In this Stuff You Should Know episode, the hosts explore the "Beautiful Music" radio format that gained prominence in the 1960s and early 1970s. This format, which featured orchestral pop hits and standards with minimal vocals, emerged as FM radio's answer to AM radio's rock music dominance, providing a soothing soundtrack for household activities.
The episode details how the format grew following a 1965 FCC ruling and how companies like SRP and Bonneville shaped its development through technological innovation and strict broadcasting standards. The hosts also examine how Beautiful Music specifically targeted stay-at-home housewives and discuss its eventual decline as rock and pop music gained popularity, including its portrayal in the TV show "WKRP in Cincinnati."
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In the 1960s and early 1970s, while AM radio dominated with hits and rock music, FM radio carved out its niche with the "Beautiful Music" format. This format featured orchestral pop hits and standards with minimal vocals, designed to create a soothing backdrop for household activities.
The Beautiful Music format's growth was sparked by a 1965 FCC ruling requiring AM and FM stations under the same ownership to broadcast different content. Syndication companies like Schuelke Radio Productions (SRP) and Bonneville revolutionized radio broadcasting by providing pre-recorded, high-quality programming tapes and introducing random song selection technology to prevent repetition.
These companies maintained strict quality standards, requiring stations to upgrade their equipment and limit advertising to six minutes per hour at lower volumes than the music. This approach created an uninterrupted, polished listening experience that became the format's hallmark.
The Beautiful Music format specifically targeted stay-at-home housewives, who were considered key decision-makers for household purchases. The format was designed to provide pleasant background music for domestic tasks. However, as rock and pop music gained popularity and younger listeners' buying power increased, many stations began shifting away from Beautiful Music.
This transition was notably portrayed in popular culture through the TV show "WKRP in Cincinnati," which depicted a fictional radio station's switch from Beautiful Music to rock format. The show featured characters like Dr. Johnny Fever and Venus Flytrap embracing the new format, while others like Herb Tarlic had to adapt to selling advertising for a rock station.
1-Page Summary
The evolution of radio formats saw the rise and fall of the "Beautiful Music" genre, a chapter of audio broadcasting marked by both growth and eventual decline.
In the 60s and early 70s, FM radio was considered square, offering what today is known as easy listening music. In contrast, AM radio was the hub of hits and rock music.
Beautiful Music, an FM radio format also known as easy listening, featured orchestral pop hits, standards from the Great American Songbook, and generally minimal vocals. When vocals were included, they were either choral or instrumental in treatment, eschewing lyrical prominence. This format was crafted to be soothing and unobtrusive, fostering an environment conducive to household chores, thereby being particularly targeted at women and housewives.
The "Beautiful Music" format saw considerable growth due to a 1965 FCC ruling that mandated distinct content for AM and FM stations under the same ownership. This regulation paved the way for FM stations to specialize in the Beautiful Music format.
Syndication companies like Bonneville played a pivotal role in the distribution and standardization of the Beautiful Music format. They not only provided pre-recorded tapes but also introduced automatic tape players that selected tracks at random, maintaining a fresh listening experience by avoiding repetitious playlists.
Radio Formats' History: Rise & Decline of "Beautiful Music"
The "Beautiful Music" format revolutionized radio syndication and automation, laying the groundwork for efficient distribution and management practices that are still influential today.
Schuelke Radio Productions (SRP) became a major force in the radio industry by pioneering the syndication of the "Beautiful Music" format. They provided ready-to-play reel-to-reel tapes that were fully programmed, facilitating a standardized and efficient broadcasting experience for radio stations.
To ensure consistency and quality across broadcasts, SRP required stations that wanted to use their services to upgrade to broadcasting equipment compatible with their high-quality tapes. Additionally, stations were tasked with hiring engineers to maintain the broadcast quality up to SRP's high standards. Adherence to SRP's syndication also meant stations had to obey strict advertising restrictions, limiting commercial time to only six minutes per hour and mandating that the ad volume be lower than the music.
SRP's programming methodology followed the rhythm of the day, claiming to sync with listeners' daily routines while building and waning sound in a cycle designed to reduce listener fatigue. Bonneville's technology contributed to this effortless listening experience by introducing a random selection method for queuing up songs, preventing the repetition that can lead to audience disinterest.
To preserve the "Beautiful Music" format's serene environment, stations conscientiously limited advertisements to maintain a n ...
Business and Technology in Music Formats: Syndication, Automation, and Radio Innovations
The popularity of the "Beautiful Music" (BM) format, once a staple for stay-at-home housewives, has been significantly shaped by cultural and demographic shifts.
The BM format was designed to optimize listener engagement for a very specific audience: women, particularly those who stayed at home.
Advertisements embedded within the BM format were explicitly directed at women because they were considered key decision-makers when it came to purchasing household items. Radio was a medium that reached them effectively, especially because they habitually tuned in.
The format itself was crafted to be a pleasant and unobtrusive companion for women engaged in their daily domestic tasks. The aim was to create a tranquil soundtrack that could run in the background at home throughout the day.
However, cultural preferences and the radio landscape have evolved significantly, affecting the standing of the BM format.
The ascent of rock and roll captured the attention of younger audiences, who also held substantial buying power. Their listener preferences initiated a s ...
Cultural and Demographic Influences on Beautiful Music Popularity Among Women and Housewives
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