In this episode of Stuff You Should Know, the hosts explore the story behind Gary Larson's "The Far Side" comic series. From his early influences in biology and nature to his journey from local magazine cartoonist to nationally syndicated creator, the episode traces how Larson developed his distinctive style of humor that divided editors and readers alike.
The discussion delves into Larson's impact on both popular culture and the scientific community, including how his work influenced scientific terminology and appeared regularly in academic seminars. The hosts also examine Larson's careful approach to potentially controversial subjects and his dedication to maintaining the comic's integrity through limited merchandising, all while exploring the unique elements that made "The Far Side" a cultural phenomenon.

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Gary Larson, creator of "The Far Side," developed his distinctive comedic style through his family's offbeat humor and his early exposure to nature. His brother played a crucial role by introducing him to marine life from Puget Sound, sparking Larson's lifelong fascination with biology. Although he switched from studying biology to communications at Washington State University—a decision he later regretted—his scientific interests remained central to his work.
Larson's career began modestly in 1976, selling cartoons to local magazines. His breakthrough came when the San Francisco Chronicle discovered his work "Nature's Way," which they rebranded as "The Far Side" and syndicated to 30 newspapers nationwide. The comic's unique humor divided editors and readers, with some dismissing it outright while others embraced its brilliance. The famous "Cow Tools" panel exemplified this division, requiring Larson to publicly explain its meaning.
"The Far Side" distinguished itself through interchangeable characters and absurd scenarios that invited readers' imagination. Larson's work blended humor with scientific concepts, as seen in panels like "Midvale School for the Gifted." Notably, he maintained the comic's integrity by avoiding sensitive topics and limiting merchandising opportunities.
According to Dr. Harold Varmus, head of the National Institutes of Health in 1998, Larson's influence extended deep into the scientific community, with his cartoons frequently appearing in scientific seminars. His work even contributed to scientific terminology—the term "thagomizer" from a 1982 cartoon was adopted by paleontologists. Larson's commitment to conservation was evident in his collaborations with scientific organizations and his donation of proceeds to Conservation International.
While some readers found certain cartoons controversial, particularly those involving religious figures or predator-prey relationships, Larson never intended to offend. A notable example was his 1987 cartoon about Jane Goodall, which initially drew criticism but later earned Goodall's appreciation. Throughout his career, Larson carefully controlled the commercialization of "The Far Side," even declining to watch the animated adaptations of his work, as noted by Chuck Bryant.
1-Page Summary
Gary Larson, the cartoonist famously known for his odd and offbeat humor, drew significant influence from his upbringing and family life, as well as his academic experiences.
Raised in Tacoma, Washington, Larson developed his sense of humor within a household filled with wackiness and a left-of-center comedic style. His family, including his parents and especially his older brother, played a significant role in shaping Larson's unique comedic outlook.
His lifelong passion for nature and biology was sparked by his brother, who had the habit of collecting live animals from the beaches of Puget Sound and bringing them home. This early exposure to the animal world left a lasting impression on Larson and is evident in the recurring theme of natural science that permeates his work.
Larson's initial academic pursuit was in biology, studying at Washington State University. However, he switched his major to communications partway through his education. This decision was motivated by his reluctance to commit to over four years of schooling and uncertainty about potential careers with a biology degree. Despite changing paths, Larson's love for biology never faltered ...
Gary Larson's Background and Influences
The enigmatic world of "The Far Side" began with Gary Larson’s early cartoon sales and culminated in a game-changing syndication deal.
Gary Larson initiated his career by selling six cartoons to Pacific Search, a regional science magazine, in 1976 for ninety dollars. He found further venues for his work, selling cartoons to other local magazines at three to five dollars each. In 1979, Larson secured a weekly spot in the Seattle Times for his cartoon strip "Nature's Way," earning $15 a week. However, "Nature's Way" was simply an early incarnation of “The Far Side,” to be later renamed by the San Francisco Chronicle.
During a trip to San Francisco with his portfolio, Larson managed to catch the attention of the San Francisco Chronicle. The publication offered to run "Nature's Way," which they would rebrand as "The Far Side." Furthermore, they offered syndication services that projected Larson’s cartoons into 30 newspapers across the country, significantly expanding the reach of his unique humor.
Yet the pathway to success wasn’t without its setbacks.
“The Far Side" received mixed reactions when it was presented to newspapers for syndication. Reactions varied greatly—one editor dismissed the cartoons saying, "this is not a Buffalo product." Editors and r ...
The Creation and Syndication of the Far Side
"The Far Side" by Gary Larson has captivated audiences with its unique brand of humor and distinctive style, setting it apart from other comic strips.
The Far Side is known for its recognizable drawing style and stock characters, like the beehive lady and the freckle-faced kid, typically used as interchangeable archetypes rather than specific individuals. The comic captures absurd moments in life, hinting at the universality of the depicted scenarios—these peculiar and amusing situations could presumably happen to anyone. This approach emphasizes the strip’s ability to elicit the reader's imagination, often ending panels with an open-ended scene that invites the audience to ponder what comes next.
Instances such as "Cow Tools" and "lupus slippophobia" are prime examples of Larson's imagination-driven storytelling, blending the mundane with the fantastical. "Cow Tools" shows a cow with a table of rudimentary tools, while "lupus slippophobia" illustrates a bizarre fear as a child slides through his kitchen chased by wolves, tapping into arcane phobias in comedic fashion.
The final original Far Side comic is a color panel featuring a character named Gary, akin to Larson himself, standing with Glenda the Good Witch amidst Far Side characters. A black-and-white panel follows, showing Gary in bed and recognizing people he knows in the characters from his dream—a nod to "The Wizard of Oz" and a testament to Larson's creativity.
Gary Larson's work is not only comedic but regularly incorporates scientific concepts and artistic elements. Specific panels, like "Early Experiments in Transportation," illustrate cave people with a comically flawed wheel, blending educational elements with humo ...
Style and Appeal of the Far Side Comics
Gary Larson's comic strip "The Far Side" has left a lasting mark not only in the realm of pop culture but also within the scientific community, thanks to his unique sense of humor and keen interest in science and nature.
Larson's interest in science was evident throughout the Far Side's run, and it made a significant impact within the scientific world. Dr. Harold Varmus, who was head of the National Institutes of Health in 1998, noted Larson's pervasive influence, revealing that Gary Larson slides were a common sight in scientific seminars. Larson's work resonated with researchers and scholars, blending education and entertainment in a way that made it an endearing part of their world.
One notable contribution to the lexicon of science came from a 1982 Far Side cartoon. In this comic, a caveman lectures about the spikes at the end of a Stegosaurus's tail, humorously dubbing them "thagomizer" after a fellow caveman Thag Simmons. This fictional term has since been informally adopted by paleontologists and is even used in semi-formal contexts, including by institutions like the Smithsonian’s Dinosaur National Monument.
At a time when being labeled a "nerd" was a derisive term, Larson celebrated the intellect and quirks of scientific enthusiasts with his nerdy humor, forging an affinity with the scientific community. His comics often featured nerds and, while humor was poked at all characters indiscriminately, his portrayal of science and biology as subjects of interest reflected a positive light on the culture of nerds.
Beyond his comics, Larson showed a commitment to nature conservation and the treatment of animals. The California Academy of Sciences presented an exhibit in 1987 that highlighted the Far Side's scientific humor, which then traveled nationwide. Larson’s contributions to the world of science and conservation are evidenced by the fact that prominent evolutionary biologist E.O. Wilson and pale ...
Larson's Relationship With the Scientific Community and Impact
"The Far Side" creator Gary Larson navigated the balance between groundbreaking comedy and the risk of offending readers, while also carefully curating the comic's merchandise to maintain the integrity of his work.
Larson’s work with "The Far Side" proved to be divisive at certain times. While some audiences regarded his work as brilliant, others felt uncomfortable or were offended, especially by his depictions involving religious figures such as God or the predator-prey dynamic between animals. The "Cow Tools" panel exemplifies the occasional division among readers, eliciting strong reactions from those who did not understand it.
Despite not setting out to offend, Larson sometimes unintentionally provoked strong responses. A notable incident from 1987 involved a satirical cartoon about Jane Goodall; this initially received significant backlash from the Jane Goodall Institute, which criticized it as "incredibly offensive." However, Goodall herself later found humor in the cartoon.
The range of reactions to Larson’s cartoons was substantial, demonstrating the cultural impact of "The Far Side." The last published strip, which referenced the ending of the original "Bob Newhart Show" and "The Wizard of Oz," left a lasting emotional impact on its audience, solidifying its legacy.
Despite the potential for widespread commercialization, Larson remained reluctant to exploit "The Far Side" beyond its original format. His decision to avoid watching the animated films "Tales from the Far Side" and its sequel suggests a particular focus on preserving the pure essence of the comic rather than extending its brand through various media. Chuck Bryant emphasized Larson’s choice as a ...
Larson's Approach to Sensitive Topics and Merchandising
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