We've ranked the best composition books using expert recommendations, sales data, and millions of reader ratings. At Shortform, we know books. Our book guides are the best in the world. Learn why.
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1
Fundamentals of Musical Composition
Arnold Schoenberg, Gerald Strang, et al.
5.0
Fundamentals of Musical Composition represents the culmination of more than forty years in Schoenberg's life devoted to the teaching of musical principles to students and composers in Europe and America. For his classes he developed a manner of presentation in which 'every technical matter is discussed in a very fundamental way, so that at the same time it is both simple and thorough'.
This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyses in thorough detail and with numerous illustrations those particular sections in the works of the masters which relate to the compositional problem under discussion.
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2
Behind Bars: The Definitive Guide to Music Notation
Elaine Gould
5.0
Behind Bars is the indispensable reference book for composers, arrangers, teachers and students of composition, editors, and music processors. In the most thorough and painstakingly researched book to be published since the 1980s, specialist music editor Elaine Gould provides a comprehensive grounding in notational principles.
Behind Bars covers everything from basic rules, conventions and themes to complex instrumental techniques, empowering the reader to prepare music with total clarity and precision. With the advent of computer technology, it has never been more important for musicians to have ready access to principles of best practice in this dynamic field, and this book will support the endeavors of software users and devotees of hand-copying alike. The author's understanding of, and passion for, her subject has resulted in a book that is not only practical but also compellingly readable.
This seminal and all-encompassing guide encourages new standards of excellence and accuracy and, at a weighty 704 pages, it is supported by 1,500 music examples of published scores from Bach to Xenakis.
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3
Silence: Lectures and Writings
John Cage
4.9
Silence, A Year from Monday, M, Empty Words and X (in this order) form the five parts of a series of books in which Cage tries, as he says, to find a way of writing which comes from ideas, is not about them, but which produces them. Often these writings include mesostics and essays created by subjecting the work of other writers to chance procedures using the I Ching (what Cage called writing through).
John Cage is one of the composers most associated with minimalism. He’s a kind of pioneer, not just in music, but also for the arts, and for philosophy as well. In the 1940s and 1950s, he had already cultivated an interest in Zen philosophy. He experimented with these forms of emptiness in art that were very radical at the time. [source]
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4
Standard Wirebound Manuscript Paper (Green Cover)
Hal Leonard Corp.
4.8
(Manuscript Paper). 96-page wirebound book; 12 staves per page; 8 1/2 x 11; Music Notation Guide.
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5
The Study of Orchestration
Samuel Adler
4.8
Written by a renowned composer whose works have been performed by major orchestras around the world, The Study of Orchestration is the only text that explores the characteristics of orchestral instruments and shows students how a master composer approaches orchestration. The Fourth Edition invites students to experience the instruments through online audio and video recordings and now offers more coverage of writing for band.
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6
The Study of Counterpoint
Johann Joseph Fux
4.8
Since its appearance in 1725, it has been used by and has directly influenced the work of many of the greatest composers. J. S. Bach held it in high esteem, Leopold Mozart trained his famous son from its pages, Haydn worked out every lesson with meticulous care, and Beethoven condensed it into an abstract for ready reference.
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Essential Dictionary of Orchestration: The Most Practical and Comprehensive Resource for Composers, Arrangers and Orchestrators
Dave Black
4.8
At last, an orchestration book tailor-made for the classroom musician on a budget. Any teacher, student or professional musician, whether a composer, orchestrator, arranger, performer or enthusiast will find this thoroughly comprehensive dictionary full o
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8
The Blue Book of Grammar and Punctuation: An Easy-To-Use Guide with Clear Rules, Real-World Examples, and Reproducible Quizzes
Jane Straus, Lester Kaufman, et al.
4.7
Recommended by Mark Nichol.
Mark Nichol
This book is good for beginners, but I also find it helpful for people who might consider themselves experts. It’s very clean, and it’s in a workbook format with many exercises in it. You read a short, simple lesson about adjectives and adverbs, or about when you use ‘that’ or ‘which’ in a sentence, and then you can practise with the exercises. [source]
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How to Write for Percussion
Samuel Z. Solomon
4.7
While composers and percussionists are working more closely than ever with one another, there are few resources that address this collaborative relationship in depth. However, Samuel Z. Solomon, himself a percussionist and teacher, offers a comprehensive examination of the issues that percussionists and composers encounter in How to Write for Percussion. The first edition, self-published in 2004, provided musicians and music programs the world over with practical and indispensible information about issues of notation, concert production, and much more. This new edition goes even further as Solomon offers more insights derived from his personal experience as a percussionist and teacher and from his collaborations with other musicians. The second edition of How to Write for Percussion expands the survey of behind-the-scenes processes-from instrument choice and notation to logistics, execution, and concert production-to uncover all the tools a composer needs to comfortably create innovative and skilled percussion composition. Solomon also includes more excerpts and performances as well as interviews with famous percussionists and composers that capture the intricacies of percussion composition. Moreover, the second edition features an expanded text with more instruments and more analysis, plus an extensive Online Video Companion containing over nine hours of videos with demonstrations, performances, interviews, and analysis to flesh out and clarify the material in the book. This updated edition of How to Write for Percussion will appeal to a wide swath of musicians including composers, arrangers, and percussionists. Those who have already utilized the first edition will welcome the upgrade, and those who have yet to benefit from Solomon's perspective will likewise find his insights illuminating.
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10
Piano Adventures Lesson Book, Level 3A
Nancy Faber
4.7
Faber Piano Adventures Level 3A introduces 3/8 and 6/8 time signatures and the triplet. Students learn the chromatic scale, the 7th, one-octave arpeggios, and explore the key of D major. Contents include: Amazing Grace • Campbells are Coming • Cool Walkin' Bass • Cossak Ride • Echoes of the Harp • Eine Kleine Nachtmusik • Ice Dancing • Joshua Fought the Battle of Jericho • Land of the Silver Birch • Looking-Glass River • Lunar Eclipse • March Slav • and more.
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11
Writing Better Lyrics: The Essential Guide to Powerful Songwriting
Pat Pattison
4.7
The Must-Have Guide for Songwriters
Writing Better Lyrics has been a staple for songwriters for nearly two decades. Now this revised and updated 2nd Edition provides effective tools for everything from generating ideas, to understanding the form and function of a song, to fine-tuning lyrics.
Perfect for new and experienced songwriters alike, this time-tested classic covers the basics in addition to more advanced techniques.Songwriters will discover:
- How to use sense-bound imagery to enhance a song's emotional impact on listeners - Techniques for avoiding clich�s and creating imaginative metaphors and similes - Ways to use repetition as an asset - How to successfully manipulate meter - Instruction for matching lyrics with music - Ways to build on ideas and generate effective titles - Advice for working with a co-writer - And much more
Featuring updated and expanded chapters, 50 fun songwriting exercises, and examples from more than 20 chart-toppings songs, Writing Better Lyrics gives you all of the professional and creative insight you need to write powerful lyrics and put your songs in the spotlight where they belong.
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12
On the Track: A Guide to Contemporary Film Scoring
Fred Karlin
4.6
On the Track offers a comprehensive guide to scoring for film and television. Covering all styles and genres, the authors, both noted film composers, cover everything from the nuts-and-bolts of timing, cuing, and recording through balancing the composer's aesthetic vision with the needs of the film itself. Unlike other books that are aimed at the person "dreaming" of a career, this is truly a guide that can be used by everyone from students to technically sophisticated professionals. It contains over 100 interviews with noted composers, illustrating the many technical points made through the text.
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13
Analyzing Classical Form: An Approach for the Classroom
William E. Caplin
4.6
Analyzing Classical Form builds upon the foundations of the author's critically acclaimed Classical Form by offering an approach to the analysis of musical form that is especially suited for classroom use. Providing ample material for study in both undergraduate and graduate courses, Analyzing Classical Form presents the most up-to-date version of the author's theory of formal functions. Students will learn how to make complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven. Part 1 introduces the principal theme-types of classical instrumental music; part 2 provides a methodology for analyzing sonata form, the most important formal type in this style period; and part 3 considers other full-movement forms found in this repertory (such as minuet, rondo, and concerto). The chapters are organized in a way that presents the most basic materials upfront and then leads the student through more details and finer points of theory. Every topic is illustrated with annotated musical examples; as well, the book contains many unannotated examples that can be used for in-class discussion and for out-of-class analytical exercises. A complete glossary of terms and questions for reviewing the theory will help students assimilate the many theoretical concepts employed in the book. A companion website hosted by the author at music.mcgill.ca/acf/ provides audio and musical scores for all of the examples in the book as well as additional examples for the analysis of the simple theme-types presented in part 1.
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14
Twentieth-Century Harmony: Creative Aspects and Practice
Vincent Persichetti
4.6
Here for the first time is an orderly presentation of the harmonic procedures to be found in music of the first half of the twentieth-century. The author examines the nature of intervals in various contexts, discusses the modes and other scales employed in modern music, describes the formation and uses of chords by thirds, by fourths, and by seconds, of added-note chords and polychords; he deals with different types of harmonic motion, with harmonic rhythm and dynamic sand ornamentation, with harmonic behavior in tonality, polytonality, atonality and serial composition.
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The Complete Idiot's Guide to Music Composition
Michael Miller
4.6
Write the songs that make the whole world sing.
A step-by-step guide to writing music, this book shows musicians how to compose simple chord progressions and melodies, and leads them through more advanced compositional techniques and musical forms. Designed for composers of all types of music, it includes instruction on composing stand-alone melodies, using different scales and modes, themes and variations, orchestration, and composing for film, theater, and videogames.
-Perfect complement to The Complete Idiot's Guide to Music Theory and The Complete Idiot's Guide to Songwriting
-Includes a comprehensive glossary of musical terms, as well as an appendix of various computer-based composition tools
-Easy-to-use oversize trim
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Primary Journal: Black Marble,Composition Book, draw and write journal, Unruled Top, .5 Inch Ruled Bottom Half, 100 Sheets, 7.5 in x 9.25 in, 19.05 x 23.495 cm,Soft Durable Cover
Primary Journal, draw and write journal, et al.
4.6
Primary Journal Composition Notebook:7.5" x 9.25" (19.05 x 23.495 cm), 200 Pages / 100 Sheets for School / Teacher / Office / Student Composition Exercise Book.
*Space to draw and write *Pages printed with solid and dotted line primary ruling for practicing writing the alphabet *Durable Softcover with tight binding *200 pages / 100 sheets Just what the doctor ordered.
Cover Durable Matte Paperback.
Binding: Professional grade binding (Paper back retail standard)
Product Measures: 7.5 x 9.25 (19.05 x 23.5 cm)
Interior:
- 200 pages / 100 Sheets of dense white paper to reduces ink bleed-through,
Related Products: Find a diverse array of popular composition notebook designs including marble, chevron, and animal print. Just search 'Composition Notebook' and 'Blank Book MD'.
Wholesale: This composition notebook can be purchased wholesale by retailers and academic institutions located in the USA. You'll need to sign up online for a Createspace Direct Resellers here: https: //www.createspace.com/pub/l/createspace....
Designed in the USA -The Blank Book MD
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17
Textures and Timbres: An Orchestrator’s Handbook
Henry Brant
4.6
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Guitar Tablature Manuscript Paper - Standard: Manuscript Paper
Hal Leonard Corp.
4.6
(Manuscript Paper). (Tan Cover) 64-page stitched book; 8 1/2 x 11; six 6-line staves on each page; 8 blank chord diagrams printed at the bottom of each page; punched to fit all ring binders; Music Notation Guide.
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The Percussionist's Art: Same Bed, Different Dreams
Steven Schick
4.6
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20
The Cello Suites
Eric Siblin
4.6
One autumn evening, shortly after ending a ten-year stint as a pop-music columnist for the Montreal Gazette, Eric Siblin attended a concert at Toronto's Royal Conservatory of Music. There, something unlikely happened: he fell in love with a piece of classical music -- Bach's cello suites. Part biography, part music history, and part literary mystery, The Cello Suites weaves together three dramatic stories: The first features Johann Sebastian Bach and the missing manuscript of his suites from the eighteenth century; the second is that of Pablo Casals and his incredible discovery of the manuscript in Spain in the early twentieth century; and the third is Eric Siblin's own infatuation with the suites in the twenty-first century.
This love affair leads Siblin to the back streets of Barcelona, a Belgian mansion, and a bombed out German palace; to interviews with cellists Mischa Maisky, Anner Bylsma, and Pieter Wispelwey; to archives, festivals, conferences, and cemeteries; and even to cello lessons -- all in pursuit of answers to the mysteries that continue to haunt this piece of music more than 250 years after its composer's death.
The Cello Suites is an incomparable, beautifully written, true-life journey of passion, imagination, and discovery, fuelled by the transcendent power of a musical masterpiece.
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21
A Composer's Guide to Game Music
Winifred Phillips
4.6
A comprehensive, practical guide to composing video game music, from acquiring the necessary skills to finding work in the field.
Music in video games is often a sophisticated, complex composition that serves to engage the player, set the pace of play, and aid interactivity. Composers of video game music must master an array of specialized skills not taught in the conservatory, including the creation of linear loops, music chunks for horizontal resequencing, and compositional fragments for use within a generative framework. In A Composer's Guide to Game Music, Winifred Phillips--herself an award-winning composer of video game music--provides a comprehensive, practical guide that leads an aspiring video game composer from acquiring the necessary creative skills to understanding the function of music in games to finding work in the field.
Musicians and composers may be drawn to game music composition because the game industry is a multibillion-dollar, employment-generating economic powerhouse, but, Phillips writes, the most important qualification for a musician who wants to become a game music composer is a love of video games. Phillips offers detailed coverage of essential topics, including musicianship and composition experience; immersion; musical themes; music and game genres; workflow; working with a development team; linear music; interactive music, both rendered and generative; audio technology, from mixers and preamps to software; and running a business.
A Composer's Guide to Game Music offers indispensable guidance for musicians and composers who want to deploy their creativity in a dynamic and growing industry, protect their musical identities while working in a highly technical field, and create great music within the constraints of a new medium.
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22
Music Composition for Dummies
Scott Jarrett
4.6
Want to turn that haunting tune in your head into an awesome sound in your ear? You can! Music Composition For Dummies demystifies the process of composing music and writing songs. It guides you through every step of writing your own music, from choosing the right rhythm and tempo to creating melodies and chord progressions and working with instruments and voices. In this fun and practical guide, you'll learn how to match keys and chords to the mood you want to convey, work a form without limiting your creativity, and hammer out a musical idea, even when your mind is drawing a blank. You'll find out how to create popular songs, classically structured pieces, and even film, TV, and video game soundtracks. And, you'll learn what you need to know about music composition software, including Finale, Sebelius, Pro Tools, and more. Discover how to:
Preserve and organize your musical ideas Work with established chord progressions or create your own Develop great rhythms Select the right instruments Find melodies in your head, your instrument, and the world around you Use major and minor scales Work with modes and moods Build melodic motifs and phrases Use the circle of fifths to harmonize Write for multiple voices Make a demo recording Filled with creative exercises to build your composing skills, Music Composition for Dummies is the resource you need to get that melody out of your head and into the world.
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23
Creative Orchestration: A Project Method for Classes in Orchestration and Instrumentation
George Frederick McKay, Frederick Leslie McKay
4.6
Creative Orchestration by American Composer George Frederick McKay (1899-1970) is highly regarded in academic circles for its direct and uncomplicated approach based on McKay's 40 years of teaching music theory at the University of Washington, Seattle while using experiential methods with small groups of students. McKay himself had his music presented in the concert halls of America by the master conductors Stokowski, Beecham and Arthur Benjamin during his lifetime, along with hundreds of publications and other honors. He taught at Washington, USC, Oregon, Michigan and Drake during his years as a professor, and was the teacher of William Bolcom, Earl Robinson, Goddard Lieberson, John Cage and hundreds of other aspiring composition students. His students have won the Grammy, the Pulitzer, Guggenheim Grants and the National Medal of the Arts. Creative Orchestration contains many fine working examples of music and diagrams explaining technical principles of composition.
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24
A Beautiful Composition of Broken
r.h. Sin
4.6
r.h. Sin, bestselling author of the Whiskey, Words & a Shovel series, returns with a collection of poetry and prose meant to remind the wounded that they are, in fact, beautiful in a way society may never comprehend.
A Beautiful Composition of Broken is inspired by some of the events expressed artistically by Samantha King in the bestseller Born to Love, Cursed to Feel. It serves as a poetic documentary of the lives of people who have been mistreated, misunderstood, and wrongfully labeled in a way that limits them in this world. The author’s most personal volume yet, A Beautiful Composition of Broken builds a conceptual bridge between r.h. Sin’s earliest work and his forthcoming series, Planting Gardens in Graves.
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25
The Craft of Musical Composition, Book 2: Exercises in Two-Part Writing
Paul Hindemith
4.5
(Schott). Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the orchestra, could compose a satisfying piece for almost every kind of ensemble, and who was one of the most stimulating teachers of his day. It is therefore not surprising that nearly forty years later these books should remain essential reading for the student and the professional musician. Preface • Construction of the Simplest One-Voice Melodic Patterns • Beginning of Two-Voice Setting • Elaborated Melody (Auxiliary or Teturning Tones, Passing Tones) • Elaborated Melody (Continuation) • Principles of Melodic Construction • Elaborated Melody (Conclusion) • Tonal Higher-Units • Tonality of the Melodies • Elaboration of the Melody Model • Free Two-Voice Setting I and II
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26
Bryan Peterson's Understanding Composition Field Guide: How to See and Photograph Images with Impact
Bryan Peterson
4.5
Learn to “see” more compelling images with this on-the-go field guide from Bryan Peterson!
What makes an image amazing? Believe it or not, it is not about the content. What makes a photo compelling is the arrangement of that content—in other words, its composition. The right composition gives your images impact and emotion; the wrong one leaves them flat. In this handy, take-anywhere guide, renowned photographer, instructor, and bestselling author Bryan Peterson frees amateur photographers from the prejudices of what is “beautiful” or “ugly” so that they can instead focus on color, line, light, and pattern. Get the tools you need to show your distinct voice and point of view in every image you shoot. With this guide in your camera bag, you’ll be equipped not only to “see” beautiful images but to successfully shoot them each and every time.
Also available as an ebook
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27
The Little Black Songbook: Chords/Lyrics
Leonard Cohen
4.5
This is a pocket-sized collection of over 70 Leonard Cohen hits, with complete lyrics, guitar chord symbols, and chord diagrams. Perfect for fitting into gig bags! Songs include: Ain't No Cure for Love • Bird on the Wire (Bird on a Wire) • Closing Time • Death of a Ladies' Man • First We Take Manhattan • Hallelujah • Lady Midnight • Lover Lover Lover • So Long Marianne • Winter Lady • and many more.
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28
Writing Interactive Music for Video Games: A Composer's Guide
Michael Sweet
4.5
"This book is a must read for newcomers and experienced composers wanting to learn more about the art of video game composition." --Chuck Doud, Director of Music, Sony Computer Entertainment Worldwide Studios All You Need to Know to Create Great Video Game Music Written by the developer of Berklee School of Music's pioneering game scoring program, this guide covers everything professional composers and music students need to know about composing interactive music for video games, and contains exclusive tools for interactive scoring--tools that were previously available only at Berklee. Drawing on twenty years of professional experience in the game industry, Michael Sweet helps you master the unique language of music storytelling in games. Next, he walks you through the entire music composition process, from initial conceptualization and creative direction through implementation. Inside, you'll find dozens of examples that illustrate adaptive compositional techniques, from small downloadable games to multimillion dollar console titles. In addition, this guide covers the business side of video game composition, sharing crucial advice about contracts, pricing, sales, and marketing. Coverage includes Overcoming the unique challenges of writing for games Composing music that can adapt in real time to player actions Developing thematic ideas Using audio middleware to create advanced interactive scores Working effectively with game development teams Understanding the life of a video game composer Managing contracts, rights, estimating, and negotiation Finding work The companion website contains software tools to help you master interactive music concepts explored in this book, with additional resources and links to learn more about scoring for games. See Appendix A for details.
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29
Handy Manual Fingering Chart
Clarence V. Hendrickson
4.5
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30
Theory of Harmony
Arnold Schoenberg, Roy E. Carter
4.5
Based on the third edition of 1922, this new translation of Schoenberg's largest and most important treatise is well-focused, expansive, reflective, and wittily down-to-earth. The heart and soul of the book is to be found in Schoenberg's vivid and penetrating digressions--they are the fascinating reflections of a great and humane musician.
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31
The Music of The Lord of the Rings Films: A Comprehensive Account of Howard Shore's Scores (Book and Rarities CD)
Doug Adams
4.5
brHoward Shore's Academy Award-winning score for The Lord of the Rings has been hailed as among the greatest film music ever written. Sweeping in scope, it is an interpretation of J.R.R. Tolkien's Middle-earth as music; an operatic tapestry of cultures, histories, languages and peoples. The Music of the Lord of the Rings Films takes the reader on an unprecedented journey into the heart of this history-making opus with extensive music examples, original manuscript scores, a rarities CD, and fascinating glimpses into the creative process from the composer himself. With a foreword by Howard Shore, introduction by Fran Walsh and sketches throughout by John Howe and Alan Lee.
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32
Music Notation in the Twentieth Century: A Practical Guidebook
Kurt Stone
4.5
In this comprehensive and definitive survey of current notation procedures, Kurt Stone has brought order to a field traditionally fraught with confusion and idiosyncrasy. He not only describes and recommends new methods for notating modern music, thereby establishing standard procedures for the present and future, but integrates them with traditional practices still in use. The result is a guide to all forms of notation used in serious music today.
Stone is undoubtedly one of the world's leading authorities on contemporary music notation and its problems. As head of the Index of New Musical Notation, he collected and categorized the myriad new devices appearing in published music of this century. In collaboration with professional performers and conductors, he evaluated these devices in order to determine their effectiveness in practical application. At the International Conference on New Music Notation 1974, a consensus was sought from the eighty participating musicians from eighteen different countries. The results have been incorporated into this volume in the clearest and most direct way. Traditional notation is given detailed treatment, constituting, as it does, the basis for many of the innovative devices. The book is organized to facilitate the location of specific information and for easy reference. A minutely detailed index is provided as an additional and indispensable tool.
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33
Standard Manuscript Paper 12 Stave
Hal Leonard Corp.
4.5
(Manuscript Paper). 64-page stitched book; 12 staves per page; 8 1/2 x 11; punched to fit all ring binders; Music Notation Guide.
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The Planets in Full Score
Gustav Holst
4.5
Among the most popular and important modern British composers, Gustav Holst (1874–1934) was a true eccentric, given to odd enthusiasms and mystical musings. His spectacular symphonic suite The Planets, first performed in 1918, established his international reputation and remains a staple of the orchestral repertoire to this day. Scored for huge orchestral forces and a wordless chorus, the work is divided into seven movements, the music of each embodying the astrological and mystical qualities of a different planet. From the ominous, relentless march of "Mars, the Bringer of War" to the robust festivities of "Jupiter, the Bringer of Jollity" and the weird, unearthly hush of "Neptune, the Mystic," the emotional sweep and innovative techniques of the suite have delighted and thrilled its vast audience ever since its spectacular debut. Musicians and music lovers alike will want to own this authoritative, attractively published and inexpensive full score.
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35
The Art of the Photograph: Essential Habits for Stronger Compositions
Inc. Art Wolfe, Rob Sheppard, et al.
4.5
Learn to take better pictures in this step-by-step, how-to photography guide filled with tips on lighting, equipment, inspiration, and more.
Featuring more than 200 of master photographer Art Wolfe's stunning images, The Art of the Photograph helps amateur photographers of all levels break bad habits and shatter common yet incorrect assumptions that hold many photographers back. This is Wolfe’s ultimate master class, in which he shares the most important insights and techniques learned in four decades of award-winning photography. Along with co-author Rob Sheppard, Wolfe challenges us to stop focusing on subjects we feel we should photograph and instead, to “see like a camera sees,” seek out a personal point of view, and construct stunning, meaningful images. You’ll also learn how to:
· Reexamine prejudices that define (and limit) what you photograph · See beyond the subject to let light and shadow lead you to the right image · Find inspiration, including the story behind Wolfe's own photographic journey. · Use formal art principles to build more compelling images. · Choose the right camera and lens for the image you see in your mind's eye. · Recognize the 10 deadly sins of composition—and how to avoid them. · …and even get a behind-the-lens look at Wolfe’s equipment and workflow.
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Musical Composition
Reginald Smith Brindle
4.4
Musical composition is a key discipline in music programs in conservatories, colleges, and universities. Many teachers consider it as important in the development of young musicians as listening and performance. It can be argued that through compositions musicians achieve the deepest insight into the composer and his music. Musical Composition takes the student through the elements--melody, harmony, counterpoint, and rhythm--before covering a variety of special subjects such as writing vocal and choral music, accompaniments, and film and TV music. Chapters are devoted to recent techniques including free diatonicism, serialism, and indeterminacy. Over 200 examples illustrate points in the text and there are exercises for each chapter.
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37
Essential Dictionary of Music Notation: Pocket Size Book
Tom Gerou
4.4
This pocket-sized dictionary presents current and correct notation practices in an easy-to-use format. Generously illustrated and concise, this book is essential to any musician looking for a handy reference for the correct notation of music. A most welco
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38
Andrew Lloyd Webber's The Phantom of the Opera (Easy Adult Piano)
Andrew Lloyd Webber
4.4
9 songs arranged to be easy-to-play on electronic keyboards. Titles include: All I Ask of You Angel of Music Masquerade The Music of the Night The Phantom of the Opera The Point of No Return Prima Donna Think of Me Wishing You Were Somehow Here Again.
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Musical Composition: Craft and Art
Alan Belkin
4.4
An invaluable introduction to the art and craft of musical composition from a distinguished teacher and composer
This essential introduction to the art and craft of musical composition is designed to familiarize beginning composers with principles and techniques applicable to a broad range of musical styles, from concert pieces to film scores and video game music. The first of its kind to utilize a style-neutral approach, in addition to presenting the commonly known classical forms, this book offers invaluable general guidance on developing and connecting musical ideas, building to a climax, and other fundamental formal principles. It is designed for both classroom use and independent study.
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40
The Berklee Book of Jazz Harmony
Joe Mulholland and Tom Hojnacki
4.4
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41
Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven
William E. Caplin
4.4
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
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42
Voice Leading: The Science behind a Musical Art (The MIT Press)
David Huro
4.4
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43
The Essence of Photography: Seeing and Creativity
Bruce Barnbaum
4.4
There is a lot more to photography than simply picking up a camera, pointing it toward something, and tripping the shutter. Achieving a great photograph requires thought and preparation, an understanding of the photographic process, and a firm grasp of how light and composition affect a photo. There must be personal involvement and personal expression. There must be experimentation, with the recognition that only a small percentage of experiments end successfully.
In this book, best-selling author and world-renowned photographer and teacher Bruce Barnbaum explores these seldom-discussed issues by drawing upon his personal experiences and observations from more than 40 years of photographing and teaching. In addition to photographs, Bruce also uses painting, music, and writing, as well as the sciences and even business, to provide pertinent examples of creative thinking. These examples serve as stepping-stones that will lead you to your own heightened ability to see and be creative.
Creativity is a topic that is almost wholly ignored in formal education because most instructors think that it cannot be taught or learned. To the contrary, Bruce has proven that photographic seeing and creativity can be taught, learned, and improved. This book expands on the ideas that are central to Bruce's method of teaching photography, which he has used in workshops for the past 41 years.
Included in the book are in-depth discussions on the following topics:
Defining your own unique rhythm and approach as a photographer How to translate the scene in front of you to the final photograph The differences and similarities between how an amateur and a professional approach photography The differences between realism and abstraction, and the possibilities and limitations of each Learning to expand your own seeing and creativity through classes, workshops, and associating with other photographers Why the rules of composition should be ignored How to follow your passion When to listen to the critics and when to ignore them The book is richly illustrated with over 90 photographs taken by Bruce as well as other photographers. Seeing and creativity are difficult to teach, but not impossible. This very different, perhaps groundbreaking book is sure to inspire photographers of all skill levels-from beginners to seasoned professionals-to think deeply about the issues involved in creating successful photographs.
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Guide to the Practical Study of Harmony
Peter Ilyitch Tchaikovsky
4.4
Written during Tchaikovsky’s years as professor at the renowned Moscow Conservatory, this volume presents a clear and thorough introduction to the study of harmony. The great Russian composer expounded upon his views of music while he was in the full flower of his creative powers, offering students a chance to learn the discipline’s fundamentals from one of its great masters. Out of print for decades and exceedingly rare in its original edition, Tchaikovsky’s Guide to the Practical Study of Harmony possesses an intrinsic historical interest, yet remains as useful and instructive today as it was a century ago. A complete course in writing music, this excellent manual features numerous examples and exercises. It functions equally well as a classroom text, an adjunct to private instruction, or as a guide to individual musicians.
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Bruckner, Mahler, Schoenberg
Dika Newlin
4.4
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The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)
Paul Hindemith
4.4
Originally published in the 1940s, Paul Hindemith's remakable textbooks are still the outstanding works of their kind. In contrast to many musical textbooks written by academic musicians, these were produced by a man who could play every instrument of the
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High School English Grammar and Composition
P.C. Wren, H. Martin, N.D.V.Prasada Rao
4.4
PREFACE TO THE NEW EDITION Wren and Martin's monumental work High School English Grammar and Composition now appears in two editions. One is a de luxe edition, illustrated in full-colour, and the other is an ordinary edition without illustrations.
The material in the book has been further updated where called for. It has been felt necessary in particular to revise some material in the chapters dealing with adjectives, active and passive voice, articles and prepositions. Appendix I, which deals with American English, has been expanded. Appendix II has been replaced with a newer set of tests covering the important areas of grammar.
It was in the year 1972 that the shrewd visionary Mr. Shyam Lai Gupta obtained the permission of Manecji Cooper Education Trust for the revision of this book and commissioned me to revise it thoroughly. The revised edition came out in 1973 and was well received. One of the main features of the revised edition was the addition of a great deal of new material (such as the three chapters on structures) based on the new developments in the study of English structure and usage. Subsequently the book was revised every four or five years and most extensively in 1999.
Unlike many traditional grammar books, the book in the present form helps the student to use the language as well as giving detailed information about the language. It provides ample guidance and practice in sentence building, correct usage, comprehension, written composition and other allied areas so as to equip the student with the ability to communicate effectively in English.
It is gratifying to learn that this classic work, though primarily intended for use in the Indian subcontinent, is also used in Sri Lanka, Malaysia, Singapore, Mauritius, etc. It is hoped that the book will be found useful in many more countries where English is used as a second or foreign language.
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The Lives and Times of the Great Composers
Michael Steen
4.3
A grand and panoramic biograhical history of the giants of classical music, The Lives and Times of Great Composers is a new, unique, and lovingly constructed modern reference--and a beguiling read which you will return to again and again.
Interlinked yet self-contained, each chapter distills the life of one or more composers, set against the social, political, musical, and cultural background of the time. Read the story of Bach, the respectable burgher, much of whose vast output was composed amidst petty turf disputes in Luteran Leipzig; or the ugly, argumentative Beethoven, obsessed by his laundry; or Mozart, the over-exploited infant prodigy whose untimely death was shrouded in rumor; or the ghastly death of Donizetti and Smetana. Read about Verdi, who composed against the background of the Italian Risorgimento, or about the family life of the Wagners; and Brahms, who rose from the slums of Hamburg to become a devotee of beer and coffee in fin-de-siecle Vienna, a cultural capital bent on destroying Mahler.
Michael Steen paints a vivid portrait of the tumultuous times in which these brilliant, yet flawed, human beings labored--a tour of 350 years of European history. From Handel's London and the speculative financial frenzy of the "South Sea bubble"; to the courts of petty German princelings and the ornate and sleazy Dresden; to the astonishingly creative Vienna of Beethoven and Schubert; to the opera in 19th-century Paris and Bizet in the Franco-Prussian War and the Commune; to the Majorca of Chopin, to the Russia of Tchaikovsky and the Siege of Leningrad, just one of the many horrors which Shostakovich had to survive. We encounter, too, painters such as Renoir and Manet, literary figures like Zola, Proust, and Dostoyevsky, and religious leaders such as Pope Pius IX and Cardinal Newman. Great Composers paints in broad brushstrokes the culture of a continent far wider than music.
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Piano Pieces for Children: Everybody's Favorite Series No. 3
Maxwell Eckstein
4.3
(Music Sales America). 100 compositions, progressively graded for grades 1 through 4, ranging from the works of the great masters to the folk tunes and dances from many countries.
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50
Music and Imagination
Aaron Copland
4.3
One of the most forthright and talented of American composers writes here of the part played by the freely imaginative mind in composing, performing, and listening to music. He urges more frequent performance and more sensitive hearing of the music of new composers. He discusses sound media, new and old, and looks toward a musical future in which the timbres and intensities developed by the electronic engineer may find their musical shape and meaning. He considers the twentieth-century revolt against classical form and tonality, and the recent disturbing political interference with the form and content of music. He analyzes American and contemporary European music and the flowering of specifically Western imagination in Villa-Lobos and Charles Ives. The final chapter is an account, partially autobiographical, of the composer who seeks to find, in an industrial society like that of the United States, justification for the life of art in the life about him. Mr. Copeland, whose spectacular success in arriving at a musical vernacular has brought him a wide audience, will acquire as many readers as he has listeners with this imaginatively written book.
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Bach's Musical Universe: The Composer and His Work
Christoph Wolff
4.3
Throughout his life, renowned and prolific composer Johann Sebastian Bach articulated his views as a composer in purely musical terms; he was notoriously reluctant to write about his life and work. Instead, he methodically organized certain pieces into carefully designed collections. These benchmark works, all of them without parallel or equivalent, produced a steady stream of transformative ideas that stand as paradigms of Bach’s musical art.
In this companion volume to his Pulitzer Prize–finalist biography, Johann Sebastian Bach: The Learned Musician, leading Bach scholar Christoph Wolff takes his cue from his famous subject. Wolff delves deeply into the composer’s own rich selection of collected music, cutting across conventional boundaries of era, genre, and instrument. Emerging from a complex and massive oeuvre, Bach’s Musical Universe is a focused discussion of a meaningful selection of compositions—from the famous Well-Tempered Clavier, violin and cello solos, and Brandenburg Concertos to the St. Matthew Passion, Art of Fugue, and B-minor Mass.
Unlike any study undertaken before, this book details Bach’s creative process across the various instrumental and vocal genres. This array of compositions illustrates the depth and variety at the essence of the composer’s musical art, as well as his unique approach to composition as a process of imaginative research into the innate potential of his chosen material. Tracing Bach’s evolution as a composer, Wolff compellingly illuminates the ideals and legacy of this giant of classical music in a new, refreshing light for everyone, from the amateur to the virtuoso.
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Instrumental Jazz Arranging: A Comprehensive and Practical Guide
Mike Tomaro and John Wilson
4.3
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A Composer's World: Horizons and Limitations
Paul Hindemith
4.3
(Schott). The book aims to be a guide through the little universe which is the working place of the man who writes music. As such it talks predominantly to the layman, although the expert composer may also find some stimulation in it... From the center of basic theory the discussion will spread out into all the realms of experience which border the technical aspects of composing, such as aesthetics, sociology, philosophy, and so on.
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Berklee Contemporary Music Notation
Jonathan Feist
4.3
(Berklee Guide). Learn the nuances of music notation, and create professional looking scores. This reference presents a comprehensive look at contemporary music notation. You will learn the meaning and stylistic practices for many types of notation that are currently in common use, from traditional staffs to lead sheets to guitar tablature. It discusses hundreds of notation symbols, as well as general guidelines for writing music. Berklee College of Music brings together teachers and students from all over the world, and we use notation in a great variety of ways. This book presents our perspectives on notation: what we have found to be the most commonly used practices in today's music industry, and what seems to be serving our community best. It includes a foreword by Matthew Nicholl, who was a long-time chair of Berklee's Contemporary Writing and Production Department. Whether you find yourself in a Nashville recording studio, Hollywood sound stage, grand concert hall, worship choir loft, or elementary school auditorium, this book will help you to create readable, professional, publication-quality notation. Beyond understanding the standard rules and definitions, you will learn to make appropriate choices for your own work, and generally how to achieve clarity and consistency in your notation so that it best serves your music.
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The Ultimate Book of Song Starters: 501 Powerful and Creative Ideas for Writing New Songs
Ed Bell
4.3
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Mastering Composition
Richard Garvey-Williams
4.3
Going beyond the rule of thirds, this offers invaluable tips and tools to help the photographer take control of the creative process with emphasis on four elements: an impactful subject, dynamic composition, effective use of lighting, and an ability to invoke an emotional response in the viewer
What makes a great photo? Flicking through the pages of popular photography magazines you might get the impression that there’s only one rule of importance - the rule of thirds. Indeed it appears that some will judge the merit of a photograph based almost solely on this. Rarely do you hear discussion about visual weight, balance, negative space, depth, and so on. Author and professional photographer Richard Garvey-Williams argues that success lies in a combination of four elements: an impactful subject; dynamic composition; effective use of lighting; and, perhaps the most crucial, ability to invoke an emotional response in the viewer. Citing examples gleaned from a study of history - the Ancient Greeks' Golden Rule; Fibonacci's mathematical ratio; and the principles known as the Gestalt theory - the author analyzes the concepts, rules, and guidelines that define successful composition in photography and offers practical guidance to achieving great results. In clear, concise, and jargon-free text he also considers the role of tone and color in good composition, and offers invaluable tips and the tools to help the photographer take control of the creative process. The book is illustrated with examples of the author's own beautiful nature photography, along with diagrams and notation to explain techniques most clearly. A final chapter in this definitive guide for all serious photographers discusses photography and its relationship to art before offering a considered conclusion to the exploration of this fascinating topic.
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Cracking the AP English Language & Composition Exam 2020, Premium Edition: 5 Practice Tests + Complete Content Review + Proven Prep for the New 2020 Exam
The Princeton Review
4.3
THIS JUST IN! As of 3/20/20, in response to the novel coronavirus (covid-19), the College Board has decided to administer all 2020 exams online. You'll still be able to prep with this book! But for your best results, you'll want to modify what you're focusing on (both question types and content). Remember, everyone's in the same boat, so just do your best and keep practicing. You've got this!
Head to your Online Student Tools page (access included with your book purchase) for more info from us on:
- What the test changes will look like - What it will cover - How to use your book to prep for the adapted exam
PREMIUM PREP FOR A PERFECT 5! Ace the 2020 AP English Language & Composition Exam with this Premium version of the Princeton Review's comprehensive study guide--including 5 full-length practice tests with complete explanations, thorough content reviews, targeted strategies for every section of the exam, and access to online extras.
Techniques That Actually Work. - Tried-and-true strategies to help you avoid traps and beat the test - Tips for pacing yourself and guessing logically - Essential tactics to help you work smarter, not harder
Everything You Need to Know to Help Achieve a High Score. - Comprehensive review of the synthesis, rhetorical analysis, and argumentative essays - Engaging coverage on word use and rhetorical modes to help you improve your writing progress - Up-to-date information on the 2020 AP(R) English Language & Composition Exam - Access to study plans, a handy list of key terms, helpful pre-college information, and more via your online Student Tools
Premium Practice for AP Excellence. - 3 full-length practice tests in the book with detailed answer explanations - 2 full-length practice tests online with detailed answer explanations - Pacing drills to help you maximize points on the multiple choice section - Sample student essays scored with thorough assessments from our test experts
Written by Princeton Reviewexperts who know their way around an essay, Cracking the AP English Language & Composition Exam, Premium Edition arms you with the tools you need for confidence on test day.
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Composers on Music: Eight Centuries of Writings
Josiah Fisk, Jeff Nichols
4.3
Sam Morgenstern's classic anthology, now thoroughly updated with new selections and commentary reflecting recent music scholarship
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59
The Stupid Simple Way to Make Beats!: Go from ZERO to ONE and become a bedroom producer!
Cary Ciccone
4.3
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60
Virtual Music: Computer Synthesis of Musical Style
David Cope
4.3
Virtual Music is about artificial creativity. Focusing on the author's Experiments in Musical Intelligence computer music programme, the author and a distinguished group of experts discuss many of the issues surrounding the programme, including artificial intelligence, music cognition and aesthetics.
Strengthen Your Paintings with Dynamic Composition
Frank Webb
4.3
Create compelling paintings by mastering compositional techniques!
While happy accidents may occasionally contribute to producing strong, eye-catching paintings, conscious painting is more important. According to author Frank Webb, "Composition is more important than fact, technique, or subject." To create compelling, expressive works, you must make the composition the foundation of your plan. This book provides example-by-example demonstrations of how you can achieve this.
The works of 24 professional artists included in this book give you an over-the-shoulder look at how to apply composition techniques. Armed with this information, you can paint a powerful picture and--just as importantly--analyze and improve a work that has gone wrong.
Strengthen Your Paintings with Dynamic Composition is an indispensable addition to the artist's library that you will read and re-read. Webb's memorable instruction will guide the beginner through composition challenges and serve as a reference for the more experienced painter.
Frank Webb, a professional artist since 1947, is a Dolphin Fellow of the American Watercolor Society, which he has represented in international exhibitions in Canada, New York, England, Scotland, and Mexico City. A guest instructor in all 50 states, juror, and lecturer, Webb has received over 110 major medals and awards from national competitions, including six from the American Watercolor Society. Collectors of Webb's paintings include National Taiwan Arts Education Center, Baylor University, Palmer Museum of Art at Penn State University, Portland Museum of Art, and South Arkansas Arts Center, to name a few. Webb is featured in Who's Who in American Art and Who's Who in the East, and he is also a member of the Allied Artists of America, Audubon Artists, the Rocky Mountain National Watermedia Association, and many other art associations.
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L'età di Mozart e di Beethoven
Giorgio Pestelli
4.3
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63
Techniques of the Contemporary Composer
David Cope
4.3
Based loosely on the author's earlier New Music Composition (Schirmer Books, 1977), this new book is designed to be a practical guide to the compositional techniques, resources, and technologies available to composers of the late twentieth and early twenty-first centuries. Indispensable as a ready reference for composers and scholars, Techniques is also an excellent introduction to the motives, ideas, and styles behind contemporary music. Beginning with a general survey of 19th century harmonic and melodic techniques, each chapter traces the development the traditional and modern elements that form the underpinning of music in the late twentieth century. Among the subjects discussed are interval exploration, serialism, pitch-class sets, and twelve tone as well as electronic music, algorithimic composition, indeterminacy, and much more. With a logical, step-by-step approach supplemented by over 300 musical examples and an extensive bibliography, Techniques of the Contemporary Composer is an excellent source for practicing composers and students of modern music alike. David Cope is professor of music at the University of California at Santa Cruz. He is the author of New Directions in Music and the composer of over eighty published musical pieces.
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64
Sounds and Scores: A Practical Guide to Professional Orchestration
Henry Mancini
4.3
A practical guide to professional orchestration featuring recorded musical examples performed by Henry Mancini. Included in the book are sections on the woodwinds, brass, the rhythm section and the string section. A recording is included to follow along with the printed scores.
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Art Fundamentals: Color, Light, Composition, Anatomy, Perspective, and Depth
Gilles Beloeil, Andrei Riabovitchev, et al.
4.2
A broad understanding of the fundamental concepts, conventions, and theories of art is essential when it comes to producing a successful piece of work. Art Fundamentals addresses key basic subjects such as color and light, composition, perspective and depth, anatomy, and portraying emotions in a series of insightful chapters. Find out about color relationships and how to choose colors that work well together. Learn about the Rule of Thirds, Rule of Odds, Golden Triangle, and Divine Proportions, all of which are key when it comes to creating a realistic and dynamic composition. Discover the power of storytelling in an image and how the slightest tilt of an eyebrow can transform happiness into anger.
Written by some of the most experienced artists in the games and film industries, including Gilles Beloeil (Assassin's Creed series) and Andrei Riabovitchev (Prometheus and X-Men: First Class), this title gives newcomers the tools they need to get them started on their artistic journey and offers veterans a chance to brush up on their theory.
Gilles Beloeil is a senior concept artist and matte painter at Ubisoft Montreal who has spent the last several years working on titles in the best-selling Assassin's Creed video game series.
Andrei Riabovitchev works for MPC in the United Kingdom as a concept artist and has an impressive résumé that includes Prometheus, X-Men: First Class, and Snow White and the Huntsman.
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Master Piano Chords By Key And Give Yourself A Big Advantage When Playing, Learning Or Writing Songs (What Chords Are In What Key And Why?)
Mantius Cazaubon
4.2
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67
Abstracts in Acrylic and Ink: A Playful Painting Workshop
Jodi Ohl
4.2
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68
Poetics of Music in the Form of Six Lessons
Igor Stravinsky
4.2
One of the greatest of contemporary composers has here set down in delightfully personal fashion his general ideas about music and some accounts of his own experience as a composer. Every concert-goer and lover of music will take keen pleasure in his notes about the essential features of music, the process of musical composition, inspiration, musical types, and musical execution. Throughout the volume are to he found trenchant comments on such subjects as Wagnerism, the operas of Verdi, musical taste, musical snobbery, the influence of political ideas on Russian music under the Soviets, musical improvisation as opposed to musical construction, the nature of melody, and the function of the critic of music. Musical people of every sort will welcome this first presentation in English of an unusually interesting book.
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69
The Missing Method for Guitar: The 5th Position
Christian J. Triola
4.2
Remove the guesswork. Really know your fretboard. Read beyond the open position. Take your playing to a whole new level!
The Missing Method(TM) for Guitar Note Reading Series is your step-by-step guide to learning how to read guitar music anywhere on the neck! Chances are you've learned to read some of the notes in open position, but the rest of the neck is just a landscape of lucky guesses. Many guitar method books simply give you the basics, but very rarely do they give you everything you need in order to feel confident in your reading and playing. The Missing Method(TM) for Guitar Note Reading Series can do just that!
This second book in the series is designed for anyone who has successfully completed any guitar method book and can read in open position. It explores the middle region of the neck, allowing you to practice reading and learning the notes in all 12 keys.
In this book, you will learn:
-How to read notes in the middle region of the neck (Frets 5-9) -How to count and read triplet rhythms Tips for memorization! -How to read in Compound Time Reading in minor keys, including relative minor, melodic, harmonic, and jazz-melodic minors -The Circle of Fifths and how it's used
Also included: A review of open position!
With clear explanations and ample practice exercises, The Missing Method(TM) for Guitar Note Reading Series Book 2 gives you everything you need to become fluid in playing beyond the open position!
*This is a new, expanded edition of the book originally titled The Missing Method: Reading Guitar Music Beyond the Open Position.
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70
12 Stave Music Writing Pad: Loose Pages (3-Hole Punched for Ring Binders)
Alfred Music
4.2
This high-quality music writing pad has clearly engraved, evenly spaced staff lines for easy writing. Affordably priced for students and professionals.
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71
Mastering Multi-Band Compression: 17 step by step multiband compression techniques for getting flawless mixes (Audio Engineering, Music Production, Sound Design & Mixing Audio Series: Book 4)
Nathan Nyquist
4.2
In Mastering Multi-Band Compression I'm going to be giving you the step by step formula for using multiband compression. By using this formula you'll get rid of the confusion and discover the benefits of multiband compression.
This isn't another wishy-washy difficult to grasp book on mixing theory. I'm not in the camp of people who will tell you "It all depends." Well actually it does depend-- it depends on the situation. And there are only 2 situations a multiband compressor deals with: Transient Control and Volume Leveling on a per-frequency band basis.
By identifying whether you need Transient Control or Volume Leveling you can then literally copy/paste any of my 17 techniques and get the sound you're after.
If you know anything about my mixing philosophy then you know that I'm always aiming for 70% of my instruments to blend together and 30% of my instruments to contrast against that blended backdrop.
This allows me to achieve more vibrant levels of contrast and with that 70/30 split a mix becomes increasingly more spacious and clear. This is how we create depth. We like depth. Depth is in fact the exacted result of the formulaic processes I teach.
In the end mixing is art and I want the act of doing art to feel simple for you. I already went through my phase of hating presets and it only slowed down my progress. Once I realized that presets are just tutorials, my skills improved geometrically.
I'm telling you this because at every level of mixing my primary goal is to simplify the process with set and forget presets. Every skilled producer/engineer I've met does this to some degree. Whether we realize it or not habitual mix decisions are in fact presets.
As my students have already discovered in "The 3-Space Reverb Framework" and "The Bus Compression Masterclass," some of the most difficult parts of mixing are actually very formulaic. This means they can be replicated and repeated for consistent results across many mediums.
Now in this book I'm giving you everything you need to know about multiband compression before even using it. I've then gone step by step through each of the 17 ways we use multiband compression. This means I explain exactly how to do something as well as why it works.
These 17 step by step techniques will blow you away with their simplicity and effectiveness. You'll experience the types of actual results you've been needing to make those mental connections and reach the final tier of mixing.
So buy your copy of Mastering Multi-Band Compression and you'll never be overwhelmed by Multiband Compression again.
..". one of the most interesting, useful and even exciting books on the process of musical creation." --American Music Teacher
..". noteworthy contribution... with plenty of insight into interpretation... remarkable as an insider's account of the works in an individual perspective." --European Music Teacher
Drake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skillfully employs these compositional devices.
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74
Fretboard Theory: Complete Guitar Theory Including Scales, Chords, Progressions, Modes, Song Application and More.
Desi Serna
4.2
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75
Professional Orchestration Vol 1: Solo Instruments & Instrumentation Notes
Peter Lawrence Alexander, Bruce Broughton
4.2
Recommended by winners of the Academy, Grammy, and Emmy Awards, Professional Orchestration is the first multi-volume series in orchestration from an American Publisher that teaches the devices and orchestral combinations which, before now, have been known by only a privileged few. It's also the only orchestration book whose orchestration notes were checked and edited by members of the Hollywood studio musician elite. Features full page/full score examples on an 8.25x11 page. Optional Professional Mentor workbook and audio package from eClassical available.
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76
Painting Abstracts: Ideas, Projects and Techniques
Rolina Van Vliet
4.2
Clear, challenging and inspiring, this book contains instructions for 65 abstract paintings that you can get to work on straightaway, with no previous experience. All the basic information relating to picture elements, composition, theme and design is provided at the start of the book, together with an exploration of the meaning of abstract painting, and its importance as a means of self-expression and creativity.
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77
AP English Language and Composition Power Pack (revised) (SparkNotes Test Prep)
George Ehrenhaft Ed. D.
4.2
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78
Manuscript Paper (Deluxe Pad)(Blue Cover)
Hal Leonard Corp.
4.2
(Manuscript Paper). Deluxe tear off pad with firm backing for easy writing; 32 sheets (64 pages) printed both sides; 12 staves per page; 8 1/2 x 11; punched to fit all ring binders; Music Notation Guide.
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Inside the Score
Rayburn Wright
4.2
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80
Structural Functions of Harmony
Arnold Schoenberg
4.2
The earlier chapters recapitulate in condensed form the principles laid down in his Theory of Harmony; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of "monotonality," showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.
Schoenberg's argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger, and Schoenberg's own early music. The final chapter, "Apollonian Evaluation of a Dionysian Epoch," discusses the music of our time, with particular reference to the possibility of new methods of harmonic analysis.
Structural Functions of Harmony is a standard work on its subject and provides an invaluable key to the development of musical structure during the last two hundred and fifty years. This new edition, with corrections, a new preface, and an index of subject headings, has been prepared under the editorial supervision of Leonard Stein.
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Experimental Music: Cage and Beyond
Michael Nyman
4.2
Michael Nyman's book is a first-hand account of experimental music from 1950 to 1970. First published in 1974, it has remained the classic text on a significant form of music making and composing that developed alongside, and partly in opposition to, the postwar modernist tradition of composers such as Boulez, Berio, or Stockhausen. The experimentalist par excellence was John Cage whose legendary 4' 33'' consists of four minutes and thirty three seconds of silence to be performed on any instrument. Such pieces have a conceptual rather than purely musical starting point and radically challenge conventional notions of the musical work. Nyman's book traces the revolutionary attitudes that were developed toward concepts of time, space, sound, and composer/performer responsibility. It was within the experimental tradition that the seeds of musical minimalism were sown and the book contains reference to the early works of Reich, Riley, Young, and Glass. This second edition contains a new Foreword, an updated discography, and a historical overview by the author.
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Music Composition 1
Jonathan Peters
4.2
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83
Composition Practice 1
Linda Lonon Blanton
4.2
This classic, step-by-step approach emphasizes the fundamentals of great composition writing. Students develop writing skills to prepare them to make the transition from use of simple prose to more linguistically sophisticated and complex discourse.
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84
CliffsNotes AP English Literature and Composition, 3rd Edition
Allan Casson
4.2
A new edition of the trusted bestseller
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85
Extraordinary Everyday Photography: Awaken Your Vision to Create Stunning Images Wherever You Are
Brenda Tharp and Jed Manwaring
4.1
Through accessible discussions and exercises, readers learn to use composition, available light, color, and point of view to create stunning photographs in any environment.
Photographers are born travelers. They’ll go any distance to capture the right light, beautiful landscapes, wildlife, and people. But exotic locales aren’t necessary for interesting photographs. Wonderful images are hiding almost everywhere; you just need to know how to find them. Extraordinary Everyday Photography will help you search beyond the surface to find the unexpected wherever you are, be it a downtown street, a local park, or your own front lawn. Authors Brenda Tharp and Jed Manwaring encourage amateur photographers to slow down, open their eyes, and respond to what they see to create compelling images that aren’t overworked. Inspiring photo examples from the authors, taken with DSLRs, compact digital cameras, and even iPhones, show that it is the photographer's eye and creative vision--not the gear--that make a great image.
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86
Idiot's Guides: Music Theory, 3E
Michael Miller
4.1
Many people find music theory a tough subject-- but it doesn't have to be! The best-selling Idiot's Guides: Music Theory, Third Edition, is a concise and clear guide that teaches any budding musician (and even more experienced ones) how to read musical notation by navigating the basics of reading and composing music. This book covers:
- The basics of tones, including pitches, clefs, scales, intervals, and major and minor keys. - The building blocks of rhythm, including note values, basic notation, time signatures, and tempo, dynamics, and navigation. - How tunes are created, starting with melodies, chords, chord progressions, and phrases and forms. - The basics of accompaniment, including transcribing, accompanying melodies, and transposing to other keys. - Composing and arranging, including coverage of musical genres and forms, how to compose your own music, arranging for voices and instruments, working with lead sheets and scores, and performing your music. - Helpful reference appendixes, including a glossary, chord charts, and instrument ranges. - Exercises at the end of each chapter, and an answer key appendix. - All-new coverage of genres, composing, and arranging. - Expanded online ear-training and transcribing exercise content.
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The New Music ' the Avant-Garde Since 1945 ' 2nd. Edn.
Reginald Smith Brindle
4.1
This guide to the more adventurous evolutions of music since 1945--pointillism, post-Webernism, integral serialism, free dodecaphony, aleatory and indeterminate music, graphics, musique concrete, electronic music, and theatre music--was first published in 1975 and has been reprinted several times. For this second edition, Smith Brindle has added a new chapter reviewing developments over the decade since first publication. He discusses the decline of experimentalism and the reaction against increasing cerebralism and complexity as variously illustrated by the more recent works of Stockhausen, the minimalist works of Reich and Glass, and the partial return to romanticism. He also reviews the technological revolution which has taken place in computer music and concludes that the future of music will for the time being be most closely associated with technological change and development, rather than with radical changes in compositional techniques.
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88
Composition Notebook: Unicorn Pink College Ruled Lined Pages Book (7.44 x 9.69)
Joy Tree Journals
4.1
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89
Modal Counterpoint, Renaissance Style
Peter Schubert
4.1
An exceptional text for undergraduate and graduate music students, Modal Counterpoint, Renaissance Style uses a wide variety of carefully graded exercises to present guidelines for writing and analyzing 16th-century music. The only species counterpoint text that draws directly on Renaissance treatises, it provides a conceptual framework to guide students through composition and analysis as it teaches them general structural principles. With stylistically diverse examples including not only motets and mass movements but also French chansons, German chorale settings, English canzonets, Italian madrigals, and Spanish organ hymns, villancicos, and ricercars, the book gives students a "real-life" feel for the subject. It distinguishes between technical requirements ("hard" rules) and stylistic guidelines ("soft" rules), and includes coordinated exercises that allow students to develop their skills systematically. The concluding chapters provide the formal and conceptual building blocks for longer pieces and encourage students to understand analysis and composition as complementary activities. By the end of the book, students are writing real compositions, not just drill exercises. The text also features progressively graded exercises, historical asides that explain important topics and issues of the period, and some notes in the preface on using the book in the classroom. Combining the historical accuracy of "style-oriented" texts with the more systematic species counterpoint approach, this book offers a unique alternative to other methods. Now in its second edition, Modal Counterpoint, Renaissance Style integrates improvisation activities and new repertoire examples into many chapters; revises the chapter on three-part writing (Chapter 14) so that it pays more attention to rules and strategies; reworks the chapters on cadences (Chapter 10) and on writing two parts in mixed values (Chapter 11) to make them more accessible to students; incorporates clarified instructions throughout; and includes a summary of rules.
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90
Complete Preludes, Impromptus and Valses-Caprices
Gabriel Fauré
4.1
Gabriel Fauré (1845–1924) enriched the literature of the piano with freshly melodic, elegantly wrought compositions that embody the aristocratic qualities of the French tradition. This superbly produced volume brings together in one authoritative playing edition one of the most important segments of his works for piano: all of his nine Preludes, five Impromptus, and four Valses-Caprices. Each of these distinctive compositions, so often heard today in concert and recital halls around the world and frequently recorded by leading pianists, reveal Fauré's lyrical melodic gifts and innovative harmonies and the classical qualities of clarity, balance, and serenity characteristic of his work. Pianists of intermediate and advanced skills will find in these richly varied compositions — unavailable elsewhere in one volume — a unique opportunity to explore the elegant artistry of one of the most gifted and influential composers of the French school. Music lovers at every level of accomplishment will discover in this well-made, yet inexpensive edition a most satisfying way to savor fine music: to follow phrase by phrase, music in hand, a live or recorded performance.
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91
The Foley Grail: The Art of Performing Sound for Film, Games, and Animation
Vanessa Theme Ament
4.1
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92
Symphonies Nos. 1 and 2 in Full Score
Gustav Mahler
4.1
Often regarded as the last great composer in the Austro-Germanic tradition, Gustave Mahler (1860–1911) exerted a major influence on 20th-century music; his later work in particular affected the musical ideas of such composers as Arnold Schoenberg, Dimitri Shostakovich, Alban Berg, and Benjamin Britten. While his mature work foreshadowed radical elements of modern music — particularly the dissolution of tonality — Mahler's first symphonies were written in a relatively traditional programmatic style with a strong spiritual element. These early works are seen by some critics as attempting to "establish some ultimate ground for existence in the face of pain, death, doubt, and despair." The composer's spiritual quest, as well as the vivid orchestration, innovative symphonic structure, and rich emotional expression that characterized his music can be clearly studied and appreciated in this volume, which contains complete scores of Mahler's first two symphonies. Of the Symphony No. 1 in D Major ("Titan"), the Encyclopaedia Britannica notes, "The program of the purely orchestral Symphony No. 1 in D Major … is autobiographical of his youth; the joy of life becomes clouded over by an obsession with death in the macabre "Funeral March in the Manner of Callot (basically a parody of popular music), which is eventually routed in the arduous and brilliant finale." Of Symphony No. 1 in C Minor, ("Resurrection"), Grove's Dictionary of Music and Musicians states: "Symphony II is a good example of all Mahler's works … scored nearly always heavily for a large orchestra, restless and stormy in places, monumentally exalted in others." Now both works are available in this handsome, inexpensive edition, reproduced directly from the original editions published by Josef Weinberger in Vienna in 1897 and 1899. Beautifully printed with wide margins and clear noteheads, this edition of the symphonies offers an unparalleled resource for studying and enjoying the seminal works of a modern master.
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93
Logic Pro X 10.4 - Apple Pro Training Series: Professional Music Production
David Nahmani
4.1
Record, arrange, mix, produce, and polish your audio files with this best-selling, Apple-certified guide to Logic Pro X 10.4. Veteran producer and composer David Nahmani uses step-bystep, project-based instructions and straightforward explanations to teach everything from basic music creation to sophisticated production techniques. Using the book's downloadable lesson files and Logic Pro X, you'll begin making music in the first lesson. From there, learn to record audio and MIDI data, create and edit sequences, and master mixing and automation techniques such as submixing with track stacks. Create both acoustic and electronic virtual drum performances using Drummer tracks with Drum Kit Designer and Drum Machine Designer. Use Logic Pro X MIDI FX and Smart Controls to control software synthesizers from a MIDI controller or an iPad. Harness the power of Smart Tempo to make sure all recordings, imported audio files, and samples play in time. Flex Time allows you to precisely edit the timing of notes inside an audio recording, and you'll explore Flex Pitch to correct the pitch of a vocal recording. Finally, you mix, automate, and master the song, using plug-ins to process only selected sections or entire tracks, giving your audio creations the final polish needed to achieve a professional sound. Downloadable lesson and media files allow you to perform the hands-on exercises. Focused lessons take you step by step through practical, real-world tasks. Accessible writing style puts an expert instructor at your side Ample illustrations help you master techniques fast. Lesson goals and time estimates help you plan your time. Chapter review questions summarize what you've learned and help you prepare for the Apple certification exam.
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94
A Theory of Harmony
Ernst Levy
4.1
In this introduction to natural-base music theory, Ernst Levy presents the essentials of a comprehensive, consistent theory of harmony developed from tone structure. A Theory of Harmony is a highly original explanation of the harmonic language of the last few centuries, showing the way toward an understanding of diverse styles of music. Basic harmony texts exist, but none supply help to students seeking threads of logic in the field. In a text abundantly illustrated with musical examples, Levy makes clear the few principles that illuminate the natural forces in harmony. He shows that general principles can be successfully extracted from the wealth of examples. This book actually provides a theory of harmony.
One of the major musical minds of the twentieth century, Ernst Levy was born in Basel, Switzerland, in 1895. His musical career spanned more than seven decades, from his first public piano performance at age six. A naturalized U.S. citizen, he lived here from 1941 to 1966, teaching at the New England Conservatory, the University of Chicago, Bennington College, the Massachusetts institute of Technology, and Brooklyn College. After his retirement, Levy returned to Switzerland where he continued to compose until his death in 1981. He was an enormously productive composer, with hundreds of works to his credit including symphonies, string quartets, songs in English, French, and German, and music for solo instruments and small ensembles. His piano recordings, particularly of the last Beethoven sonatas and the Liszt sonata, have become collectors' items. He thought of himself as a successor to Reimann, immediately, and Rameau, more remotely.
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95
Song Starters: 365 Lyric, Melody, & Chord Ideas to Kickstart Your Songwriting
Robin Frederick
4.1
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96
The Path to the New Music
Willi Reich
4.0
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97
The Norton Book of Composition Studies
Susan Miller
4.0
An indispensable resource for every scholar in the field--both as textbook and as professional reference.
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98
Music Theory for Electronic Music Producers: The producers guide to harmony, chord progressions, and song structure in the MIDI grid.
Siberius Jackson
4.0
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99
Great Songwriting Techniques
Jack Perricone
4.0
In Great Songwriting Techniques, veteran composer and teacher Jack Perricone shares years of experience in the art, science, and pedagogy of songwriting to teach readers the craft. Whether they write for a small group of friends or in the hopes of creating a smash hit, aspiring songwriters can learn how to focus on topics essential to their success in this competitive field; every songwriter must be aware of audience, thick-skinned enough to handle rejection and competition, and most importantly have the confidence to master the craft of composing and producing. Perricone teaches readers to accomplish this through a targeted series of lessons on key elements of songwriting from building blocks like melody, harmony, and rhythm to more advanced topics like lyric placement and tone texture. Chapters explore loop-based harmonic patterns, tone tendencies, form, function, and lyric writing, all in service of preparing the aspiring songwriter to be a master of prosody and keen in understanding the relationship between words and music. The volume includes examples of exceptional songwriting from well-known artists such as Irving Berlin, Prince, Bob Dylan, Stevie Wonder, Justin Timberlake, and Taylor Swift.