In this episode of NPR's Book of the Day, author Tomi Adeyemi discusses her new novel "The Sirens," which follows a first-generation college student drawn to an exclusive and dangerous social group on campus. Adeyemi shares how her own experience in a Harvard social club inspired the story, though she intentionally reimagined it to explore the psychological costs of pursuing acceptance and power. The conversation also covers how Adeyemi's decade-long writing career has been shaped by isolation and emotional pain, with her work serving as a lifeline for readers facing their own struggles.
The episode addresses Adeyemi's shift from fantasy to contemporary fiction, her controversial public statement about the "Children of Blood and Bone" film adaptation, and her approach to social media engagement. Throughout the discussion, Adeyemi explains how themes of belonging, mental health, and the universal nature of pain inform her storytelling across both genres.

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Tomi Adeyemi's novel, "The Sirens," explores themes of belonging, mental health, and the dangerous allure of exclusive social groups through Emery, a first-generation Dartmouth freshman who feels out of place until she encounters the Sirens—an enigmatic group of captivating women on campus. Despite warnings, Emery is irresistibly drawn to their power, understanding that pursuing them means risking self-destruction and damaging her relationships. She hopes joining the Sirens will give her control over her life and transform her beyond her circumstances.
Adeyemi draws inspiration from her sophomore year experience in a Harvard finals club, an all-female social group where she found camaraderie through dinners, dancing, and laughter. However, she intentionally reimagines the fictional Sirens as darker and more sinister to explore the psychological costs of pursuing acceptance and power within elite circles.
Adeyemi describes her decade-long writing career as shaped by intense emotional pain and isolation, visiting "dark, dark pain" and "deep, deep, lonely, isolated places." These experiences inform her authentic portrayals of suffering. She recounts fans telling her that her books served as lifelines during psychiatric ward stays, rehab, or other challenging moments—sometimes literally keeping them alive.
Through these interactions, Adeyemi has learned that pain is universal, but isolation magnifies its danger. She emphasizes that when a character, story, or song can "meet you in that loneliness," it breaks the isolation and provides hope. Her work intentionally validates readers' pain and bridges the gap between isolation and recovery, using fiction as a guide out of emotional darkness.
Adeyemi recalls how the 2015 Charleston church shooting left her feeling vulnerable and questioning her future. Fantasy worldbuilding became her "oxygen tank," allowing her to process real-world darkness in a space where she could breathe. While fantasy still engaged with harsh realities, it provided necessary distance for her to cope emotionally.
With "the Sirens," Adeyemi shifts to contemporary realistic fiction, marking a turning point in her stability. She describes standing in the real world "not with a spear, not with maybe magic coursing through my veins," but simply as herself. This willingness to write in a realistic setting demonstrates both artistic growth and deeper emotional stability—she no longer needs fantasy's escape to face real-world darkness.
After the "Children of Blood and Bone" movie trailer dropped, Adeyemi posted and then deleted a video denouncing the film and revealing mistreatment during production, calling it "the worst thing I have ever had to live through." She clarifies the controversy wasn't about creative disagreements but specific harmful behind-the-scenes incidents. Her decision to speak out came from recurring problems that prevented her from moving forward, though she was reluctant to discuss it publicly.
Adeyemi emphasizes she didn't want to take away what the project means to fans, especially young Black audiences, and acknowledges that speaking negatively about a Black-led project risks attracting unwanted attention. She now takes a neutral stance toward the film, viewing herself as a vessel who completed her spiritual calling and is ready to move on, stating, "I'm not against anyone."
Adeyemi keeps comments open on social media as a principle, believing that closing them would be dictatorial and undermine authentic engagement. She views social media as inherently a two-way street and refuses to restrict commentary to just positive feedback. Adeyemi willingly accepts all audience feedback—supportive, critical, or negative—believing that people should always have the right to express their opinions about her as a public figure.
1-Page Summary
Tomi Adeyemi’s novel, "The Sirens," explores deep themes of belonging, mental health, and the intoxicating yet dangerous pull of exclusive social groups. Central to the story is Emery, a freshman at Dartmouth College, who navigates these treacherous waters in search of transformation and power.
Emery is portrayed as a sheltered young woman, the daughter of a maid and the first in her family to attend college. Despite this accomplishment, her mother's protective nature and frequent check-ins hint that Emery is struggling emotionally and mentally. Attempting to adapt to college life, Emery tries attending social events—such as a party with her roommate—but she cannot shake a persistent sense of discomfort and alienation.
It is only when Emery encounters the Sirens, an enigmatic group of strikingly cool and alluring women on campus, that she becomes captivated. Despite being warned by others to steer clear of the Sirens, Emery is irresistibly drawn to their magnetic presence. Adeyemi compares their appeal to their mythological counterparts: alluring, enchanting, and dangerous. The pull toward the Sirens signifies not only the desire for belonging and power but also an awareness of self-destruction. Emery understands that, in chasing acceptance from the Sirens, she is risking harm to herself and her relationships, sacrificing connections with people she cares about at Dartmouth just to get closer to the group.
Underlying Emery’s fascination is the desperate hope for transformation. She wants to become more than her upbringing and circumstances—to become someone powerful, a person in control of her destiny rather than always being at the mercy of life’s challenges. The Sirens represent the potential to be in command, and it is this possibility, fraught with peril, that drives Emery to pursue them even at the cost of self-destruction.
Tomi Adeyemi draws inspiration for the Sirens from her real-life experiences at Harvard. During her sophomore year, she became involved in a finals club, an all-female social group that ...
"The Sirens" Novel: Themes Of Belonging, Mental Health, Sorority's Dark Appeal
Tomi Adeyemi describes her writing as an extension of her spirit, shaped by years marked by intense emotional pain and deep isolation. Over the last decade of writing publicly, she has visited “dark, dark pain” and “deep, deep, lonely, isolated places.” These experiences inform the authenticity and empathy woven through her books. Adeyemi identifies with characters who believe no one will ever meet them in their suffering, yet discovers through her writing that her stories can become a meeting point for hundreds of thousands, sometimes millions, of readers who share similar pain. This shared vulnerability, both in grief and trauma—such as losing a parent—gives her work deep resonance.
Adeyemi recounts stories of fans approaching her during book signings and revealing how her books have been a literal lifeline for them. For some, her work offered solace during stays in psychiatric wards, rehab, or the uncertainty of waiting rooms. Readers have told her directly that her stories were the reason they are still alive, having sustained them during their most challenging moments.
Through intimate interactions with her audience, Adeyemi learns about the universal nature of pain and suffering. She explains that, regardless of its source, such pain is everywhere. The most perilous aspect, she notes, is feeling isolated within that pain—the point at which loneliness can become dangerous and hope feels unreachable.
Adeyemi emphasizes that when someone, whether a fictional character, podcast, audiobook, or song, can “meet you in that loneliness,” it breaks the isolation. This encounter becomes a critical turning point, providing a path out of darkness and towards light. Readers gain hope simply by feeling seen and understood within their solitude.
Isolation and Mental Health in Adeyemi's Writing
Tomi Adeyemi recalls the summer of 2015, soon after her graduation, when news of the Charleston church shooting reached her while she was traveling abroad. The violent attack deeply unsettled her, leading to a feeling of a looming "death sentence" and questioning her own efforts and future, haunted by the fear that sudden violence could abruptly end her life. This sense of vulnerability and mortality was a defining force behind her early gravitation toward fantasy.
For Adeyemi, fantasy worldbuilding provided both confrontation and refuge. While dangers were still present in the worlds she created, the fantastical setting served as an "oxygen tank," offering space and air sufficient to allow her to process the darkness of the real world. Writing fantasy was not escapism in a simplistic sense—it was engagement with harsh realities, but in an environment that allowed her to breathe, reflect, and cope with distressing truths. Fantasy allowed Adeyemi a retreat from a world that otherwise felt oppressive and dark, enabling her to craft stories and survive emotionally.
With her new book, "the Sirens," Adeyemi marks a turning point: she chooses to situate her story in the real world, without the comfort of fantasy's magical buffers. She acknowledges that she has always written fantasy, finding it difficult to contend with the full weight of contemporary reality. However, this time, Adeyemi felt a mix of readiness and necessity pushing her to locate her narrative within a r ...
Adeyemi's Shift From Fantasy to Contemporary Fiction: Personal and Social Context
After the trailer for the "Children of Blood and Bone" movie dropped, Tomi Adeyemi posted—and then deleted—a video where she denounced the film and revealed she had been treated horribly during the production. Adeyemi describes the experience as "the worst thing I have ever had to live through." She clarifies that the controversy was not about creative disagreements or the film's adaptation itself. Instead, she refers to a specific behind-the-scenes situation that was extremely harmful and hurtful to her. Adeyemi had originally planned to cope with this ordeal privately, but as incidents continued to occur, she felt that her silence was no longer sustainable.
Adeyemi explains that she was reluctant to discuss personal matters related to the production. Her motivation for finally breaking her silence stemmed from recurring problems behind the scenes that made it impossible for her to move forward in her own life and creative journey. She emphasizes that her choice to speak out was made for self-preservation—not to harm others, create scandal, or undermine what the project means to its fans. Adeyemi stresses her awareness of how much "Children of Blood and Bone" means to many, especially young Black children and adults. She states, "And I really didn't want to take that away from them. And I still don't really want to take that away from anyone. I mostly just needed to move forward myself."
She acknowledges that speaking up about problems on a Black-led film project risks attracting unwanted negativity, a pattern she notes "happens all the time" to Black projects. Adeyemi points out that she still questions whether coming forward was the right decision, but insists her actions were not meant to be malicious or vindictive.
Reflecting on her experience, Adeyemi adopts a position of neutrality tow ...
"Children of Blood and Bone" Movie Scandal and Behind-The-scenes Events
Tomi Adeyemi keeps her comments open on social media as a matter of principle, viewing it as an essential part of being a public person. She believes that social media is inherently a two-way street, not just a place to broadcast messages. Adeyemi sees the act of turning off comments as dictatorial and authoritative, as it silences diverse opinions from her audience. For her, honoring the public means respecting the platform's nature, which is built on open engagement and communication. She feels that closing comments would undermine the authentic exchange that social media enables.
Adeyemi willingly accepts all kinds of feedback from her audience, acknowledging that as a public figure, she has limited control over public opinion. She refuses to restrict commentary to just positive moments or glamou ...
Adeyemi's Social Media Approach: Engagement and Open Comments Despite Criticism
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