In this episode of NPR's Book of the Day, Nina McConigley discusses her novel about two biracial sisters growing up in Wyoming and their complex relationship shaped by family trauma. The story follows Georgie and Agatha, who at ages 12 and 14 make a decisive choice regarding their abusive uncle—a choice that affects their relationship for years to come.
The discussion examines how the sisters navigate their dual Indian-American identity while feeling like outsiders in both cultures. McConigley connects their personal experiences to broader themes of colonialism, exploring how historical exploitation manifests in family dynamics, cultural displacement, and generational trauma. The sisters' story becomes a lens through which to view the lasting impacts of colonial experiences on identity and belonging.

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In Nina McConigley's novel, sisters Georgie Iyer Creel and Agatha Krishna share a complex bond shaped by trauma. The story focuses on a pivotal summer when Georgie was 12 and Agatha was 14, during which they made a critical decision regarding their abusive uncle. Their relationship develops against the backdrop of a close-knit but neglectful family, where their mother's blind devotion to her abusive brother creates additional tension.
McConigley explores the sisters' struggles with their biracial identity through the concept of "half-sees." Growing up in White Marley, Wyoming, neither sister feels fully accepted as American or Indian. The author draws from her own experiences as a biracial individual to portray the complexities of navigating dual cultural identities.
The sisters' story centers on their response to sexual abuse by their uncle. Rather than confiding in their parents, they devise a plot to murder their uncle, driven by shame, fear, and a desperate need to end the abuse. This decision leaves them grappling with guilt and creates lasting strain on their relationship.
McConigley's title, "How to Commit a Post-Colonial Murder," connects personal struggles with historical exploitation. The sisters' pursuit of justice against their uncle mirrors colonial exploitation within their family's legacy. Their biracial identity and complex family dynamics symbolize the broader impacts of colonialism, including cultural displacement and generational trauma. The author weaves together various forms of separation, from geopolitical divisions to personal identity splits, highlighting the lasting effects of colonial experiences.
1-Page Summary
In Nina McConigley's novel, the central theme revolves around the bond between sisters Georgie Iyer Creel and Agatha Krishna, which is both fortified and tested through their shared trauma.
The story delves into a pivotal summer from Georgie’s perspective when she was 12 and Agatha Krishna was 14, which laid the groundwork for a critical decision they made concerning their abusive uncle. This traumatic event serves as the focal point of the novel, exploring how this shared experience both unifies and separates the sisters. As Georgie and Agatha Krishna navigate the aftermath of their actions, they struggle with feelings of guilt and the challenge of reconciling with each other.
McConigley’s narrative sheds light on the complex family dynamics that shap ...
Sisterhood and Family Dynamics
Georgie and Agatha Krishna, as characters embodying the biracial experience, confront the complexities of identity and belonging within both Indian and American cultures.
The term 'half-sees' aptly captures the struggle for acceptance that Georgie and Agatha Krishna face as Indian-Americans. They feel a pinch of resentment towards their parents' decision to marry outside of their respective cultures, which has resulted in the sisters being biracial.
Underlining their dichotomous identity, Georgie expresses that they are not fully embraced as American in their home state of Wyoming, nor are they accepted a ...
Identity and Belonging As Indian-Americans
Two sisters embark on a harrowing journey of trauma, revenge, and the struggle to cope with the fallout of their actions after enduring sexual abuse at the hands of their uncle.
Sexual abuse lies at the heart of why the sisters choose to resort to extreme measures. Bound by a heavy blanket of shame and fear, the sisters decide against confiding in their parents, understanding all too well the potential repercussions on their family dynamics, which could range from disbelief to dismantling the family unit.
They find themselves ensnared in a complex web of emotions, not least of which is a sense of loyalty to their family, despite the trauma inflicted upon them by one of its members. This conflict feeds into their desperate resolve as they orchestrate a plot to murder their uncle, aiming to halt the abuse once and for all.
In the aftermath of their plot against "Vinnie Uncle," the sisters are left to grapple with a suffocating legacy of guilt and trauma. The act of murder, ...
Trauma, Abuse, and the Sisters' Response
In "How to Commit a Post-Colonial Murder," the intertwining of personal struggles with historical exploitation reveals the enduring impact of colonialism on individual lives and family legacies.
Nina McConigley's novel delves deep into the effects of colonialism by connecting it to the intimate aspects of its characters’ lives. The title itself cleverly layers the theme of colonialism with the personal lives of the characters, suggesting a parallel between colonial exploitation and the violation the sisters experienced, feeling powerless over their own bodies due to abuse.
The sisters ultimately blame both the British colonial legacy and their predatory Uncle Vinnie for their suffering, revealing a broader context in which personal vendettas symbolize historical injustices and exploitation. The title "How to Commit a Post-Colonial Murder" specifically hints at this quest for justice, which reflects colonial exploitation in the family's history.
The mother's struggle with adjusting to life in Wyoming serves as an example of cultural displacement resulting from the legacy of colonialism. Generational trauma manif ...
Colonialism and Its Lasting Impacts
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