In this episode of Stuff You Should Know, Josh Clark and Chuck Bryant share their horror recommendations for Halloween, spanning both film and literature. Clark presents three films that demonstrate the range of modern horror: the cult anthology "Trick 'R Treat," the Dutch folk horror "Moloch," and the Icelandic film "Lamb." Bryant offers book recommendations including works by Portland author Keith Rosson and the thriller "Hidden Pictures" by Jason Rekulak, which uses visual elements to enhance its narrative.
Beyond recommendations, the hosts discuss what makes horror effective across different formats. They examine the structural challenges of maintaining tension throughout a novel versus the concentrated impact of short stories, which they view as the ideal format for the genre. The conversation also touches on the strengths and limitations of extended horror narratives, including the work of Stephen King and Joe Hill.

Sign up for Shortform to access the whole episode summary along with additional materials like counterarguments and context.
Josh Clark offers a selection of horror films for Halloween that blend scares with diverse genre elements, showcasing modern horror's range.
Clark highlights "Trick 'R Treat" (2007), a horror-comedy anthology starring Anna Paquin that weaves multiple Halloween stories into a cohesive narrative through interconnected timelines. Despite initially flying under the radar, it has gained cult status for balancing genuine scares with surprising humor. Clark warns it's bloody and disturbing but primarily fun rather than high art.
His second pick, "Moloch," is a Dutch folk horror film about a family targeted by the demon Moloch. Without any comedy, it focuses on craftsmanship and genuine scares, with its plot gradually unveiling compelling reasons behind the haunting. The film is delivered in Dutch with subtitles, adding to its atmospheric dread.
Clark's third recommendation, "Lamb," is an A24 production from Iceland starring Noomi Rapace. He describes it as one of the most heart-rending films he's seen, blending surreal horror with deep emotional resonance. The film's visuals are so strong that Clark was able to follow the story almost entirely without subtitles.
Clark emphasizes that quality horror often lies in deftly blending tones. "Trick 'R Treat" mixes horror and comedy without undermining its scares, while both "Moloch" and "Lamb" showcase international filmmakers who rely on haunting visuals and atmosphere rather than dialogue. Clark notes that atmospheric horror can communicate power and meaning across language barriers, making these films disturbing, entertaining, visually striking, and emotionally affecting.
Chuck Bryant reflects on discovering Portland-based author Keith Rosson, who has been championed by Stephen King. Bryant describes himself as a dedicated fan who reads every Rosson release immediately.
Bryant highlights Rosson's command of language, noting his sophisticated vocabulary and vivid descriptions of grotesque scenes. Beyond technical skill, Rosson's books always include humanity and heart, with family storylines at their core that make the reading experience both heartbreaking and scary. Bryant specifically recommends Rosson's newest novel, "Crone," describing it as an inventive "witchy story" that combines literary quality with chilling horror.
Bryant also recommends "Hidden Pictures" by Jason Rekulak, a New York Times bestseller that builds horror through both plot and visual elements. The protagonist, Mallory Quinn, is a recovering addict babysitting a five-year-old boy named Teddy, whose innocent drawings shift to disturbing illustrations depicting violence. Bryant notes the strong impact of this visual shift and the novel's numerous plot twists, which maintain mystery as Mallory races to decode the drawings and save Teddy.
Josh Clark and Chuck Bryant discuss the elements that make horror effective in fiction, examining the unique structure of horror stories and why short stories may be the most effective vehicle for the genre.
Clark notes that carrying a horror story through an entire novel is especially challenging. Writers must pace their narratives precisely and decide whether to escalate every scene. If escalation falters, the story loses impact. Short story and anthology formats suit horror particularly well because they deliver concentrated fear without the burden of sustaining terror across hundreds of pages. Clark and Bryant agree that short stories represent the ideal format for horror, and Clark suggests that horror novels often falter in their endings, rarely delivering satisfying conclusions.
Clark finds King highly compelling in his buildups and premises but feels that King's novels rarely deliver great endings. However, he praises King's short story collections, particularly "Skeleton Crew," as better suited to the horror genre. Clark also praises Joe Hill's short story collection, "20th Century Ghosts," describing it as surpassing even King's best work in the form, further supporting the idea that horror thrives most in short stories and anthologies.
1-Page Summary
This Halloween, Josh Clark offers a selection of horror films that blend scares with unique genre elements. His picks range from cult anthologies to international folk horror and emotionally resonant surrealism, presenting a spectrum that exemplifies modern horror's diversity.
Josh Clark highlights "Trick 'R Treat," a 2007 horror-comedy anthology starring Anna Paquin, the youngest-ever Oscar winner. Directed and written by Michael Dougherty, this film weaves together multiple Halloween stories into a single, cohesive narrative through clever use of interconnected timelines. Despite flying under the radar at release, it has gained cult status. The movie earns praise for balancing genuinely scary and creepy moments with surprising humor, making it a standout horror anthology that doesn’t fit into the traditional format of stories within stories. Clark warns that it is certainly bloody and can be disturbing, but it remains primarily fun and entertaining rather than high art.
Clark’s next pick is "Moloch," a Dutch folk horror film. It centers on a family that finds itself targeted by the demon Moloch, drawing on real mythological lore. The film does not incorporate comedy, focusing instead on craftsmanship and genuine scares. Its plot gradually unveils the compelling and terrifying reasons behind the family’s haunting. "Moloch" is delivered in Dutch with subtitles, adding to its immersive, atmospheric dread and allure.
"Lamb," Clark’s third recommendation, is an A24 production from Iceland. Starring Noomi Rapace, it stands out for its blending of offbeat, surreal horror elements with deep emotional resonance. While it’s categorized as horror, Clark describes "Lamb" as one of the most heart-rending films he has seen: both deeply bizarre and movingly tender. Notably, the film’s visuals and atmosphere are so strong that Clark was able to follow the story almost entirely without subtitles, underscoring the film’s ability to transcend language and communicate through its striking images and tone.
Horror Movie Recommendations For Halloween
Chuck Bryant reflects on his renewed interest in horror fiction after discovering Portland-based author Keith Rosson, who has been championed by Stephen King. Bryant describes himself as a dedicated fan, reading every Rossin release as soon as it appears, noting that Rosson has spoiled him for other horror authors.
Bryant highlights that Keith Rosson is an expertly skilled writer, with a true command of language, often employing sophisticated vocabulary such as “torpor”—words that require readers to look them up. Rosson’s prose stands out for its vivid descriptions, especially when depicting grotesque and terrifying scenes. Bryant praises Rosson’s ability to describe things in such an intensely “gross, gross way,” making his novels both memorable and gripping for fans of horror and exceptional literary craft.
In addition to his technical skill, Bryant explains that Rosson’s books always include humanity and heart. There is consistently a family storyline at the core, resulting in narratives that are as emotionally resonant as they are frightening. This blend of emotional depth and horror makes the reading experience both heartbreaking and scary, setting Rosson apart from other writers in the genre.
Bryant specifically recommends Rosson's newest novel, Crone, describing it as an inventive "witchy story" that goes in unexpected directions. Crone serves as a prime example of Rosson’s ability to combine high literary quality with chilling horror, and Bryant urges readers to check out Crone as well as the rest of Rosson's catalog. Rosson’s consistent storytelling makes him a reliable and standout author in modern horror.
Bryant also recommends Hidden Pictures by Jason Rekulak, a New York Times bestseller that builds its horror both through plot and visual elements embedded within the book.
The protagonist, Mallory Quinn, is a recovering addict who takes a job babysitting Teddy, a five-year-old boy obsessed with drawing. ...
Horror Book Recommendations and Authors
Josh Clark and Chuck Bryant discuss the elements that make horror effective in fiction, especially considering the challenges of sustaining fear across different formats. They examine the unique structure of horror stories, evaluate the strengths and limitations of Stephen King’s contributions to the genre, and highlight why short stories may be the most effective vehicle for horror.
Horror fiction faces particular structural difficulties. Josh Clark notes that carrying a horror story through an entire novel is especially challenging. Writers must pace their narratives precisely and decide whether to escalate every scene, deepening scares or topping the previous moment each time. If this escalation falters, the story loses its impact. Clark asserts that unless you "pay everything out just so" or keep amplifying the dread, readers will question what the story is doing.
Short story and anthology formats suit horror particularly well because they deliver concentrated fear and impact without the burden of sustaining terror across hundreds of pages. Clark and Bryant agree that short stories represent the ideal format for horror. The format’s brevity makes it possible to maintain intensity and suspense. Clark suggests that if an author can successfully craft a horror novel, it is a remarkable feat because so few manage to pull it off.
Horror novels often falter in their endings, rarely delivering satisfying conclusions. According to Clark, even the best plots or setups in longer works can fail to deliver a memorable or fulfilling payoff.
Stephen King stands as a vivid example of both the strengths and weaknesses inherent to the horror novel. Clark finds King highly compelling in his buildups and premises, with great ...
What Makes Effective Horror in Novels and Film
Download the Shortform Chrome extension for your browser
