In this episode of Stuff You Should Know, the hosts explore the history and cultural significance of the "devil horns" hand gesture, which began as a protective symbol against the evil eye in Italy before becoming a staple of rock and metal music culture. The discussion traces how various artists, from Ronnie James Dio to Geezer Butler, helped popularize this gesture in Western music.
The episode delves into how different bands developed their own unique hand signals, and examines the controversy surrounding Gene Simmons' attempt to trademark the "devil horns" gesture. The hosts also investigate the gesture's earliest documented uses in music, including its appearance on album covers and its evolution into different forms across various metal scenes, such as Japan's "Kitsune" sign associated with Babymetal.
Sign up for Shortform to access the whole episode summary along with additional materials like counterarguments and context.
The iconic "devil horns" hand sign, known as "corna" in Italian, originated as a protective gesture against the evil eye in Italy before becoming synonymous with rock and metal music. While Ronnie James Dio popularized the gesture in the metal scene, its use in music predates him, appearing with artists like Geezer Butler of Black Sabbath and even on The Beatles' "Yellow Submarine" album cover.
Various bands developed their own unique hand gestures. Van Halen, during Sammy Hagar's era, created a suggestive variation using two "I love you" signs. The band Poison reportedly had their own signal involving finger snapping and hand slapping. Notably, Gene Simmons of KISS faced significant backlash for attempting to trademark the "devil horns" gesture.
In metal concerts, these hand gestures serve as powerful forms of non-verbal communication. While the traditional "devil horns" remains prominent in Western metal culture, Japanese metal shows feature the "Kitsune" sign, representing a fox face and particularly associated with the band Babymetal. Despite its sometimes ominous appearance, the "devil horns" sign primarily represents music appreciation rather than any occult meaning.
Josh Clark suggests that Jynx Dawson of Coven may have been the first to use the "devil horns" sign, featuring it on their album "Witchcraft Destroys Minds and Reaps Souls." While interesting coincidences exist between Coven and Black Sabbath's origins, Black Sabbath members, including Ozzy Osbourne and Geezer Butler, deny any direct influence. Dom Lawson from Metal Hammer notes that Coven's album likely never reached the UK during Black Sabbath's formation. The recognition of Dawson's early use of the sign played a role in challenging Gene Simmons' later trademark attempt.
1-Page Summary
The "devil horns" hand sign has become iconic in rock and metal music, but its origins have roots that transcend musical culture.
The "devil horns" hand sign, referred to as a "corna" in Italian, meaning "horn," originates from Italy as a symbol to ward off the evil eye. It was a superstitious gesture used for protection, believed to counteract negative energies or ill-fortune.
While the "devil horns" predate the heavy metal genre, it was vocalist Ronnie James Dio who popularized the gesture in the metal scene. Dio began using the gesture during concerts and public appearances, associating it with the theatrics of metal music. The sign quickly became a staple at rock concerts, synonymous with the rebellious and spirited nature of the genre.
Origin and History of "Devil Horns" Hand Sign
Aside from the well-known "devil horns" hand sign, heavy metal bands have occasionally used or have been associated with other unique hand gestures.
Van Halen, during the Sammy Hagar era, adopted a particular hand sign. They combined two "I love you" gestures into a pose that suggested something more risqué.
While White Lion has been jokingly said by Josh Clark to make a 'W' sign with two index fingers and thumbs touching, it was a fabrication for fun. However, the band Poison is said to have had their own hand signal involving an action where one snaps their fingers followed by slapping the hand atop a closed fist three times.
Although not detailed in the pr ...
Other Hand Signs Used In Heavy Metal Music
Hand signs carry a rich history and meaning that transcend languages and cultures. In the world of music, particularly in metal concerts, hand gestures act as a powerful form of non-verbal communication, projecting both cultural references and musical appreciation.
While not detailed in the provided content, it is significant to note the "devil horns" hand sign has connections to Italian folklore. Traditionally used to ward off the "evil eye" or as a superstitious gesture, the hand sign involves extending the index and little finger while holding down the middle and ring fingers with the thumb.
In Japan, the hand sign used at metal concerts, particularly by fans of the band Babymetal, varies slightly from the traditional devil horns seen in the West. The "Kitsune" sign, specific to Japanese metal shows, involves bringing the ring finger and middle finger together to touch the thumb, while the pinky and index finger are raised. This configuration represents the face of a fox and is rooted in Japanese culture, which often associates foxes with mythologica ...
Cultural and Symbolic Meaning of Hand Signs
The cultural roots of the "Devil Horns" hand sign, an emblematic gesture in rock and heavy metal music, spark discussion and controversy with regard to its origins and claims of ownership.
Josh Clark suggests that Jynx Dawson, the lead singer of Coven, may have been the first to use what is now recognized as the "Devil Horns" hand sign. Clark describes Coven as a band that played "super dark psychedelic rock," a genre undeniably fitting for such a symbol. Dawson, raised in a left-hand path house and educated as a Satanist in the tradition of Anton LaVey and Aleister Crowley, apparently embraced the sign as part of her identity. This pivotal connection to Dawson and Coven is illustrated by the "Devil Horns" being featured on the back cover of their album "Witchcraft Destroys Minds and Reaps Souls."
Connections between Coven and Black Sabbath have teased the minds of many rock aficionados, but members of Black Sabbath, including Ozzy Osbourne and Geezer Butler, have consistently denied any direct influence. Notably, at the time Black Sabbath was emerging in Chicago and transitioning from the name Earth to Black Sabbath, Coven had a bassist coincidentally named Greg Osbourne. Skeptics like Dom Lawson from Metal Hammer have pointed out that Coven's album probably didn't reach the UK, making it unlikely that Black Sabbath members had laid ears on it.
Events and Figures Related To "Devil Horns" Hand Sign
Download the Shortform Chrome extension for your browser