100 Best French History Books of All Time

The Campaigns of Napoleon is an exhaustive analysis and critique of Napoleon's art o

The book opens with a brief account of Bonaparte's early years, his military education and formative experiences, and his meteoric rise to the rank of general in the army of the Directory. Introducing the elements of Napoleonic "grand tactics" as they developed in his Italian, Egyptian, and Syrian campaigns, Mr. Chandler shows how these principles were clearly conceived as early as the Battle of Castiglione, when Napoleon was only twenty -six. Several campaigns later, he was Emperor of France, busily constructing the Grande Armée. This great war machine is described in considerable detail: the composition of the armies and the élite Guard; the staff system and the methods of command; the kind of artillery and firearms used; and the daily life of the Grande Armée and the all-seeing and all-commanding virtuoso who presided over every aspect of its operation in the field.

As the great machine sweeps into action in the campaigns along the Rhine and the Danube, in East Prussia and Poland, and in Portugal and Spain, David Chandler follows closely every move that vindicates -- or challenges -- the legend of Napoleon's military genius. As the major battles take their gory courses -- Austerlitz, Jena, Fried-land -- we see Napoleon's star reaching its zenith. Then, in the Wagram Campaign of 1809 against the Austrians -- his last real success -- the great man commits more errors of judgment than in all his previous wars and battles put together. As the campaigns rage on, his declining powers seem to justify his own statement: "One has but a short time for war." Then the horrors of the Russian campaign forever shatter the image of Napoleonic invincibility. It is thereafter a short, though heroic and sanguinary, road to Waterloo and St. Helena.

Napoleon appears most strikingly in these pages as the brilliant applier of the ideas of others rather than as an original military thinker, his genius proving itself more practical than theoretical. Paradoxically, this was both his chief strength and his main weakness as a general. After bringing the French army a decade of victory, his methods became increasingly stereotyped and, even worse, were widely copied by his foes, who operated against him with increasing effectiveness toward the end of his career. Yet even though his enemies attempted to imitate his techniques, as have others in the last century and a half, no one ever equaled his success. As these meticulous campaign analyses testify, his multifaceted genius was unique. Even as the end approached, as David Chandler points out, his eclipse was "the failure of a giant surrounded by pygmies."

"The flight of the eagle was over; the 'ogre' was safely caged at last, and an exhausted Europe settled down once more to attempt a return to former ways of life and government. But the shade of Napoleon lingered on irresistibly for many years after his death in 1821. It lingers yet."

Marie Antoinette. Napoleon. Louis XVI. Robespierre, Danton, Mirabeau, Marat. Madame Roland's salon. A passionate throng of Parisian artisans storming the Bastille. A tide of ebullient social change through wars, riots, beheadings, betrayal, conspiracy, and murder.

CHRISTOPHER HIBBERT was born in Leicester in 1924 and educated at Radley and Oriel College, Oxford. Described by the New Statesman as "a

During six weeks in 1940, Hitler's blitzkrieg shattered the redoubtable Maginot Line and, shortly thereafter, the French army. No historian has written a more definitive chronicle of that disaster than Alistair Horne, or one so emotionally gripping. Moving with cinematic swiftness from the battlefield to the Reichstag and the Palais de l'...lysée, To Lose a Battle overspills the confines of tradit

From Jeanne Kalogridis, the bestselling author of I, Mona Lisa and The Borgia Bride, comes a new novel that tells the passionate story of a queen who loved not wisely . . . but all too well.

Confidante of Nostradamus, scheming mother-in-law to Mary, Queen of Scots, and architect of the bloody St. Bartholomew’s Day Massacre, Catherine de Medici is one of the most maligned monarchs in history. In

Born into one of Florence’s most powerful families, Catherine was soon left a fabulously rich heiress by the early deaths of her parents. Violent conflict rent the city state and she found herself imprisoned and threatened by her family’s enemies before finally being released and married off to the handsome Prince Henry of France.

Overshadowed by her husband’s mistress, the gorgeous, conniving Diane de Poitiers, and unable to bear children, Catherine resorted to the dark arts of sorcery to win Henry’s love and enhance her fertility—for which she would pay a price. Against the lavish and decadent backdrop of the French court, and Catherine’s blood-soaked visions of the future, Kalogridis reveals the great love and desire Catherine bore for her husband, Henry, and her stark determination to keep her sons on the throne.

So writes the headstrong 13-year-old Maria Antonia--future Queen of France--in her diary on October 23, 1769. In this engrossing addi

To prepare her for this awesome responsibility, she must be trained to write, read, speak French, dress, act... even breathe. Things get even more grim as she is shipped off to the court of Versailles and introduced to her puffy, awkward future husband and confronted with the court's ridiculous customs. Marie--an opinionated and insightful young woman--mocks the court of "impeccable etiquette and manners" that makes up nasty rhymes about those they hate, but panics when her hair is mussed. Lasky has done an excellent job of creating a very human character in the young Marie Antoinette--one whom young readers will want to learn more about. Fortunately, her story is given plenty of context with an epilogue describing the history of the young Queen after 1769, a historical note offering an 18th-century context, a Habsburg-Bourbon family tree, and various portraits of the royal family. (Ages 9 to 13) --Karin Snelson