In this episode of NPR's Book of the Day, Marta Pérez-Carbonell discusses her novel about three strangers whose stories become intertwined during an overnight train journey from London to Edinburgh. The conversation explores the book's nested narrative structure, where a translator named Alicia overhears two American academics debating a literary scandal involving a novel that may have been based on the real-life disappearance of a Swiss actor.
Pérez-Carbonell shares how her own experiences eavesdropping on trains inspired the novel's exploration of how strangers' stories intersect in unexpected ways. The discussion covers the symbolic use of trains and islands as metaphors for isolation and connection, and examines the author's philosophy that storytelling allows individuals to exist beyond their physical lives. The episode offers insight into how attention to our surroundings can reveal narratives as rich as those found in literature.

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Marta Pérez-Carbonell's novel opens with Alicia, a translator on an overnight train from London to Edinburgh, becoming absorbed in the stories of her fellow passengers. She encounters Terrence Milton and Mick Boulder, two Americans with a shared academic past, discussing a literary scandal: one of them is accused of basing his novel "Rocco" on the real-life disappearance of Swiss actor Hans Hegg.
The narrative adopts a nested structure where the train journey contains the scandalous novel and the mystery of Hans Hegg. Boundaries between fact and fiction blur as characters slide into each other's narratives. Pérez-Carbonell embraces this ambiguity, leaving the reasons for the characters' entanglement open-ended. Alicia herself becomes central to the mystery—her own story of personal loss and questions of responsibility echoes the enigma surrounding Hans Hegg. The mysterious disappearance becomes the axis around which speculation turns, with multiple characters expressing fascination and obsession with Hans, creating thematic resonance that connects the narrative's multiple layers.
Pérez-Carbonell uses trains and islands as metaphors for her characters' internal landscapes and the unpredictable connections that form in unlikely environments. Drawing from her own train experiences, she found herself captivated by the surprising exchanges of strangers. The train functions as both an isolated bubble and a connective threshold, becoming a container for the novel's multi-layered storytelling where boundaries between isolation and connection blur.
Islands like Socotra and Majorca represent geographic and emotional isolation, mirroring the characters' internal struggles. Pérez-Carbonell notes the duality inherent in islands: they're separated yet self-sufficient, much like her characters who pursue meaningful connections but often remain isolated. Alicia's journey to Socotra with a biologist ends poorly, leaving her with unresolved questions about responsibility and blame. Even Manhattan receives this treatment—described as a performative landscape where decades of stories have unfolded, questioning whether all encounters in such well-worn spaces have already been exhausted.
Pérez-Carbonell shares that she began wondering what might happen if she looked up from her book during train journeys. Once she started observing and listening to passengers, she was surprised by the abundance of conversations she overheard, which became fodder for her narrative imagination. She specifically recalls reading One Hundred Years of Solitude on a night train and realizing that multiple narratives were always happening at once around her.
In her novel, this theme emerges through Alicia, who forgets her book and becomes drawn to eavesdropping on her seatmates. Pérez-Carbonell suggests that by paying attention to our living surroundings, we may discover narratives even richer and more unexpected than those we intentionally seek in literature.
Pérez-Carbonell describes storytelling as a means for individuals to continue existing after death, allowing them to endure beyond their physical presence through narrative. She argues that while all stories eventually end, none conclude completely—they persist with those left behind, gradually weaving together over time. Scott Simon notes that stories are slowly woven together, waiting to form a larger tapestry. This suggests that narratives become part of a broader, interconnected collective pattern, enabling stories and the individuals within them to have lasting significance through their integration into the collective fabric of human experience.
The scandal centers on a writer whose novel "Rocco" appears to appropriate the life of Hans Hegg, a missing Swiss actor. The controversy prompts debate about whether the writer drew from Hans's life or if her novel somehow foreshadowed his disappearance. This mystery captivates Alicia and the other train passengers, spurring them to speculate and investigate the writer's connection to Hans.
The collective obsession with Hans's fate unifies the train compartment's various narratives, with each character returning to the puzzle of his life and disappearance. Alicia's fascination particularly unsettles Terrence and Mick, forcing them to confront their own uncertainties and suspicions, ensuring that Hans Hegg's absence becomes an unresolved disruption in their shared reality.
1-Page Summary
The novel begins with Alicia, a translator traveling by train across Europe, who becomes absorbed in the unfolding stories of her fellow passengers. On an overnight journey from London to Edinburgh, Alicia sits near Terrence Milton and Mick Boulder (“Bo”), two Americans with a shared academic past: one is a professor, the other his former postgraduate student. A literary scandal is at the heart of their conversation—one of them is accused of drawing inspiration for his latest novel, "Rocco," from the real-life disappearance of a young Swiss actor, Hans Hegg.
As Alicia converses with Terrence and Bo, the story adopts a nested structure: the narrative of the journey contains within it the account of the scandalous novel and the mystery of Hans Hegg. The boundaries between fact and fiction blur as characters begin to slide, or sidle, into each other's narratives. Their backstories and questions interlace, and their involvement in each other's lives is intriguing yet ambiguous. The narrator, Marta Pérez-Carbonell, embraces this ambiguity, inviting the reader to interpret the motives and connections among the characters. The reasons for their entanglement remain open-ended, enhancing the sense of unresolved questions and blurring the lines between individual experience and shared storytelling.
The characters not only narrate their own and each other’s history, but they also weave their unresolved doubts, obsessions, and losses into the fabric of the shared narrative. For example, Alicia herself becomes unexpectedly central; although she has not read the novel "Rocco" at the start of her journey, her own story of personal loss and the question of responsibility echoes the mystery surrounding Hans Hegg.
The mysterious disappearance of Hans Hegg is the axis around which much of the novel’s speculation turns. Within the context of the literary scandal, the novel "Rocco" appears to fictionalize Ha ...
Narrative Structure: Characters Inhabiting Each Other's Stories
The novel weaves together evocative symbols—trains and islands—to explore themes of isolation, connection, and the act of storytelling. Author Marta Pérez-Carbonell uses these physical spaces not just as settings but as metaphors for her characters’ internal landscapes and the unpredictable connections that can form in unlikely environments.
The novel’s central conversation unfolds on an overnight train from London to Edinburgh, framing the narrative within a confined yet dynamic setting. Pérez-Carbonell draws inspiration from her own experiences on trains, observing and listening to the cacophony of conversations that arise within train compartments. Like her character, she would read during her journeys but often found herself captivated by the surprising, refreshing exchanges of strangers around her.
The train functions as both an isolated bubble and a connective threshold. Though passengers are physically separated from the world, they share moments in this unique setting, giving rise to the exchange of stories and the kind of candid interactions less common in ordinary life. This compartment becomes a literal container for the novel’s “multi-layered-ness,” housing novels within the novel and highlighting how the act of storytelling thrives in spaces that are both shut away and shared. On trains, lines between isolation and connection blur, making them fertile settings for transformative encounters and evolving narratives.
Pérez-Carbonell notes that islands—such as Socotra and Majorca—become key settings in the novel, reflecting the psychological and emotional states of the characters. She comments on the etymology of “island,” inherent in the experience of separation, yet points out how islands are also self-sufficient, able to exist without outside help. This duality mirrors the novel’s themes: characters pursue meaningful connections but often remain isolated, locked within their own experiences and struggles.
Alicia’s journey exemplifies these themes. She becomes involved with a biologist researching endemic trees on Socotra, a remote Yemeni island. Her decision to follow him is transformative, leading to an expedition that ends poorly and leaves her with unresolved questions about her own motives and the blame for how things unfolded. This formative experience on an island embodies her search for co ...
Significance of Trains and Islands: Symbols of Isolation, Connection, and Storytelling
Marta Pérez-Carbonell shares that she often reads on trains, but began to wonder what might happen if she looked up from her book and took in her surroundings. Once she allowed herself to observe and listen to the passengers around her during train journeys, she was surprised and refreshed by the abundance of conversations she overheard. These snippets of real dialogue and lived moments became fodder for her narrative imagination, as they hinted at hidden depths and untold stories among her fellow travelers.
She specifically recalls reading One Hundred Years of Solitude on a night train, finishing the book just as she arrived in Prague. At that moment, she noticed not only the conclusion of Márquez’s epic within the pages, but also the parallel unfolding of stories all around her in the train compartment. This moment crystallized her fascination with the connection between trains and books—the realization that multiple narratives are always happening at once, and that the idle act of eavesdropping on a journey can spark storytelling possibilities as rich as those found within a novel.
In her novel, this theme emerges through the character of Alicia, who forgets her book while t ...
Inspiration: Eavesdropping On Trains and Fascination With Untold Stories
Marta Pérez-Carbonell describes literature and storytelling as a means for individuals to continue existing and lingering after they have passed away. According to Pérez-Carbonell, stories are a way for people to endure beyond their physical presence, remaining with those who continue living. Through narrative, stories preserve memories and identities, allowing individuals to achieve a form of immortality by being remembered and experienced by others across time.
She argues that while all stories do eventually end, none conclude completely. Instead, stories persist, staying with those left behind and gradually weaving together over time. Scott Simon notes that stories are slowly woven together, waiting to ...
Philosophy of Literature: Stories as Immortal Existence
A central figure in the train compartment is a writer who faces a literary scandal over her latest novel, "Rocco." The controversy surrounds the apparent appropriation of the real life of Hans Hegg, a young Swiss actor who has mysteriously disappeared. The scandal prompts debate among the train’s passengers about whether the writer drew directly from Hans's life or if her novel, in an uncanny twist, somehow foreshadowed his vanishing. This enigma not only fuels public gossip outside the train but also captivates Alicia, who becomes deeply curious about the true relationship between the novel and the missing actor.
The core of the scandal lies in the blurred line between fiction and reality. Passengers and literary critics alike question how much of "Rocco" is rooted in real events versus imagined ones, and whether Hans’s disappearance is a chilling coincidence or somehow connected to the writer’s creative process. Alicia, especially, is drawn into the debate, pondering whether the art imitates life or vice versa.
As the speculation grows, the mystery of Hans Hegg’s disappearance drives members of the train compartment to discuss, debate, and even quietly investigate how much the writer knows about Hans, and whether she holds any secrets regarding his fate. This shared obsession over the unresolved mystery gradually envelops everyone.
Hans's unresolved disappearance and the questions about the writer's possible role in it become a thread that ties together the narrative perspectives within the train.
The collective obsession with ...
Hans Hegg's Disappearance and Rocco Novel Scandal
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