Wallis advocates for a renewed scrutiny of the foundational tales that underpin the Genesis account, proposing that these originate from older myths about a collective of deities, as opposed to the traditional single-deity viewpoint. The document's various inconsistencies and discrepancies imply that it is a blend of distinct original writings, hinting at an old mythological tradition that deviates from the widely recognized monotheistic framework. Wallis argues that the inconsistencies found in the texts are not simply errors, but rather deliberate alterations made by later editors aiming to align ancient narratives with the developing monotheistic views within the Israelite society.
In his book, Wallis points out a notable inconsistency where the word "elohim" is traditionally translated to mean "God" in the biblical texts. The term "elohim" is constructed in a way that suggests multiple entities, as opposed to a single deity. Scholars of theology frequently overlook this aspect, considering it either a linguistic irregularity or symbolic references to the characteristics of a solitary deity. Wallis, however, argues that this view fails to acknowledge the regular use of plural verbs and pronouns when referring to "elohim" throughout the Genesis account. He proposes that instead of enforcing a uniform understanding of "elohim," we should recognize its original meaning as entities with significant power. Wallis offers a viewpoint that yields a new understanding of the genesis narratives, aligning various seeming contradictions found in the sacred texts.
The idea that "elohim" refers to a collective of beings is reinforced by instances in Genesis where the divine being speaks using plural pronouns. In the narrative found within the Bible's Genesis 1:26, the deity declares a purpose to create humanity in an image akin to our own likeness and essence. Chapter 3, verse 22 in the first book of the Bible observes that humans have acquired discernment of virtue and vice, equating them to beings of a celestial nature. The passage distinctly illustrates discussions involving several participants. Paul Wallis presents the case that these mentions suggest encounters with a superior entity that played a pivotal role in the advancement and development of humanity.
In the narrative of Genesis, it is noted that the designation "Yahweh," revealed to Moses at a later stage, is at times linked with the word "elohim." Wallis argues that the text's clear discrepancies suggest it is an amalgamation of different foundational stories. He posits that the editor often referred to as "J" wove the name "Yahweh" into the ancient elohim...
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Wallis strengthens his argument by highlighting the remarkable parallels between the Genesis creation narratives and ancient myths from around the world, particularly those found in Sumerian, Babylonian, and Mesoamerican lore. He argues that the striking similarities in these narratives are too significant to dismiss as mere coincidence, indicating an understanding of the origins of humanity that predates the advent of biblical accounts.
In these varied tales of our beginnings, a consistent theme involves the involvement of powerful entities with capabilities surpassing human abilities, contributing to the development and progress of human civilization. In his book, Paul Wallis uses the term "Mighty Beings" to encompass the figures from ancient tales who are referred to as "Sky People" in the oldest...
Drawing from his analysis of ancient texts, myths, and archaeological discoveries, Wallis argues that historical records suggest there was interaction and dialogue between humans and beings of intelligence that might originate from outside our planet. Wallis proposes that these interactions played a crucial role in advancing human societies, spurring technological advancements and significantly influencing the development of human consciousness.
Wallis delves into a variety of archaeological mysteries that defy conventional interpretations, such as the perplexing Nazca Lines in Peru, the precisely carved colossal blocks in Lebanon, and Dwarka, the sunken city beneath the Indian Ocean's surface. The remarkable craftsmanship displayed in ancient marvels, exemplified by the Iron Pillar of...
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