On NPR's Book of the Day, Salman Rushdie discusses his perspectives on mortality and artistic expression following his 2022 stabbing attack. He explores these themes through his book "The Eleventh Hour," which follows the story of a deceased academic's ghost, and shares how his writing style has evolved to become more improvisational, comparing it to jazz performance.
The discussion covers the relationship between art and social responsibility, with Rushdie explaining his approach of posing questions rather than lecturing readers. He describes how his experiences with censorship have shaped his narrative techniques, including his use of magical realism and his method of personifying concepts like language to examine themes of oppression and resistance.

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Following a near-fatal stabbing attack in 2022, Salman Rushdie, now 78, reflects deeply on mortality and death's influence on his writing. Rushdie draws inspiration from Edward Said's essay "On Late Style," noting that artists facing mortality often respond with either serenity or rage. These themes manifest in his book "The Eleventh Hour," where he explores mortality through the story of S.M. Arthur, a deceased academic whose ghost remains bound to his university by unresolved issues and a desire for revenge.
Rushdie discusses the delicate balance between art and social responsibility, emphasizing that while artists must engage with their times, they shouldn't lecture readers. Instead, he believes in posing questions that encourage readers to form their own conclusions. This philosophy appears in works like "The Musicians of Kahani," where he explores art's power against injustice. His experiences with censorship have deeply influenced his writing, leading to innovative narrative approaches, such as personifying language as a female figure to explore themes of oppression.
With maturity, Rushdie's writing style has evolved to become more improvisational, which he compares to jazz performance. Rather than strict planning, he now allows stories to develop organically through the writing process. This approach has led to creative breakthroughs in his work, particularly in his use of magical realism and personification. In stories like "The Old Men in the Piazza," this experimental style allows him to examine complex themes of oppression and resistance through supernatural elements and personified language.
1-Page Summary
Salman Rushdie's recent experiences and reflections shed light on his personal contemplations about mortality, death, and their influence on his literary work.
After surviving a stabbing attack onstage in 2022, Salman Rushdie has found himself deeply reflecting on the themes of mortality and death. Even before the attack, Rushdie, being 78 years old, recognized that he wasn't in the "first flush of youth" and naturally contemplated the inevitable approach of life's "final act."
As he considers his own mortality, Rushdie is influenced by the essay "On Late Style" by Edward Said, which examines how artists confront their creativity's waning days. Rushdie notes that the response to approaching death can manifest as either serenity or rage, a spectrum of emotion that is reflected in his own reckoning with mortality.
Rushdie elaborates on Said's observations about the varied responses to the idea of death. These two contrasting emotions – serenity and rage – serve as a basis for understanding how different individuals and characters might confront the end of their lives.
In his book "The Eleventh Hour," Rushdie delves into a narrative about a ghost consumed by the need for revenge. Set in England, the character, a university academic named S.M. Arthur, awakens in death to find himself aware and unable to leave his lifelong academic institution due to unresolved issues.
Mortality, Death, and the End of Life
Salman Rushdie discusses the relationship between artists, their work, and the sociopolitical context of their times, as well as the impact of censorship on his own writing.
Rushdie discusses the responsibility artists have to engage with the world around them, emphasizing that while art shouldn't be didactic, artists have a role to play in asking questions that challenge readers to form their own conclusions.
Salman Rushdie critiques didactic art, suggesting that it shouldn't lecture readers on what to think. He believes that writing should instead ask probing questions that require readers to explore answers independently.
Rushdie's work, "The Musicians of Kahani," illustrates his views on art's power and responsibility in addressing injustice. The story features a character with mystical abilities using her powers in the realm of justice and revenge, mirroring Rushdie's own contemplation of art's significance in the face of censorship and book removals.
Rushdie's writing has been shaped by his experiences with censorship and threats, leading to a deeper exploration of language and oppression within his narratives.
Art's Role in Power, Resistance, and Censorship
Salman Rushdie, an acclaimed novelist, discusses his approach to writing, which exhibits an improvisational quality akin to a jazz performance. This method has paved the way for innovative narrative forms such as magical realism and personification.
Rushdie’s writing process has evolved with time, becoming more open-ended and discovery-driven.
Rushdie shares that as he has aged, his writing has become free and more about exploration. "My way of writing has become freer and more willing to see the process as one of discovery, that you discover what you're writing by writing it," he says, underscoring his move away from strict planning.
The spontaneity in Rushdie's writing approach allows for surprising developments, much like a jazz musician’s solos. Scott Tong equates this to allowing oneself "eight bars of who-knows-what's-coming improvisation.” Rushdie expresses enjoyment in this improvisational style, which has become ingrained in his writing.
The author’s adoption of magical realism and experimental narrative techniques skillfully sheds light on deep themes.
In works like "Late," Rushdie employs magical realism to create a supernatural ghost story that contemplates mortality and unfinished business. This narrative form allows Rushdie to delve into the complexities of life and the unresolve ...
Narrative Forms: Magical Realism & Personification Exploration
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