In this episode of NPR's Book of the Day, author Mariana Enriquez discusses her deep interest in cemeteries, shaped by her experiences growing up during Argentina's dictatorship and her early goth phase. She explains how burial grounds serve as both places of comfort for mourning and mirrors of societal inequalities, from the placement of graves to the treatment of different cultural groups.
Enriquez shares her observations from visiting cemeteries worldwide and meeting other cemetery enthusiasts, while also addressing the significance of having a physical place to mourn—particularly in the context of Argentina's "disappeared" victims. The conversation touches on her own wishes for her final resting place and her view of death as an opportunity for continued social connection rather than an isolating experience.

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Mariana Enriquez's fascination with cemeteries stems from her goth phase during her youth and her experiences growing up during Argentina's dictatorship. These early influences shaped her unique perspective on burial grounds as places of both comfort and historical significance.
Enriquez emphasizes that having a grave to visit is a fundamental human right, providing essential comfort and closure in the grieving process. She points to Argentina's dictatorship era, where many victims were "disappeared" by the government, leaving families without graves to mourn at—a circumstance that continues to contribute to national trauma.
According to Enriquez, cemeteries mirror societal inequalities in their very layout. The wealthy occupy prominent positions near entrances with elaborate marble headstones, while middle-class and marginalized groups are relegated to increasingly basic plots deeper within. In post-colonial societies like Argentina and Australia, she notes that colonial settlers' graves receive priority treatment while indigenous graves often go unmarked and undocumented.
During her cemetery visits, Enriquez encounters fellow "peregrines"—cemetery enthusiasts who make pilgrimages to specific graves. She shares a controversial experience of taking a bone from the Paris catacombs, acknowledging the illegality of this act.
Enriquez expresses her desire to have her ashes placed in one of Recoleta Cemetery's pyramid graves in Buenos Aires, with an epitaph acknowledging life's transient nature. She suggests that the dead might appreciate casual visits from the living, viewing death not as a solitary experience but as an opportunity for continued social connection.
1-Page Summary
Mariana Enriquez has a strong fascination with cemeteries, which she attributes to her early experiences and the historical context of her upbringing.
Mariana Enriquez identifies the beginning of her interest in cemeteries to her youth during her goth phase, characterized by an attraction to the gothic aesthetic, including the wearing of black and engaging with elements of the gothic subculture.
Enriquez's Motivations For Cemetery Fascination
Enriquez remarks on the vital role of grieving, suggesting that having a grave or tombstone is not just a symbolic gesture but also a profound source of comfort that provides closure at life's end. She perceives the act of remembrance as an inherent right, emphasizing that the ability to visit a grave to grieve and remember is an essential human need for solace following the loss of a loved one.
The impact of Argentina's dictatorship era, according to Enriquez, is exacerbated by the fact that many victims killed by the government lack grave ...
Significance of Graves and Graveyards for the Disappeared
The design and organization of cemeteries, as Enriquez discusses, often reflect the class distinctions and societal inequalities present among the living.
Enriquez notes that cemeteries tend to segregate different social groups, echoing the class divisions that exist in society. This segregation is visible in the layout of the graves, where the wealthy are placed prominently at the entrance with elaborate marble headstones. Progressing further into the cemetery, one encounters the middle-class graves, followed by the most basic plots, where the marginalized lie in unmarked or sparsely decorated graves on the ground.
The historical narrative told b ...
Class Divisions in Cemetery Layouts
Enriquez shares her unique encounters as she travels to various cemeteries across the globe, highlighting the community she finds and the controversial choices she makes.
Enriquez occasionally meets other "peregrines," a term she uses for fellow cemetery enthusiasts who make pilgrimages to visit graves of specific individuals. These encounters are moments of quiet recognition among individuals who find solace and meaning in the same uncommon interest.
During these visits, Enriquez crosses paths with enthusiasts who are equally as passionate and strange in their devotion to this pastime. They share a bond that is unique to those who roam cemeteries not just for mourning, but to celebrate and remember the legacies of those who have passed.
Enriquez's Experiences Visiting Cemeteries Around the World
Enriquez has expressed specific desires for her final resting place, hoping to have her remains reside within Recoleta Cemetery, a renowned burial site in Buenos Aires.
Enriquez’s ultimate wish is for her ashes to be dispersed in one of Recoleta Cemetery's pyramid graves—a site that signifies an acceptance of mortality with an inscription highlighting the transient nature of life. She envisions her epitaph to humbly acknowledge that nothing remains but "dust and bones," a statement that emphasizes the inevitability of death and the shedding of the physical form.
In her reflections on afterlife solitude, Enriquez cont ...
Enriquez's Burial and Final Resting Place Plans
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