In this episode of Stuff You Should Know, the hosts explore the origins and evolution of heavy metal music. Beginning with Black Sabbath's emergence from Birmingham in 1968, they trace how an industrial accident shaped the genre's signature sound, and examine the rise of influential movements like the New Wave of British Heavy Metal, which helped establish the genre through extensive touring and theatrical performances.
The hosts delve into heavy metal's numerous subgenres, from thrash and death metal to groove and nu-metal, while addressing the challenges of categorizing bands within these classifications. They also discuss the genre's distinct cultural impact, examining its dedicated fanbase, fashion, complex musical arrangements, and the ways metal artists have approached social themes through their work.
Sign up for Shortform to access the whole episode summary along with additional materials like counterarguments and context.
Black Sabbath emerged from Birmingham in 1968, marking a stark departure from the era's upbeat blues rock with their darker, heavier sound. According to the hosts, a workplace accident that cost guitarist Tony Iommi his fingertips inadvertently helped create heavy metal's signature sound, as he had to downtune his guitar and develop a distinctive riff-based style to accommodate his prosthetics.
By the mid-1970s, the New Wave of British Heavy Metal took shape, with bands like Iron Maiden and Judas Priest establishing heavy metal as a distinct genre through extensive touring and memorable stage shows. These acts would later inspire the formation of influential 1980s bands like Metallica and Slayer.
The hosts discuss how thrash metal emerged in the 1980s with the "big four" - Metallica, Megadeth, Slayer, and Anthrax - offering a raw, politically-charged alternative to the decade's flamboyant hair metal. Death metal and black metal soon followed, with Chuck Bryant and Josh Clark noting how bands like Possessed and Venom laid the foundations for these more extreme subgenres.
As grunge rose to prominence in the 1990s, metal evolved further. Bands like Pantera pioneered groove metal, while Korn and Slipknot brought nu-metal to the forefront. The 2000s saw the rise of the New Wave of American Heavy Metal, with bands like Lamb of God focusing on technical proficiency and social themes.
The hosts emphasize heavy metal's unique fanbase and subculture, characterized by passionate support and distinctive fashion. They point to Iron Maiden's ability to fill stadiums worldwide as evidence of the genre's devoted following. The artistic merit of heavy metal is demonstrated through its virtuosic musicianship, complex themes addressing societal issues, and striking visual aesthetics in album art and stage shows.
Josh Clark and Chuck Bryant explore the difficulty in definitively categorizing certain bands as heavy metal or hard rock, using examples like Led Zeppelin and Van Halen. They note how the genre's continuous evolution and diversification further complicate classification. The hosts suggest that personal taste significantly influences how people categorize metal, making its definition inherently subjective and complex.
1-Page Summary
An exploration into how Black Sabbath forged the path for heavy metal and a new wave of British bands cemented the genre's distinct characteristics.
Emerging from the tail end of the 1960s, Black Sabbath is credited not only with birthing heavy metal but also signaling the end of the free love era with a sound that contrasted the upbeat blues rock of the time.
This Birmingham-based band, characterized by Ozzy Osbourne's haunting vocals, began as a distinct turn away from the colorful music of the '60s. They drew from more sinister themes that could be heard within the tracks of their eponymous debut album.
The hosts discuss how Tony Iommi, the band’s left-handed guitarist, lost the tips of two fingers in a factory accident, which led to a series of adaptations in his playing style. Iommi created crude finger prosthetics and loosened his guitar strings to make them easier to bend, inadvertently crafting a deeper, heavier sound that became a key component of heavy metal music. This riff-based style was further bolstered by his switch to lighter strings and a slower playing speed to accommodate his prosthetics.
Black Sabbath's music was also informed by the occult and grislier subject matter, marked by the song "Black Sabbath," inspired by a chilling dream Osbourne had and sharing its name with a Boris Karloff film. Their second album, "Paranoid," is treasured in metal circles, with the iconic "War Pigs" exemplifying the essence of the genre.
In the mid-1970s, the robust British metal scene fostered a generation of bands that brought to the fore heavy metal as a standalone genre.
Chuck Bryant talks about bands like Iron Maiden an ...
The Origins and Early History of Heavy Metal
Chuck Bryant and Josh Clark discuss the rich history of heavy metal and its various branches that range from the raw, politically-charged thrash of the 1980s to the guttural convictions of death metal, the ideological darkness of black metal, and the genre's continued evolution into the 21st century.
Bryant and Clark reminisce over the "big four" of thrash metal—Metallica, Megadeth, Slayer, and Anthrax—whose sounds diverged significantly from the flamboyant hair metal of the decade. Metallica's "Ride the Lightning" and "Master of Puppets" are referenced as iconic thrash albums, characterized by a raw sound and less production.
The four bands, considered pioneers of the thrash subgenre, were amongst those who cited bands like Iron Maiden as a significant inspiration for their more aggressive and speed-oriented sound.
Hair metal dominated the 1980s airwaves with bands like Ratt, Motley Crue, Poison, and Skid Row. Their presence on MTV, characterized by an over-the-top flamboyancy, was distinctly different from thrash metal's straightforward aggression.
Josh Clark appreciated Metallica, particularly the album "And Justice For All," possibly the perfect metal album in his view. Anthrax was mentioned as a personal favorite from Clark's eighth-grade year. These bands influenced legions of followers and set a standard for the thrash metal subgenre that resonated well beyond the 1980s.
As Bryant and Clark point out, the darker themes of metal were first seen in bands like Merciful Fate and their lead singer King Diamond, which set the grounds for death and black metal to emerge.
San Francisco's Possessed released "Seven Churches" in 1985—what is considered legitimate death metal—while Venom and Bathory were pivotal in laying the foundations for black metal.
Clark notes that death metal features themes of gore and complex rhythms, while black metal is known for its shrieking vocals and satanic themes.
The hosts recount the infamous events involving the Norwegian black metal band Mayhem, which included suicides, church burnings, and murders, giving the subgenre a notorious reputation.
As the hosts continue, they note the diversification in ...
The Diversification and Evolution of Heavy Metal Subgenres
Discussing the cultural and artistic significance of heavy metal, with a focus on Iron Maiden and Black Sabbath, the hosts delve into the passionate fanbase, subculture, and artistic expression that define this fervent music genre.
The fanbase and subculture surrounding heavy metal music are unique and deeply rooted in a shared appreciation for the genre.
Lady Gaga, among other celebrities, has expressed admiration for the passionate support and dedication of Iron Maiden's fanbase, even hoping to inspire a similar level of commitment from her own followers. This devotion is exemplified by Iron Maiden's ability to consistently fill stadiums, especially in regions like South America, where they have an exceptionally fervent following.
The heavy metal subculture is distinguished by a distinct fashion sense that includes black clothing, leather, studded accessories, and a shared appreciation for the music's intensity and power. The hosts reflect on Iron Maiden's positive and encouraging image, which they believe contributes significantly to the tight-knit community feeling among fans of the genre.
Deeply embedded in the world of heavy metal are virtuosic talent, creative themes, and striking aesthetics, each playing a crucial role in the genre's artistic significance.
The technical skill and artistry of heavy metal musicians are essential to the genre's perception as a form of artistic expression. Chuck Bryant remarks that no metal band is complete without a great guitar player, underlying the significance of virtuosity and technical prowess in heavy metal music.
Discussing the progression of Blac ...
The Cultural and Artistic Importance of Heavy Metal
Josh Clark and Chuck Bryant tackle the intricate task of defining the elusive boundaries of heavy metal music and how subjective and complex this classification can be.
The hosts discuss bands such as Van Halen, Led Zeppelin, and Aerosmith and their uncertain status as either heavy metal or hard rock. They explore the distinctions and similarities between these bands and the overarching genres, noting how musical experiments with distortion-heavy guitar or themes from "Lord of the Rings" add layers to the categorization challenge.
Clark and Bryant home in on Led Zeppelin, a band which has consistently denied the heavy metal label, preferring associations with blues rock or hard rock. Despite this self-classification, there remains debate among fans and music enthusiasts over where bands like Led Zeppelin belong.
From the sinister tones of Black Sabbath compared to the more upbeat themes of Led Zeppelin to the glam of Van Halen, the variety within rock music complicates subgenre categorization. The hosts contemplate whether Van Halen, with their lack of dark themes and Eddie Van Halen's unique overalls outfit, could count as metal. They also discuss the rise of industrial metal with bands like Ministry, which transitioned from synth pop to industrial, and Godflesh, both illustrating the diversification within metal.
Throughout their conversation, Clark and Bryant recognize the shifting nature and the nuanced subgenres of metal, highlighting personal taste and subjectivity as major factors in how bands are categorized.
Metal's many sub-genres and sprawling categorizations are proving to be ever-evolving, resisting an easy definition that can be universally agreed upon. This complexity shows that the definition of heavy metal is not static but rather is constan ...
Challenges Of Defining and Categorizing Heavy Metal Music
Download the Shortform Chrome extension for your browser