In this episode of Stuff You Should Know, Josh Clark and Chuck Bryant examine the phenomenon of allegedly cursed films, arguing that these stories emerge from selection bias rather than supernatural forces. They explain how people cherry-pick dramatic incidents from production and cast members' lives while ignoring uneventful aspects, creating false narratives that confuse statistical likelihood with otherworldly intervention.
The hosts explore several famous examples, including Poltergeist, The Wizard of Oz, and The Omen, demonstrating how tragedies associated with these films stem from explainable causes: unsafe working conditions, pre-existing health issues, criminal acts, and industry negligence. They also discuss The Conqueror, which stands apart as a verifiable environmental tragedy linked to nuclear testing. Throughout the episode, Clark and Bryant reveal how early Hollywood's dangerous practices and the film industry's ongoing safety challenges provide mundane explanations for accidents that some attribute to curses.

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Josh Clark and Chuck Bryant explore how movie curse myths emerge from selective focus on dramatic accidents that fit a supernatural narrative. Proponents cherry-pick incidents during and after production while ignoring uneventful aspects or unrelated tragedies. The hosts note this pattern-finding is a human tendency—people see dramatic connections in random events and mistake statistical likelihood for supernatural evidence. Bryant remarks that horror movies particularly attract curse stories, sometimes because marketing departments leverage these tales to enhance a film's mystique.
Early cinema was genuinely hazardous before modern safety standards. Clark recounts how the 1928 film Noah's Ark used 600,000 gallons of water in a flood scene, resulting in three drowned extras and one amputation. Similarly, three extras died during a single cavalry charge scene in They Died With Their Boots On. The 1983 Twilight Zone movie saw actor Vic Morrow and two child actors killed when a helicopter crashed during filming. These incidents highlight real dangers on film sets, far removed from notions of curses.
An objective examination reveals mundane explanations behind alleged curses. Many deaths involved individuals with pre-existing health conditions or occurred long after filming. Set accidents resulted from hazardous working conditions and negligent safety practices rather than supernatural forces.
Several infamous productions are cited as cursed, yet closer examination reveals tragedies stem from ordinary risks and industry failings.
The "Poltergeist" series deaths have explanations rooted in tragic but explainable circumstances. Dominique Dunn was murdered by her boyfriend months after the film's release in a clear case of domestic violence. Heather O'Rourke died at twelve from an undiagnosed intestinal blockage and septic shock. Will Sampson died from complications following a heart and lung transplant due to longstanding health issues, while Julian Beck died from stomach cancer after battling the disease for years. All deaths stemmed from clear natural or criminal causes, not supernatural interference.
The 1939 film's history is more a cautionary tale of hazardous working conditions than supernatural vengeance. Buddy Ebsen was hospitalized when aluminum powder makeup coated his lungs, forcing his replacement. Jack Haley suffered a severe eye infection from aluminum paste makeup, while Margaret Hamilton was badly burned when pyrotechnics ignited as a trapdoor malfunctioned. Judy Garland's tragic life was marked by MGM's exploitation—the studio prescribed amphetamines and cigarettes, leading to her barbiturate overdose at 47. These represent industry exploitation over supernatural curses.
George Reeves became typecast, struggled to find work, and died by suicide in 1959 after a period of depression. Christopher Reeve was paralyzed in a 1995 horse riding accident unrelated to his acting career, later turning the tragedy into advocacy for spinal cord injury research. His wife Dana Reeve died of cancer two years after his death—a family tragedy without supernatural elements.
Gregory Peck's son died by suicide before production, and lightning struck both Peck's and producer Mace Neufeld's planes en route to London. A last-minute crew change spared team members from boarding a charter jet that crashed on takeoff, killing all aboard. Special effects designer John Richardson survived a car crash that decapitated his assistant Liz Moore, though his claim of seeing an "Omen, 66.6 Km" road sign lacks photographic evidence.
Unlike most tales, this tragedy has a verifiable culprit. Filming occurred near St. George, Utah, under 150 miles from the Nevada Test Site where 11 nuclear detonations had occurred the previous year. About 40% of the cast and crew—91 of 220 people—later developed cancer. Principal actors John Wayne, Agnes Moorhead, Susan Hayward, director Dick Powell, and Wayne's sons all died or developed cancer. While surviving relatives cite lifestyle factors like smoking, many suspect radiation exposure played a major role.
Natalie Wood drowned while boating with husband Robert Wagner and co-star Christopher Walken. Known for her fear of water, Wood reportedly tried to get into a dinghy, possibly struck her head, and drowned after heavy drinking. Her death was initially ruled accidental but changed to "undetermined" in 2012. The film was completed with body doubles and flopped at the box office, with the curse association persisting due to the mystery and timing of her death.
Filmmaking has always carried significant risks through dangerous stunts, pyrotechnics, and special effects. Early Hollywood's studio system prioritized production output over safety, particularly for child actors and extras. Serious injuries and fatalities reflect an industry-wide pattern of inadequate safety practices rather than supernatural causes. As stunts become larger and more complex, the risk of injury increases, highlighting the ongoing tension between creative ambition and worker safety.
The film adaptation of "A Confederacy of Dunces" has been plagued by tragedies and setbacks. John Belushi was initially envisioned for the role of Ignatius Riley but died before filming. John Candy and Chris Farley were later attached but also died before production. Will Ferrell was eventually cast, but the project stalled. Further misfortune struck when the Louisiana State Film Commission official linked to the project was murdered, and Hurricane Katrina destroyed New Orleans filming locations. Despite these setbacks, a biographical film about author John Kennedy Toole titled "The Butterfly and the Typewriter," starring Thomas Mann, has emerged as a related project.
1-Page Summary
Josh Clark and Chuck Bryant highlight how the notion of movie curses emerges from a selective focus on dramatic accidents and tragedies that suit the supernatural narrative. Proponents of the curse myth concentrate on incidents during production and immediately afterward, ignoring the many uneventful aspects of filmmaking or tragedies unrelated to the production timeline. This purposeful cherry-picking excludes accidents and deaths that don’t fit the desired narrative, reinforcing an illusion of a curse.
The hosts note that this pattern-finding is a human tendency—people see dramatic connections in random events and mistake statistical likelihoods for evidence of the supernatural. Coincidental misfortunes or tragedies become fodder for curse stories, especially in horror films, which are often the target genre for these myths. Chuck Bryant remarks that horror movies seem to attract more curse stories than other genres, sometimes because marketing departments leverage these tales to enhance a film's mystique and marketability.
The history of filmmaking is filled with real dangers, especially before modern safety standards. Josh Clark recounts how the 1928 film Noah's Ark recreated a flood scene using 600,000 gallons of water in a single take. This led to tragedy: three extras drowned, and another suffered a leg injury severe enough to require amputation. Extras, including a young John Wayne, were exposed to significant risk and the loss of life was often disregarded.
Another example from the 1941 film They Died With Their Boots On (about a cavalry charge), involved three extras dying during a single scene. One particularly grim accident involved an extra being thrown from his horse, discarding his sword ahead of him; the sword stuck in the ground blade-up, and he was fatally impaled.
These tragic episodes weren’t just limited to early cinema. In 1983, the Twilight Zone movie set was the site of a notorious disaster. Actor Vic Morrow and two child actors, Xinyi Chan and Micah Dinh Le, were killed when a helicopter cra ...
Debunking Movie Curses: Selection Bias and Coincidence Create False Narratives
The legend of “cursed” film productions persists in Hollywood, yet closer examination reveals most tragedies stem from ordinary risks, misfortune, or industry failings rather than supernatural forces. Selection bias—the tendency to highlight only tragic, unusual events—amplifies these myths, as explored through several infamous film case studies.
The “Poltergeist” series is often cited among cursed films due to several cast deaths after the movies' releases. However, as Chuck Bryant and Josh Clark point out, these events have explanations rooted in tragic, but explainable, circumstances.
Dominique Dunn, who played the older sister in “Poltergeist,” was murdered by her boyfriend John Sweeney in a notorious case of domestic violence, just months after the film’s release. Despite a clear, criminal cause—Sweeney admitted to killing her—the association with the film persists only due to timing. Her father, writer Dominique Dunn, covered the trial extensively, and the family kept tabs on Sweeney for years.
Heather O’Rourke, the young star of the franchise, died tragically at twelve from an undiagnosed intestinal blockage leading to septic shock—initially misdiagnosed as the flu. Her sudden medical emergency had no connection to the film industry or the “Poltergeist” set.
Will Sampson, the actor behind the shaman in “Poltergeist II,” died the year after filming from complications following a heart and lung transplant. He had longstanding health issues due to his large stature.
Julian Beck, another “Poltergeist II” actor, died from stomach cancer after struggling with the illness for years before joining the franchise.
In all cases, the deaths, while tragic and sometimes clustered near the film’s release, stemmed from clear natural or criminal causes—not supernatural interference.
The “Wizard of Oz” (1939) is regularly called cursed, but its history is more a cautionary tale of hazardous old-Hollywood working conditions than supernatural vengeance.
Buddy Ebsen, the original Tin Man, suffered a life-threatening reaction when aluminum powder makeup coated his lungs. He was hospitalized and had to leave the role.
Jack Haley replaced Ebsen, using a slightly safer aluminum paste, but still suffered a severe eye infection.
Margaret Hamilton, who played the Wicked Witch, was badly burned when pyrotechnics ignited as a trapdoor failed to open on time. She returned to finish filming but refused further pyrotechnic work.
Clara Blandick, Auntie Em, died by suicide at 81 years old decades after filming, her death unrelated to events on set.
Judy Garland’s tragic life was marked by severe exploitation from MGM, who dictated her diet, subjected her to amphetamines and cigarettes, and employed predatory management. She died of a barbiturate overdose at 47, a victim of Hollywood’s abuses, not a movie curse.
Superman’s character is legendary, but the fates of its most famous actors are often cited as evidence of a curse—another myth rooted in the challenges of fame and circumstance.
George Reeves, star of the 1950s “Adventures of Superman,” became typecast, struggled to find work, and died by suicide in 1959 after a period of depression reportedly exacerbated by noisy gatherings.
Christopher Reeve was paralyzed in a 1995 horse riding accident unrelated to his acting career. He turned the tragedy into advocacy for spinal cord injury research, continuing to work as a director and actor.
Dana Reeve, Christopher’s wife, died of cancer two years after his death—a tragic family occurrence with no supernatural elements.
The production of “The Omen” was shadowed by a string of bizarre mishaps, particularly with aviation, giving rise to curse rumors.
Gregory Peck’s son died by suicide shortly before production. As Peck flew to London for filming, lightning struck his plane as well as a separate plane carrying producer Mace Neufeld.
A last-minute production change spared crew members from boarding a charter jet; the Japanese business group that replaced them perished when the plane crashed on takeoff, killing all aboard and those in a nearby vehicle.
A sanctuary animal handler working with the “Omen” team was killed by a tiger, further feeding curse rumors.
John Richardson, special effects designer, survived a car crash in Holland after the movie wrapped. His assistant, Liz Moore, was decapitated in the wreck. Richardson claimed to see a road sign for “Ommen” reading “66.6 km,” though no evidence of the sign exists, and the story’s accuracy is widely doubted.
Case Studies of Allegedly Cursed Films
Filmmaking has always carried significant risks. High-speed horse riding, elaborate water effects, pyrotechnics, and other special effects have long posed dangers to cast and crew. Fatal accidents have occurred during the production of numerous films, claiming the lives of actors, stunt performers, and extras.
In early Hollywood, child actors who were under studio contracts often received minimal protection regarding safety and well-being. The studio system prioritized production output over the protection of minors, exposing young performers to hazardous conditions with little oversight.
Stunt performers and background extras routinely faced life-threatening scenarios so filmmakers could capture spectacular visuals. Studio executives often prioritized dramatic or impressive shots above the safety of those on set, leading to a culture where physical risk was common and sometimes expected.
Serious injuries and fatalities on set are not rare or mysterious. Across film history, accidents have occurred in various eras, genres, and productions, reflecting an industry-wide pattern ...
Production Dangers and Accidents on Movie Sets
The film adaptation of John Kennedy Toole's acclaimed novel "A Confederacy of Dunces" has been plagued by a series of tragedies and setbacks, creating a reputation for being cursed. When the book was first published in the early 1980s, Hollywood saw its cinematic potential and began searching for the perfect actor to play Ignatius Riley, the novel's heavyset main character.
The producers initially envisioned comedy star John Belushi in the role, but he died before filming could begin. The next choice, John Candy, similarly passed away before the project moved forward. Several years later, Chris Farley, another well-known comedic actor with a similar build, was attached to play Ignatius Riley but also died in pre-production. Each actor selected for the part suffered an untimely death before production could commence.
Eventually, producers turned to Will Ferrell, reasoning that he was in good health and could either bulk up for the role or use special effects. Despite Ferrell being seen as a safer bet, the project continued to languish in development and never progressed to the filming stage.
Further misfortune struck when the head of the Louisiana State Film Commission, a key contact for the adaptation set in New Orl ...
Unfinished Films Cursed by Casting Deaths and Obstacles
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