On NPR's Book of the Day, romance authors Emily Henry, Beverly Jenkins, Jasmine Guillory, and Helen Hoang discuss the evolution and significance of romance novels. The authors explore how romance novels provide emotional escape during difficult times while tackling complex themes like family dynamics, personal identity, and grief. They also delve into the intricacies of writing romance, including the challenges of crafting intimate scenes and developing authentic characters.
The authors address the historical devaluation of romance novels and the genre's transformation regarding diversity and representation. Beverly Jenkins notes the past scarcity of black historical romance writers, while Helen Hoang brings visibility to characters on the autism spectrum. The conversation examines how romance novels create spaces for women to define their sexuality and experiences on their own terms, even as the genre continues to face criticism.

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Romance novels have established themselves as a cornerstone of the literary world, particularly during challenging times like the COVID-19 pandemic, when they provided readers with much-needed emotional escape. Despite being often dismissed as "cheesy," these novels tackle complex themes including family dynamics, personal identity, grief, and modern love challenges.
Writing romance requires a delicate balance of vulnerability and authenticity. Emily Henry discusses the challenge of writing intimate scenes, noting that she must convince herself no one will read her drafts to write effectively. Beverly Jenkins views romance novels as spaces where women can define their sexuality on their terms, while Jasmine Guillory emphasizes the importance of portraying women experiencing pleasure without shame.
Romance authors like Beverly Jenkins and Ali Hazelwood approach their craft organically, focusing on character development rather than specific tropes. While classic frameworks like "Fake Dating" and "Marriage of Convenience" exist, authors strive to bring fresh perspectives to these familiar structures.
The genre is experiencing a significant transformation in terms of representation. Helen Hoang and Jasmine Guillory have been instrumental in diversifying romance narratives, with Hoang particularly noted for including characters on the autism spectrum. Beverly Jenkins highlights the historical lack of black historical romance writers, while Guillory advocates for greater diversity within publishing industry teams.
Despite ongoing prejudice against romance novels, which Celeste Headlee attributes to the historical devaluation of women's art, authors are actively challenging these perceptions. Emily Henry emphasizes the importance of valuing women's intimate experiences, while Jasmine Guillory chooses to focus on engaging with romance enthusiasts rather than defending against criticism. Helen Hoang's work, particularly during the COVID-19 pandemic, has demonstrated the genre's capacity to bring visibility to underrepresented experiences and tackle significant social issues.
1-Page Summary
The romance genre has long been underappreciated, yet its importance in the literary world is undeniable, having cemented itself as a foundational pillar, especially in recent years.
The romance genre remains unwavering as a mainstay in the book industry, its significance growing significantly over the past five years. In turbulent times, such as those experienced during the Covid-19 pandemic, romance novels have proven invaluable, offering readers an escape and an emotional outlet when faced with real-world challenges.
Despite the common critique branding romance novels as "cheesy," these stories often explore much deeper themes and tackle complex, real-world issues. Readers may find themselves imme ...
The Evolving Role and Significance of Romance Novels
The art of romance writing involves crafting engaging stories that embrace not only the emotional aspects of love but also the intimacies of romantic relationships, including sex scenes. This requires a delicate balance between vulnerability, authenticity, and a fresh take on genre expectations.
Celeste Headlee acknowledges that describing physical intimacy in romance novels can be awkward without skilled writing. On a similar note, Emily Henry discusses the vulnerability associated with writing romance. She admits to feeling embarrassed while crafting scenes of falling in love and has to convince herself that no one will ever read her drafts in order to be truly authentic in her writing and make her characters as vulnerable as possible.
Further exploring the specifics of romance literature, Beverly Jenkins considers romance novels as spaces where women can define their sexuality on their terms, seeking partners who support their ambitions and stand with them as equals. Likewise, Jasmine Guillory emphasizes the importance of portraying women experiencing pleasure without shame, particularly in sex scenes that are integral to the story of two people falling in love.
The craft of writing romance, especially intimate scenes, requires writers to overcome their self-consciousness. To write effectively, romance novelists like Emily Henry must suspend the idea that their work will be scrutinized, enabling them to explore the depth of their characters' intimacy without reservation.
Romance authors often incorporate or subvert tropes to create compelling and original narratives. Beverly Jenkins shares her organic approach to writing, starting with just a kernel of a character or a story. She deliberately avoids extensive outlining, believing it lessens the energy ...
The Craft Of Writing Romance, Including Sex Scenes
The romance genre is undergoing a transformative shift as it embraces diverse voices and narratives that go beyond the traditional "boy meets girl" storylines, exploring deeper social and personal issues.
Interviews with authors like Helen Hoang, a New York Times bestselling author known for "The Kiss Quotient" and its spinoffs, demonstrate a significant shift in the romance genre towards inclusivity and diversity. Hoang herself acknowledges Chloe Liese's books which feature characters on the autism spectrum, further indicating this growing movement.
Beverly Jenkins, an esteemed author, recognizes the historical domination of whiteness in the romance genre's authorship and readership, calling attention to the scarcity of black historical romance writers and the necessity for diversity in editorial positions. Celeste Headlee also cites Helen Hoang among those authors contributing to the field's diversity.
Jasmine Guillory champions the need for greater diversity within the publishing industry, especially within the publishing, editorial, sales, marketing, and publicity teams, emphasizing the importance of teams that are knowledgeable and passionate about books from diverse authors.
Authors like Helen Hoang and Jasmine Guillory have been instrumental in paving the way for romance novels that have deeper conversations and explore issues beyond romantic love.
Diverse Voices and Deeper Themes in Romance
The status and perception of romance novels are fraught with biases and misconceptions, and industry professionals are advocating for a revaluation of the genre's cultural significance.
An undercurrent of prejudice against romance novels runs deep, with the genre often dismissed as simple or not serious, sometimes even ridiculed.
Celeste Headlee acknowledges the bias existing against the romance genre, which is often not seen as legitimate literature. This perception can be traced back to historical biases against women’s art, according to Emily Henry, who points out the tendency to devalue anything categorized as domestic, a domain typically associated with women. This act of depreciating women’s creations has long-standing roots.
Despite such disparagement, many authors and readers stand in defense of romance novels, extolling the genre's literary value and its exploration of culturally significant themes.
Jasmine Guillory addresses the issue directly, having been asked when she will produce a “real book,” implying her work within the romance genre is somehow less valid. She chooses to ignore the disdain and instead engage with romance enthusiasts. Beverly Jenkins shares a similar sentiment, recalling an incident where her profession was belittled at a book fair, only to highlight the substantial impact and reach of her work in contrast to more traditionally respected “literature.”
Emily Henry emphasizes the necessity of valuing women's intimate experiences and the smaller events of life, which are often ...
Status and Perception of Romance Novels
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