In this episode of NPR's Book of the Day, authors and illustrators discuss new children's books that explore relationships between grandparents and grandchildren, both in life and after death. Melanie Florence and illustrator Matt James share how The One About the Blackbird uses music—particularly the Beatles' "Blackbird"—to depict how bonds persist even through dementia and memory loss. Kevin Maillard and Rafael López discuss their book "And They Walk On," which introduces children to Native American and Mexican cultural perspectives on death, including the Seminole concept of "walking on" and Day of the Dead traditions.
The conversation explores how these creators use visual art techniques—color symbolism, magical realism, and mixed media—to help young readers process grief and loss. Rather than portraying death solely through sadness, these books emphasize continued spiritual connection and the ongoing influence of deceased loved ones through memories, traditions, and sensory reminders. The episode highlights how children's literature can introduce different cultural frameworks for understanding death while honoring intergenerational bonds.

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Melanie Florence describes how her grandfather profoundly shaped her identity by validating her voice and encouraging her storytelling passion. As a child who felt odd and dramatic, Florence found in her grandfather someone who listened intently and made her feel fascinating, ultimately inspiring her career as a storyteller. This relationship is central to Florence's children's book, The One About the Blackbird, which follows Jack and his musician grandfather as their bond develops through music—from childhood guitar lessons to adulthood. Illustrator Matt James emphasizes the irreplaceable value of these intergenerational moments, reminding readers that opportunities to sit with grandparents, sing, and simply be together are fleeting and deeply meaningful.
Florence credits her Indigenous grandfather with shaping her writing career, as storytelling holds vital cultural significance that continues to inspire her work. Similarly, Kevin Maillard purposefully incorporates Seminole culture and patchwork into his book illustrations—honoring heritage through visual details like patterned clothing and signature accessories. Both creators highlight how grandparents transmit traditions, values, and knowledge that shape grandchildren's identities and creative work across generations.
Music holds extraordinary power to bridge cognitive decline, offering joy and connection to those facing memory loss. Matt James describes how his musician parents perform in retirement homes where residents with significant memory loss still recall music from their past, bringing normalcy and sparks of joy. Florence explores this same theme in The One About the Blackbird, noting that even as dementia causes people to forget much, music's power remains, enabling connection and bridging what is otherwise lost.
Florence and James chose the Beatles' "Blackbird" as the narrative centerpiece, drawing from their families' deep connections to Beatles music. The song choice illustrates how familiar melodies trigger emotional responses that endure even when other memories fade, connecting generations and preserving precious memories long after names and places may have disappeared.
Kevin Maillard, of Seminole heritage, explains how Native American communities in Oklahoma use "walked on" when someone dies, viewing death as a transition from physical to spiritual presence. This perspective recognizes the continuing influence loved ones have even after they're gone, with the term reflecting an outlook that deceased family members maintain a spiritual presence in daily life.
Illustrator Rafael López draws parallels between this tradition and his Mexican heritage, observing that "walking on" closely resembles the ethos of the Mexican Day of the Dead. López explains that in Mexico, remembrance is woven into daily life through rituals, food, and memories, marked by vibrant altars, marigolds, and festive imagery that contrast sharply with somber Western death traditions.
Both frameworks reject death as definitive separation. Maillard channels this idea in his children's book "And They Walk On," telling the story of a boy grappling with where his grandmother has gone, exploring the possibility that she remains present in everyday activities. This hopeful, spiritually connected approach encourages readers, especially children, to process grief through continued emotional connection to lost loved ones.
Visual artists like López, Maillard, and James employ color, symbolism, magical realism, and mixed media to guide young readers through loss, memory, and healing.
López uses color to convey the emotional journey from grief to remembrance. Early illustrations use muted, neutral tones—nearly all green—capturing the heaviness of loss. As the story progresses and the boy remembers his grandmother through imaginative scenarios like a giant whale, color floods the pages, shifting from somber to vivid hues that reflect the transition from grief to joyful remembrance. López emphasizes recurring purple tones, connecting to Day of the Dead traditions where purple symbolizes remembrance, spirituality, and healing.
The book intentionally blurs reality and fantasy through magical realism—a whale with grandma, surreal waiting scenes—leaving readers to wonder what's real versus imaginative memory. This layered approach grounds the story in loss while softening it with imagination and hope, making grief approachable for young readers.
Matt James employs diverse mixed media techniques in his illustrations for The One About the Blackbird, using acrylic and acrylic gouache, painting elements on cardboard to cut out and scan, and crafting diorama effects with record replicas labeled with artists like Paul McCartney. López shares similar hands-on methods, using layered textures with acrylics, watercolors, and inks. Both artists prioritize emotional resonance over technical perfection, with James noting that creating something meaningful forms the true core of his work.
Maillard describes his collaboration with López as an opportunity to portray death with warmth and promise rather than just sorrow. Inspired by López's magical realist illustrations, Maillard wanted the story to convey that there can be joy even in loss, emphasizing that those who have died "don't go away"—their presence lingers through ongoing influence. He believes deceased loved ones continue to affect decisions, speech patterns, and relationships, and recognizing this influence brings meaning and allows for joy even while mourning.
Physical objects and sensory reminders sustain these connections. Maillard reflects on going through his grandmother's belongings and being struck by emotional reminders like her hair in a brush or lipstick on a glass, capturing the paradox of simultaneous presence and absence. López describes how color choice strengthens this sensory memory, pointing to a page where the grandmother's apron appears as the only vivid color in an otherwise green kitchen scene.
López shares his personal experience of enduring connection, explaining that decades after his father's death, his mother continues to talk about him, recall his remarks, and play his favorite music. Through daily remembrance, his father "walks with us every day," continuing to shape the family's identity and values—a testament to maintaining loving bonds across generations through warmth, joy, and spiritual connection rather than only sadness.
1-Page Summary
Melanie Florence describes the profound influence her grandfather had on her life, especially in validating her voice and encouraging her passion for storytelling. As a child, Florence considered herself odd and dramatic, but her grandfather never silenced her. Instead, he listened intently, making her feel fascinating and important. This validation was pivotal in inspiring her to become a storyteller, as he taught her that her stories mattered.
In Florence’s children’s book, The One About the Blackbird, the close bond between grandparent and grandchild is central. The story follows a young boy, Jack, who lives in a house filled with music, much of it coming from his grandfather. Jack’s grandfather, an accomplished musician, introduces him to various instruments, but what Jack loves most is listening to his grandfather play guitar, especially the song about the blackbird. The narrative shows their connection developing from when Jack is a child learning guitar, to adulthood, maintaining their special bond through music. This full-circle story highlights how music can connect generations and keep those relationships alive.
Florence illustrates this intimacy in a touching scene: Jack, inspired by the music, whispers to his grandfather that he wants to play too, afraid he might be told he's too young. His grandfather, however, affirms him, saying, "I always knew you had music in you." These affirmations mirror Florence’s own experience, anchoring her sense of self and validating her dreams.
Illustrator Matt James also emphasizes the irreplaceable value of intergenerational connection. He encourages readers to cherish these moments—sitting next to a grandparent, singing, and simply enjoying time together—reminding us that such opportunities are fleeting and deeply meaningful.
Florence credits ...
Intergenerational Bonds Between Grandparents and Grandchildren
Music holds an extraordinary ability to bridge cognitive decline, offering moments of joy and meaningful connection to individuals facing memory loss. The experiences of Matt James and Melanie Florence, along with the narrative found in Florence's book The One About the Blackbird, underline how deeply embedded familiar music remains, even when other memories fade.
Matt James describes how his parents, both musicians, regularly perform in retirement homes for elderly residents, many of whom have memory issues. Despite significant memory loss or cognitive decline, these residents recall music from their past—a phenomenon that brings a sense of normalcy and sparks joy. James observes that music gives these individuals connection and comfort that other activities cannot always provide.
Melanie Florence highlights this same theme in her children's book The One About the Blackbird. The story follows a young boy learning guitar from his grandfather, with music serving as a conduit between generations. Florence notes that her own life inspired this narrative: even as dementia or Alzheimer’s causes people to forget much, the power of music remains, enabling connection and bridging what is otherwise lost.
Florence and James chose "Blackbird" by the Beatles as the narrative centerpiece of the book, drawing from their families’ ...
Music's Power to Unite Generations and Preserve Memory In Dementia
Kevin Maillard, who grew up in Oklahoma and is of Seminole heritage through his mother, explains how Native American communities in Oklahoma use the phrase "walked on" when someone dies. For them, death is viewed not as a final end but as a transition from a physical presence to a spiritual one. Maillard shares that while losing someone remains sad, the perspective includes recognizing the continuing influence loved ones have even after they are gone.
The term "walking on" reflects more than language; it conveys an outlook that deceased loved ones maintain a spiritual presence, shaping and influencing daily life. This allows their memory and guidance to continue, blurring the line between absence and presence.
Illustrator Rafael López draws parallels between his Mexican heritage and Kevin Maillard’s experience, observing that "walking on" closely resembles the ethos of the Mexican Day of the Dead. López explains that in Mexico, remembrance is not limited to a single occasion but is interwoven into daily life through rituals, food, and memories celebrating the enduring presence of loved ones.
López notes that Mexican celebrations of death are infused with color—whether in the food, clothing, or marketplace—demonstrating how emotions are expressed vibrantly. The Day of the Dead is marked by vibrant altars, marigolds, and festive imagery, standing in stark contrast to the somber, muted traditions typical in many Western societies.
Native American "Walking On" & Day of the Dead: Cultural Death Perspectives
Visual artists like Rafael López, Kevin Maillard, and Matt James explore grief and remembrance through inventive techniques in children’s literature. They employ color, symbolism, magical realism, and mixed media to guide young readers through the journey of loss, memory, and healing.
Rafael López describes a spread where the house feels both full and empty as Kevin stands in front of boxes, perhaps holding some of his grandmother’s belongings. The illustration is almost entirely green, with muted, neutral tones capturing the heaviness and sadness at the heart of the child’s loss.
As the story progresses, the illustrations pivot. Maillard points to a moment where the ordinary gives way to the fantastical: suddenly, a giant whale appears and the grandmother is seen fishing atop it. Color begins to flood the pages, shifting from somber to vivid hues that reflect the child’s transition from grief to joyful remembrance. López uses color as a guide, starting with pale shades and gradually warming the palette as the boy’s memories of his grandmother come alive. The blooming vibrancy in the art parallels the emotional shift from sadness to celebration of the grandmother’s life.
López emphasizes the recurring use of purple or lavender in the illustrations. This choice connects to the Day of the Dead (Día de los Muertos) traditions in Mexico; during November 2nd’s celebrations, purple banners and flags adorn colonial buildings, symbolizing remembrance, spirituality, and healing. For López, purple serves as both a spiritual anchor and a cultural tribute within the narrative.
The book oscillates between everyday reality and bursts of magical, surreal scenarios—a whale with grandma, a waiting scene by a rock. Maillard and López intentionally blur the lines, leaving the reader to wonder what’s real and what springs from the boy’s imagination. This back-and-forth approach creates a layered sense of grief: grounded in the pain of loss but softened by imagination and hope.
Despite the story’s heavy theme, both Maillard and López take a warm, playful approach to processing loss. The illustrations hide little secrets and nods for children to find, and elements like the flowing scarf or cultural motifs in clothing invite connection and comfort, making grief approachable and relatable to young readers.
Visual Art Techniques For Processing Emotions of Loss and Remembrance
Remembering those who have passed can move beyond conventional sadness, embracing warmth, joy, and a lasting spiritual connection. The works and reflections of creators like Kevin Maillard and Rafael López show how celebration and remembrance keep loved ones alive in meaningful ways.
Kevin Maillard describes his collaboration with Rafael López on their picture book as an opportunity to portray death not just with sorrow but with warmth and promise. Inspired by López's magical realist illustrations, Maillard wanted the story to be fanciful and playful, conveying that there can be joy and warmth even in loss. He emphasizes the promise that those who have died "don't go away"—their presence lingers through their ongoing influence on loved ones.
Maillard believes that deceased loved ones continue to influence daily life—affecting decisions, speech patterns, and relationships. He notes that recognizing how the lives of the deceased touched others brings meaning and allows for joy and deeper connection even as people mourn. The narrative approach in "And They Walk On" moves beyond the familiar stages of grief to highlight this enduring, joyful influence.
Maillard reflects on going through his grandmother's belongings and being struck by the emotional weight of physical reminders: her hair in a brush, the imprint of lipstick on a glass. These objects capture the paradox of a loved one’s simultaneous presence and absence, sustaining emotional bonds and memories.
Rafael López points out how color choice strengthens sensory memory in their book’s illustrations. He describes a page where the entire spread is green except for the grandmother’s apron, which appears as the only vivid color in the kitchen scene. This visual cue draws attention to the depth of feeling and connection found in everyday objects and memories.
Honoring Loved Ones With Warmth, Joy, and Spiritual Connection Instead of Sadness
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