In this episode of Stuff You Should Know, hosts Josh Clark and Chuck Bryant explore the art of contortionism, tracing its evolution from ancient Syria through Egyptian, Greek, and Indian civilizations to modern circus acts. The episode covers how contortionism has been integrated into various cultural and religious practices, with particular focus on Mongolia's rich tradition and its prestigious training schools that attract students worldwide.
The hosts delve into the physical aspects of contortionism, explaining how dedicated training and natural factors like hypermobility affect a performer's abilities. They discuss the role of medical conditions such as Ehlers-Danlos Syndrome in providing extraordinary flexibility, while noting the associated health risks and the importance of proper strength training to prevent injuries. The episode examines both the historical significance and modern understanding of this physical art form.

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The art of contortionism has deep historical roots, with evidence dating back to ancient Syria in 2300 BCE. Ancient civilizations, including Egypt, Greece, and India, incorporated contortionism into their cultural and religious practices. Josh Clark notes that in India, these poses had spiritual significance, particularly in tantric yoga and the Kama Sutra.
In 17th and 18th century Europe, Chuck Bryant explains that male "posture masters" gained prominence, with Joseph Clark becoming a notable figure. The late 18th century saw contortionism become a staple of circus acts, with performers like Ina Bertoldi achieving fame and being filmed by Thomas Edison.
Mongolia holds a special place in contortionism's history, with roots in Buddhist meditative practices and folk dances like Biyelgee. The art form gained international recognition through the Mongolian State Circus in the 1940s. Today, Mongolia is home to prestigious contortionist schools that attract students worldwide, though there's concern about maintaining the art's direct connection to Mongolian culture as training spreads globally.
Becoming a contortionist requires lifelong dedication and daily practice. While training can improve flexibility at any age, starting young provides advantages due to natural collagen fibers and less calcified muscles. Training involves various techniques including back bending, front bending, balancing, and twisting.
Natural factors like hypermobility can significantly advantage contortionists. Women often have a physiological edge due to hormonal influences on connective tissue, and conditions like Ehlers-Danlos Syndrome (EDS) can provide unusual ranges of flexibility.
Medical conditions affecting connective tissues, such as EDS and Marfan syndrome, can enhance a person's contortionist abilities by providing extraordinary flexibility. However, these conditions also come with risks, including joint instability and increased likelihood of injury. Those with hypermobile conditions often need additional strength training to compensate for weaker connective tissues, and may face complications such as shortness of breath, heart palpitations, and eye pain.
1-Page Summary
The art of contortionism stretches back thousands of years and has found its place in various periods of history and regions of the world.
Contortionism has been around for a very long time, and evidence of it can be traced back to ancient civilizations.
In ancient Egypt, pottery fragments dating to 1200 BCE show women dancing in backbends. These are presumed to depict a form of contortionism. In Greece, contortionists were definitely entertaining public festivals dedicated to deities like Dionysus around 2,500 years ago. Meanwhile, in India, sculptures in temples, dating to the 10th century CE, show women in contorted poses. Josh Clark speaks to a spiritual aspect to these posers referring to the contortions depicted in the Kama Sutra, which have links to tantric yoga practice.
Chuck Bryant discusses the "posture masters" of 17th and 18th century England, who were male contortionists known for performing publicly either to attract business or for entertainment. Joseph Clark became a widely recognized contortionist during the late 17th century, and the term "Clark" evolved to signify pleasing and giving someone what they wanted.
The circus began t ...
The History and Origins of Contortionism
Contortionism may have originated in Mongolia from meditative practices and a Buddhist dance known as psalm, which is tied deeply to the religion, requiring the training of both body and mind. Another indigenous Mongolian folk dance, Biyelgee, is known to blend contortionist elements into its movements. This dance involves full back bends, with performers lying flat on the ground on their backs while being on their knees, displaying a deep-rooted cultural connection to flexible body movements.
Andor Gigin Zanzibar, a revered Buddhist leader from the 17th century, provided considerable inspiration for Mongolian contortionists through sculptures that depicted figures in a series of contorted positions. These artistic representations served as a catalyst for the evolution and popularization of contortionism within Mongolian culture and beyond.
Upon becoming a Soviet satellite state in the 1940s, Mongolia's government started funding the Mongolian State Circus. Over time, this establishment gained international acclaim, partly due to its spectacular contortionism acts. The state circus played a pivotal role in elevating Mongolian contortionism to a global stage, showcasing the skill and artistry involved in this distinctive performative art.
Mongolia's tradition of ...
Cultural and Religious Significance of Contortionism in Mongolia
Contortionism involves bending the body in extraordinary ways through lifelong dedicated training and is facilitated by certain genetic conditions that allow extreme flexibility.
Contortionists work tirelessly to achieve and maintain their flexibility and skills. The training can improve one's abilities regardless of age, but starting young is considered beneficial due to natural collagen fibers and less calcified muscles and joints in children. Strength training is also an important part of a contortionist's regimen.
To become a professional contortionist, one must dedicate their life to daily hours-long practice sessions. Training involves extensive stretching to overcome the body's natural reflex that inhibits extreme muscle expansion. Techniques include back bending, front bending, balancing, and twisting, and aim to extend muscle fibers beyond just increasing range of motion.
The chest stand, a technique where one lies on the chest and bends at the waist so that their legs come over the body with feet landing next to the head, and the front bend, where one folds their head and chest between the legs to look at their own rear, are key moves in a contortionist’s repertoire. Balancing can involve lifting off the ground while contorted, sometimes using only the fingertips.
Some individuals have a natural predisposition for contortion, such as hypermobility, which allows for extreme flexibility and can significantly advantage those pursuing contortionism. Hypermobility is assessed using the Beighton scale, where a score of nine is common among contortionists.
The Training and Physiology of Contortionism
Contortionists often exhibit a level of flexibility and range of motion beyond what is ordinarily possible, and medical conditions affecting connective tissues can play a critical role in their abilities.
Genetics may contribute to one's capability to be a contortionist, particularly with conditions like Ehlers-Danlos syndrome (EDS). EDS comprises a group of 13 different syndromes and affects the strength and flexibility of connective tissues. There are connective tissue disorders that render people very hypermobile and hyperextendable because their connective tissue is less stiff, allowing for a range of motion beyond what is typical.
Contortionists who are hypermobile often need to engage in more strength training to compensate for weaker connective tissues. While they benefit from greater flexibility, they may also be more susceptible to injuries. Joint instability is a significant downside of hypermobility, leading to an increased risk of injury and dislocation. For example, certain contortionist moves make it appear as though a joint is being popped out, which could be connected to conditions that affect connective tissue flexibility. The increased likelihood of dislocations is an inherent risk for people with hypermobile conditions.
Marfan syndrome is another genetic condition that results in extremely flexible connective tissue. Like hypermobility spe ...
The Connection Between Contortionism and Certain Medical Conditions
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