In this episode of Stuff You Should Know, Josh Clark and Chuck Bryant examine the historical accuracy of the famous story that Emperor Nero played his fiddle while Rome burned in AD 64. They explain why this enduring myth is false on multiple levels—fiddles didn't exist for another thousand years, and historical records show Nero actively coordinated relief efforts during the catastrophic fire that destroyed most of the city.
The hosts explore how Roman Senate propaganda shaped the narrative around the fire, using the disaster to undermine Nero's authority regardless of his actual response. The episode also covers Nero's persecution of Christians following the fire, including the executions of the apostles Paul and Peter, and examines his broader legacy of violence and family murders that ultimately led to his downfall and suicide.

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In AD 64, a catastrophic fire swept through Rome for six days and seven nights, destroying 70% of the city and leaving approximately 500,000 of the estimated one million inhabitants homeless. Historian Tacitus documented the massive scale of destruction, noting that only four of Rome's fourteen districts remained intact.
As with many tragedies, Romans quickly sought someone to blame. Rumors spread that witnesses had seen men deliberately fanning the flames, claiming they were acting under orders. This speculation about government involvement quickly centered on Emperor Nero, with some claiming he had ordered the fire so he could rebuild Rome according to his own vision. From these rumors emerged the enduring myth that Nero played his fiddle while watching Rome burn.
The famous "fiddling" story is historically inaccurate on two counts. Music historians agree that the viol family of instruments, which includes the modern fiddle, didn't appear until the 11th century—about 1,500 years after the fire. While Nero did play the sithara, an ancient stringed instrument similar to a laptop harp, he couldn't have played a fiddle that didn't exist.
More importantly, Nero actively responded to the disaster. According to Tacitus, who was present in Rome as a boy during the fire, Nero rushed back from his estate at Antium and immediately coordinated firefighting efforts. He opened public buildings and his own gardens as temporary shelters for displaced citizens, and he imported grain from neighboring cities to sell at extremely low prices to prevent food shortages.
Josh Clark and Chuck Bryant explain that the Roman Senate worked actively to keep blame for the fire on Nero, driven by deep resentment toward the emperor. The Senate used the catastrophe as an opportunity to undermine Nero's authority, portraying his relief efforts as inadequate regardless of their actual impact.
Historian Mary Frances Giles suggests that "fiddling" originally functioned as a metaphor for ineffectual actions—acting aimlessly rather than purposefully addressing the crisis. This interpretation aligns with the Senate's propaganda strategy of reframing Nero's response as insufficient to fuel public dissatisfaction.
Following the fire, Nero targeted Christians as scapegoats, initiating the first organized persecution of Christians in history. According to Clark, the apostles Paul and Peter were among those killed—Paul was beheaded and Peter was crucified upside down. However, these brutal executions failed to ease public unrest or improve perceptions of Nero's rule.
Despite any propaganda against him, Nero's violent actions undermine sympathetic interpretations of his legacy. He gained power through family murder—his mother assassinated his uncle to secure Nero's rise, and Nero later killed his own mother to consolidate authority. He also employed savage punishment methods like damnatio ad bestias, executing prisoners by releasing wild animals upon them.
Approximately four years after the fire, Nero's support collapsed when a potential coup emerged and the Senate declared him a public enemy. Facing execution, Nero chose suicide, pushing a dagger into his own throat.
1-Page Summary
In AD 64, Rome experienced a devastating catastrophe known as the Great Fire of Rome, which raged for six days and seven nights. Only four of the city’s fourteen districts remained intact after the blaze subsided, with 70% of Rome destroyed. Historian Tacitus described the aftermath: out of the city’s estimated one million inhabitants, about half—or 500,000 people—were left homeless as a direct result of the disaster.
The magnitude of the destruction stunned the Roman population. With the majority of the city in ruins and nearly half its citizens displaced, the sense of loss and devastation was immense.
As often happens after massive tragedies, the desire to assign blame emerged quickly among the people. Romans, like people today, were highly susceptible to rumors and urban legends. Tales began circulating that the fire’s origins were suspicious. Witnesses claimed to have seen men intentionally fanning the flames and, when questioned, these individuals allegedly claimed they were acting under orders. Such rumors led to suspicions about government involvement, with Emperor Nero swiftly becoming the primary suspect among those seeking a cause.
The narrative that Nero was directly responsible for the fire gained traction. Some claimed Nero had ordered the city ...
Great Fire of Rome and the "Nero Fiddled While Rome Burned" Myth
The long-standing image of Emperor Nero "fiddling while Rome burned" is historically inaccurate on two fronts: the fiddle did not exist at the time of the Great Fire of Rome, and Nero was actively involved in relief efforts during the disaster.
Music historians unanimously agree that the viol family of instruments, which includes the modern violin and, by extension, the fiddle, did not appear until the 11th century. This emergence occurred approximately 1,500 years after the Great Fire of Rome in 64 AD, making it impossible for Nero to have fiddled as the city burned.
While there were no fiddles, Nero did play the sithara, an ancient stringed instrument similar to a laptop harp. The sithara featured a top for strumming and a bottom for plucking. Nero was passionate about music, entering musical competitions and even scheduling festivals in newly conquered Roman territories so that he could participate and compete.
Contrary to the myth of his indifference, historical accounts, such as those by Tacitus—who was present in Rome as a boy during the blaze—indicate that Nero took immediate and direct action in response to the disaster. When the fire broke out, Nero was at his estate in Antium on the outskirts of Rome. He immediately rush ...
Debunking the Myth: No Fiddles in Rome; Nero Actively Responded To the Fire
Josh Clark and Chuck Bryant highlight how the Roman Senate worked diligently to keep the blame for the Great Fire of Rome on Nero. The Senate deeply resented Nero and actively sought to undermine him, using the catastrophe as an opportunity to damage his standing among the people. This political motive drove much of the negative narrative surrounding Nero’s actions during and after the crisis. Senatorial propaganda focused on reinterpreting Nero’s responses to the crisis, portraying any effort he made as inadequate or merely symbolic, regardless of its actual impact or intent. By shaping the public perception of his actions as insufficient, the Senate aimed to inflame public discontent and further erode Nero’s authority.
The popular image of Nero “fiddling while Rome burned” did not refer to playing the violin—a claim historically impossible—but functioned as a metaphor for ineffectual actions. Historian Mary Frances Giles suggests that the Senate’s use of the word “fiddling” might have originally meant Nero was wasting time on trivial o ...
Senate Propaganda Behind Blaming Nero for the Fire
In 64 CE, after the Great Fire of Rome, Nero sought a scapegoat to divert public blame from himself. He targeted Christians, a new and unpopular group in Rome at the time, initiating the first organized persecution of Christians in history. This campaign included public executions of prominent Christian figures; according to Josh Clark, the apostles Paul and Peter were among those killed—Paul was beheaded and Peter was crucified upside down. These brutal executions, such as hanging people by their feet and decapitating them, were attempts by Nero to satisfy public outrage and shift the blame, but the tactic failed to ease unrest or change negative perceptions of his rule.
Despite occasional attempts by writers to re-examine Nero’s legacy, his violent actions overshadow any possible sympathy. Nero gained his position of power through family murder; his mother assassinated his uncle to secure Nero’s rise, and later, Nero killed his own mother to solidify his authority. Alongside these family betrayals, Nero employed savage methods of punishment, including damnatio ad bestias—executing prisoner ...
Nero's Persecution of Christians and Family Murders
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