We've ranked the best gothic books using expert recommendations, sales data, and millions of reader ratings. At Shortform, we know books. Our book guides are the best in the world. Learn why.
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1
Dracula
Bram Stoker
5.0
“Welcome to my house. Come freely. Go safely; and leave something of the happiness you bring.”
Recommended by Andrei Codrescu, Becky Cloonan, Claire Jarvis, and 1 others.
Andrei Codrescu
Vampirism is a growth industry. Dracula is bigger than Jesus now. [source]
Becky Cloonan
@Noise_Raptor Oh, thank you so much! This book was such a delight, and such a challenge! Dracula is one of my favorites- funny enough I'd jump at the chance to do this again XD [source]
Claire Jarvis
Dracula is very explicit. That’s what’s so surprising about it. [source]
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Jane Eyre
Charlotte Brontë
5.0
Orphaned as a child, Jane has felt an outcast her whole young life. Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard.
But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?
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Recommended by Audrey Penn, John Sutherland, Lucy Atkins, and 2 others.
Audrey Penn
My next one is Jane Eyre. She was orphaned and sent to a very rich aunt, who had her own very selfish children. Jane Eyre was not the perfect child and she was sent to live in a girls’ school. She made one friend, but unfortunately the little girl died, so she had to toughen up. She grew up there and learned everything she needed to know about teaching. She was a very good artist, she played a little piano, she learned French. When she got older she became the governess for a little French girl who was the ward of a man who lived in a manor. They fell in love, but it turned out that he had a wife, who was insane and lived in the attic. So Jane Eyre ran away and found out she had an uncle who had left her a great deal of money. But she couldn’t get the man out of her mind, so she went back. She found out that after she left, the man’s wife had set the place on fire. The wife had died in the fire, and it had blinded him. They were still very much in love and they married. And they lived happily ever after. [source]
John Sutherland
There is an interesting debate … that the real heroine of Jane Eyre is not the plain little governess but the mad woman in the attic, Bertha Mason [source]
I think Charlotte Brontë’s most accomplished book is Villette. It’s probably a better book, it’s tighter and more sophisticated in some ways. But there’s something about Jane Eyre that is just deeply emotionally compelling for me. [source]
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3
Frankenstein
Mary Shelley
5.0
Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. Tormented by isolation and loneliness, the once-innocent creature turns to evil and unleashes a campaign of murderous revenge against his creator, Frankenstein.
Frankenstein, an instant bestseller and an important ancestor of both the horror and science fiction genres, not only tells a terrifying story, but also raises profound, disturbing questions about the very nature of life and the place of humankind within the cosmos: What does it mean to be human? What responsibilities do we have to each other? How far can we go in tampering with Nature? In our age, filled with news of organ donation genetic engineering, and bio-terrorism, these questions are more relevant than ever.
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Recommended by Michael Arrington, Adam Roberts, Adam Roberts, and 5 others.
Michael Arrington
Founder/TechCrunch
Shelley wrote this book as a teenager, and most of us read it in high school. Often credited as the first science fiction novel. You can read just about any political viewpoint you want into the book, and there are strong undertones that technology isn’t all good. But what I get out of it is the creativeness that can come with solitude, and how new technology can be misunderstood, even perhaps by the creator (see Twitter). Key thing to remember: Frankenstein is the name of the scientist/creator, not the Monster. Everybody forgets that. [source]
Adam Roberts
Brian Aldiss has famously argued that science fiction starts with Mary Shelley’s novel, and many people have agreed with him. [source]
Brian Aldiss has famously argued that science fiction starts with Mary Shelley’s novel, and many people have agreed with him. [source]
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Rebecca
Daphne du Maurier, Anna Massey, et al
5.0
Last night I dreamt I went to Manderley again . . .
The novel begins in Monte Carlo, where our heroine is swept off her feet by the dashing widower Maxim de Winter and his sudden proposal of marriage. Orphaned and working as a lady's maid, she can barely believe her luck. It is only when they arrive at his massive country estate that she realizes how large a shadow his late wife will cast over their lives--presenting her with a lingering evil that threatens to destroy their marriage from beyond the grave.
The main thing about Rebecca that I find completely compelling is the way that you, the reader, become complicit in a situation which, eventually, turns into a crime. [source]
Throughout the story, she feels the first wife haunt the house, and she can never quite measure up to her. And then the heroine begins to wonder: What if Rebecca was murdered? What if my husband did it? [source]
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Wuthering Heights
Emily Bronte
4.9
You can find the redesigned cover of this edition HERE.
This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.
New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.
Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights.
A Chronology and updated Selected Bibliography are also included.
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Recommended by Claire Jarvis, John Sutherland, Rachel Hickman, and 2 others.
Claire Jarvis
Wuthering Heights is a strange novel in a lot of ways. It’s a standalone—there’s not really another book like it. [source]
John Sutherland
The Brontës had this idea of a Samson figure. Rochester, like Samson, has to be mutilated before he can be domesticated. What is interesting about Heathcliff, in Wuthering Heights, is that he isn’t. He remains this superman. He is greater than a human being. He is named after two elemental things, the heath and the cliff. We never know what his first name is. [source]
Rachel Hickman
In Wuthering Heights once again it’s the landscape that underlines the choices the characters must make. Cathy must choose between the grand house in the lush valley: protected, comfortable and tame; or the wild, exhilarating bleakness of Wuthering Heights. [source]
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The Haunting of Hill House
Shirley Jackson
4.9
In celebration of the Shirley Jackson centennial, a Penguin Classics Deluxe Edition of the greatest haunted house story ever written
First published in 1959, Shirley Jackson’s The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a “haunting”; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.
This book is one of several novels in which a group of ghost hunters or psychic investigators move into a house with a reputation of being haunted, and see what they find. But what makes this the greatest single ghost novel, in my view, is that it’s at least as much about the psychological interaction of the characters as it is about the overtly spectral. There’s a superb characterisation of the spinster character, who ultimately becomes one of the ghosts of Hill House, if you like. The scenes from her viewpoint are both moving and disturbing. [source]
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The Picture of Dorian Gray
Oscar Wilde
4.8
On its first publication The Picture of Dorian Gray was regarded as dangerously modern in its depiction of fin-de-siècle decadence. In this updated version of the Faust story, the tempter is Lord Henry Wotton, who lives selfishly for amoral pleasure; Dorian's good angel is the portrait painter Basil Hallward, whom Dorian murders. The book highlights the tension between the polished surface of high society and the life of secret vice. Although sin is punished in the end the book has a flavour of the elegantly perverse.
With an Afterword by Peter Harness.
Designed to appeal to the booklover, the Macmillan Collector's Library is a series of beautifully bound gift editions of much loved classic titles. Bound in real cloth, printed on high quality paper, and featuring ribbon markers and gilt edges, Macmillan Collector's Library are books to love and treasure.
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Recommended by Andra Zaharia, Eric Berkowitz, Marc Montagne, and 1 others.
Andra Zaharia
A copy from 1903 of this book is my most prized possession. [source]
Eric Berkowitz
The Picture of Dorian Gray is now a part of the canon that no one would admit to not having read. Most of us have read it and delighted in its witticisms. It’s hard to imagine, but when Dorian Gray was first published, the book was not well received at all. It was totally panned. It was held against him as being an example of an effete character. It was being serialised by Lippincott’s Magazine, and the serialisation of the novel stopped when it became too inflammatory. [source]
Marc Montagne
My favorite fiction book is the The Picture of Dorian Gray by Oscar Wilde. I'm a huge Oscar Wilde fan, he has one of the brightest minds and the Picture is a masterpiece and his unique novel. I consider that you should only read books that you would consider reading again at some point while still enjoying the same pleasure. The Picture is definitely one of those. [source]
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We Have Always Lived in the Castle
Shirley Jackson, Thomas Ott, Jonathan Lethem
4.8
My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise, I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cap mushroom. Everyone else in my family is dead...
This is a masterpiece in atmosphere and Gothic empathy. It challenges your idea about what wickedness is. [source]
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The Shadow of the Wind (The Cemetery of Forgotten Books, #1)
Carlos Ruiz Zafon and Lucia Grave
4.7
Barcelona, 1945: A city slowly heals from its war wounds, and Daniel, an antiquarian book dealer's son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julian Carax. But when he sets out to find the author's other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax's books in existence. Soon Daniel's seemingly innocent quest opens a door into one of Barcelona's darkest secrets--an epic story of murder, madness, and doomed love. --back cover
All children mythologize their birth...So begins the prologue of reclusive author Vida Winter's collection of stories, which are as famous for the mystery of the missing thirteenth tale as they are for the delight and enchantment of the twelve that do exist.
The enigmatic Winter has spent six decades creating various outlandish life histories for herself -- all of them inventions that have brought her fame and fortune but have kept her violent and tragic past a secret. Now old and ailing, she at last wants to tell the truth about her extraordinary life. She summons biographer Margaret Lea, a young woman for whom the secret of her own birth, hidden by those who loved her most, remains an ever-present pain. Struck by a curious parallel between Miss Winter's story and her own, Margaret takes on the commission.
As Vida disinters the life she meant to bury for good, Margaret is mesmerized. It is a tale of gothic strangeness featuring the Angelfield family, including the beautiful and willful Isabelle, the feral twins Adeline and Emmeline, a ghost, a governess, a topiary garden and a devastating fire.
Margaret succumbs to the power of Vida's storytelling but remains suspicious of the author's sincerity. She demands the truth from Vida, and together they confront the ghosts that have haunted them while becoming, finally, transformed by the truth themselves.
The Thirteenth Tale is a love letter to reading, a book for the feral reader in all of us, a return to that rich vein of storytelling that our parents loved and that we loved as children. Diane Setterfield will keep you guessing, make you wonder, move you to tears and laughter and, in the end, deposit you breathless yet satisfied back upon the shore of your everyday life.
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The Strange Case of Dr. Jekyll and Mr. Hyde
Robert Louis Stevenson
4.6
Strange Case of Dr Jekyll and Mr Hyde is the original title of a novella written by the famous Scottish author Robert Louis Stevenson that was first published in 1886. The work is commonly known today as The Strange Case of Dr Jekyll and Mr Hyde, Dr Jekyll and Mr Hyde, or simply Jekyll & Hyde. It is about a London lawyer named John Gabriel Utterson who investigates strange occurrences between his old friend, Dr Henry Jekyll, and the evil Edward Hyde.
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The Woman in White
Wilkie Collins and Matthew Sweet
4.6
'In one moment, every drop of blood in my body was brought to a stop... There, as if it had that moment sprung out of the earth, stood the figure of a solitary Woman, dressed from head to foot in white'
The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter becomes embroiled in the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons, and poison. Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism.
Matthew Sweet's introduction explores the phenomenon of Victorian 'sensation' fiction, and discusses Wilkie Collins's biographical and societal influences. Included in this edition are appendices on theatrical adaptations of the novel and its serialisation history.
I’ve only read it twice, but it’s lingered in my consciousness: the images and the feel of it. [source]
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The Bloody Chamber and Other Stories
Angela Carter
4.5
Angela Carter was a storytelling sorceress, the literary godmother of such contemporary masters of supernatural fiction as Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, and Kelly Link, who introduces this edition of Carter's most celebrated book, published for the seventy-fifth anniversary of her birth.
In The Bloody Chamber - which includes the story that is the basis of Neil Jordan's 1984 movie The Company of Wolves - Carter spins subversively dark and sensual versions of familiar fairy tales and legends like "Little Red Riding Hood," "Bluebeard," "Puss in Boots," and "Beauty and the Beast," giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.
Yes. Angela Carter played a very important role in my life because I was born in 1937, a few years before she was born, and although we didn’t grow up together, we both grew up in a world where sexism was out in the open. There was no critique of the type of sexism that I experienced when I grew up, and I think the same is true for her. And we both experienced what a lot of people called the second wave of feminism in the 20th century. [source]
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The Phantom of the Opera
Gaston Leroux
4.5
First published in French as a serial in 1909, The Phantom of the Opera is a riveting story that revolves around the young, Swedish Christine Daaé. Her father, a famous musician, dies, and she is raised in the Paris Opera House with his dying promise of a protective angel of music to guide her. After a time at the opera house, she begins hearing a voice, who eventually teaches her how to sing beautifully. All goes well until Christine's childhood friend Raoul comes to visit his parents, who are patrons of the opera, and he sees Christine when she begins successfully singing on the stage. The voice, who is the deformed, murderous 'ghost' of the opera house named Erik, however, grows violent in his terrible jealousy, until Christine suddenly disappears. The phantom is in love, but it can only spell disaster.
Leroux's work, with characters ranging from the spoiled prima donna Carlotta to the mysterious Persian from Erik's past, has been immortalized by memorable adaptations. Despite this, it remains a remarkable piece of Gothic horror literature in and of itself, deeper and darker than any version that follows.
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Interview with the Vampire (The Vampire Chronicles, #1)
Anne Rice
4.5
This is the story of Louis, as told in his own words, of his journey through mortal and immortal life. Louis recounts how he became a vampire at the hands of the radiant and sinister Lestat and how he became indoctrinated, unwillingly, into the vampire way of life. His story ebbs and flows through the streets of New Orleans, defining crucial moments such as his discovery of the exquisite lost young child Claudia, wanting not to hurt but to comfort her with the last breaths of humanity he has inside. Yet, he makes Claudia a vampire, trapping her womanly passion, will, and intelligence inside the body of a small child. Louis and Claudia form a seemingly unbreakable alliance and even "settle down" for a while in the opulent French Quarter. Louis remembers Claudia's struggle to understand herself and the hatred they both have for Lestat that sends them halfway across the world to seek others of their kind. Louis and Claudia are desperate to find somewhere they belong, to find others who understand, and someone who knows what and why they are.
Louis and Claudia travel Europe, eventually coming to Paris and the ragingly successful Theatre des Vampires--a theatre of vampires pretending to be mortals pretending to be vampires. Here they meet the magnetic and ethereal Armand, who brings them into a whole society of vampires. But Louis and Claudia find that finding others like themselves provides no easy answers and in fact presents dangers they scarcely imagined.
Originally begun as a short story, the book took off as Anne wrote it, spinning the tragic and triumphant life experiences of a soul. As well as the struggles of its characters, Interview captures the political and social changes of two continents. The novel also introduces Lestat, Anne's most enduring character, a heady mixture of attraction and revulsion. The book, full of lush description, centers on the themes of immortality, change, loss, sexuality, and power. source: annerice.com
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Northanger Abbey
Jane Austen and Alfred Mac Adam
4.5
Jane Austen's first novel—published posthumously in 1818—tells the story of Catherine Morland and her dangerously sweet nature, innocence, and sometime self-delusion. Though Austen's fallible heroine is repeatedly drawn into scrapes while vacationing at Bath and during her subsequent visit to Northanger Abbey, Catherine eventually triumphs, blossoming into a discerning woman who learns truths about love, life, and the heady power of literature. The satirical novel pokes fun at the gothic novel while earnestly emphasizing caution to the female sex.
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The Monk
Matthew Lewis, Christopher MacLachlan
4.5
'He now saw himself stained with the most loathed and monstrous sins, the object of universal execration ... doomed to perish in tortures the most severe'
Shocking, erotic and violent, The Monk is the story of Ambrosio, torn between his spiritual vows and the temptations of physical pleasure. His internal battle leads to sexual obsession, rape and murder, yet this book also contains knowing parody of its own excesses as well as social comedy. Written by Matthew Lewis when he was only nineteen, it was a ground-breaking novel in the Gothic Horror genre and spawned hundreds of imitators, drawn in by its mixture of bloodshed, sex and scandal.
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Carmilla
Joseph Sheridan Le Fanu
4.5
A classic Victorian vampire novella, which influenced Bram Stoker's later treatment of the vampire mythos in Dracula.
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The Graveyard Book
Neil Gaiman, Dave McKean, Margaret Atwood
4.5
IT TAKES A GRAVEYARD TO RAISE A CHILD.
Nobody Owens, known to his friends as Bod, is a normal boy. He would be completely normal if he didn't live in a sprawling graveyard, being raised and educated by ghosts, with a solitary guardian who belongs to neither the world of the living nor of the dead. There are dangers and adventures in the graveyard for a boy - an ancient indigo man, a gateway to abandoned city of ghouls, the strange and terrible fleer. But if Bod leaves the graveyard, then he will be in danger from the man Jack - who has already killed Bod's family . . .
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Recommended by Meghan Camarena and Simon Smith.
Meghan Camarena
While I was walking to the gym I finished the last chapter of The Graveyard Book by @neilhimself. I must’ve looked like a mad woman because I was balling my eyes out in public. Damn, what an incredible story. [source]
Simon Smith
@carveresque ...but The Graveyard Book is one of the best books ever. [source]
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The Turn of the Screw
Henry James
4.4
A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate...An estate haunted by a beckoning evil.
Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls...
But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil.
For they want the walking dead as badly as the dead want them.
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Jamaica Inn
Daphne Du Maurier
4.4
On a bitter November evening, young Mary Yellan journeys across the rainswept moors to Jamaica Inn in honour of her mother's dying request. When she arrives, the warning of the coachman begins to echo in her memory, for her aunt Patience cowers before hulking Uncle Joss Merlyn. Terrified of the inn's brooding power, Mary gradually finds herself ensnared in the dark schemes being enacted behind its crumbling walls -- and tempted to love a man she dares not trust.
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Recommended by Rachel Hickman.
Rachel Hickman
A dark, gothic and truly scary modern classic. [source]
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The Complete Stories and Poems
Edgar Allan Poe
4.4
This single volume brings together all of Poe's stories and poems, and illuminates the diverse and multifaceted genius of one of the greatest and most influential figures in American literary history.
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The Woman in Black
Susan Hill, John Lawrence
4.4
What real reader does not yearn, somewhere in the recesses of his or her heart, for a really literate, first-class thriller--one that chills the body, but warms the soul with plot, perception, and language at once astute and vivid? In other words, a ghost story written by Jane Austen?
Alas, we cannot give you Austen, but Susan Hill's remarkable Woman In Black comes as close as our era can provide. Set on the obligatory English moor, on an isolated causeway, the story has as its hero Arthur Kipps, an up-and-coming young solicitor who has come north from London to attend the funeral and settle the affairs of Mrs. Alice Drablow of Eel Marsh House. The routine formalities he anticipates give way to a tumble of events and secrets more sinister and terrifying than any nightmare: the rocking chair in the deserted nursery, the eerie sound of a pony and trap, a child's scream in the fog, and most dreadfully--and for Kipps most tragically--The Woman In Black.
The Woman In Black is both a brilliant exercise in atmosphere and controlled horror and a delicious spine-tingler--proof positive that this neglected genre, the ghost story, isn't dead after all.
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The Historian
Elizabeth Kostov
4.4
To you, perceptive reader, I bequeath my history....Late one night, exploring her father's library, a young woman finds an ancient book and a cache of yellowing letters. The letters are all addressed to "My dear and unfortunate successor," and they plunge her into a world she never dreamed of, a labyrinth where the secrets of her father's past and her mother's mysterious fate connect to an inconceivable evil hidden in the depths of history.
The letters provide links to one of the darkest powers that humanity has ever known and to a centuries-long quest to find the source of that darkness and wipe it out. It is a quest for the truth about Vlad the Impaler, the medieval ruler whose barbarous reign formed the basis of the legend of Dracula. Generations of historians have risked their reputations, their sanity, and even their lives to learn the truth about Vlad the Impaler and Dracula. Now one young woman must decide whether to take up this quest herself--to follow her father in a hunt that nearly brought him to ruin years ago, when he was a vibrant young scholar and her mother was still alive. What does the legend of Vlad the Impaler have to do with the modern world? Is it possible that the Dracula of myth truly existed and that he has lived on, century after century, pursuing his own unknowable ends? The answers to these questions cross time and borders, as first the father and then the daughter search for clues, from dusty Ivy League libraries to Istanbul, Budapest, and the depths of Eastern Europe. In city after city, in monasteries and archives, in letters and in secret conversations, the horrible truth emerges about Vlad the Impaler's dark reign and about a time-defying pact that may have kept his awful work alive down through the ages.
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Coraline
Neil Gaiman, Dave McKean
4.4
Coraline lives with her preoccupied parents in part of a huge old house--a house so huge that other people live in it, too... round, old former actresses Miss Spink and Miss Forcible and their aging Highland terriers ("We trod the boards, luvvy") and the mustachioed old man under the roof ("'The reason you cannot see the mouse circus,' said the man upstairs, 'is that the mice are not yet ready and rehearsed.'") Coraline contents herself for weeks with exploring the vast garden and grounds. But with a little rain she becomes bored--so bored that she begins to count everything blue (153), the windows (21), and the doors (14). And it is the 14th door that--sometimes blocked with a wall of bricks--opens up for Coraline into an entirely alternate universe. Now, if you're thinking fondly of The Lion, the Witch, and the Wardrobe or Alice's Adventures in Wonderland, you're on the wrong track. Neil Gaiman's Coraline is far darker, far stranger, playing on our deepest fears. And, like Roald Dahl's work, it is delicious.
What's on the other side of the door? A distorted-mirror world, containing presumably everything Coraline has ever dreamed of... people who pronounce her name correctly (not "Caroline"), delicious meals (not like her father's overblown "recipes"), an unusually pink and green bedroom (not like her dull one), and plenty of horrible (very un-boring) marvels, like a man made out of live rats. The creepiest part, however, is her mirrored parents, her "other mother" and her "other father"--people who look just like her own parents, but with big, shiny, black button eyes, paper-white skin... and a keen desire to keep her on their side of the door. To make creepy creepier, Coraline has been illustrated masterfully in scritchy, terrifying ink drawings by British mixed-media artist and Sandman cover illustrator Dave McKean. This delightful, funny, haunting, scary as heck, fairy-tale novel is about as fine as they come. Highly recommended. (Ages 11 and older) --Karin Snelson
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Recommended by Simon Smith.
Simon Smith
@lindsanderson @Misterbodd @PaulWat5 @f33lthesun Awesomely scary book full stop! Great though. [source]
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The Mysteries of Udolpho
Ann Radcliffe, Bonamy Dobrée, Terry Castle
4.3
A best-seller in its day and a potent influence on Sade, Poe, and other purveyors of eighteenth and nineteenth-century Gothic horror, The Mysteries of Udolpho remains one of the most important works in the history of European fiction. After Emily St. Aubuert is imprisoned by her evil guardian, Count Montoni, in his gloomy medieval fortress in the Appenines, terror becomes the order of the day. With its dream-like plot and hallucinatory rendering of its characters' psychological states, The Mysteries of Udolpho is a fascinating challenge to contemporary readers.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
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Recommended by Alon Hilu.
Alon Hilu
When I sat down to write my book after all my research, I decided I wanted my book to be gothic, which meant it would involve supernatural events, ghosts, murder in the night – all the motifs of gothic novels. [source]
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27
The Castle of Otranto
Horace Walpole, W. S. Lewis, E. J. Clery
4.3
First published pseudonymously in 1764, The Castle of Otranto purported to be a translation of an Italian story of the time of the crusades. In it Walpole attempted, as he declared in the Preface to the Second Edition, "to blend the two kinds of romance: the ancient and the modern." Crammed with invention, entertainment, terror, and pathos, the novel was an immediate success and Walpole's own favorite among his numerous works. The novel is reprinted here from a text of 1798, the last that Walpole himself prepared for the press.
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Gothic Tales
Elizabeth Gaskell and Laura Kranzler
4.3
'Such whispered tales, such old temptations and hauntings, and devilish terrors'
Elizabeth Gaskell's chilling Gothic tales blend the real and the supernatural to eerie, compelling effect. 'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.
Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.
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The Vampire Lestat (The Vampire Chronicles, #2)
Anne Rice
4.3
Lestat. The vampire hero of Anne Rice's enthralling new novel is a creature of the darkest and richest imagination. Once an aristocrat in the heady days of pre-revolutionary France, now a rock star in the demonic, shimmering 1980s, he rushes through the centuries in search of others like him, seeking answers to the mystery of his eternal, terrifying existence. His is a mesmerizing story --- passionate, complex, and thrilling.
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30
The Hound of the Baskervilles
Sir Arthur Conan Doyle and Anne Perry
4.3
We owe The Hound of the Baskervilles (1902) to Arthur Conan Doyle's good friend Fletcher "Bobbles" Robinson, who took him to visit some scary English moors and prehistoric ruins, and told him marvelous local legends about escaped prisoners and a 17th-century aristocrat who fell afoul of the family dog. Doyle transmogrified the legend: generations ago, a hound of hell tore out the throat of devilish Hugo Baskerville on the moonlit moor. Poor, accursed Baskerville Hall now has another mysterious death: that of Sir Charles Baskerville. Could the culprit somehow be mixed up with secretive servant Barrymore, history-obsessed Dr. Frankland, butterfly-chasing Stapleton, or Selden, the Notting Hill murderer at large? Someone's been signaling with candles from the mansion's windows. Nor can supernatural forces be ruled out. Can Dr. Watson--left alone by Sherlock Holmes to sleuth in fear for much of the novel--save the next Baskerville, Sir Henry, from the hound's fangs?
Many Holmes fans prefer Doyle's complete short stories, but their clockwork logic doesn't match the author's boast about this novel: it's "a real Creeper!" What distinguishes this particular Hound is its fulfillment of Doyle's great debt to Edgar Allan Poe--it's full of ancient woe, low moans, a Grimpen Mire that sucks ponies to Dostoyevskian deaths, and locals digging up Neolithic skulls without next-of-kins' consent. "The longer one stays here the more does the spirit of the moor sink into one's soul," Watson realizes. "Rank reeds and lush, slimy water-plants sent an odour of decay ... while a false step plunged us more than once thigh-deep into the dark, quivering mire, which shook for yards in soft undulations around our feet ... it was as if some malignant hand was tugging us down into those obscene depths." Read on--but, reader, watch your step! --Tim Appelo
Holmes turns to Mortimer and says, A man’s or a woman’s? and Mortimer delivers the greatest reply in 20th century literature, Mr Holmes, they were the footprints of a gigantic hound! I shivered with pleasure and realised that life didn’t get much better than that. [source]
It actually scared me the first time I read it as a kid. And I have always liked it. It is my favourite of all his books and it has a very clever ending. [source]
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31
The Silent Companions
Laura Purcell
4.3
When newly widowed Elsie is sent to see out her pregnancy at her late husband's crumbling country estate, The Bridge, what greets her is far from the life of wealth and privilege she was expecting . . . When Elsie married handsome young heir Rupert Bainbridge, she believed she was destined for a life of luxury. But with her husband dead just weeks after their marriage, her new servants resentful, and the local villagers actively hostile, Elsie has only her husband's awkward cousin for company. Or so she thinks. Inside her new home lies a locked door, beyond which is a painted wooden figure--a silent companion--that bears a striking resemblance to Elsie herself. The residents of The Bridge are terrified of the figure, but Elsie tries to shrug this off as simple superstition--that is, until she notices the figure's eyes following her.
A Victorian ghost story that evokes a most unsettling kind of fear, this is a tale that creeps its way through the consciousness in ways you least expect--much like the silent companions themselves.
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32
The Yellow Wall-Paper
Charlotte Perkins Gilman, Elaine Hedges
4.3
‘It is stripped off - the paper - in great patches . . . The colour is repellent . . . In the places where it isn’t faded and where the sun is just so - I can see a strange, provoking, formless sort of figure, that seems to skulk about . . .’
Based on the author’s own experiences, 'The Yellow Wallpaper' is the chilling tale of a woman driven to the brink of insanity by the ‘rest cure’ prescribed after the birth of her child. Isolated in a crumbling colonial mansion, in a room with bars on the windows, the tortuous pattern of the yellow wallpaper winds its way into the recesses of her mind.
Charlotte Perkins Gilman was America’s leading feminist intellectual of the early twentieth century. In addition to her masterpiece 'The Yellow Wallpaper', this new edition includes a selection of her best short fiction and extracts from her autobiography.
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33
My Cousin Rachel
Daphne du Maurier
4.3
Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and there he dies suddenly. Jealous of his marriage, racked by suspicion at the hints in Ambrose's letters, and grief-stricken by his death, Philip prepares to meet his cousin's widow with hatred in his heart. Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious Rachel like a moth to the flame. And yet... might she have had a hand in Ambrose's death?
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34
Nine Coaches Waiting
Stewart, Mary.
4.3
A governess in a French chateau encounters an apparent plot against her young charge's life in this unforgettably haunting and beautifully written suspense novel.
When lovely Linda Martin first arrives at Château Valmy as an English governess to the nine-year-old Count Philippe de Valmy, the opulence and history surrounding her seems like a wondrous, ecstatic dream. But a palpable terror is crouching in the shadows. Philippe's uncle, Léon de Valmy, is the epitome of charm, yet dynamic and arrogant, his paralysis little hindrance as he moves noiselessly in his wheelchair from room to room. Only his son Raoul, a handsome, sardonic man who drives himself and his car with equally reckless abandon, seems able to stand up to him. To Linda, Raoul is an enigma, though irresistibly attracted to him, she senses some dark twist in his nature. When an accident deep in the woods nearly kills Linda's innocent charge, she begins to wonder if someone has deadly plans for the young count.
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35
The Forgotten Garden
Kate Morton
4.2
A foundling, an old book of dark fairy tales, a secret garden, an aristocratic family, a love denied, and a mystery. The Forgotten Garden is a captivating, atmospheric and compulsively readable story of the past, secrets, family and memory from the international best-selling author Kate Morton.
Cassandra is lost, alone and grieving. Her much loved grandmother, Nell, has just died and Cassandra, her life already shaken by a tragic accident ten years ago, feels like she has lost everything dear to her. But an unexpected and mysterious bequest from Nell turns Cassandra’s life upside down and ends up challenging everything she thought she knew about herself and her family.
Inheriting a book of dark and intriguing fairytales written by Eliza Makepeace—the Victorian authoress who disappeared mysteriously in the early twentieth century—Cassandra takes her courage in both hands to follow in the footsteps of Nell on a quest to find out the truth about their history, their family and their past; little knowing that in the process, she will also discover a new life for herself.
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36
The Hunchback of Notre-Dame
Victor Hugo, Walter J. Cobb
4.2
This extraordinary historical novel, set in Medieval Paris under the twin towers of its greatest structure and supreme symbol, the cathedral of Notre-Dame, is the haunting drama of Quasimodo, the hunchback; Esmeralda, the gypsy dancer; and Claude Frollo, the priest tortured by the specter of his own damnation. Shaped by a profound sense of tragic irony, it is a work that gives full play to Victor Hugo's brilliant historical imagination and his remarkable powers of description.
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37
The Raven
Edgar Allan Poe, Gustave Doré
4.2
In Gustave Doré, one of the most prolific and successful book illustrators of the late 19h century, Edgar Allan Poe's renowned poem The Raven found perhaps its most perfect artistic interpreter. Doré's dreamlike, otherworldly style, tinged with melancholy, seems ideally matched to the bleak despair of Poe's celebrated work, among the most popular American poems ever written. This volume reprints all 26 of Doré's detailed, masterly engravings from a rare 19th-century edition of the poem. Relevant lines from the poem are printed on facing pages and the complete text is also included. Admirers of Doré will find ample evidence here of his characteristic ability to capture the mood and meaning of a work of literature in striking imagery; lovers of The Raven will delight in seeing its mournful musing on love and loss given dramatic pictorial form.
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38
The Little Stranger
Sarah Water
4.2
One postwar summer in his home of rural Warwickshire, Dr. Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.
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39
The Shining
Stephen King
4.2
Jack Torrance's new job at the Overlook Hotel is the perfect chance for a fresh start. As the off-season caretaker at the atmospheric old hotel, he'll have plenty of time to spend reconnecting with his family and working on his writing. But as the harsh winter weather sets in, the idyllic location feels ever more remote...and more sinister. And the only one to notice the strange and terrible forces gathering around the Overlook is Danny Torrance, a uniquely gifted five-year-old.
If you think you know the story because you’ve seen the film then you’d be wrong. This book is an absolute classic and a great way into the vast King oeuvre. [source]
I have always rated Stephen King. I think he is so much more than just a commercially successful horror writer. [source]
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40
The Angel's Game (The Cemetery of Forgotten Books, #2)
Carlos Ruiz Zafón
4.2
At the beginning of this powerful labyrinthian thriller, David Martin, a pulp fiction writer struggling to stay afloat, is holed up in an abandoned mansion in the heart of Barcelona, furiously tapping out story after story, becoming increasingly desperate and frustrated.
When he is approached by a mysterious publisher offering a book deal that seems almost too good to be real. David leaps at the chance. But as he begins the work, and after a visit to the Cemetery of Forgotten Books, he realizes that there is a connection between his book and the shadows that surround his dilapidated home and that the publisher may be hiding a few troubling secrets of his own.
Once again, Carlos Ruiz Zafón takes us into a dark, gothic Barcelona and creates a breathtaking tale of intrigue, romance, and tragedy.
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41
Flowers in the Attic (Dollanganger, #1)
V.C. Andrews, Mena Suvari, et al
4.2
Such wonderful children. Such a beautiful mother. Such a lovely house. Such endless terror!
It wasn't that she didn't love her children. She did. But there was a fortune at stake—a fortune that would assure their later happiness if she could keep the children a secret from her dying father.
So she and her mother hid her darlings away in an unused attic.
Just for a little while.
But the brutal days swelled into agonizing years. Now Cathy, Chris, and the twins wait in their cramped and helpless world, stirred by adult dreams, adult desires, served a meager sustenance by an angry, superstitious grandmother who knows that the Devil works in dark and devious ways. Sometimes he sends children to do his work—children who—one by one—must be destroyed....
'Way upstairs there are four secrets hidden. Blond, beautiful, innocent struggling to stay alive....
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42
Perfume: The Story of a Murderer
Patrick Suskind, J.E. Woods
4.2
An acclaimed bestseller and international sensation, Patrick Suskind's classic novel provokes a terrifying examination of what happens when one man's indulgence in his greatest passion—his sense of smell—leads to murder.
In the slums of eighteenth-century France, the infant Jean-Baptiste Grenouille is born with one sublime gift—an absolute sense of smell. As a boy, he lives to decipher the odors of Paris, and apprentices himself to a prominent perfumer who teaches him the ancient art of mixing precious oils and herbs. But Grenouille's genius is such that he is not satisfied to stop there, and he becomes obsessed with capturing the smells of objects such as brass doorknobs and fresh-cut wood. Then one day he catches a hint of a scent that will drive him on an ever-more-terrifying quest to create the "ultimate perfume"—the scent of a beautiful young virgin. Told with dazzling narrative brilliance, Perfume is a hauntingly powerful tale of murder and sensual depravity.
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Recommended by Denise Hamilton.
Denise Hamilton
It’s a very lush, richly imagined book. It just bursts with sensuality and the smells of Paris in the 18th century. [source]
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43
Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1)
Ransom Riggs
4.2
Alternate Cover edition for ISBN 9781594744761
A mysterious island. An abandoned orphanage. A strange collection of very curious photographs. It all waits to be discovered in Miss Peregrine's Home for Peculiar Children, an unforgettable novel that mixes fiction and photography in a thrilling reading experience. As our story opens, a horrific family tragedy sets sixteen-year-old Jacob journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine's Home for Peculiar Children. As Jacob explores its abandoned bedrooms and hallways, it becomes clear that the children were more than just peculiar. They may have been dangerous. They may have been quarantined on a deserted island for good reason. And somehow-impossible though it seems-they may still be alive. A spine-tingling fantasy illustrated with haunting vintage photography, Miss Peregrine's Home for Peculiar Children will delight adults, teens, and anyone who relishes an adventure in the shadows.
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44
The Legend of Sleepy Hollow
Washington Irving
4.2
Ichabod Crane, a schoolteacher, came to Tarry Town in the glen of Sleepy Hollow to ply his trade in educating young minds. He was a gullible and excitable fellow, often so terrified by locals' stories of ghosts that he would hurry through the woods on his way home, singing to keep from hysterics. Until late one night, he finds that maybe they're not just stories. What is that dark, menacing figure riding behind him on a horse? And what does it have in its hands? And why wasn't schoolteacher Crane ever seen in Sleepy Hollow again?
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45
The Tell-Tale Heart and Other Stories
Edgar Allan Poe
4.2
Edgar Allan Poe elevated the gothic story, developed the unreliable narrator, recast psychological terror, and reveled in both the horror and the supernal beauty of death. From Poe’s rich, unrivaled imagination comes a collection of his most masterful works, including “The Black Cat,” “The Fall of the House of Usher,” and, of course, “The Tell-Tale Heart.” Each story explores morbid themes of grief, greed, fear, and guilt, and together they embody Poe’s grotesque obsessions ... even the dread of being buried alive.
At the beating heart of each of these eighteen tales - and his tour de force in verse, “The Raven” - is proof that Poe can still surprise, shock, unsettle, and hold readers in thrall after more than a century.
AmazonClassics brings you timeless works from the masters of storytelling. Ideal for anyone who wants to read a great work for the first time or rediscover an old favorite, these new editions open the door to literature’s most unforgettable characters and beloved worlds.
Revised edition: Previously published as The Tell-Tale Heart and Other Stories, this edition of The Tell-Tale Heart and Other Stories (AmazonClassics Edition) includes editorial revisions.
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46
The Distant Hours
Kate Morton
4.2
A long lost letter arrives in the post and Edie Burchill finds herself on a journey to Milderhurst Castle, a great but moldering old house, where the Blythe spinsters live and where her mother was billeted 50 years before as a 13 year old child during WWII. The elder Blythe sisters are twins and have spent most of their lives looking after the third and youngest sister, Juniper, who hasn’t been the same since her fiance jilted her in 1941.
Inside the decaying castle, Edie begins to unravel her mother’s past. But there are other secrets hidden in the stones of Milderhurst, and Edie is about to learn more than she expected. The truth of what happened in ‘the distant hours’ of the past has been waiting a long time for someone to find it.
Morton once again enthralls readers with an atmospheric story featuring unforgettable characters beset by love and circumstance and haunted by memory, that reminds us of the rich power of storytelling.
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47
Uncle Silas
J. Sheridan Le Fanu, Victor Sage
4.2
One of the most significant and intriguing Gothic novels of the Victorian period and is enjoyed today as a modern psychological thriller. In UNCLE SILAS (1864) Le Fanu brought up to date Mrs Radcliffe's earlier tales of virtue imprisoned and menaced by unscrupulous schemers. The narrator, Maud Ruthyn, is a 17 year old orphan left in the care of her fearful uncle, Silas. Together with his boorish son and a sinister French governess, Silas plots to kill Maud and claim her fortune. The novel established Le Fanu as a master of horror fiction.
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48
Beloved
Toni Morrison
4.1
Staring unflinchingly into the abyss of slavery, this spellbinding novel transforms history into a story as powerful as Exodus and as intimate as a lullaby.
Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. Her new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.
Filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement by Nobel Prize laureate Toni Morrison.
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Recommended by Bianca Belair, Esi Edugyan, and Farah Jasmine Griffin.
Bianca Belair
@ylc130 I went to the library when I was in the 3rd grade and read Beloved... I remember being so confused and my Mama having to explain it to me... I later read it as an adult and it hit me completely different. GREAT BOOK! [source]
Esi Edugyan
I was shocked by the blunt force of its subject matter and its exquisitely torqued prose. It remains one of my most adored novels. [source]
Farah Jasmine Griffin
Beloved was Morrison’s fifth novel. It’s a gripping story, inspired by a famous abolitionist case, the true story of a woman who runs away from slavery with her children, but when the slave catchers catch up with her, she kills one of her own and tries to kill the others, rather than returning them to slavery. [source]
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49
The Broken Girls
Simone St. James
4.1
A suspense novel from the award-winning author of The Haunting of Maddy Clare...
Vermont, 1950. There's a place for the girls whom no one wants--the troublemakers, the illegitimate, the too smart for their own good. It's called Idlewild Hall. And in the small town where it's located, there are rumors that the boarding school is haunted. Four roommates bond over their whispered fears, their budding friendship blossoming--until one of them mysteriously disappears. . . .
Vermont, 2014. As much as she's tried, journalist Fiona Sheridan cannot stop revisiting the events surrounding her older sister's death. Twenty years ago, her body was found lying in the overgrown fields near the ruins of Idlewild Hall. And though her sister's boyfriend was tried and convicted of murder, Fiona can't shake the suspicion that something was never right about the case.
When Fiona discovers that Idlewild Hall is being restored by an anonymous benefactor, she decides to write a story about it. But a shocking discovery during the renovations will link the loss of her sister to secrets that were meant to stay hidden in the past--and a voice that won't be silenced. . . .
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50
Beautiful Creatures (Caster Chronicles, #1)
Kami Garcia, Margaret Stohl
4.1
Lena Duchannes is unlike anyone the small Southern town of Gatlin has ever seen, and she's struggling to conceal her power, and a curse that has haunted her family for generations. But even within the overgrown gardens, murky swamps and crumbling graveyards of the forgotten South, a secret cannot stay hidden forever.
Ethan Wate, who has been counting the months until he can escape from Gatlin, is haunted by dreams of a beautiful girl he has never met. When Lena moves into the town's oldest and most infamous plantation, Ethan is inexplicably drawn to her and determined to uncover the connection between them.
In a town with no surprises, one secret could change everything.
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51
The Witching Hour (Lives of the Mayfair Witches, #1)
Anne Rice
4.1
From the author of the extraordinary Vampire Chronicles comes a huge, hypnotic novel of witchcraft and the occult through four centuries.
Demonstrating, once again, her gift for spellbinding storytelling and the creation of legend, Anne Rice makes real for us a great dynasty of witches—a family given to poetry and to incest, to murder and to philosophy; a family that, over the ages, is itself haunted by a powerful, dangerous, and seductive being.
On the veranda of a great New Orleans house, now faded, a mute and fragile woman sits rocking... and The Witching Hour begins.
It begins in our time with a rescue at sea. Rowan Mayfair, a beautiful woman, a brilliant practitioner of neurosurgery—aware that she has special powers but unaware that she comes from an ancient line of witches—finds the drowned body of a man off the coast of California and brings him to life. He is Michael Curry, who was born in New Orleans and orphaned in childhood by fire on Christmas Eve, who pulled himself up from poverty, and who now, in his brief interval of death, has acquired a sensory power that mystifies and frightens him.
As these two, fiercely drawn to each other, fall in love and—in passionate alliance—set out to solve the mystery of her past and his unwelcome gift, the novel moves backward and forward in time from today's New Orleans and San Francisco to long-ago Amsterdam and a château in the France of Louis XIV. An intricate tale of evil unfolds—an evil unleashed in seventeenth-century Scotland, where the first "witch," Suzanne of the Mayfair, conjures up the spirit she names Lasher... a creation that spells her own destruction and torments each of her descendants in turn.
From the coffee plantations of Port au Prince, where the great Mayfair fortune is made and the legacy of their dark power is almost destroyed, to Civil War New Orleans, as Julien—the clan's only male to be endowed with occult powers—provides for the dynasty its foothold in America, the dark, luminous story encompasses dramas of seduction and death, episodes of tenderness and healing. And always—through peril and escape, tension and release—there swirl around us the echoes of eternal war: innocence versus the corruption of the spirit, sanity against madness, life against death. With a dreamlike power, the novel draws us, through circuitous, twilight paths, to the present and Rowan's increasingly inspired and risky moves in the merciless game that binds her to her heritage. And in New Orleans, on Christmas Eve, this strangest of family sagas is brought to its startling climax.
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52
The House of the Seven Gables
Nathaniel Hawthorne, Robert S. Levine
4.1
The sins of one generation are visited upon another in a haunted New England mansion until the arrival of a young woman from the country breathes new air into mouldering lives and rooms. Written shortly after The Scarlet Letter, The House of the Seven Gables re-addresses the theme of human guilt in a style remarkable in both its descriptive virtuosity and its truly modern mix of fantasy and realism.
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Recommended by Mark Peterson.
Mark Peterson
The House of the Seven Gables is a deeply psychological novel set during the 1840s in Salem. Like much of Hawthorne’s work, it’s a meditation on the way in which the past and the present intertwine in New England, and I believe it’s Hawthorne at his best. [source]
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53
Affinity
Sarah Waters
4.1
An upper-class woman recovering from a suicide attempt, Margaret Prior has begun visiting the women’s ward of Millbank prison, Victorian London’s grimmest jail, as part of her rehabilitative charity work. Amongst Millbank’s murderers and common thieves, Margaret finds herself increasingly fascinated by an apparently innocent inmate, the enigmatic spiritualist Selina Dawes. Selina was imprisoned after a séance she was conducting went horribly awry, leaving an elderly matron dead and a young woman deeply disturbed. Although initially skeptical of Selina’s gifts, Margaret is soon drawn into a twilight world of ghosts and shadows, unruly spirits and unseemly passions, until she is at last driven to concoct a desperate plot to secure Selina’s freedom, and her own.
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54
Marina
Carlos Ruiz Zafon
4.1
Quince años mas tarde, la memoria de aquel dia ha vuelto a mi. He visto a aquel muchacho vagando entre las brumas de la estacion de Francia y el nombre de Marina se ha encendido de nuevo como una herida fresca. Todos tenemos un secreto encerrado bajo llave en el atico del alma. este es el mio.
En la Barcelona de 1980 Oscar Drai suena despierto, deslumbrado por los placeres mocernistas cercanos al internado en el que estudia. En una de sus escapadas conoce a Marina, una chica audaz que comparte con oscar la aventura de adentrarse en un enigma doloroso del pasado de la ciudad. Un misterioso personaje de la posguerra se propuso el mayor desafio imaginable, pero su ambicion lo arrastro por sendas siniestras cucyas consecuencias debe pagar alguien todavia hoy.
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55
The Night Circus
Erin Morgenstern
4.1
The circus arrives without warning. No announcements precede it. It is simply there, when yesterday it was not. Within the black-and-white striped canvas tents is an utterly unique experience full of breathtaking amazements. It is called Le Cirque des Rêves, and it is only open at night.
But behind the scenes, a fierce competition is underway—a duel between two young magicians, Celia and Marco, who have been trained since childhood expressly for this purpose by their mercurial instructors. Unbeknownst to them, this is a game in which only one can be left standing, and the circus is but the stage for a remarkable battle of imagination and will. Despite themselves, however, Celia and Marco tumble headfirst into love—a deep, magical love that makes the lights flicker and the room grow warm whenever they so much as brush hands.
True love or not, the game must play out, and the fates of everyone involved, from the cast of extraordinary circus performers to the patrons, hang in the balance, suspended as precariously as the daring acrobats overhead.
Written in rich, seductive prose, this spell-casting novel is a feast for the senses and the heart.
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56
The Queen of the Damned (The Vampire Chronicles, #3)
Anne Rice
4.1
Librarian's note: An alternate cover edition can be found here
In 1976, a uniquely seductive world of vampires was unveiled in the now-classic Interview with the Vampire . . . in 1985, a wild and voluptous voice spoke to us, telling the story of The Vampire Lestat. In The Queen of the Damned, Anne Rice continues her extraordinary "Vampire Chronicles" in a feat of mesmeric storytelling, a chillingly hypnotic entertainment in which the oldest and most powerful forces of the night are unleashed on an unsuspecting world.
Three brilliantly colored narrative threads intertwine as the story unfolds:
- The rock star known as Vampire Lestat, worshipped by millions of spellbound fans, prepares for a concert in San Francisco. Among the audience--pilgrims in a blind swoon of adoration--are hundreds of vampires, creatures who see Lestat as a "greedy fiend risking the secret prosperity of all his kind just to be loved and seen by mortals," fiends themselves who hate Lestat's power and who are determined to destroy him . . .
- The sleep of certain men and women--vampires and mortals scattered around the world--is haunted by a vivid, mysterious dream: of twins with fiery red hair and piercing green eyes who suffer an unspeakable tragedy. It is a dream that slowly, tauntingly reveals its meaning to the dreamers as they make their way toward each other--some to be destroyed on the journey, some to face an even more terrifying fate at journey's end . . .
- Akasha--Queen of the Damned, mother of all vampires, rises after a 6,000 year sleep and puts into motion a heinous plan to "save" mankind from itself and make "all myths of the world real" by elevating herself and her chosen son/lover to the level of the gods: "I am the fulfillment and I shall from this moment be the cause" . . .
These narrative threads wind sinuously across a vast, richly detailed tapestry of the violent, sensual world of vampirism, taking us back 6,000 years to its beginnings. As the stories of the "first brood" of blood drinkers are revealed, we are swept across the ages, from Egypt to South America to the Himalayas to all the shrouded corners of the globe where vampires have left their mark. Vampires are created--mortals succumbing to the sensation of "being enptied, of being devoured, of being nothing." Vampires are destroyed. Dark rituals are performed--the rituals of ancient creatures prowling the modern world. And, finally, we are brought to a moment in the twentieth century when, in an astonishing climax, the fate of the living dead--and perhaps of the living, all the living--will be decided.
From the Hardcover edition.
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57
The Bad Beginning (A Series of Unfortunate Events, #1)
Lemony Snicket
4.1
Dear Reader,
I'm sorry to say that the book you are holding in your hands is extremely unpleasant. It tells an unhappy tale about three very unlucky children. Even though they are charming and clever, the Baudelaire siblings lead lives filled with misery and woe. From the very first page of this book when the children are at the beach and receive terrible news, continuing on through the entire story, disaster lurks at their heels. One might say they are magnets for misfortune.
In this short book alone, the three youngsters encounter a greedy and repulsive villain, itchy clothing, a disastrous fire, a plot to steal their fortune, and cold porridge for breakfast.
It is my sad duty to write down these unpleasant tales, but there is nothing stopping you from putting this book down at once and reading something happy, if you prefer that sort of thing.
With all due respect, Lemony Snicket
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58
The House at Riverton
Kate Morto
4.1
The House at Riverton is a gorgeous debut novel set in England between the wars. Perfect for fans of "Downton Abbey," it's the story of an aristocratic family, a house, a mysterious death, and a way of life that vanished forever, told in flashback by a woman who witnessed it all.
The novel is full of secrets - some revealed, others hidden forever, reminiscent of the romantic suspense of Daphne du Maurier. It's also a meditation on memory and the devastation of war and a beautifully rendered window into a fascinating time in history.
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59
Mistress of Mellyn
victoria holt
4.1
Mount Mellyn stood as proud and magnificent as she had envisioned... But what about its master--Connan TreMellyn? Was Martha Leigh's new employer as romantic as his name sounded? As she approached the sprawling mansion towering above the cliffs of Cornwall, an odd chill of apprehension overcame her.
TreMellyn's young daugher, Alvean, proved as spoiled and difficult as the three governesses before Martha had discovered. But it was the girl's father whose cool, arrogant demeanor unleashed unfamiliar sensations and turmoil--even as whispers of past tragedy and present danger begin to insinuate themselves into Martha's life.
Powerless against her growing desire for the enigmatic Connan, she is drawn deeper into family secrets--as passion overpowers reason, sending her head and heart spinning. But though evil lurks in the shadows, so does love--and the freedom to find a golden promise forever...
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60
A Great and Terrible Beauty (Gemma Doyle, #1)
Libba Bray
4.1
In this debut gothic novel mysterious visions, dark family secrets and a long-lost diary thrust Gemma and her classmates back into the horrors that followed her from India. (Ages 12+)
It's 1895, and after the suicide of her mother, 16-year-old Gemma Doyle is shipped off from the life she knows in India to Spence, a proper boarding school in England. Lonely, guilt-ridden, and prone to visions of the future that have an uncomfortable habit of coming true, Gemma's reception there is a chilly one. To make things worse, she's been followed by a mysterious young Indian man, a man sent to watch her. But why? What is her destiny? And what will her entanglement with Spence's most powerful girls—and their foray into the spiritual world—lead to?
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61
Melmoth the Wanderer
Charles Maturin, Douglas Grant, Chris Baldick
4.1
Written by an eccentric Anglican curate in Dublin, Melmoth Wanderer brought the terrors of the Gothic novel to a new pitch of claustrophobic intensity. Its tormented villain, a Faustian transgressor desperately seeking a victim to release him from his fatal bargain with the devil, regarded by Balzac as one of the great outcasts of modern literature.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
It does everything that a Gothic novel should do. It is darkly funny, it has a grim gallows humour, it is utterly terrifying. [source]
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62
In a Glass Darkly
Sheridan Le Fanu, Robert Tracy
4.1
This remarkable collection of stories, first published in 1872, includes Green Tea, The Familiar, Mr. Justice Harbottle, The Room in the Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience. This new annotated edition includes an introduction, notes on the text, and explanatory notes.
NB: The Familiar is a revision of The Watcher; Mr. Justice Harbottle is a revision of An Account of Some Strange Disturbances in Aungier Street.
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63
The Corset
Laura Purcell
4.1
The new Victorian chiller from the author of Radio 2 Book Club pick, The Silent Companions.
Is prisoner Ruth Butterham mad or a murderer? Victim or villain?
Dorothea and Ruth. Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder.
When Dorothea's charitable work leads her to Oakgate Prison, she is delighted with the chance to explore her fascination with phrenology and test her hypothesis that the shape of a person's skull can cast a light on their darkest crimes. But when she meets teenage seamstress Ruth, she is faced with another theory: that it is possible to kill with a needle and thread. For Ruth attributes her crimes to a supernatural power inherent in her stitches.
The story Ruth has to tell of her deadly creations – of bitterness and betrayal, of death and dresses – will shake Dorothea's belief in rationality and the power of redemption.
Can Ruth be trusted? Is she mad, or a murderer?
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64
Great Expectations
Charles Dickens, Margaret Cardwell, Kate Flint
4.1
Recommended by Richard Branson, Marvin Liao, Audrey Russo, and 5 others.
Today is World Book Day, a wonderful opportunity to address this #ChallengeRichard sent in by Mike Gonzalez of New Jersey: Make a list of your top 65 books to read in a lifetime. [source]
Marvin Liao
Partner/500 Startups
My list would be (besides the ones I mentioned in answer to the previous question) both business & Fiction/Sci-Fi and ones I personally found helpful to myself. The business books explain just exactly how business, work & investing are in reality & how to think properly & differentiate yourself. On the non-business side, a mix of History & classic fiction to understand people, philosophy to make sense of life and Science fiction to picture what the future could be like (not always utopian). [source]
Audrey Russo
So many novels; Lord of the Flies, Great Gatsby, Great Expectations; all the Nancy Drew books; Catcher in the Rye, Books written by Zora Neale Hurston; Pat Conroy – all because of the view about different people who endure despite adversity while kindling the hearts of the human spirit. [source]
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65
The Masque of the Red Death
Edgar Allan Poe
4.1
The story follows Prince Prospero's attempts to avoid a dangerous plague known as the Red Death by hiding in his abbey. He, along with many other wealthy nobles, has a masquerade ball within seven rooms of his abbey, each decorated with a different color.
In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms.
The story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease.
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66
Fingersmith
Sarah Water
4.1
Sue Trinder is an orphan, left as an infant in the care of Mrs. Sucksby, a "baby farmer," who raised her with unusual tenderness, as if Sue were her own. Mrs. Sucksby’s household, with its fussy babies calmed with doses of gin, also hosts a transient family of petty thieves—fingersmiths—for whom this house in the heart of a mean London slum is home.
One day, the most beloved thief of all arrives—Gentleman, an elegant con man, who carries with him an enticing proposition for Sue: If she wins a position as the maid to Maud Lilly, a naïve gentlewoman, and aids Gentleman in her seduction, then they will all share in Maud’s vast inheritance. Once the inheritance is secured, Maud will be disposed of—passed off as mad, and made to live out the rest of her days in a lunatic asylum.
With dreams of paying back the kindness of her adopted family, Sue agrees to the plan. Once in, however, Sue begins to pity her helpless mark and care for Maud Lilly in unexpected ways...But no one and nothing is as it seems in this Dickensian novel of thrills and reversals.
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67
The Moonstone
Wilkie Collins, Carolyn G. Heilbrun
4.1
"The Moonstone is a page-turner", writes Carolyn Heilbrun. "It catches one up and unfolds its amazing story through the recountings of its several narrators, all of them enticing and singular." Wilkie Collins’s spellbinding tale of romance, theft, and murder inspired a hugely popular genre–the detective mystery. Hinging on the theft of an enormous diamond originally stolen from an Indian shrine, this riveting novel features the innovative Sergeant Cuff, the hilarious house steward Gabriel Betteridge, a lovesick housemaid, and a mysterious band of Indian jugglers.
This Modern Library Paperback Classic is set from the definitive 1871 edition.
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Recommended by Jason Hall.
Jason Hall
Like The Woman in White, it’s one of the more famous novels by Collins. It’s another with several characters, lots of perspectives, a great mystery at the middle of it [source]
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68
Unspoken (The Lynburn Legacy, #1)
Sarah Rees Brennan
4.1
Kami Glass loves someone she’s never met... a boy she’s talked to in her head ever since she was born. She wasn’t silent about her imaginary friend during her childhood, and is thus a bit of an outsider in her sleepy English town of Sorry-in-the-Vale. Still, Kami hasn’t suffered too much from not fitting in. She has a best friend, runs the school newspaper, and is only occasionally caught talking to herself. Her life is in order, just the way she likes it, despite the voice in her head.
But all that changes when the Lynburns return.
The Lynburn family has owned the spectacular and sinister manor that overlooks Sorry-in-the-Vale for centuries. The mysterious twin sisters who abandoned their ancestral home a generation ago are back, along with their teenage sons, Jared and Ash, one of whom is eerily familiar to Kami. Kami is not one to shy away from the unknown—in fact, she’s determined to find answers for all the questions Sorry-in-the-Vale is suddenly posing. Who is responsible for the bloody deeds in the depths of the woods? What is her own mother hiding? And now that her imaginary friend has become a real boy, does she still love him? Does she hate him? Can she trust him?
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69
The Tell-Tale Heart
Edgar Allan Poe and Byron Glaser
4.1
A murderer is convinced that the loud beating of his victim's heart will give him away to the police.
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70
House of Leaves
Mark Z. Danielewski
4.1
Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.
Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.
The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.
Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
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Recommended by Amelia Boone.
Amelia Boone
This is a book that you have to hold, because there are parts of it where you need to turn it upside down to read it. There are certain pages where, you are reading it, and it turns in a circle... This is a book that's an entire sensory experience. [source]
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71
Titus Groan (Gormenghast, #1)
Mervyn Peake
4.1
Starts with the birth and ends with the first birthday celebrations of the heir to the grand, tradition-bound castle of Gormenghast. A grand miasma of doom and foreboding weaves over the sterile rituals of the castle. Villainous Steerpike seeks to exploit the gaps between the formal rituals and the emotional needs of the ruling family for his own profit.
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72
Wakenhyrst
Michelle Paver
4.1
1906: A large manor house, Wake's End, sits on the edge of a bleak Fen, just outside the town of Wakenhyrst. It is the home of Edmund Stearn and his family – a historian, scholar and land-owner, he's an upstanding member of the local community. But all is not well at Wake's End. Edmund dominates his family tyrannically, in particular daughter Maud. When Maud's mother dies in childbirth and she's left alone with her strict, disciplinarian father, Maud's isolation drives her to her father's study, where she happens upon his diary.
During a walk through the local church yard, Edmund spots an eye in the undergrowth. His terror is only briefly abated when he discovers its actually a painting, a 'doom', taken from the church. It's horrifying in its depiction of hell, and Edmund wants nothing more to do with it despite his historical significance. But the doom keeps returning to his mind. The stench of the Fen permeates the house, even with the windows closed. And when he lies awake at night, he hears a scratching sound – like claws on the wooden floor...
Wakenhyrst is a terrifying ghost story, an atmospheric slice of gothic, a brilliant exploration of the boundaries between the real and the supernatural, and a descent into the mind of a psychopath.
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73
The Madman’s Daughter (The Madman’s Daughter, #1)
Megan Shepherd
4.1
Sixteen-year-old Juliet Moreau has built a life for herself in London — working as a maid, attending church on Sundays, and trying not to think about the scandal that ruined her life. After all, no one ever proved the rumors about her father’s gruesome experiments. But when she learns he is alive and continuing his work on a remote tropical island, she is determined to find out if the accusations are true.
Accompanied by her father’s handsome young assistant, Montgomery, and an enigmatic castaway, Edward — both of whom she is deeply drawn to—Juliet travels to the island, only to discover the depths of her father’s madness: He has experimented on animals so that they resemble, speak, and behave as humans. And worse, one of the creatures has turned violent and is killing the island’s inhabitants. Torn between horror and scientific curiosity, Juliet knows she must end her father's dangerous experiments and escape her jungle prison before it's too late. Yet as the island falls into chaos, she discovers the extent of her father’s genius—and madness—in her own blood.
Inspired by H. G. Wells’s classic The Island of Dr. Moreau, The Madman’s Daughter is a dark and breathless Gothic thriller about the secrets we’ll do anything to know and the truths we’ll go to any lengths to protect.
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74
The Death of Mrs. Westaway
Ruth Ware
4.1
On a day that begins like any other, Hal receives a mysterious letter bequeathing her a substantial inheritance. She realizes very quickly that the letter was sent to the wrong person—but also that the cold-reading skills she’s honed as a tarot card reader might help her claim the money.
Soon, Hal finds herself at the funeral of the deceased…where it dawns on her that there is something very, very wrong about this strange situation and the inheritance at the centre of it.
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75
The Secret History
Donna Tartt
4.1
Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality they slip gradually from obsession to corruption and betrayal, and at last - inexorably - into evil.
Recommended by Dave Child, Jess Brammar, and Kelly Ellis.
Dave Child
In my 20s, it would have been The Secret History by Donna Tartt. It's a shame you can only read a book for the first time once, because this doesn't fare so well the second time around, when you already know what happens. I'm not sure I've found another book quite like it since, but then I'm not really sure what sort of book it is. It isn't a murder mystery, except when it is. It isn't a crime thriller, except when it is. It isn't a love story, except ... you get the idea. [source]
@elanpin @Nicole_Cliffe Like a favorite song, just thinking about this book immediately takes me back to the point in my life when I first read it. I really enjoyed The Goldfinch, as well. [source]
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76
The Tenant of Wildfell Hall
Anne Bronte, Stevie Davies
4.1
Note: Editions of The Tenant that start with: "You must go back with me..." are incomplete. Actual opening line of the novel is: "To J. Halford, Esq. Dear Halford, when we were together last..."
This is the story of a woman's struggle for independence. Helen "Graham" has returned to Wildfell Hall in flight from a disastrous marriage. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter.
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77
Jonathan Strange & Mr Norrell
Susanna Clarke
4.1
Librarian note: Alternate cover edition of 9780765356154.
Sophisticated, witty, and ingeniously convincing, Susanna Clarke's magisterial novel weaves magic into a flawlessly detailed vision of historical England. She has created a world so thoroughly enchanting that eight hundred pages leave readers longing for more.
English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.
But at Hurtfew Abbey in Yorkshire, the rich, reclusive Mr Norrell has assembled a wonderful library of lost and forgotten books from England's magical past and regained some of the powers of England's magicians. He goes to London and raises a beautiful young woman from the dead. Soon he is lending his help to the government in the war against Napoleon Bonaparte, creating ghostly fleets of rain-ships to confuse and alarm the French.
All goes well until a rival magician appears. Jonathan Strange is handsome, charming, and talkative-the very opposite of Mr Norrell. Strange thinks nothing of enduring the rigors of campaigning with Wellington's army and doing magic on battlefields. Astonished to find another practicing magician, Mr Norrell accepts Strange as a pupil. But it soon becomes clear that their ideas of what English magic ought to be are very different. For Mr Norrell, their power is something to be cautiously controlled, while Jonathan Strange will always be attracted to the wildest, most perilous forms of magic. He becomes fascinated by the ancient, shadowy figure of the Raven King, a child taken by fairies who became king of both England and Faerie, and the most legendary magician of all. Eventually Strange's heedless pursuit of long-forgotten magic threatens to destroy not only his partnership with Norrell, but everything that he holds dear.
It’s a magic that feels absolutely real, as if the book were an eyewitness account. Not since Lewis has the supernatural been such a thrilling, immediate, concrete presence on the page. It’s no accident that I began The Magicians in 2004 – Strange is the book that woke me up to the power of the new fantasy. Read it, and you may be woken up too. [source]
Tendai Huchu
I chose this book because it really blurs the line between fiction and history. Just the use of footnotes and references to texts that likely don’t exist yet unless Susanna Clarke writes them in! [source]
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78
The Oxford Book of Gothic Tales
Chris Baldick
4.0
Brimming with tales of terror, suspense, and the uncanny, this work offers a collection devoted to the best of the Gothic genre. Each story contains the common elements of the gothic talea warped sense of time, a claustrophobic setting, a link to archaic modes of thought, and the impression of a descent into disintegration. Yet taken together, they reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world. Bringing together the work of such writers as Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Arthur Conan Doyle, Joyce Carol Oates, and Jorge Luis Borges, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.
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79
Jane Steele
Lyndsay-Faye
4.0
Reader, I murdered him.
A Gothic retelling of Jane Eyre.
Like the heroine of the novel she adores, Jane Steele suffers cruelly at the hands of her aunt and schoolmaster. And like Jane Eyre, they call her wicked - but in her case, she fears the accusation is true. When she flees, she leaves behind the corpses of her tormentors.
A fugitive navigating London's underbelly, Jane rights wrongs on behalf of the have-nots whilst avoiding the noose. Until an advertisement catches her eye. Her aunt has died and the new master at Highgate House, Mr Thornfield, seeks a governess. Anxious to know if she is Highgate's true heir, Jane takes the position and is soon caught up in the household's strange spell. When she falls in love with the mysterious Charles Thornfield, she faces a terrible dilemma: can she possess him - body, soul and secrets - and what if he discovers her murderous past?
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80
This House is Haunted
John Boyne
4.0
1867. Eliza Caine arrives in Norfolk to take up her position as governess at Gaudlin Hall on a dark and chilling night. As she makes her way across the station platform, a pair of invisible hands push her from behind into the path of an approaching train. She is only saved by the vigilance of a passing doctor.
When she finally arrives, shaken, at the hall she is greeted by the two children in her care, Isabella and Eustace. There are no parents, no adults at all, and no one to represent her mysterious employer. The children offer no explanation. Later that night in her room, a second terrifying experience further reinforces the sense that something is very wrong.
From the moment she rises the following morning, her every step seems dogged by a malign presence which lives within Gaudlin’s walls. Eliza realises that if she and the children are to survive its violent attentions, she must first uncover the hall’s long-buried secrets and confront the demons of its past…
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81
Gothic - Dark Fantasy Coloring Book
Selina Fenech
4.0
Lose yourself in the beautiful darkness of magical women, dragons, witches, and dark angels, as you color in these stunningly detailed gothic fantasy themed illustrations. This coloring book features 25 detailed dark fantasy and gothic designs by Selina Fenech, converted from her original paintings, ready to be brought to life with color! BONUS This book includes TWO full sets of the 25 artworks, for a total of 50 pages to color in. Try different color schemes, share with a family member, or have a back up in case of a mistake. The paper is a quality white bond, images on one side only for easy removal and display. Coloring for all ages, these intricate designs are suitable for adults and experienced colorists.
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82
The Gormenghast Novels (Gormenghast, #1-3)
Mervyn Peake, Anthony Burgess, Quentin Crisp
4.0
A doomed lord, an emergent hero, and a dazzling array of bizarre creatures inhabit the magical world of the Gormenghast novels which, along with Tolkien's Lord of the Rings, reign as one of the undisputed fantasy classics of all time. At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom, unless the conniving Steerpike, who is determined to rise above his menial position and control the House of Groan, has his way.
In these extraordinary novels, Peake has created a world where all is like a dream - lush, fantastical, and vivid. Accompanying the text are Peake's own drawings, illustrating the whole assembly of strange and marvelous creatures that inhabit Gormenghast.
Also featuring: Introductory essays by Anthony Burgess and Quentin Crisp Twelve critical essays, curated by Peake scholar Peter G. Winnington Fragment of the unpublished novel, Titus Awakes
'If I had my way, every idiot who goes around with Merry Christmas on his lips, would be boiled with his own pudding, and buried with a stake of holly through his heart. Merry Christmas? Bah humbug!'
Introduction and Afterword by Joe Wheeler To bitter, miserly Ebenezer Scrooge, Christmas is just another day. But all that changes when the ghost of his long-dead business partner appears, warning Scrooge to change his ways before it's too late.
Part of the Focus on the Family Great Stories collection, this edition features an in-depth introduction and discussion questions by Joe Wheeler to provide greater understanding for today's reader. "A Christmas Carol" captures the heart of the holidays like no other novel.
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84
Through the Woods
Emily Carroll
4.0
'It came from the woods. Most strange things do.'
Five mysterious, spine-tingling stories follow journeys into (and out of?) the eerie abyss.
These chilling tales spring from the macabre imagination of acclaimed and award-winning comic creator Emily Carroll.
Come take a walk in the woods and see what awaits you there...
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85
The Black Cat
Edgar Allan Poe
4.0
"The Black Cat" is one of Edgar Allan Poe's most memorable stories. The tale centers around a black cat and the subsequent deterioration of a man. The story is often linked with "The Tell-Tale Heart" because of the profound psychological elements these two works share.
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86
The Stranger Diaries
Elly Griffiths
4.0
Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature.
To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me."
Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?
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87
The Magic Toyshop
Angela Carter
4.0
One night Melanie walks through the garden in her mother's wedding dress. The next morning her world is shattered. Forced to leave the comfortable home of her childhood, she is sent to London to live with relatives she never met: Aunt Margaret, beautiful and speechless, and her brothers, Francie, whose graceful music belies his clumsy nature, and the volatile Finn, who kisses Melanie in the ruins of the pleasure garden. And brooding Uncle Philip loves only the life-sized wooden puppets he creates in his toyshops. The classic gothic novel established Angela Carter as one of our most imaginative writers and augurs the themes of her later creative works.
"Beneath its contemporary surface, this novel shimmers with blurred echoes—from Lewis Carroll, from 'Giselle' and 'Coppelia,' Harlequin and Punch… It leave behind it a flavor, pungent and unsettling" —The New York Times Book Review
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88
The Italian
Ann Radcliffe, Robert Miles
4.0
From the first moment Vincentio di Vivaldi, a young nobleman, sets eyes on the veiled figure of Ellena, he is captivated by her enigmatic beauty and grace. But his haughty and manipulative mother is against the match and enlists the help of her confessor to come between them. Schedoni, previously a leading figure of the Inquisition, is a demonic, scheming monk with no qualms about the task, whether it entails abduction, torture - or even murder. The Italian secured Ann Radcliffe's position as the leading writer of Gothic romance of the age, for its atmosphere of supernatural and nightmarish horrors, combined with her evocation of sublime landscapes and chilling narrative.
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89
Black Rabbit Hall
Eve Chase
4.0
One golden family. One fateful summer. Four lives changed forever.
Amber Alton knows that the hours pass differently at Black Rabbit Hall, her London family's country estate where no two clocks read the same. Summers there are perfect, timeless. Not much ever happens. Until, one stormy evening in 1968, it does.
The idyllic world of the four Alton children is shattered. Fiercely bonded by the tragic events, they grow up fast. But when a glamorous stranger arrives, these loyalties are tested. Forbidden passions simmer. And another catastrophe looms...
Decades later, Lorna and her fiancé wind their way through the countryside searching for a wedding venue. Lorna is drawn to a beautiful crumbling old house she hazily remembers from her childhood, feels a bond she does not understand. When she finds a disturbing message carved into an old oak tree by one of the Alton children, she begins to realise that Black Rabbit Hall's secret history is as dark and tangled as its woods, and that, much like her own past, it must be brought into the light.
A thrilling spiral into the hearts of two women separated by decades but inescapably linked by Black Rabbit Hall. A story of forgotten childhood and broken dreams, secrets and heartache, and the strength of a family's love.
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90
The Prisoner of Heaven (The Cemetery of Forgotten Books, #3)
Carlos Ruiz Zafon
4.0
Barcelona, 1957. It is Christmas, and Daniel Sempere and his wife, Bea, have much to celebrate. They have a beautiful new baby son named Julián, and their close friend Fermín Romero de Torres is about to be wed. But their joy is eclipsed when a mysterious stranger visits the Sempere bookshop and threatens to divulge a terrible secret that has been buried for two decades in the city’s dark past.
His appearance plunges Fermín and Daniel into a dangerous adventure that will take them back to the 1940s and the early days of Franco’s dictatorship. The terrifying events of that time launch them on a search for the truth that will put into peril everything they love, and will ultimately transform their lives. --back cover
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91
The Twilight Saga Breaking Dawn Part 1: The Official Illustrated Movie Companion (The Twilight Saga: The Official Illustrated Movie Companion, #4)
Stephenie Meyer
4.0
A companion to the film, illustrated with full color photos.
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92
Daughters of the Lake
Wendy Webb
4.0
After the end of her marriage, Kate Granger has retreated to her parents’ home on Lake Superior to pull herself together—only to discover the body of a murdered woman washed into the shallows. Tucked in the folds of the woman’s curiously vintage gown is an infant, as cold and at peace as its mother. No one can identify the woman. Except for Kate. She’s seen her before. In her dreams…
One hundred years ago, a love story ended in tragedy, its mysteries left unsolved. It’s time for the lake to give up its secrets. As each mystery unravels, it pulls Kate deeper into the eddy of a haunting folktale that has been handed down in whispers over generations. Now, it’s Kate’s turn to listen.
As the drowned woman reaches out from the grave, Kate reaches back. They must come together, if only in dreams, to right the sinister wrongs of the past.
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93
Dragonwyck
Anya Seton, Philippa Gregory
4.0
First published in 1944, Dragonwyck was a national bestseller that was made into a major motion picture starring Gene Tierney and Vincent Price in 1946. A classic gothic romance, the story features an 18-year-old Miranda Wells who falls under the spell of a mysterious old mansion and its equally fascinating master. Tired of churning butter, weeding the garden patch, and receiving the dull young farmers who seek her hand in marriage, Miranda is excited by an invitation from the upstate New York estate of her distant relative, the intriguing Nicholas Van Ryn. Her passion is kindled by the icy fire of Nicholas, the last of the Van Ryns, and the luxury of Dragonwyck, and a way of life of which she has only dreamed. Dressed in satin and lace, she becomes part of Dragonwyck, with its Gothic towers, flowering gardens, acres of tenant farms, and dark, terrible secrets. This compelling novel paints a marvelous portrait of a country torn between freedom and feudal traditions; a country divided between the very wealthy and the very poor. Poor tenant farmers at Dragonwyck, the European royalty who visit, and American icons such as Edgar Allan Poe, Herman Melville, and the Astors are vividly brought to life. This is a heart-stopping story of a remarkable woman, her breathtaking passions, and the mystery and terror that await her in the magnificent hallways of Dragonwyck.
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94
Lady Audley's Secret
Mary Elizabeth Braddon, David Skilton
4.0
Bigamy, child abandonment, deception, theft, murder, and insanity all take part of Mary Elizabeth Braddon's novel. Her over-the-top drama was one of the most popular novels of the mid-1800s and provides an interesting portrayal of both class- and gender issues as they intersect within the domestic sphere.
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95
Vathek
William Beckford, Richard Lonsdale
4.0
Beckford's Gothic novel, Vathek, an Arabian tale, was originally written in French when the author was 21. It is the story of Caliph Vathek, whose eye can kill at a glance, who makes a pact with the Devil, Eblis.
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96
Midnight in the Garden of Good and Evil
John Berendt
4.0
A sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city has become a modern classic.
Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.
It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else.
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97
Collected Ghost Stories
M. R. James, Darryl Jones
4.0
"I was conscious of a most horrible smell of mold, and of a cold kind of face pressed against my own..." Considered by many to be the most terrifying writer in English, M. R. James was an eminent scholar who spent his entire adult life in the academic surroundings of Eton and Cambridge. His classic supernatural tales draw on the terrors of the everyday, in which documents and objects unleash terrible forces, often in closed rooms and nighttime settings where imagination runs riot. Lonely country houses, remote inns, ancient churches or the manuscript collections of great libraries provide settings for unbearable menace from creatures seeking retribution and harm. These stories have lost none of their power to unsettle and disturb. This edition presents all of James' published ghost stories, including the unforgettable "Oh, Whistle and I'll Come to You, My Lad" and "Casting the Runes," and an appendix of James' writings on the ghost story. Darryl Jones' introduction and notes provide a fascinating insight into James's background and his mastery of the genre he made his own.
M R James is arguably the greatest master of the English ghost story. His stories are considerably grimmer and grislier than ghost stories had been up until then. [source]
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98
The Tale of the Body Thief (The Vampire Chronicles, #4)
Anne Rice
4.0
In a gripping feat of storytelling, Anne Rice continues the extraordinary Vampire Chronicles that began with the now-classic Interview with the Vampire. For centuries, Lestat—vampire-hero, enchanter, seducer of mortals—has been a courted prince in the dark and flourishing universe of the living dead. Now he is alone. And in his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the years of his haunted existence. Praise for The Tale of the Body Thief “Tinged with mystery, full of drama . . . The story is involving, the twists surprising.”—People
“Rice is our modern messenger of the occult, whose nicely updated dark-side passion plays twist and turn in true Gothic form.”—San Francisco Chronicle “Fast-paced . . . . mesmerizing . . . silkenly sensuous . . . No one writing today matches her deftness with the erotic.”—The Atlanta Journal-Constitution “Hypnotic . . . masterful.”—Cosmopolitan
From the Paperback edition.
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99
The Burning Sky (The Elemental Trilogy, #1)
Sherry Thoma
4.0
This is a previously published edition of ISBN13: 9780062207296.
It all began with a ruined elixir and a bolt of lightning.
Iolanthe Seabourne is the greatest elemental mage of her generation—or so she's been told. The one prophesied for years to be the savior of The Realm. It is her duty and destiny to face and defeat the Bane, the most powerful tyrant and mage the world has ever known. This would be a suicide task for anyone, let alone a reluctant sixteen-year-old girl with no training.
Guided by his mother's visions and committed to avenging his family, Prince Titus has sworn to protect Iolanthe even as he prepares her for their battle with the Bane. But he makes the terrifying mistake of falling in love with the girl who should have been only a means to an end. Now, with the servants of the tyrant closing in, Titus must choose between his mission—and her life.
The Burning Sky—the first book in the Elemental Trilogy—is an electrifying and unforgettable novel of intrigue and adventure.
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100
Edgar Allan Poe: An Adult Coloring Book
Odessa Begay
4.0
Enter the macabre, mysterious realm of Edgar Allan Poe’s chilling tales by coloring Odessa Begay’s haunting illustrations.
Leave the modern world and its demands behind while adding your creative touch to settings, motifs, and details inspired by The Tell-Tale Heart, The Black Cat, The Oblong Box, The Pit and the Pendulum, The Raven, The Fall of the House of Usher, and more. Each image is accompanied by a short, atmospheric excerpt from the story. Let your imagination lead the way as you evoke the eerie essence of the master storyteller’s enduring work with pen or pencil.
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Recommended by Andrei Codrescu, Becky Cloonan, Claire Jarvis, and 1 others.
