In this episode of Stuff You Should Know, the hosts explore the world of exploitation films, tracing their evolution from early 1910s productions that tackled controversial topics under the guise of public service. The discussion covers how the implementation of the Hays Code in the 1930s inadvertently led to the growth of independent, low-budget films that pushed societal boundaries.
The hosts examine key figures and movements in exploitation cinema, including Russ Meyer's contributions and the rise of blaxploitation films in the 1970s. They also discuss how exploitation elements influenced mainstream Hollywood, from Steven Spielberg's "Jaws" to contemporary blockbusters, and how directors like Quentin Tarantino continue to incorporate exploitation film elements into modern cinema.
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Early exploitation films emerged in the 1910s, with "Traffic in Souls" setting the stage by addressing controversial topics like the white slave trade. These films often tackled taboo subjects under the guise of public service, featuring shocking content that pushed societal boundaries.
The introduction of the Hays Code in the 1930s, rather than limiting exploitation films, actually stimulated their growth. Independent filmmakers seized the opportunity to create low-budget movies featuring graphic content, distributing them through alternative venues like VFW halls.
In the 1960s, Russ Meyer became known as the "king of the nudies" with films like "Faster Pussycat Kill! Kill!" which paradoxically both objectified and empowered female characters. The 1970s saw the rise of blaxploitation cinema, with Melvin Van Peebles' "Sweet Sweetback's Baadasssss Song" pioneering a new genre that featured powerful Black protagonists challenging white authority.
Chuck Bryant and Josh Clark discuss how horror exploitation evolved in the 1970s-80s, with films like "The Toxic Avenger" pushing boundaries in graphic content rather than social commentary. Clark points to "I Saw the Devil" as an example of extreme violence in modern exploitation cinema.
According to Bryant, major studios began adopting exploitation formulas in the 1960s-70s, with "Jaws" marking a turning point by bringing B-movie style to mainstream audiences. Clark notes that modern blockbusters can be considered exploitative in their focus on spectacle.
Quentin Tarantino's films, including "Kill Bill" and "Inglourious Basterds," pay homage to exploitation cinema by combining cinematic references with exploitation elements. The genre's influence continues to shape contemporary filmmaking, with Bryant noting that while traditional exploitation films have declined, their legacy lives on through blockbusters and modern horror films.
1-Page Summary
Exploitation films have a long history of challenging societal norms and pushing the boundaries of cinematic content. These films, which often featured controversial and taboo topics, evolved significantly through the 20th century.
The early exploitation film "Traffic in Souls" or "While New York Sleeps" from 1913 can be credited with highlighting the public fear of the white slave trade at the time. With a budget of $57,000 and a gross of $450,000, its success indicated the public's interest in sensational content, prompting Universal Pictures to invest in the exploitation genre. These films often depicted violence and sex hygiene in a manner that was shocking for the era, satisfying the curiosity of audiences under the guise of public service.
Early exploitation films not only capitalized on public fears but also contained shocking content such as decapitations, violence, and naked women. The genre delved into topics like how to wear a condom and sex hygiene, with filmmakers exploiting the era's restrictions by purporting to provide public service through sensationalist means.
Introduced by Will Hays, the Hays Code sought to enforce moral standards in filmmaking, responding to the controversial subjects permeating early films. Despite its regulatory intent, the code paradoxically stimulated the exploitation film movement, much as prohibition spurred a flourishing black market.
As a result of the Hays Code, independent filmmakers saw an opportunity to create low-budget movies that featured graphic violence, sex, and taboo subjects. These films often circulated outside mainstream distribution channels, being shown at venues such as VFW halls by traveling exhibitors.
The weakening of the Hays Code following the Paramount decision of 1948 gave rise to more overtly exploitation films. World War II's end also brought a slight relaxation on the portrayal of sex in cinema. Films such as "Reefer Madness" emerged during this time as drugsploitation cautionary tales, often presented as public services. Duane Esper pushed cinematic boundaries with films like "Sex Madness" and "Psychotic Connections," further expanding what was deemed acceptable content.
Director Todd ...
The History and Evolution of Exploitation Films
Chuck Bryant and Josh Clark delve into the world of exploitation cinema, tracing the influential films and directors who have shaped its controversial legacy.
Meyer’s portrayal of women was marked by a paradoxical mix of empowerment and objectification. They highlight that despite their objectified portrayal for physical attributes, with Meyer allegedly hiring actresses in their first trimester of pregnancy to enhance their voluptuousness, his films presented these women as assertive heroines, dominant and unsubmissive to men. These portrayals sparked a wave of sexploitation films, part of which were the women-in-prison movies.
Despite the underlying sexual exploitation, "Faster Pussycat Kill! Kill!" stands out as an example of Meyer’s “nudie” genre, showcasing assertive females challenging gender norms. Meyer, crowned the "king of the nudies," made 26 movies with "Faster Pussycat Kill! Kill!" hailed as his magnum opus. In "Faster Pussycat Kill! Kill!" three go-go dancers embark on a crime spree, challenging the traditional passive role of women in cinema of that era.
Moving to the 1970s, Bryant and Clark discuss how blaxploitation cinema shifted the portrayal of African American characters. These heroes, unlike the traditional archetypes, were a post-civil rights-era representation of defiance and anger against white authority.
"Sweet Sweetback's Baadasssss Song" is a prime example of this category, as a groundbreaking film that made waves for its self-sufficient production led by Melvin Van Peebles, and for initiating the blaxploitation subgenre, a pivotal element in American cinema. It portrayed Sweetback on a vengeful path against "the man" following his defiance against police brutality.
Successors of "Sweet Sweetback's Baadasssss Song" included films like "Shaft" and "Superfly," which followed suit in focusing on powerful Black protagonists while ensuring a broader appeal. These films managed to capture mainstream attraction without intimidating the traditional establishment whilst retaining the blaxploitation ethos.
Transitioning from social commentary to pure en ...
Key Subgenres and Influential Films/Directors Within Exploitation Cinema
The rise of exploitation films has had a profound influence on the direction and aesthetic of mainstream Hollywood, leading to a merge between high-budget productions and the exploitation formula, and inspiring filmmakers like Quentin Tarantino.
In the face of the success of 1960s-1970s grindhouse cinema, major studios began to adopt the exploitation formula, which often meant bigger budgets for films that capitalized on trends. According to Chuck Bryant, "Jaws" was seminal in bringing mainstream respectability to the B-movie style and was the first film to demonstrate the summer blockbuster’s potential, a sentiment echoed by Josh Clark. Clark notes that these blockbusters, given their roots, can be considered exploitative in catering to the viewer's taste for spectacle.
Quentin Tarantino is particularly noted by Chuck Bryant for his overt production of homage-filled exploitation films like "Kill Bill" and "Death Proof." Tarantino combines cinematic references with exploitation elements for a unique postmodern style. "Inglourious Basterds," influenced by Nazi exploitation films, is another example of his work that exhibits over-the-top, lurid content. Bryant also touches on the aesthetic efforts to reclaim the 70s exploitation vibe, like shooting with 16-millimeter film.
Exploitation fi ...
Exploitation Films' Influence on Mainstream Hollywood
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