In this section, Mark Fisher explores the widespread feeling of standstill and the alteration in our perception of time across today's cultural landscape. Despite rapid progress in technology and the economy, there is still a widespread sense of being tethered to the past, accompanied by a vague understanding of the present and a difficulty in imagining a future that significantly departs from the world as we know it today. Fisher delves into the feeling of an impending void in future prospects, scrutinizing its manifestation across a range of contemporary artistic forms, including cinema and music. He argues that the way we experience time has been significantly transformed by the rise of neoliberalism and the widespread use of digital technologies, which have collectively reshaped our sense of time and reduced our capacity to imagine and create new futures.
Fisher contends that the previous century was marked by a robust conviction in the possibility of progress and significant transformations. The belief, nurtured by movements that championed modernism and futurism, alongside the various revolutionary currents of the sixties and seventies, gained its momentum from perceiving history as a forward march and from confidence in human ability to shape what is to come. During the final decades of the twentieth century, belief in this concept waned with the rise of neoliberal ideology. The burden of unmet expectations from the past looms over the present, making the future seem increasingly limited.
Fisher points out that the widespread presence of nostalgia, pastiche, and retro styles in contemporary culture signifies the gradual abandonment of future prospects. The author emphasizes the contrast between the rapid development of music genres from the 1960s to the 1990s and the apparent halt in musical innovation since the beginning of the 21st century. He observes that contemporary creators frequently incorporate themes and aesthetic elements from previous eras, leading to a sense of being caught in a repetitive cycle. This "formal nostalgia," as Fisher terms it, is not simply a matter of personal preference but a reflection of a deeper cultural impasse, a failure to imagine and create new forms that could adequately address the present moment. Digital technology's widespread adoption has facilitated the alteration and repurposing of historical audiovisual materials, resulting in a sense of cultural stagnation. Fisher highlights specific instances where the Arctic Monkeys have integrated stylistic elements from past decades, Amy Winehouse's music has been heavily inspired by the 1960s, and there has been a resurgence of Eurotrance in contemporary dance settings. Fisher prompts us to consider if the prevalent nostalgia signifies an absence of innovative concepts or reveals a deeper apprehension about the future.
Practical Tips
- Develop a "novelty night" tradition with friends or family where everyone brings something new to the table, be it a futuristic gadget, a concept from an emerging field, or a creative project that breaks from traditional molds. This encourages a culture of looking forward rather than backward, fostering a sense of innovation and forward-thinking in your social circle.
- Engage with local musicians or small-scale music producers by attending open mic nights, small concerts, or music workshops. Ask them about their influences and how they see their music contributing to the evolution of their genre. Supporting grassroots music scenes can often lead to witnessing the birth of new musical styles and innovations firsthand.
- Engage with a community hobby group that focuses on a craft or activity from a past era, but use the sessions to brainstorm how to modernize the craft. Joining a quilting group? Suggest incorporating modern sustainable materials or integrating smart textiles that interact with devices. This not only revives interest in historical crafts but also adapts them to contemporary needs and sensibilities.
- Engage in a monthly "Swap Meet" with friends or family where you exchange items that no longer serve your current lifestyle or needs. This practice encourages you to let go of the past and embrace the present by finding new uses for old items. For instance, trade a collection of old DVDs for a friend's unused yoga mat, facilitating a shift towards more contemporary forms of entertainment and well-being.
- Engage with history in a dynamic way by writing a short story or script that reimagines a historical event with a modern twist. For example, consider how the invention of the smartphone could have changed the outcome of a well-known historical event. This exercise pushes you to think creatively about the past while actively participating in the creation of new narratives.
- Engage in a "Media Fast" where you avoid consuming media from a certain past era for a month and instead only consume content created in the current year. This can help you immerse yourself in contemporary ideas and may reduce the influence of nostalgia on your perception of innovation and the future.
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Fisher argues that the current cultural fixation on the legacies and relics from the 1970s indicates a deep unease about the current state of affairs and the future. The 1970s were a transformative era during which the dominant social democratic agreement was overtaken by the emergence of a novel societal reorganization model, underpinned by principles of neoliberalism. The full consequences of the significant transformations in the economic, social, and cultural landscapes are still to be completely addressed. Contemporary times are still overshadowed by the aspirations and upheavals of the 1970s, suggesting that the longings and disruptions of that period remain unfulfilled.
The author notes that the aesthetic and cultural patterns that emerged in the 1970s continue to exert influence over the contemporary cultural scene. He highlights numerous examples of this recurring theme, such as the auditory environments crafted by Joy Division and the storytelling methods employed in David Peace's Red Riding series, along with the visual style of TV shows like...
This section delves into the theoretical framework developed by Fisher, which investigates the complex interrelations among historical context, present-day circumstances, and possible future directions in contemporary social patterns. Fisher describes hauntology by explaining that the reverberations of possible futures that were never realized still exert a profound influence on contemporary times. He explores how a variety of musicians and sound artists interact with remnants of the past, utilizing techniques like sampling and incorporating old-fashioned gear to conjure an atmosphere of strangeness and spectral existence via sonic disturbances.
Fisher introduces the concept known as "hauntology," originally coined by Jacques Derrida in "Spectres of Marx." Fisher elaborates on the idea, particularly highlighting its significance and pervasiveness within the sphere of popular culture, with a strong emphasis on its manifestation through various forms of music. Fisher suggests that...
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This section explores how certain locations intertwine with the fabric of historical occurrences and fictional stories, examining their role as repositories for lingering historical conflicts, deep-seated psychological traumas, and the potential of what might have been. Fisher suggests that various forms of cultural expression, particularly music, act as sonic instruments to uncover concealed histories and evoke the spectral traces of alternative narratives that could have unfolded. He emphasizes the crucial role played by creators in uncovering and bringing to light the hidden narratives that are often overlooked, using their work to unveil the subtle contradictions and disputes that infuse our everyday lives.
Fisher suggests that certain locations preserve the marks of past events, acting as repositories for unresolved traumas and futures that were never realized. He explores how these settings resonate with a sense of grief and unrealized potential, accompanied by enigmatic entities that continue to linger in the shadows. He connects this...