1100 Best Music Theory Books of All Time
We've ranked the best music theory books using expert recommendations, sales data, and millions of reader ratings. At Shortform, we know books. Our book guides are the best in the world. Learn why.
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2Gödel, Escher, Bach: An Eternal Golden Braid
Steve Jurvetson recommended this book on the podcast "The Tim Ferriss Show". [source]
Author, Marketer, Entrepreneur
In the last week, I discovered that at least two of my smart friends hadn't read Godel, Escher, Bach. They have now. You should too. [source]
More recently books like Godel, Escher, Bach and Sapiens have influenced my thinking a lot. [source]
3Hooktheory II
This how-to journey on melody and chord creation is fun to read, easy to understand, and teaches you practical knowledge that will take your chords and melodies to the next level. It contains 83 interactive exercises and 228 audiovisual examples from artists like: Adele, Coldplay, Elton John, and The Beatles, that make it easy to see the tactics these successful artists use.
Reading Hooktheory II doesn’t require any previous music knowledge or the ability to read music. On average, it takes about ten hours to read (but more to fully absorb) so it isn't a huge time commitment. Dedicate only a few hours to reading this book and gain a lifetime of skills that will give your music that professional edge.
We created Hooktheory I and II because we were tired of all of the “songwriting” websites / books that talk vaguely about “finding your inspiration”, or rhyming lyrics, or some other soft, non-actionable component of creating music.
With Hooktheory I and II, we created an approachable, intuitive resource that concretely answers the hard questions: Why do certain chords fit together easily, and others not so easily? How can I get from this chord to that chord? How can I create a great melody? It's a book that will make you say “ah ha!” many times over.
4Hooktheory I: Music Theory
This is the music theory / songwriting book you’ll love. Hooktheory is an intuitive, modern take on music theory that answers the questions you care the most about: Why do certain chords fit together easily, and others not so easily? How can I get from this chord to that chord? How can I create a great sounding melody?
The concepts we teach are applicable to all types of music, but examples are drawn from popular songs you’ve probably heard on the radio. Also, because the explanations are drawn from our TheoryTab format, people that don’t read conventional sheet music will benefit from the concepts we cover just as much as those that do.
The book is 6 chapters long with 41 exercises and 94 audiovisual examples from artists like: Aerosmith, Avicii, Beyonce, Bon Jovi, Bruno Mars, Celine Dion, Daughtry, Diana Ross, Green Day, John Mayer, Journey, Kelly Clarkson, Kenny Chesney, Lady Gaga, Maroon 5, Matchbox 20, Pink, Rihanna, Taylor Swift, The Beatles, The Four Seasons, The Killers, Tom Petty, … and more.
Table of contents:
1. Building Blocks
- The building blocks of music
- Relative notation
- Chords
- Combining chords and melody
- Wrap up
2. Harmony I
- The I chord: home base
- Basic chord function
- The vi chord: a minor sound
- Being creative
- Check for understanding
3. Melody
- Introduction
- Meter
- Stable vs. unstable scale degrees
- Rhythmic patterns
- Melodic themes
- Check for understanding
4. Harmony II
- The iii chord
- The ii chord
5. Inversions
- Introduction
- The I6 chord
- The V6 chord
- The cadential 64 chord
- Pedal harmony
- Final Thoughts
6. Conclusion
- Closing remarks
5This Is Your Brain on Music: The Science of a Human Obsession
• Are our musical preferences shaped in utero?
• Is there a cutoff point for acquiring new tastes in music?
• What do PET scans and MRIs reveal about the brain’s response to music?
• Is musical pleasure different from other kinds of pleasure?
This Is Your Brain on Music explores cultures in which singing is considered an essential human function, patients who have a rare disorder that prevents them from making sense of music, and scientists studying why two people may not have the same definition of pitch. At every turn, this provocative work unlocks deep secrets about how nature and nurture forge a uniquely human obsession.
Co-Founder/Sun Microsystem
Fascinating though older book. [source]
Goes into the evolutionary thinking behind why music does what it does. [source]
6Music Theory: From Beginner to Expert - The Ultimate Step-By-Step Guide to Understanding and Learning Music Theory Effortlessly
7The Study of Counterpoint
8The Chord Wheel: The Ultimate Tool for All Musicians
9Twentieth-Century Harmony: Creative Aspects and Practice
10Musicophilia: Tales of Music and the Brain
11Tonal Harmony, with an Introduction to Twentieth-Century Music
12Theory of Harmony
13Harmonic Experience: Tonal Harmony from Its Natural Origins to Its Modern Expression
W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
14Music Theory for Computer Musicians (Computer Musicians, #1)
15Music Theory for Guitarists: Everything You Ever Wanted to Know But Were Afraid to Ask (Guitar Method)
16Silence: Lectures and Writings
Silence is one of the great music books. Purely on a literary level, there’s something about Cage’s style which is tremendously unique. [source]
Silence is one of the great music books. Purely on a literary level, there’s something about Cage’s style which is tremendously unique. [source]
John Cage is one of the composers most associated with minimalism. He’s a kind of pioneer, not just in music, but also for the arts, and for philosophy as well. In the 1940s and 1950s, he had already cultivated an interest in Zen philosophy. He experimented with these forms of emptiness in art that were very radical at the time. [source]
17Music Theory for Dummies
Studies have shown that music training improves children's' verbal and spatial abilities, and it's been associated with cognitive and mathematical benefits in adults. The music job market is expected to increase over the coming years, and music theory is becoming an increasingly common part of education at all levels. Music Theory For Dummies provides the instruction you need to get more out of music than you ever thought possible.
Master major and minor scales, intervals, pitches, and clefs Understand basic notation, time signals, tempo, dynamics, and navigation Employ melodies, chords, progressions, and phrases to form music Compose harmonies and accompanying melodies for voice and instruments Whether you intend to pursue a degree or career in music, or just enjoy listening to it, understanding the theory behind it gives you a whole new appreciation for the artistry and craftsmanship behind the pieces that give you goose bumps. It's a mix of technical skill, inborn talent, and plenty of practice - and now you can try your hand at it, with Music Theory For Dummies.
18The Complete Idiot's Guide to Music Theory
19Adult All-in-One Course: Lesson, Theory, Technic, Level 1
20The Jazz Piano Book
21Berklee Music Theory, Book 1: Basic Principles of Rhythm, Scales, and Intervals
22The AB Guide to Music Theory: Part I
23The Study of Orchestration
24How Music Works
How Music Works is David Byrne's incisive and enthusiastic look at the musical art form, from its very inceptions to the influences that shape it, whether acoustical, economic, social or technological. Utilizing his incomparable career and inspired collaborations with Talking Heads, Brian Eno, and many others, Byrne taps deeply into his lifetime of knowledge to explore the panoptic elements of music, how it shapes the human experience, and reveals the impetus behind how we create, consume, distribute, and enjoy the songs, symphonies, and rhythms that provide the backbeat of life. Byrne's magnum opus uncovers ever-new and thrilling realizations about the redemptive liberation that music brings us all.
25The Classical Style: Haydn, Mozart, Beethoven
26The Practical Guide to Modern Music Theory for Guitarists: The complete guide to music theory from a guitarist's point of view (Guitar theory)
27Basic Music Theory, 4th Ed.: How to Read, Write, and Understand Written Music
28Principles of Orchestration
In it, the composer aims to provide the reader with the fundamental principles of modern orchestration from the standpoint of brilliance and imagination, and he devotes considerable space to the study of tonal resonance and orchestral combination. In his course, he demonstrates such things as how to produce a good-sounding chord of certain tone-quality, uniformly distributed; how to detach a melody from its harmonic setting; correct progression of parts; and other similar problems.
The first chapter is a general review of orchestral groups, with an instrument-by-instrument breakdown and material on such technical questions as fingering, range, emission of sound, etc. There follows two chapters on melody and harmony in strings, winds, brasses, and combined groups. Chapter IV, Composition of the Orchestra, covers different ways of orchestrating the same music; effects that can be achieved with full tutti; tutti in winds, tutti pizzicato, soli in the strings, etc.; chords; progressions; and so on. The last two chapters deal with opera and include discussion of solo and choral accompaniment, instruments on stage or in the wings, technical terms, soloists (range, register, vocalization, vowels, etc.), voices in combination, and choral singing.
Immediately following this text are some 330 pages of musical examples drawn from "Sheherazade," the "Antar Symphony," "Capriccio Espagnol," "Sadko," "Ivan the Terrible," "Le Coq d'Or," "Mlada," "The Tsar's Bride," and others of Rimsky-Korsakov's works. These excerpts are all referred to in the text itself, where they illustrate, far better than words, particular points of theory and actual musical practice. They are largely responsible for making this book the very special (and very useful) publication it is.
This single-volume edition also includes a brief preface by the editor and extracts from Rimsky-Korsakov's 1891 draft and final versions of his own preface, as well as an appendixed chart of single tutti chords in the composer's works.
29What to Listen for in Music
30How Music Works: The Science and Psychology of Beautiful Sounds, from Beethoven to the Beatles and Beyond
The book also includes a CD of examples and exercises from the book.
31Harmony
The major departure of the fourth edition was the addition of seven new chapters, including four on the complicated subject of harmony after common practice, which had not been discussed in the first three editions. However, then as now, the core of the book remains the exhaustive treatment of common-practice harmony, the subject of most one-year or two-year courses in tonal harmony. In the present edition, the entire text has been carefully revised with a view to clarifying the language and illuminating the essential principles. Wherever possible, the text has been "opened up" to allow the reader to adopt a more leisurely pace through what had been a terse and detailed presentation. The results will also be perceived in the more spacious design of this edition.
New exercises have been added to the early chapters as well as some fresh music examples. There is an entirely new chapter on musical texture that serves to clear up many difficult points encountered by the beginning student. Another innovation is the rearrangement of the chapters dealing with harmonic rhythm and the structure of the phrase as well as the inclusion of a short summary of analytical method.
This book has long been known as an introductory textbook, but because of its comprehensive range, it also serves as an invaluable reference book. The acquisition of an consummate knowledge of composers' practice--the goal of any study of harmony--is admittedly an endless assignment. Ars longa, vita brevis, but consolation may be derived from the thought that intellectual and artistic rewards are to be found at all stages along the way.
32Writing Better Lyrics: The Essential Guide to Powerful Songwriting
Writing Better Lyrics has been a staple for songwriters for nearly two decades. Now this revised and updated 2nd Edition provides effective tools for everything from generating ideas, to understanding the form and function of a song, to fine-tuning lyrics.
Perfect for new and experienced songwriters alike, this time-tested classic covers the basics in addition to more advanced techniques.Songwriters will discover:
- How to use sense-bound imagery to enhance a song's emotional impact on listeners
- Techniques for avoiding clich�s and creating imaginative metaphors and similes
- Ways to use repetition as an asset
- How to successfully manipulate meter
- Instruction for matching lyrics with music
- Ways to build on ideas and generate effective titles
- Advice for working with a co-writer
- And much more
Featuring updated and expanded chapters, 50 fun songwriting exercises, and examples from more than 20 chart-toppings songs, Writing Better Lyrics gives you all of the professional and creative insight you need to write powerful lyrics and put your songs in the spotlight where they belong.
33Making Music. 74 Creative Strategies for Electronic Music Producers
34The Jazz Harmony Book
The Jazz Harmony Book is a serious study of the fundamentals of Jazz Harmony.
Topics Covered Include:
Basic functional harmony, diatonic substitutes, secondary dominants, passing chords, diminished harmony, tritone substitutes, non-functional approaches to harmonizing melodies including quartal harmony, color chords, harmonizing basslines, pedals, slash chords, unavailable tensions and MORE!
Not just a dry textbook, it is an engaging and witty guide to developing a more nuanced sense of harmonic color, drama and movement. The Jazz Harmony Book is a course in the process of adding chords to melodies, in understanding how a single melody can give rise to rich harmonic variations.
This book will help you learn to speak the language of harmony, to learn the changes of standard tunes, to better understand and create the 'right' chord progressions to these songs, to re-harmonize songs freely in the manner of great jazz artists like Hank Jones, Thelonious Monk, Art Tatum, Oscar Peterson, Bill Evans, Chick Corea, Brad Mehldau, Herbie Hancock, Duke Ellington, Gil Evans, Thad Jones, Joe Pass, Jim Hall and John Scofield.
Includes 2 CDs of the author playing many of the written examples in the book.
35Fundamentals of Musical Composition
This book can be used for analysis as well as for composition. On the one hand, it has the practical objective of introducing students to the process of composing in a systematic way, from the smallest to the largest forms; on the other hand, the author analyses in thorough detail and with numerous illustrations those particular sections in the works of the masters which relate to the compositional problem under discussion.
36The Music Lesson: A Spiritual Search for Growth Through Music
37Hanon: The Virtuoso Pianist Sixty Exercises for Piano Complete Edition
38Chord Chemistry
39Scales, Chords, Arpeggios and Cadences: Complete Book
These excellent all-inclusive books teach scales, chords, arpeggios, and cadences at three different levels. The FIRST book (#11761) accommodates the learning pace of younger students such as those in Alfred's Basic, Level 2. The BASIC book (#5754) is slightly more in-depth, presenting scales, chords, arpeggios, and cadence studies in all the major and minor keys. The COMPLETE book (#5743) features everything in the BASIC book, plus extra features like a 12-page explanation that leads to complete understanding of the fundamentals of major and minor scales, chords, arpeggios, and cadences; a clear explanation of scale degrees; and a two-page guide to fingering the scales and arpeggios
40Orchestration
The author approaches orchestration from the premise that the principles can best be presented by analysis of music as it has been written.The essentials of instrument combination discussed here are those which can be observed operating in the scores of great composers from Haydn, Mozart, and Beethoven down to our own day.
Orchestration is notable for the clarity and logic of its organization. From a consideration of the individual instruments and their technical problems the author skillfully develops his analysis of orchestration, covering his analysis of orchestration, covering instrumentation of primary and secondary melodies, part-writing, chords, and contrapuntal techniques. Finally, he discusses typical problems in orchestration together with some examples of their solutions.
Orchestration is profusely illustrated with hundreds of musical examples and with drawings of the various musical instruments that make up the modern orchestra.
41The Rest Is Noise: Listening to the Twentieth Century
The Rest Is Noise shows why twentieth-century composers felt compelled to create a famously bewildering variety of sounds, from the purest beauty to the purest noise. It tells of a remarkable array of maverick personalities who resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with sweet sounds or battered them with dissonance, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. The narrative goes from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. The end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.
42Style and Idea: Selected Writings
43Jazzology: The Encyclopedia of Jazz Theory for All Musicians
44The Advancing Guitarist: Applying Guitar Concepts & Techniques
45The Computer Music Tutorial
The Computer Music Tutorial is a comprehensive text and reference that covers all aspects of computer music, including digital audio, synthesis techniques, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, synthesizer architecture, system interconnection, and psychoacoustics. A special effort has been made to impart an appreciation for the rich history behind current activities in the field. Profusely illustrated and exhaustively referenced and cross-referenced, The Computer Music Tutorial provides a step-by-step introduction to the entire field of computer music techniques. Written for nontechnical as well as technical readers, it uses hundreds of charts, diagrams, screen images, and photographs as well as clear explanations to present basic concepts and terms. Mathematical notation and program code examples are used only when absolutely necessary. Explanations are not tied to any specific software or hardware.
The material in this book was compiled and refined over a period of several years of teaching in classes at Harvard University, Oberlin Conservatory, the University of Naples, IRCAM, Les Ateliers UPIC, and in seminars and workshops in North America, Europe, and Asia.
46How to Read Music in 30 Days: Music Theory for Beginners - with exercises & online audio
47The Everything Music Theory Book with CD: Take your understanding of music to the next level
Each clear, easy-to-understand chapter includes several "Etudes." These focused practice exercises test and reinforce your newfound understanding of music theory. With this hands-on practice, you'll become a true musician in no time!
48Elementary Training for Musicians
49Theory Notebook Complete
50Lydian Chromatic Concept Of Tonal Organization For Improvisation
51Hal Leonard Pocket Music Theory: A Comprehensive and Convenient Source for All Musicians
52Effortless Mastery: Liberating the Master Musician Within, Book & CD
"Effortless Mastery is a book that the world really needs. It was not written by a philosopher or an academic. Kenny Werner, is one of my favorite pianists I've ever had the pleasure of working with, and in my opinion one of the best pianists living on the planet. Kenny teaches that 'The joy of practicing is concentration. The joy of playing is liberation.' Effortless Mastery teaches the seeker how to achieve both at the highest levels. It also shows how to practice effectively, promoting real growth and how to play and perform free from fear and self-judgment. I highly recommend this book." ---Quincy Jones
53Music Theory in Practice: Grade 2
Now fully revised, this workbook remains the best way to prepare for ABRSM's Grade 2 Theory of Music Exam, offering:
• a clear explanation of music notation
• straightforward language throughout
• many worked examples and practice exercises
• definitions of important words and concepts
• specimen exam questions
• helpful tips for students
As well as supporting the ABRSM theory syllabus, this workbook also provides an excellent resource for anyone wishing to develop general music literacy skills.
54The Guitar Handbook
55Easy Piano for Songwriters and Producers: The Fastest Path From Beginner To Expert in Scales and Chord Progressions
56Structural Functions of Harmony
Schoenberg's argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger, and Schoenberg's own early music. The final chapter, "Apollonian Evaluation of a Dionysian Epoch," discusses the music of our time, with particular reference to the possibility of new methods of harmonic analysis.
Structural Functions of Harmony is a standard work on its subject and provides an invaluable key to the development of musical structure during the last two hundred and fifty years. This new edition, with corrections, a new preface, and an index of subject headings, has been prepared under the editorial supervision of Leonard Stein.
57Edly's Music Theory for Practical People Level 2
Level 2 topics:
CHORDS:
9th, 11th, and 13th chords
Understanding and choosing chord extensions, alterations, and voicings
Voice leading
Secondary dominants and other secondary chords
Diatonic modal chords
Tritone substitution ("sub-five" and "sub-two" chords)
SCALES:
Modes
Pentatonic and blues scales
Whole-tone and diminished scales
EVERYTHING ELSE:
More advanced transposition
More advanced blues structure
Song forms
Improvisation ideas
Figuring out music by ear
Harmonizing melodies; intro to arranging
Analyzing chord progressions
Reharmonization (choosing your own chords based on a given chord progression)
Workbook Answers section
Fully-linked combined glossary and index
58The Joy of Music
59Composing Electronic Music: A New Aesthetic
This convergence of technical and aesthetic trends prompts the need for a new text focused on the opportunities of a sound oriented, multiscale approach to composition of electronic music. Sound oriented means a practice that takes place in the presence of sound. Multiscale means an approach that takes into account the perceptual and physical reality of multiple, interacting time scales-each of which can be composed. After more than a century of research and development, now is an appropriate moment to step back and reevaluate all that has changed under the ground of artistic practice.
Composing Electronic Music outlines a new theory of composition based on the toolkit of electronic music techniques. The theory consists of a framework of concepts and a vocabulary of terms describing musical materials, their transformation, and their organization. Central to this discourse is the notion of narrative structure in composition-how sounds are born, interact, transform, and die. It presents a guidebook: a tour of facts, history, commentary, opinions, and pointers to interesting ideas and new possibilities to consider and explore.
60Alfred's Essentials of Music Theory: Complete
The Student Complete Book includes Books 1-3 in a spiral-bound format.
Book 1 (Lessons 1-25): Staff, Notes and Pitches • Treble & Bass Clefs • Grand Staff & Ledger Lines • Note Values • Measure, Bar Line and Double Bar • 2/4, 3/4 & 4/4 Time Signatures • Whole, Half & Quarter Notes/Rests • Dotted Half & Quarter Notes • Ties & Slurs • Repeat Sign, 1st & 2nd Endings • Eighth Notes & Rests • Dynamic Signs, Tempo Marks & Articulation • D.C., D.S., Coda & Fine • Flats, Sharps & Naturals • Whole & Half Step, Enharmonic Notes.
Book 2 (Lessons 25-50): Tetrachords & Major Scales • Key Signatures • Chromatic Scale • Intervals, Circle of Fifths • Perfect, Major & Minor Intervals • Augmented & Diminished Intervals • Solf�ge & Transposition • Sixteenth Notes & Rests • Dotted Eighth Notes & Eighth Note Triplets • Common Time & Cut Time • 3/8 & 6/8 Time Signatures • Pick-up Notes & Syncopation • Primary & Major Triads • Scale Degree Names • Dominant 7th Chord.
Book 3 (Lessons 51-75): 1st & 2nd Inversions of Triads • Inversions of V7 Chords • Figured Bass • Major Chord Progressions • Minor Scales, Minor Triads • Augmented & Diminished Triads • Primary Triads in Minor Keys • Minor Chord Progressions • Modes • Harmonizing a Melody in Major and Minor Keys • Broken Chords & Arpeggiated Accompaniments • Passing and Neighboring Tones • Composing a Melody in Major and Minor Keys • 12-Bar Blues Chord Progression & Blues Scale • Basic Forms of Music.
T
61Audio Culture: Readings in Modern Music
Harry Potter -- Sheet Music from the Complete Film Series: Easy Piano
63Alfred's Essentials of Music Theory, Bk 2
Book 2 (Lessons 25-50):
Tetrachords & Major Scales
Key Signatures
Chromatic Scale
Intervals, Circle of Fifths
Perfect, Major & Minor Intervals
Augmented & Diminished Intervals
Solf?ge & Transposition
Sixteenth Notes & Rests
Dotted Eighth Notes & Eighth Note Triplets
Common Time & Cut Time
3/8 & 6/8 Time Signatures
Pick-up Notes & Syncopation
Primary & Major Triads
Scale Degree Names
Dominant 7th Chord
The complete line of Alfred's Essentials of Music Theory includes Student Books, a Teacher's Answer Key, Ear-Training CDs, Double Bingo games, Flash Cards, Reproducible Teacher's Activity Kits, and interactive software for students and teachers in private study, studio and network environments.
64Music Theory for the Bass Player
Contemporary Disney: 50 Favorite Songs
66Introduction to Post-Tonal Theory
67Adult All-in-one Course: Alfred's Basic Adult Piano Course, Level 2
68Guitar: The Circle of Fifths for Guitarists: Learn and Apply Music Theory for Guitarists
69The Romantic Generation
Rosen covers a remarkably broad range of music history and considers the importance to nineteenth-century music of other cultural developments: the art of landscape, a changed approach to the sacred, the literary fragment as a Romantic art form. He sheds new light on the musical sensibilities of each composer, studies the important genres from nocturnes and songs to symphonies and operas, explains musical principles such as the relation between a musical idea and its realization in sound and the interplay between music and text, and traces the origins of musical ideas prevalent in the Romantic period. Rich with striking descriptions and telling analogies, Rosen's overview of Romantic music is an accomplishment without parallel in the literature, a consummate performance by a master pianist and music historian.
70The Musician's Way: A Guide to Practice, Performance, and Wellness
71Form in Music
72Adult Piano Adventures All-In-One Lesson Book 1: A Comprehensive Piano Course
73The Complete Idiot's Guide to Music Composition
A step-by-step guide to writing music, this book shows musicians how to compose simple chord progressions and melodies, and leads them through more advanced compositional techniques and musical forms. Designed for composers of all types of music, it includes instruction on composing stand-alone melodies, using different scales and modes, themes and variations, orchestration, and composing for film, theater, and videogames.
-Perfect complement to The Complete Idiot's Guide to Music Theory and The Complete Idiot's Guide to Songwriting
-Includes a comprehensive glossary of musical terms, as well as an appendix of various computer-based composition tools
-Easy-to-use oversize trim
74On the Sensations of Tone
The first two parts of this book deal with the physics and physiology of music. Part I explains the sensation of sound in general, vibrations, sympathetic resonances, and other phenomena. Part II cover combinational tones and beats, and develops Helmholtz's famous theory explaining why harmonious chords are in the ratios of small whole numbers (a problem unsolved since Pythagoras).
Part III contains the author's theory on the aesthetic relationship of musical tones. After a survey of the different principles of musical styles in history (tonal systems of Pythagoras, the Church, the Chinese, Arabs, Persians, and others), he makes a detailed study of our own tonal system (keys, discords, progression of parts).
Important points in this 576-page work are profusely illustrated with graphs, diagrams, tables, and musical examples. 33 appendices discuss pitch, acoustics, and music, and include a very valuable table and study of the history of pitch in Europe from the fourteenth to the nineteenth centuries.
75Guide to the Practical Study of Harmony
Out of print for decades and exceedingly rare in its original edition, Tchaikovsky’s Guide to the Practical Study of Harmony possesses an intrinsic historical interest, yet remains as useful and instructive today as it was a century ago. A complete course in writing music, this excellent manual features numerous examples and exercises. It functions equally well as a classroom text, an adjunct to private instruction, or as a guide to individual musicians.
The Guitarist's Chord Book: Over 900 Guitar Chord Diagrams with Photos
77Style and Music: Theory, History, and Ideology
Meyer devotes the latter part of his book to a sketch-history of nineteenth-century music. He shows explicitly how the beliefs and attitudes of Romanticism influenced the choices of composers from Beethoven to Mahler and into our own time.
"A monumental work. . . . Most authors concede the relation of music to its cultural milieu, but few have probed so deeply in demonstrating this interaction."—Choice
"Probes the foundations of musical research precisely at the joints where theory and history fold into one another."—Kevin Korsyn, Journal of American Musicological Society
"A remarkably rich and multifaceted, yet unified argument. . . . No one else could have brought off this immense project with anything like Meyer's command."—Robert P. Morgan, Music Perception
"Anyone who attempts to deal with Romanticism in scholarly depth must bring to the task not only musical and historical expertise but unquenchable optimism. Because Leonard B. Meyer has those qualities in abundance, he has been able to offer fresh insight into the Romantic concept."—Donal Henahan, New York Times
78Alfred's Basic Piano Library Theory, Bk 1a
79The Berklee Book of Jazz Harmony
80The AB Guide to Music Theory: Part II
81Sweet Anticipation: Music and the Psychology of Expectation
Huron proposes that emotions evoked by expectation involve five functionally distinct response systems: reaction responses (which engage defensive reflexes); tension responses (where uncertainty leads to stress); prediction responses (which reward accurate prediction); imagination responses (which facilitate deferred gratification); and appraisal responses (which occur after conscious thought is engaged). For real-world events, these five response systems typically produce a complex mixture of feelings. The book identifies some of the aesthetic possibilities afforded by expectation, and shows how common musical devices (such as syncopation, cadence, meter, tonality, and climax) exploit the psychological opportunities. The theory also provides new insights into the physiological psychology of awe, laughter, and spine-tingling chills. Huron traces the psychology of expectations from the patterns of the physical/cultural world through imperfectly learned heuristics used to predict that world to the phenomenal qualia we experienced as we apprehend the world.
Why is music so powerful? Why it is that music can evoke emotion within two bars as opposed to a story that takes a long time to develop? [source]
82The Craft of Musical Composition: Theoretical Part - Book 1 (Tap/159)
83Alfred's Basic Piano Library Theory, Bk 1b
Designed to coordinate page-by-page with the Lesson Books. Contains enjoyable games and quizzes that reinforce the principles presented in the Lesson Books. Students can increase their musical understanding while they are away from the keyboard.
84Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century
In Part One, Knud Jeppesen (1892–1974), the world-renowned musicologist and leading authority on Palestrina, offers a superb outline history of contrapuntal theory. He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries. This is followed by separate discussions of each succeeding century, the styles of Palestrina and Bach, the "Palestrina Movement" after Fux, and more. The section ends with illuminating coverage of notation, the ecclesiastical modes, melody, and harmony.
The second part of the book contains an extended treatment of "species" counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass. Throughout, the text is generously supplied with musical examples―exercises, solutions, and illustrations, including many by the great composers. For this edition, the distinguished scholar Alfred Mann has contributed a new foreword to Jeppesen's classic study. Now available in paperback for the first time, it will be welcomed by musicians, composers, theorists, musicologists―any student of counterpoint and the Western musical tradition.
85New Musical Resources
86Practical Music Theory
87Zen Guitar
Each of us carries a song inside us, the song that makes us human. Zen Guitar provides the key to unlocking this song—a series of life lessons presented through the metaphor of music.
Philip Sudo offers his own experiences with music to enable us to rediscover the harmony in each of our lives and open ourselves to Zen awareness uniquely suited to the Western Mind. Through fifty-eight lessons that provide focus and a guide, the reader is led through to Zen awareness. This harmony is further illuminated through quotes from sources ranging from Eric Clapton and Jimi Hendrix to Miles Davis. From those who have never strummed a guitar to the more experienced, Zen Guitar shows how the path of music offers fulfillment in all aspects of life—a winning idea and an instant classic.
Alfred's Basic Adult Piano Course Sacred Book, Bk 1
Traditional sacred favorites are arranged in progressive order to gradually develop the adult student's technique while providing hours of enjoyment. Selections include "Just a Closer Walk With Thee," "For the Beauty of the Earth" and many others.
89The Mixing Engineer's Handbook
Now available in a completely revised fourth edition, The Mixing Engineer's Handbook remains the best, most up-to-date source for mastering the art and science of creating pro-quality mixes
Topics covered include:
The six elements of a mix, from achieving balance to creating interest
The secrets of equalization and "magic frequencies"
Advanced techniques expected of today's mixer, like track cleanup, adjusting track timing, pitch correction, sound replacement, and automation tricks
Easy-to-grasp methods for adding effects, sonic layering, calculating delay times, and much more The book also features interviews with some of the music industry's most successful and celebrated audio engineers/producers/mixers, who share their expertise, insights, and philosophies about mixing.
Learn the art of mixing from start to finish, and pick up tips and techniques from the pros, with The Mixing Engineer's Handbook, Fourth Edition.
The Recording Engineer Handbook and The Mixing Engineer Handbook. These are the books that helped me record music at the level I hoped for. For years I lived frustrated that Romania doesn’t have even one sound engineer that could rise to the level of Western ones and this frustration pushed me to learn recording techniques which are, in my opinion, the most important steps in producing an album. Even more important than mixing or mastering. [source]
90Poetics of Music in the Form of Six Lessons
91The Guitar Grimoire: A Compendium of Forumlas for Guitar Scales and Modes
Help Your Kids with Music: A Unique Step-By-Step Visual Guide
Reduce the stress of studying music and help your child with their homework, Help Your Kids with Music is a unique visual guide to music theory that will demystify the subject for everyone.
Covering everything from note values to harmony and music appreciation, Help Your Kids with Music helps you work through music step by step. Using clear, accessible pictures and diagrams, you'll learn to approach even the most complex musical theory with confidence. Includes a glossary of key musical terms and symbols.
Help Your Kids with Music is the perfect guide for every parent and child who want to understand music theory and put it into practice.
Includes instructions to download a free accompanying app.
93Play it Again: An Amateur Against the Impossible
As the editor of The Guardian, Alan Rusbridger’s life is dictated by the demands of the twenty-four-hour news cycle. It is not the kind of job that leaves time for hobbies.
But in the summer of 2010, Rusbridger determined to learn, in the course of a year, Chopin’s Ballade No.1 in G minor, one of the most beautiful and challenging pieces of music ever composed. With passages that demand feats of memory, dexterity, and power, even concert pianists are intimidated by its pyrotechnical requirements.
Rusbridger’s timing could have been better. The next twelve months witnessed the Arab Spring and the Japanese tsunami and were bookended by The Guardian breaking two major news stories: WikiLeaks and the News of the World phone-hacking scandal. It was a defining year for The Guardian and its editor.
In Play It Again, Rusbridger recounts trying to carve out twenty minutes a day to practice, find the right teacher, the right piano, the right fingering—even if it meant practicing in a Libyan hotel in the midst of a revolution. He sought advice from legendary pianists, from historians and neuroscientists, and even occasionally from secretaries of state. But was he able to conquer the piece?
A book about distraction, absorption, discipline, and desire, Play It Again resonates far beyond the realm of music, for anyone with an instinct to “wall off a small part of . . . life for creative expression.”
94Counterpoint in Composition: The Study of Voice Leading
95A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice
In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. In the process he sheds new light on an age-old question: what makes music sound good?
A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to music theory. The book shows how to construct simple diagrams representing relationships among familiar chords and scales, giving readers the tools to translate between the musical and visual realms and revealing surprising degrees of structure in otherwise hard-to-understand pieces.
Tymoczko uses this theoretical foundation to retell the history of Western music from the eleventh century to the present day. Arguing that traditional histories focus too narrowly on the "common practice" period from 1680-1850, he proposes instead that Western music comprises an extended common practice stretching from the late middle ages to the present. He discusses a host of familiar pieces by a wide range of composers, from Bach to the Beatles, Mozart to Miles Davis, and many in between.
A Geometry of Music is accessible to a range of readers, from undergraduate music majors to scientists and mathematicians with an interest in music. Defining its terms along the way, it presupposes no special mathematical background and only a basic familiarity with Western music theory. The book also contains exercises designed to reinforce and extend readers' understanding, along with a series of appendices that explore the technical details of this exciting new theory.
96Alfred's Basic Piano Library Technic, Bk 1a
The Technic Books provide reading and rhythm drills and exercises perfectly paced with each Lesson Book in Alfred's Basic Piano Library to improve musicianship and develop coordination of the hands.
97Preliminary Exercises in Counterpoint
98Music Notation
99Hearing and Writing Music: Professional Training for Today's Musician
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