In this episode of Stuff You Should Know, the hosts explore the nuanced art of floriography—a sophisticated form of communication using flowers that originated in Ottoman harems and reached its peak in Victorian Britain. The practice allowed people to convey complex messages through carefully selected flower arrangements, with every aspect from flower type to positioning carrying specific meaning.
The hosts delve into how this coded language worked, from the varied meanings of different rose colors to the intricate messages conveyed through nosegays (small bouquets). They explain how Victorians used these arrangements to express sentiments that social norms otherwise prohibited, supported by numerous published floriography guides that helped decode these botanical messages. The episode covers both the basic principles of flower language and specific examples of how these arrangements were used to communicate.

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The podcast traces the fascinating journey of floriography, the language of flowers, from its origins in the Ottoman Empire to its peak popularity in Victorian Britain. This sophisticated form of communication began in the Ottoman harems, where women used flowers to send coded messages. The practice was introduced to Europe through Lady Mary Wortley, a British aristocrat, whose letters home detailed the Ottoman custom of "Selam." The tradition later flourished in Victorian Britain and spread to the United States during the 19th century, offering a way to express feelings that strict social norms otherwise prohibited.
In floriography, every aspect of a flower carries meaning, from its type and color to its condition. Roses, for instance, speak different messages through their colors: red for love, white for purity, yellow for lost love, and crimson for mourning. Even the condition of flowers adds layers of meaning—a withered white rose might suggest someone has made no lasting impression. The podcast notes that between 1827 and 1923, 98 different floriography guides were published in the United States alone, leading to varied interpretations of flower meanings.
Victorian-era nosegays—small, tightly bound bouquets—served as sophisticated vehicles for secret messages. These arrangements incorporated both flowers and herbs, with meaning conveyed through the positioning of flowers, ribbon placement, and how the bouquet was worn. The podcast explains that wearing a nosegay over the heart signaled love, while centering it on the bodice indicated friendship. Through floriography, people could express otherwise taboo sentiments: marigolds for jealousy, lavender for distrust, and even tansy to declare war.
The podcast details specific examples of flower messaging, such as the thornless crimson rose symbolizing mourning unrequited love at first sight. The manner of accepting flowers also carried significance: receiving with the right hand meant "yes," while the left hand indicated "no." Response flowers provided another layer of communication—solid-colored carnations for "yes," yellow for "no," and striped for a gentle rejection.
1-Page Summary
The podcast reveals floristry's secret language known as floriography and traces its historic roots, starting from its conception in the Ottoman Empire to its popularization in Victorian Britain and its eventual spread to the United States during the 19th century.
Flowers were not just for decoration in the Ottoman Empire; they served as a sophisticated means of communication, especially for those who were illiterate. This particular use of flowers has a rich history that dates back at least to the 1600s.
Floriography—or Selam as it was known in this context—was deeply rooted within the harem of Constantinople. Women would attach rhymes and meanings to flowers and use them to send messages. This tradition captured the attention of Lady Mary Wortley, a British aristocrat who was married to the British ambassador to Turkey. Wortley's letters home were replete with descriptions of Ottoman customs, including Selam.
Floriography soon made its way to the UK, where it became a phenomenon among the upper classes. The practice of using flowers ...
The History and Origins of Floriography
Flowers hold a secret language all their own, known as floriography, with the type, color, and condition of flowers all playing a part in this delicate dance of coded messages.
In the intricate world of floriography, roses, in particular, carry strong emotions and messages. A red rose, for example, is a universal symbol of love, representing deep affection and passion. In contrast, a white rose signifies purity and innocence, often used to convey respect or remembrance. When it comes to a yellow rose, it sadly indicates the loss of love or affection, while a crimson rose bears the heavy weight of mourning.
Not just the color, but the condition of a flower adds layers of complexity to the message being sent. A withered white rose can imply that the recipient has made no lasting impression, or that their beauty has not withstood the test of time. If that rose is dried, it takes on an even more pointed meaning: a stern rejection of advances in defense of one's virtue.
The Complex Coded Meanings and Symbolism of Flowers
Floriography, the art of using flowers to convey messages, became a covert form of communication during the Victorian age, particularly through the use of nosegays.
Nosegays are small, tightly bound bouquets worn similarly to boutonnieres or corsages, and they were popular during the Victorian era. These arrangements were comprised not only of flowers but also of herbs. Each element of the nosegay carried its own distinct meaning.
The specific details in the arrangement--such as the position of the flowers, whether they were upside down, wilted, or the placement of the ribbon--conveyed layered meanings within these discreet floral messages. How the ribbon was tied on the bouquet was also significant: if it was tied to the left, the symbolism applied to the giver, and if tied to the right, it referred to the recipient.
Traditional positioning held its own signals. For example, wearing a nosegay in the center of the bodice indicated a desire for friendship, whereas wearing it over the heart implied love. Presenting a bouquet upside down could have conveyed the opposite of the flowers’ meanings. This could serve either to throw someone off or express more negative sentiments in a subtler manner.
In certain high societies across the UK, parts of the US, and Europe, openly discussing ...
Floriography for Secret Communication and Expression
The podcast dives into the intricate world of floriography, or the language of flowers, where specific flowers and arrangements convey nuanced messages. It prepares to discuss various coated flowers and their meanings, providing a glimpse into how flowers can silently communicate emotions and signals between people.
The podcast notes that a white rose, especially if withered, can suggest that the recipient's beauty is fleeting or that they have made no lasting impression. This color and state of the flower can deliver a rather harsh and transient message to the receiver.
Distinctly, a thornless crimson rose carries the weighty symbolism of mourning an unrequited love from the very first moment of falling in love. The absence of thorns on the crimson rose could represent a love that is unfettered by the pain usually associated with unrequited feelings.
In the language of flowers, even the manner in which a bouquet is accepted can communicate a response. Accepting flowers with the right hand signifies 'yes', a positive response to the giver. Conversely, taking the bouquet with the left hand stands for 'no', signaling a negative or non-accepting stance.
Chuck implies that the presentation of flowers carries a depth of meaning. An upside-down bouquet of flowers, in this case wilted white roses, is a clear indication of message rejection, symbolizing that the sentiments offered ...
Examples of Flower Arrangements and Their Meanings
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