How Buildings Learn: What Happens After They're Built
Stuart Brand is a person who thinks clearly about our future, and therefore is in a good position to comment on the future life of architecture. [source]
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Stuart Brand is a person who thinks clearly about our future, and therefore is in a good position to comment on the future life of architecture. [source]
2Tanizaki is mourning what has been paved over, which is the old Japanese aesthetic of darkness, of softness, of appreciating the imperfect—rather than the cold, glossy surfaces of industrialized modernity that the West had brought to Japan at that moment. For me, that’s really valuable, because it does preserve a different way of looking at the world. [source]
This book’s interesting if you want to try and understand the artistic forces, the technical forces and the debates that took place from the 1900s to now. [source]
This is still a very important book today. Reyner Banham revised what we understand as modern architecture. [source]
He was in love with America and Americana and he showed me that you can be an academic and have an intellect but you can still write about cars. He legitimised the study of pop culture. [source]
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7CEO/O Network
Nobody who reads it—nobody who reads it—looks at a church or a cathedral the same. I made me think about my own life differently, reading that book, the experience of reading that book. What a treasure. [source]
One of my favourite non-business book is “Pillars of the Earth”, by Ken Follett. I have read this many times over the years, and still enjoy eit ach time. I love how the characters are all very complex, strategic, and how the story weaves together on so many levels. [source]
Third edition: revised and enlarged
362 illustrations
This acclaimed survey of 20th-century architecture and its origins has become a classic since it first appeared in 1980. Now revised, enlarged and expanded, Kenneth Frampton brings the story up to date and adds an entirely new concluding chapter that focuses on four countries where individual talent and enlightened patronage have combined to produce a comprehensive and convincing architectural culture: Finland, France, Spain and Japan. The bibliography has also been reviewed and extended, making this volume more indispensable than ever.
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13It’s the most important architecture book ever written. [source]
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40The longer I look at architecture, the more I appreciate the genius of Louis Kahn, the designer of the Yale Art Gallery in New Haven, the Salk Institute in La Jolla and the Kimball Art Museum in Fort Worth. He was miraculously capable of creating bold, uncompromising spaces that are at once completely original and utterly comfortable. This book exposes the man and his work in a way that illuminates both. [source]
59Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline's four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is the world's greatest living architect. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed in architecture. Ando has designed award-winning private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, as well as in France, Italy, Spain, and the USA. This book, created at the height of Ando's illustrious career, presents his complete works to date.
71This book is a great celebration of the skills of architecture. What he admires are patrons working with architects to produce great masterpieces. It covers Western architecture, not world architecture. [source]
It’s quite a dryish academic book but it puts things together beautifully. [source]