Want to know what books Kyle Chayka recommends? We've researched interviews, social media posts, podcasts, and articles to build a comprehensive list of Kyle Chayka's favorite book recommendations of all time. At Shortform, we know books. Our book guides are the best in the world. Learn why.
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In Praise of Shadows
Jun'ichiro Tanizaki
4.3
An essay on aesthetics by the Japanese novelist, this book explores architecture, jade, food, and even toilets, combining an acute sense of the use of space in buildings. The book also includes descriptions of laquerware under candlelight, and women in the darkness of the house of pleasure.
Tanizaki is mourning what has been paved over, which is the old Japanese aesthetic of darkness, of softness, of appreciating the imperfect—rather than the cold, glossy surfaces of industrialized modernity that the West had brought to Japan at that moment. For me, that’s really valuable, because it does preserve a different way of looking at the world. [source]
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Silence: Lectures and Writings
John Cage
4.3
Silence, A Year from Monday, M, Empty Words and X (in this order) form the five parts of a series of books in which Cage tries, as he says, to find a way of writing which comes from ideas, is not about them, but which produces them. Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching (what Cage called writing through).
John Cage is one of the composers most associated with minimalism. He’s a kind of pioneer, not just in music, but also for the arts, and for philosophy as well. In the 1940s and 1950s, he had already cultivated an interest in Zen philosophy. He experimented with these forms of emptiness in art that were very radical at the time. [source]
Silence is one of the great music books. Purely on a literary level, there’s something about Cage’s style which is tremendously unique. [source]
Alex Ross
Silence is one of the great music books. Purely on a literary level, there’s something about Cage’s style which is tremendously unique. [source]
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Donald Judd Writings
Donald Judd
4.6
With hundreds of pages of new and previously unpublished essays, notes, and letters, Donald Judd Writings is the most comprehensive collection of the artist’s writings assembled to date. This timely publication includes Judd’s best-known essays, as well as little-known texts previously published in limited editions. Moreover, this new collection also includes unpublished college essays and hundreds of never-before-seen notes, a critical but unknown part of Judd’s writing practice. Judd’s earliest published writing, consisting largely of art reviews for hire, defined the terms of art criticism in the 1960s, but his essays as an undergraduate at Columbia University in New York, published here for the first time, contain the seeds of his later writing, and allow readers to trace the development of his critical style. The writings that followed Judd’s early reviews are no less significant art-historically, but have been relegated to smaller publications and have remained largely unavailable until now. The largest addition of newly available material is Judd’s unpublished notes—transcribed from his handwritten accounts of and reactions to subjects ranging from the politics of his time, to the literary texts he admired most. In these intimate reflections we see Judd’s thinking at his least mediated—a mind continuing to grapple with questions of its moment, thinking them through, changing positions, and demonstrating the intensity of thought that continues to make Judd such a formidable presence in contemporary visual art. Edited by the artist’s son, Judd Foundation curator and co-president Flavin Judd, and Judd Foundation archivist Caitlin Murray, this volume finally provides readers with the full extent of Donald Judd’s influence on contemporary art, art history, and art criticism.
Judd felt this deep need to critically justify and theorize around his work. So he wrote this essay called ‘Specific Objects,’ in which he drew a circle around this group of ‘Minimalist’ artists, but instead of calling their art ‘minimal,’ he says, no, these artists are making specific objects … the great line in the essay is an artwork needs only to be interesting. Like, creating visual interest is the only necessary goal of the artwork. [source]
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Goodbye, Things: The New Japanese Minimalism
Fumio Sasaki
4.2
Fumio Sasaki is not an enlightened minimalism expert; he’s just a regular guy who was stressed at work, insecure, and constantly comparing himself to others—until one day he decided to change his life by reducing his possessions to the bare minimum. The benefits were instantaneous and absolutely remarkable: without all his “stuff,” Sasaki finally felt true freedom, peace of mind, and appreciation for the present moment.
Goodbye, Things explores why we measure our worth by the things we own and how the new minimalist movement will not only transform your space but truly enrich your life. Along the way, Sasaki modestly shares his personal minimalist experience, offering tips on the minimizing process and revealing the profound ways he has changed since he got rid of everything he didn’t need. The benefits of a minimalist life can be realized by anyone, and Sasaki’s humble vision of true happiness will open your eyes to minimalism’s potential.
Sasaki not only describes how he cleaned out his apartment, but has a list of everything he earns, and suggests that you try to buy the same things. He tells you why you should live with only one low table instead of, you know, a dining room. So I think this book in particular presents a particular aesthetic and style that goes with ‘the minimalist lifestyle.’ [source]
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Agnes Martin: Her Life and Art
Nancy Princenthal
4.1
Over the course of a career that spanned fifty years, Agnes Martin’s austere, serene work anticipated and helped to define Minimalism, even as she battled psychological crises and carved out a solitary existence in the American Southwest. Martin identified with the Abstract Expressionists but her commitment to linear geometry caused her to be associated in turn with Minimalist, feminist, and even outsider artists. She moved through some of the liveliest art communities of her time while maintaining a legendary reserve. “I paint with my back to the world,” she says both at the beginning and at the conclusion of a documentary filmed when she was in her late eighties. When she died at ninety-two, in Taos, New Mexico, it is said she had not read a newspaper in half a century.
Agnes Martin, the recipient of two career retrospectives as well as the National Medal of the Arts, was championed by critics as diverse in their approaches as Lucy Lippard, Lawrence Alloway, and Rosalind Krauss. The whole engrossing story, now available in paperback, Agnes Martin is essential reading for anyone interested in abstract art or the history of women artists in America.
She has this really great connection between minimalism and spirituality, because she was always searching for the ineffable. She connected her paintings to the Zen idea of a universal spirit, and she titled quite a few of the early works after plants or natural phenomena like the ocean. So you see her seeking out the sense of peace that she knows exists, but that she can never quite reach. [source]
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