabb
4.0
Literary Nonfiction. Politics. Critical Theory. Art. In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people's passive conditioning with carefully calculated scandals and the playful tactic of detournement. Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its "Communist" pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in France. Since then although the SI itself was dissolved in 1972 situationist theories and tactics have continued to inspire radical currents all over the world. The SITUATIONIST INTERNATIONAL ANTHOLOGY, generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, presents a rich variety of articles, leaflets, graffiti and internal documents, ranging from early experiments in "psychogeography" to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution and other crises and upheavals of the sixties. For this new edition the translations have all been fine-tuned and over 100 pages of new material have been added."
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74
The Theater and Its Double
Antonin Artaud, Mary Caroline Richards
4.0
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75
The Oxford Handbook of Aesthetics
Jerrold Levinson
4.0
The Oxford Handbook of Aesthetics brings the authority, liveliness, and multi-disciplinary scope of the Handbook series to a fascinating theme in philosophy and the arts. Jerrold Levinson has assembled a hugely impressive range of talent to contribute 48 brand-new essays, making this the most comprehensive guide available to the theory, application, history, and future of the field. This Handbookwill be invaluable to academics and students across philosophy and all branches of the arts, both as the reference work of choice and as a stimulus to new research and creativity.
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76
Phaedrus
Plato, Alexander Nehamas, et al.
4.0
Set in the idyllic countryside outside Athens, the Phaedrus is a dialogue between the philosopher Socrates and his young friend Phaedrus, inspired by their reading of a clumsy speech by the writer Lysias about love. After first considering the virtues of romantic love, their conversation develops into a wide-ranging discussion on such subjects as the pursuit of beauty, the nature of humanity, the immortality of the soul and the attainment of truth, and ends with an in-depth consideration of the principles of rhetoric. Probably a work of Plato’s maturity, the Phaedrus represents a high point in his achievement as a writer. It remains a fascinating exploration of love, mortality, destiny and what it means to be human.
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77
The Weird and the Eerie
Mark Fisher
4.0
What exactly are the Weird and the Eerie? In this new book, Mark Fisher argues that some of the most haunting and anomalous fiction of the 20th century belongs to these two modes. The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling.
Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.
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78
Brecht on Theatre: The Development of an Aesthetic
Bertolt Brecht
4.0
This volume offers a major selection of Bertolt Brecht's groundbreaking critical writing. Here, arranged in chronological order, are essays from 1918 to 1956, in which Brecht explores his definition of the Epic Theatre and his theory of alienation-effects in directing, acting, and writing, and discusses, among other works, The Threepenny Opera, Mahagonny, Mother Courage, Puntila, and Galileo. Also included is "A Short Organum for the Theatre," Brecht's most complete exposition of his revolutionary philosophy of drama.
Translated and edited by John Willett, Brecht on Theater is essential to an understanding of one of the twentieth century's most influential dramatists.
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79
Distinction: A Social Critique of the Judgement of Taste
Pierre Bourdieu, Richard Nice
4.0
Recommended by Juliet Schor and Neil Fligstein.
Juliet Schor
Bourdieu shows how the patterns of consumption in a society come out of structures of social inequality. He groups the consumer realm with the economic. [source]
Neil Fligstein
Bourdieu doesn’t see consumption as something we do to satisfy needs, but a function of social status. We consume to become the person that we want to be. [source]
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80
Against Nature
Joris-Karl Huysmans, Patrick Mcguiness, Robert Baldick
4.0
With a title translated either as Against Nature or as Against The Grain, this wildly original fin-de-siècle novel follows its sole character, Des Esseintes, a decadent, ailing aristocrat who retreats to an isolated villa where he indulges his taste for luxury and excess. Veering between nervous excitability and debilitating ennui, he gluts his aesthetic appetites with classical literature and art, exotic jewels (with which he fatally encrusts the shell of his tortoise), rich perfumes, and a kaleidoscope of sensual experiences. The original handbook of decadence, Against Nature exploded like a grenade (in the words of Huysmans) and has enjoyed a cult readership from its publication to the present day.
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Recommended by Josh Cohen.
Josh Cohen
The novel portrays brilliantly all the paradoxes and tortures of what we now call burnout—arguably more accurately than any nonfictional treatment. Hysterically funny. [source]
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81
The Painted Word
Tom Wolfe
4.0
Recommended by Brad Feld.
Brad Feld
Co-Founder/Foundry Group
The world lost a great writer recently when Tom Wolfe died. So I bought the Five Essential Tom Wolfe Books You Should Read. I hadn’t read The Painted Word so I started with it. It’s a deliciously scathing criticism of modern art, circa 1975. I loved it. [source]
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82
Bloom: A Coloring Book
Alli Koch and Paige Tate & Co.
4.0
Let your creativity run wild as you color the beautifully-designed, hand-drawn flower illustrations in Bloom!
Instagram sensation, muralist, author, and floral aficionado Alli Koch of @Allikdesign introduced thousands to the basics of modern floral illustrating with her best-selling book, How to Draw Modern Florals. Each page of Alli's new coloring book, Bloom, comes to life with a variety of her signature floral designs. She invites you to get creative as you customize each bloom and bring these pretty blank pages to life!
Bloom features: - 30+ floral illustrations on premium, high quality paper - Two soft black velvet pages that enhance your coloring experience and hide mistakes! - Perforated, removable pages--frame your art after you've finished coloring! - A gorgeous, hand-illustrated cover that will look stunning on your bookshelf or coffee table!
Hand Signed by Rupi Kaur. Exclusive Certificate of Authenticity (COA) is included. First Print - First Edition Hardcover. The Sun and Her Flowers Hardcover (No Signed Copy sticker on cover). A vibrant and transcendent journey about growth and healing. From Rupi Kaur, the #1 New York Times bestselling author of milk and honey, comes her long-awaited second collection of poetry. Ancestry and honoring one's roots. Expatriation and rising up to find a home within yourself. Divided into five chapters and illustrated by Kaur, the sun and her flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms. this is the recipe of life said my mother as she held me in her arms as i wept think of those flowers you plant in the garden each year they will teach you that people too must wilt fall root rise in order to bloom.
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84
On Being Blue
William H. Gass
4.0
On Being Blue is a book about everything blue—sex and sleaze and sadness, among other things—and about everything else. It brings us the world in a word as only William H. Gass, among contemporary American writers, can do.
Gass writes: Of the colors, blue and green have the greatest emotional range. Sad reds and melancholy yellows are difficult to turn up. Among the ancient elements, blue occurs everywhere: in ice and water, in the flame as purely as in the flower, overhead and inside caves, covering fruit and oozing out of clay. Although green enlivens the earth and mixes in the ocean, and we find it, copperish, in fire; green air, green skies, are rare. Gray and brown are widely distributed, but there are no joyful swatches of either, or any of the exuberant black, sullen pink, or acquiescent orange. Blue is therefore most suitable as the color of interior life. Whether slick light sharp high bright think quick sour new and cool or low deep sweet dark soft slow smooth heavy old and warm: blue moves easily among them all, and all profoundly qualify our states of feeling.
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85
Black in Place: The Spatial Aesthetics of Race in a Post-Chocolate City
Brandi Thompson Summers
4.0
While Washington, D.C., is still often referred to as "Chocolate City," it has undergone significant demographic, political, and economic change in the last decade. In D.C., no place represents this shift better than the H Street corridor. In this book, Brandi Thompson Summers documents D.C.'s shift to a "post-chocolate" cosmopolitan metropolis by charting H Street's economic and racial developments. In doing so, she offers a theoretical framework for understanding how blackness is aestheticized and deployed to organize landscapes and raise capital. Summers focuses on the continuing significance of blackness in a place like the nation's capital, how blackness contributes to our understanding of contemporary urbanization, and how it laid an important foundation for how Black people have been thought to exist in cities. Summers also analyzes how blackness--as a representation of diversity--is marketed to sell a progressive, "cool," and authentic experience of being in and moving through an urban center.
Using a mix of participant observation, visual and media analysis, interviews, and archival research, Summers shows how blackness has become a prized and lucrative aesthetic that often excludes D.C.'s Black residents.
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86
The Critique of Aesthetic Judgement (Critique of Judgement 1)
Immanuel Kant, James Creed Meredith
4.0
Kant's attempt to establish the principles behind the faculty of judgment remains one of the most important works on human reason. This third of the philosopher's three Critiques forms the very basis of modern aesthetics by establishing the almost universally accepted framework for debate of aesthetic issues.
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87
The Dehumanization of Art and Other Essays on Art, Culture and Literature
José Ortega y Gasset
4.0
No work of Spanish philosopher and essayist Jose Ortega y Gasset has been more frequently cited, admired, or criticized than his defense of modernism, "The Dehumanization of Art." In the essay, originally published in Spanish in 1925, Ortega grappled philosophically with the newness of nonrepresentational art and sought to make it more understandable to a public confused by it. Many embraced the essay as a manifesto extolling the virtues of vanguard artists and promoting their efforts to abandon the realism and the romanticism of the nineteenth century.
The "dehumanization" of the title, which was meant descriptively rather than pejoratively, referred most literally to the absence of human forms in nonrepresentational art, but also to its insistent unpopularity, its indifference to the past, and its iconoclasm. Ortega championed what he saw as a new cultural politics with the goal of a total transformation of society.
Ortega was an immensely gifted writer in the best belletristic tradition. His work has been compared to an iceberg because it hides the critical mass of its erudition beneath the surface, and because it is deceptive, appearing to be more spontaneous and informal than it really is.
Princeton published the first English translation of the essay paired with another entitled "Notes on the Novel." Three essays were later added to make an expanded edition, published in 1968, under the title The Dehumanization of Art and Other Essays on Art, Culture and Literature .
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88
Plato: The Complete Works
Plato
4.0
This ebook contains Plato's complete works.
This edition has been professionally formatted and contains several tables of contents. The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.
This collection contains the following works by Plato:
The Complete Plato
Part 1: Early Dialogues The Apology Crito Charmides Laches Lysis Euthyphro Menexenus Ion Gorgias Protagoras Meno Part 2: Middle Dialogues Euthydemus Cratylus Phaedo Phaedrus The Symposium Theaetetus Parmenides Part 3: Late Dialogues Sophist Statesman Philebus Timaeus Critias Part 4: The Republic I: Of Wealth, Justice, Moderation, and their Opposites II: The Individual, the State, and Education III: The Arts in Education IV: Wealth, Poverty, and Virtue V: On Matrimony and Philosophy VI: The Philosophy of Government VII: On Shadows and Realities in Education VIII: Four Forms of Government IX: On Wrong or Right Government, and the Pleasures of Each X: The Recompense of Life Part 5: The Laws
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89
Beyond Good and Evil
Friedrich Nietzsche
4.0
In Beyond Good and Evil Friedrich Nietzsche contends that no human values are absolute; that all value distinctions (such as that between 'good' and 'evil') are artificial, the result of mere traditional prejudices; and that humanity should discard its old, outmoded values (such as 'good' and 'evil').
Yes, I think that’s right. It touches on almost all Nietzsche’s central concerns – on truth, on the nature of philosophy, on morality, on what’s wrong with morality, will to power. [source]
Simon Critchley
What did you think of it then? We should talk about your reaction to it! [source]
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90
The Infinite Conversation
Maurice Blanchot
4.0
In this landmark volume, Blanchot sustains a dialogue with a number of thinkers whose contributions have marked turning points in the history of Western thought and have influenced virtually all the themes that inflect the contemporary literary and philosophical debate today.
“Blanchot waits for us still to come, to be read and reread. . . . I would say that never as much as today have I pictured him so far ahead of us.” Jacques Derrida
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91
A Tractate on Japanese Aesthetics
Donald Richie
4.0
This provocative book is a tractate—a treatise—on beauty in Japanese art, written in the manner of a zuihitsu, a free-ranging assortment of ideas that “follow the brush” wherever it leads. Donald Richie looks at how perceptual values in Japan were drawn from raw nature and then modified by elegant expressions of class and taste. He explains aesthetic concepts like wabi, sabi, aware, and yugen, and ponders their relevance in art and cinema today.
Donald Richie is the foremost explorer of Japanese culture in English, and this work is the culmination of sixty years of observing and writing from his home in Tokyo.
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92
Aesthetics: Volume II
Dietrich von Hildebrand, John Henry Crosby, et al.
4.0
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93
Theory of Colours
Johann Wolfgang von Goethe, Charles Lock Eastlake, Deane B. Judd
4.0
By the time Goethe's "Theory of Colours" appeared in 1810, the wavelength theory of light and color had been firmly established. To Goethe, the theory was the result of mistaking an incidental result for an elemental principle. Far from pretending to a knowledge of physics, he insisted that such knowledge was an actual hindrance to understanding. He based his conclusions exclusively upon exhaustive personal observation of the phenomena of color.
Of his own theory, Goethe was supremely confident: "From the philosopher, we believe we merit thanks for having traced the phenomena of colours to their first sources, to the circumstances under which they appear and are, and beyond which no further explanation respecting them is possible."
Goethe's scientific conclusions have, of course, long since been thoroughly demolished, but the intelligent reader of today may enjoy this work on quite different grounds: for the beauty and sweep of his conjectures regarding the connection between color and philosophical ideas; for an insight into early nineteenth-century beliefs and modes of thought; and for the flavor of life in Europe just after the American and French Revolutions.
The work may also be read as an accurate guide to the study of color phenomena. Goethe's conclusions have been repudiated, but no one quarrels with his reporting of the facts to be observed. With simple objects -- vessels, prisms, lenses, and the like -- the reader will be led through a demonstration course not only in subjectively produced colors, but also in the observable physical phenomena of color. By closely following Goethe's explanations of the color phenomena, the reader may become so divorced from the wavelength theory -- Goethe never even mentions it -- that he may begin to think about color theory relatively unhampered by prejudice, ancient or modern.
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94
The Sense of Beauty
George Santayana
4.0
It is remarkably appropriate that this work on aesthetics should have been written by George Santayana, who is probably the most brilliant philosophic writer and the philosopher with the strongest sense of beauty since Plato. It is not a dry metaphysical treatise, as works on aesthetics so often are, but is itself a fascinating document: as much a revelation of the beauty of language as of the concept of beauty.
This unabridged reproduction of the 1896 edition of lectures delivered at Harvard College is a study of "why, when, and how beauty appears, what conditions an object must fulfill to be beautiful, what elements of our nature make us sensible of beauty, and what the relation is between the constitution of the object and the excitement of our susceptibility."
Santayana first analyzes the nature of beauty, finding it irrational, "pleasure regarded as the quality of a thing." He then proceeds to the materials of beauty, showing what all human functions can contribute: love, social instincts, senses, etc. Beauty of form is then analyzed, and finally the author discusses the expression of beauty. Literature, religion, values, evil, wit, humor, and the possibility of finite perfection are all examined. Presentation throughout the work is concrete and easy to follow, with examples drawn from art, history, anthropology, psychology, and similar areas.
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95
The Complete Works of Aristotle
Aristotle
4.0
Aristotle (384–322 BCE) was a Greek philosopher and student of Plato who stunningly changed the course of Western philosophy. He has gone down in history as one of the greatest philosophers of all time. Cicero, the Roman statesman and philosopher, once called his writing style "a river of gold;" and his scope of thought and subsequent influence on the study of science, logic, philosophical discourse, and theology has led many to dub him "The Philosopher."
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96
The Romantic Manifesto
Ayn Rand
4.0
In her ethics Ayn Rand extolled the virtue of selfishness—and in her theory of art she was no less radical. Piercing the fog of mysticism and sentimentality that engulfs art, the essays in The Romantic Manifesto explain why, since time immemorial, man has created and consumed works of art.
Ayn Rand argues that objective standards in art are possible because art is not a subjective luxury, but rather a critical need of human life—not a material need, but a need of man’s rational mind, the faculty on which his material survival depends.
Ayn Rand explains the indispensable function of art in man’s life (ch. 1), the objective source of man’s deeply personal, emotional response to art (ch. 2), and how an artist’s fundamental, often unstated view of man and of the world shapes his creations (ch. 3).
Turning to her own field of artistic creation, Rand elaborates (ch. 5) on her distinctive theory of literature and identifies principles by which to judge an artwork objectively. “What is Romanticism?” (ch. 6) sheds new light on the nature and philosophy of the school of literature under which Rand classified her own work. Later essays explain how contemporary art reveals the debased intellectual state of our culture (ch. 7, 8 and 9).
In the final essay Rand articulates the goal of her own fiction writing as “the projection of an ideal man, as an end in itself”—and explains that she originated her philosophy as a means to this end.
Table of Contents
Introduction The Psycho-Epistemology of Art Philosophy and Sense of Life Art and Sense of Life Art and Cognition Basic Principles of Literature What Is Romanticism? The Esthetic Vacuum of Our Age Bootleg Romanticism Art and Moral Treason Introduction to Ninety-Three The Goal of My Writing The Simplest Thing in the World Index
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97
The Aesthetic Blueprint: The Game-changing Guide to Transforming Your Practice, Living a Fulfilling Life and Impacting the Lives of Everyone You Touch
Robert R. Rullo
4.0
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98
Seeing the Form (The Glory of the Lord: A Theological Aesthetics, Vol. 1)
Hans Urs Von Balthasar, Joseph Fessio, John Riches, Erasmo Leiva-Merikakis
4.0
Cover unavailable
99
The Aesthetics of Disappearance
Paul Virilio
4.0
Virilio himself referred to his 1980 work The Aesthetics of Disappearance as a "juncture" in his thinking, one at which he brought his focus onto the logistics of perception -- a logistics he would soon come to refer to as the "vision machine." If Speed and Politics established Virilio as the inaugural -- and still consummate -- theorist of "dromology" (the theory of speed and the society it defines), The Aesthetics of Disappearance introduced his understanding of "picnolepsy" -- the epileptic state of consciousness produced by speed, or rather, the consciousness invented by the subject through its very absence: the gaps, glitches, and speed bumps lacing through and defining it. Speed and Politics defined the society of speed; The Aesthetics of Disappearance defines what it feels like to live in the society of speed."I always write with images," Virilio has claimed, and this statement is nowhere better illustrated than with The Aesthetics of Disappearance. Moving from the movie theater to the freeway, and from Craig Breedlove's attainment of terrifying speed in a rocket-power car to the immobility of Howard Hughes in his dark room atop the Desert Inn, Virilio himself jump cuts from such disparate reference points as Fred Astaire, Franz Liszt, and Adolf Loos to Dostoyevsky, Paul Morand, and Aldous Huxley. In its extension of the "aesthetics of disappearance" to war, film, and politics, this book paved the way to Virilio's follow-up: the celebrated study, War and Cinema.This edition features a new introduction by Jonathan Crary, one of the leading theorists of modern visual culture.Foreign Agents series. Distributed for Semiotext(e)
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100
Mimesis: The Representation of Reality in Western Literature
Erich Auerbach, Willard R. Trask, Edward W. Said
4.0
A half-century after its translation into English, Erich Auerbach's "Mimesis" still stands as a monumental achievement in literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depicted reality has taught generations how to read Western literature. This new expanded edition includes a substantial essay in introduction by Edward Said as well as an essay, never before translated into English, in which Auerbach responds to his critics. A German Jew, Auerbach was forced out of his professorship at the University of Marburg in 1935. He left for Turkey, where he taught at the state university in Istanbul. There he wrote "Mimesis," publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive--and impassioned--response to the inhumanity he saw in the Third Reich. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach used his remarkable skills in philology and comparative literature to refute any narrow form of nationalism or chauvinism, in his own day and ours. For many readers, both inside and outside the academy, "Mimesis" is among the finest works of literary criticism ever written.
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Recommended by Peter Paret.
Peter Paret
For many of us Erich Auerbach’s Mimesis still stands as a monumental achievement in literary criticism. In the book he explores how great European writers from Homer to Virginia Woolf depicted reality and by doing so he has taught generations how to read Western literature. [source]
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