This section will talk about Miyazaki's early life and what led him into a career in animation. It explores early cinematic influences that sparked his passion for the form and the role of figures such as Osamu Tezuka in his artistic development.
At 18, Miyazaki watched the film "Hakujaden," also known as "Legend of the White Snake," Japan's first feature-length animated movie in color. While acknowledging its technical limitations compared to Disney, he was profoundly touched by the relatable, empathetic depiction of characters. This experience ignited a spark of interest in animated film and made him aware of the emotional depth animation could achieve. Unlike the Disney movies he'd seen, Hakujaden depicted themes and emotions that strongly resonated with him, which made him question the trajectory of his life and aspirations. This film ignited a fascination with animation as a medium capable of conveying human emotions and experiences in a profound way.
Context
- The film is based on a Chinese legend, which highlights the cross-cultural storytelling that was emerging in Japanese media during this period.
- The film explored themes of love, sacrifice, and transformation, which are universal and timeless, allowing for a deep emotional connection with the audience.
- The film's use of color and style, distinct from Western animation, could have highlighted the unique artistic possibilities within Japanese animation.
- At 18, individuals often face pivotal moments of self-discovery and decision-making about their future. Watching "Hakujaden" might have coincided with a period of introspection for Miyazaki, prompting him to reconsider his career path.
- While Disney was known for its polished animation and fairy tale adaptations, "Hakujaden" offered a different perspective by integrating more mature and culturally specific themes.
At 23, already working in animation, Hayao Miyazaki saw the Russian animated movie "The Snow Queen" ("Snezhnaya Koroleva"). It was a revelatory experience that solidified his commitment to the powerful medium of animation. He was touched by the film's ability to show human emotion and dreams with striking clarity and conciseness. The movie's rawness, ambition, and willingness to experiment with visual storytelling, even through technically flawed sequences, resonated with him deeply. Miyazaki recognized that animation could transcend realistic representation and convey emotional depth through evocative sequencing, emphasizing artistic intent over technical perfection. The film's influence marked a turning point in his understanding of animation's capabilities and solidified his ambition to produce works that matched its artistic and emotional depth.
Context
- "The Snow Queen" is a 1957 Soviet animated film directed by Lev Atamanov, based on Hans Christian Andersen's fairy tale. It is renowned for its artistic style and emotional storytelling.
- The film was part of a broader tradition of Soviet animation, which was known for its emphasis on artistic quality and narrative depth, often exploring complex themes and emotions.
- The film's soundtrack and sound design could have been integral in enhancing the emotional clarity, using music and sound effects to underscore the emotional tone of scenes.
- In animation, prioritizing artistic intent means focusing on the creator's vision and message rather than adhering strictly to technical standards. This can result in a more personal and expressive work that resonates on an emotional level.
- The 1960s was a period of experimentation in global cinema, including animation, where filmmakers were exploring new artistic expressions and breaking away from traditional storytelling methods.
- This refers to the way scenes are arranged to evoke emotions, using timing, pacing, and transitions to create a narrative flow that resonates emotionally with the audience.
- While technical perfection focuses on flawless execution and detail, animation that prioritizes emotional impact may use imperfections or stylistic choices to enhance the viewer's emotional experience. This can involve using color, movement, and design to evoke specific feelings or moods.
- Animated films have the power to cross cultural boundaries, speaking to universal human experiences and emotions, which can inspire creators to pursue storytelling that resonates on a global scale.
Miyazaki acknowledges Osamu Tezuka's comic books as crucial to shaping his formative years. Tezuka's creations, especially Takarajima (New Treasure Island), had a profound impact on Miyazaki, offering an escape from his anxieties and introducing him to a realm brimming with knowledge and mystery. He saw Tezuka as a revered figure who understood life's secrets and could convey them through his comic works. Tezuka's influence, alongside classic films like Hakujaden and Snezhnaya Koroleva, inspired Miyazaki's initial foray into the world of both animated and graphic storytelling, shaping his early artistic explorations and sparking his creative journey.
Context
- Osamu Tezuka is often referred to as the "God of Manga" and is credited with pioneering the manga and anime industries in Japan, influencing countless artists and creators.
- This work, published in 1947, is considered one of Tezuka's early masterpieces. It revolutionized the manga industry with its cinematic style and dynamic panel layouts, which were innovative at the time.
- Tezuka's ability to blend fantasy with reality in his narratives allowed readers to explore imaginative worlds while still...
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This section will examine Miyazaki's commitment to exploring the complexities of human nature, his reverence for the natural world, and his adept use of animated film to capture these themes with artistic prowess. It will talk about the intricacies of human relationships, the exploration of moral dilemmas, and critique humanity's impact on the environment.
Miyazaki insists on presenting fully realized characters with both strengths and weaknesses, allowing viewers to observe the spectrum of human behavior, resisting simplistic moral judgments.
Miyazaki rejects simplistic presentations of good versus evil. He wants to move beyond the tendency in many stories to demonize those who damage nature and to present the inherent contradictions in human nature, where virtue and human progress can ironically lead to environmental devastation. He believes that the complexities of life cannot be dissected with simple solutions based on rigid divisions of good versus evil, and he argues that for viewers to truly grasp human existence, those inherent ambiguities and complexities must...
This section will explore Miyazaki's deep respect for Japan's tradition and spirituality and how he utilizes it to inform his art, alongside a more critical perspective on modern industrialized civilization.
Miyazaki believes that one cannot view Japanese culture in isolation, highlighting its interconnections with Asian culture as a whole, while simultaneously championing the unique aspects of Japanese society that make it distinct.
Miyazaki incorporates elements of myths and folklore from Japan into his stories, using them to explore anxieties about the unknown, respect for the natural world, and the human need for both personal transformation and reconciliation. His characters often embody elements of these traditional stories, drawing from archetypes of tricksters, supernatural entities, and the forces of nature to create compelling narratives that deeply engage audiences on a visceral level. We see this in films such as Princess Mononoke and Spirited Away, where he blends ancient elements and imagery with contemporary...
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This section will explore how Miyazaki approaches filmmaking as a hands-on creator involved in all areas of creation. It will talk about his commitment to detailed research and visual world-building, to the extent that he devotes considerable time to both reading and observing real-world phenomena before starting the visual process. This section will further discuss Miyazaki's belief that collaboration, teamwork, and giving those around him space and freedom to contribute are better than attempting to create a one-man show.
Miyazaki engages thoroughly with every element of the creation process for a movie—from initial conceptualization of ideas, to storyboarding, to creating characters and environments. He is a fervent advocate for animation created by hand, while simultaneously embracing new digital tools to enhance both the animation and storytelling. His artistic style leans toward simplicity, suggesting that by simplifying, you can usually communicate deeper emotional impact and meaning.
Miyazaki is a filmmaker who actively participates in the...
Turning Point