100 Best Canada Books of All Time

Chaos is coming, old son.

With those words the peace of Three Pines is shattered. As families prepare to head back to the city and children say goodbye to summer, a stranger is found murdered in the village bistro and antiques store. Once again, Chief Inspector Gamache and his team are called in to strip back layers of lies, exposing both treasures and rancid secrets buried in the wilderness.

No one admits to knowing the murdered man, but as secrets are revealed, chaos begins to close in on the beloved bistro owner, Olivier. How did he make such a spectacular success of his business? What past did he leave behind and why has he buried himself in this tiny village? And why does every lead in the investigation find its way back to him?

As Olivier grows more frantic, a trail of clues and treasures— from first editions of Charlotte’s Web and Jane Eyre to a spider web with the word “WOE” woven in it—lead the Chief Inspector deep into the woods and across the continent in search of the truth, and finally back to Three Pines as the little village braces for the truth and the final, brutal telling.

The entrancing new crime thriller featuring Chief Inspector Armand Gamache, from number one New York Times bestselling author Louise Penny

When Armand Gamache receives a letter inviting him to an abandoned farmhouse outside of Three Pines, the former head of the Sûreté du Québec discovers that a complete stranger has named him as an executor of her will.

Armand never knew the elderly woman, and th

But it isn't the only menace Gamache is facing. The investigation into the events that led to his suspension has dragged on, and Armand is taking increasingly desperate measures to rectify previous actions. As he does, Armand Gamache begins to see his own blind spots - and the terrible things hiding there.

Praise for the award-winning Chief Inspector Armand Gamache series:

'One of the most interesting detectives in crime fiction' The Times

'Fascinating characters, a twisty plot and wonderful surprise endings' Ann Cleeves

'Wonderfully satisfying' Kate Mosse

In Homer’s account in The Odyssey, Penelope—wife of Odysseus and cousin of the beautiful Helen of Troy—is portrayed as the quintessential faithful wife, her story a salutary lesson through the ages. Left alone for twenty years when Odysseus goes off to fight in the Trojan War after the abduction of Helen, Penelop

In a splendid contemporary twist to the ancient story, Margaret Atwood has chosen to give the telling of it to Penelope and to her twelve hanged maids, asking: “What led to the hanging of the maids, and what was Penelope really up to?” In Atwood’s dazzling, playful retelling, the story becomes as wise and compassionate as it is haunting, and as wildly entertaining as it is disturbing. With wit and verve, drawing on the story-telling and poetic talent for which she herself is renowned, she gives Penelope new life and reality—and sets out to provide an answer to an ancient mystery.

Born into debilitating poverty, Smallwood is sustained by a bottomless faith in his own industry. His unabashed ambition is to "rise not from rags to riches, but from obscurity to world renown." To this end, he undertakes tasks both sublime and baffling--walking 700 miles along a Newfoundland railroad line in a self-martyring union drive; narrating a homespun radio spot; and endlessly irritating and ingratiating himself with the Newfoundland political machine. His opaque and constant incitement is an unconsummated love for his childhood friend, Sheilagh Fielding. Headstrong and dissolute, she weaves in and out of Smallwood's life like a salaried goad, alternately frustrating and illuminating his ambitions. Smallwood is harried as well by Newfoundland's subtle gravity, a sense that he can never escape the tug of his native land, since his only certainty is the island itself--that "massive assertion of land, sea's end, the outer limit of all the water in the world, a great, looming, sky-obliterating chunk of rock."

The Colony of Unrequited Dreams bogs down after a time in its detailing of Smallwood's many political intrigues and in the lingering matter of a mysterious letter supposedly written by Fielding. However, when he speculates on the secret motives of his peers, or when he reveals his own hyperbolic fantasies and grandiose hopes--matters no one would ever confess aloud--the novel is both apt and amiable. Best of all is to watch Smallwood's inevitable progress toward a practical cynicism. It seems nothing less than miraculous that his countless disappointments pave the way for his ascension, that his private travails ultimately align with the land he loves. This is history resuscitated. --Ben Guterson