In this episode of The Joe Rogan Experience, Joe Rogan and Jesse Welles discuss the challenges independent musicians face when navigating the music industry. The conversation explores how major record labels' financial incentives can impact artistic freedom, and examines alternative paths to success through streaming and touring. They reference artists like Woody Guthrie and Tyler, the Creator to illustrate different approaches to maintaining creative independence.
The discussion then shifts to examining historical events and the role of government agencies in shaping public narratives. Rogan and Welles analyze various historical incidents, including Operation Northwoods and the Gulf of Tonkin incident, while exploring how government agencies and media organizations can influence public perception through entertainment and news coverage.
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In a discussion between Jesse Welles and Joe Rogan, they explore the complex challenges independent musicians face when dealing with major labels. Welles warns that while labels offer upfront money, it often comes at the cost of artistic freedom and control. According to Rogan, artists can end up surrendering significant portions of their touring and merchandise revenue, essentially becoming owned by the label.
The conversation emphasizes how labels often push artists toward commercial success at the expense of authentic work. Welles admires Woody Guthrie's approach of maintaining authenticity by telling truth through music, which helped him resonate with audiences. Rogan points to modern examples like Tyler, the Creator, demonstrating how independent artists can achieve success without major labels, particularly through streaming revenue and touring.
Rogan and Welles examine historical events potentially viewed as false flags, including Nero's burning of Rome and the Gulf of Tonkin incident. They discuss Operation Northwoods, a planned false flag operation that President Kennedy vetoed. Welles introduces the concept of "psyops" and suggests that such operations could serve as pretexts for war or civil liberties restrictions.
The hosts reference Smedley Butler's book "War is a Racket," which argues that wars primarily serve the interests of the military-industrial complex. Rogan notes that conspiracy theories often emerge from inconsistencies in catastrophic events, while both hosts discuss how online misinformation and bot activity can obscure truth.
The conversation turns to the influence of governments and intelligence agencies over media and entertainment. Rogan discusses how historical films were used to influence soldier behavior during World Wars, while Welles suggests that government agencies might commission movies to shape public perception favorably.
The hosts explore the lack of transparency between government agencies, with Rogan noting how information silos can lead to gaps in official narratives. They examine how media figures, particularly news anchors, may feel pressured to conform to network narratives, potentially compromising their authenticity and public trust.
1-Page Summary
Jesse Welles and Joe Rogan delve into the difficulties independent musicians face when navigating the complex terrain of the music industry, particularly when dealing with major labels.
Both hosts discuss the not-so-obvious pitfalls of signing with major labels, emphasizing the potential loss of artistic freedom and control.
Jesse Welles describes music labels as entities that offer artists money for their work, but he cautions that it's often a disadvantageous trade-off ("they'll offer you a little for a lot"). Rogan and Welles talk about the pressure from labels to accept large sums of money upfront, not realizing it's essentially a loan they may never recoup.
In the music industry's elusive rulebook, Welles hints at exploitation by those pretending to know the secret to success, leading to pressures to conform to industry norms. The intrusive influence of labels limits artists' freedom to create as labels expect commercial success and a return on their investment. Rogan adds that some artists who sign with labels end up giving away a giant percentage of their touring money and merchandise sales, feeling owned by the label. Welles warns that labels can push musicians toward commercial success at the expense of authentic, self-driven work, and Rogan discusses the trend of AI replacing artists in pop music production, eroding the authenticity of music.
The hosts emphasize the vital role of authenticity and artistic freedom in resonating with audiences and for artists to maintain control over their work.
Welles admires Woody Guthrie for singing about the news and telling it how it was, rather than performing standards; Guthrie liked making people laugh and telling the truth. This authenticity led to Guthrie's impact and ability to resonate with his audience.
Independent artists, Rogan points out, like Tyler, the ...
Music Industry Challenges for Independent Artists
Joe Rogan and Jesse Welles delve into the complex world of false flag events and conspiracy theories, questioning the official narratives and discussing the influence of intelligence agencies.
Rogan and Welles analyze historical events that some view as false flags, which have been used to justify wars and crackdowns on civil liberties.
Rogan talks about events like Nero's burning of Rome and the Gulf of Tonkin incident, with motivations discussed such as Nero attempting to shift blame from himself. Operation Northwoods is mentioned as a planned drone jetliner explosion to provoke war with Cuba, which President Kennedy vetoed.
Welles brings up the concept of a "psyop" and mentions the sinking of the Lusitania, the Bay of Pigs incident, and the Oklahoma City bombing as events that have been seen by some as false flag operations. Welles suggests that false flag operations could be a pretext to go to war or impinge upon civil liberties.
Rogan and Welles express skepticism towards the narratives shaped by those in power and the potential manipulation behind wars and tragedies.
The discussion shifts towards Smedley Butler's book "War is a Racket," which outlines Butler's belief that wars serve the interests of a few, particularly those involved in the military-industrial complex.
Rogan notes that conspiracy theories often arise from catastrophic events due to conflicting eyewitness accounts, while Welles speaks on the Mandalay Bay shooting and why it bothers him due to inconsistencies.
T ...
Conspiracy Theories and False Flag Operations
Joe Rogan and his guests discuss the influence that governments and intelligence agencies may have over media and entertainment, the lack of transparency and competition within these agencies, and the challenges faced by artists in maintaining authentic voices.
Rogan brings up historical examples where movies were made to influence soldiers' behavior in war, particularly during World War I and II. By showing soldiers heroically shooting the enemy, these films aimed to encourage combatants to be more willing to participate in combat and shoot.
Jesse Welles speculates that the government might commission movies through Hollywood to shape public understanding in a favorable light, citing films like "Charlie Wilson's War" and "Forrest Gump." Rogan mentions Bob Woodward, implied to have potential connections to the CIA, as someone who might influence narratives within the media.
Rogan and Welles discuss the possibility of government operations involving many government agents, throwing light on issues such as entrapment or orchestrated extremist activities. Rogan notes scenarios where individuals in government offices may withhold information from their own offices and other agencies, creating siloes of knowledge. There may be a lack of transparency and potential internal competition or siloing within intelligence agencies, leading to inconsistencies and gaps in official narratives.
Rogan and Welles explore possible inconsistencies and gaps in historical events such as the Bay of Pigs incident and its connec ...
Government and Intelligence in Narrative Shaping
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