In this episode of NPR's Book of the Day, author Tayari Jones discusses her new novel "Kin," which follows two girls growing up without their mothers in the Jim Crow South. The story explores how Vernice and Annie cope differently with maternal loss—one actively seeking a replacement mother figure while the other maintains an emotional distance—and examines the role of surrogate maternal figures in their lives.
The conversation delves into the historical context of the 1950s, including the impact of segregation on daily life in the fictional town of Honeysuckle, Louisiana, and the role of historically Black colleges in social mobility. Jones also shares insights about her writing process, including how conversations with her former Spelman advisor helped shape the novel's portrayal of Black women's educational experiences during this era.

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Tayari Jones explores the stories of two girls, Vernice and Annie, growing up without their mothers in the Jim Crow South. While Vernice actively seeks a maternal replacement after her father kills her mother, Annie resists letting anyone fill her mother's role, metaphorically saving an empty seat at the dinner table for her absent mother.
The girls' surrogate maternal figures—Aunt Irene for Vernice and Granny for Annie—never fully step into the mother role. Jones discusses how communities often rely on child-free relatives to raise children, though these arrangements may not fulfill all emotional needs. A particularly significant moment occurs when Aunt Irene advises Niecy (Vernice) to "Never let a man kill you," wisdom that reverberates throughout her life.
In the fictional town of Honeysuckle, Louisiana, segregation's legacy manifested in various ways, including a discriminatory postal system that required Black residents to collect mail from the post office rather than receive home delivery. Meanwhile, historically Black institutions like Spelman College played a crucial role in developing the Black middle class, despite students often working as maids in white households to afford tuition.
Jones reveals that her story evolved unexpectedly from a contemporary tale about gentrification into a 1950s narrative. Her research included valuable conversations with her 97-year-old former Spelman advisor, who shared insights about Black women students' experiences, including bringing her life savings in a stocking to pay for her education. These personal accounts, including those from a Shakespeare Ph.D. holder, added authenticity and depth to Jones' portrayal of life at historically Black colleges and universities.
1-Page Summary
Tayari Jones examines the lives of two girls, Vernice and Annie, who face the challenge of growing up without their mothers in the Jim Crow South. Their unique approaches to coping with their losses shape their relationships and their paths in life.
Vernice and Annie deal with their mother-shaped holes in different ways. Vernice actively seeks someone to fill the maternal role in her life after her mother is killed by her father, while Annie holds back, feeling that letting someone else fill her mother's shoes would be akin to cheating on her mother. Annie imagines saving a seat at a dinner table for her absent mother, unable to let go and allow a new maternal figure to take her place.
Jones does not explicitly mention a statement from Aunt Irene telling Vernice, "Never Let a Man Kill You." Instead, Aunt Irene gives this advice to Niecy, a piece of wisdom that resonates throughout Niecy's life, especially when her future mother-in-law reassures her that her son does not pose a threat to Niecy's life. This reassurance lifts a quiet shadow over Niecy's life, a shadow cast by the societal fear that women harbor regarding harm from men.
The advice "Don't ever let no man kill you" serves as a poignant reminder for Vernice (Niecy), echoing in her experiences with men and reflecting a universal concern among women about the potential for harm from male partners.
Jones comments on the role of found family and how these relationships can meet ...
Vernice and Annie's Relationships: Navigating Maternal Loss and Figures
The town of Honeysuckle, Louisiana, is a fictional testament to the enduring legacy of segregation in the American South. The experiences of black residents and students at historically Black colleges and universities (HBCUs) like Spelman College shine a light on the injustices and resilience during this era.
In Honeysuckle, a relic of segregation impacted daily life well into the 1970s as black residents were not permitted to have mail delivered directly to their homes. Instead, they had to walk about a mile to the post office to collect their mail. This Po Box system serves as an example of the numerous ways segregation policies permeated the everyday lives of black citizens, reinforcing institutionalized racism and segregation long after such laws were officially overturned.
Spelman College, a historically Bla ...
Historical and Social Context of the Jim Crow South, Setting Of Fictional Honeysuckle, Louisiana, and Experiences of Black Women at Hbcus Like Spelman
Tayari Jones’ approach to writing reveals how unexpected shifts in a narrative focus can lead to meaningful insights into characters and settings based on historical realities. Her interactions with a former advisor from Spelman College added depth and perspective to her understanding of Black women students' experiences in history.
When author Tayari Jones set out to write about gentrification in the contemporary South, she encountered creative roadblocks that stymied the progress of her story. Embracing a sense of fluidity, Jones allowed herself to write freely without constraints, leading her to create two characters from the 1950s—whom she initially envisioned as the parents of her modern-day protagonists.
As she delved deeper into her newfound narrative, Jones realized the seeming backstory was surfacing as the central plot of her novel. She embraced a notion of tapping into an ancestral well, trusting the connections she felt with these emergent characters as a form of communication with something or someone unseen. By turning towards this development with faith rather than resistance, Jones permitted her story to organically transmute.
Jones' engagement with her past shaped her storytelling spectrum as w ...
Tayari Jones' Novel-Writing Approach, Influenced by Experiences and Advisor Interviews
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