In this episode of Modern Wisdom, Rick Beato and Chris Williamson explore how technology is reshaping the music industry. They discuss the complexity of modern live performances, which now require extensive coordination among technical staff, and examine how digital tools are creating standardized sounds across recordings while reducing the need for professional musicians and producers.
The conversation delves into how streaming platforms have transformed artists' revenue models, forcing musicians to diversify their income streams beyond recorded music. Beato and Williamson also address the emergence of AI in music production, including its ability to mimic established artists and mixers, and consider potential solutions such as blockchain technology to distinguish between human-created and AI-generated music.
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Chris Williamson and Rick Beato discuss how modern live music production resembles a military operation in its complexity. According to Williamson, shows require extensive coordination between various technical staff, including lighting designers, production managers, and specialized technicians for each band member. The complexity increases with pyrotechnics and elaborate stage setups, which demand meticulous safety precautions—as evidenced by incidents like Ronnie Radke's drummer suffering second-degree burns during a performance.
Beato observes that modern digital tools, such as modeling amplifiers like Helix and Kemper, are creating a uniform sonic palette in music. He notes that these tools use identical algorithms, leading to standardized sounds across recordings. The accessibility of digital tools has reduced the need for professional musicians and producers, potentially limiting sonic innovation. Additionally, Beato points out that the shift from physical media to streaming has made it harder to identify behind-the-scenes contributors who shape a record's sound.
The streaming era has transformed the music industry's revenue model. Beato explains that even 100 million plays might only generate about $300,000 in revenue. Williamson adds that most musicians, even those with substantial streaming numbers, find the compensation insufficient. To adapt, artists are diversifying their income streams through various means, including live shows, merchandise, and educational content. Beato cites Tosin Abasi as an example, who expanded beyond performing to launch a guitar company and create plugins.
The rise of AI in music production raises significant concerns. Beato, who testified in a Senate hearing on AI music in 2023, warns about AI's capability to master songs and potentially mimic famous mixers' styles. Williamson expresses unease about AI-generated music bypassing traditional barriers to entry in the music industry. The discussion explores potential solutions, with Beato suggesting blockchain technology to verify real artists against AI-created music and the possibility of human-only music platforms.
1-Page Summary
Modern live music production involves a multitude of challenges due to its complexity and the high stakes involved in each performance.
Chris Williamson and Rick Beato discuss the intricacies of live music production, comparing it to the precision and coordination required in a military operation. Williamson elaborates on the involvement of various techs, including a lighting designer (LD), production manager, monitor techs for in-ears, and individual techs for each band member. For large-scale shows, such as those by Metallica, the technical setup is even more complex, sometimes requiring additional monitors and techs.
During Beato's encounter with the soundcheck for A Perfect Circle, he was given a behind-the-scenes tour showing the meticulous setup required for the performance. These shows' elaborate arrangements demonstrate the high stakes of live production.
Live music production requires a collaborative effort of a large tech and support staff. As Williamson points out, coordinating the various tech elements is like orchestrating a military operation, with each member playing a crucial role in ensuring the sound is optimized for each performer and the audience.
Pyrotechnics and other intricate stage elements not only enhance the spectacle but also introduce heightened risks. Williamson describes a concert during the Summer of Loud where set changeovers, involving detailed decorations such as a big snake and barbed wire, had to be completed in 20 minutes, underscoring the necessity for careful planning and ironclad safety measures. He recalls Parkway Drive's drummer performing a stunt where he's rotated upside down ...
Challenges of Modern Live Music Production
As digital tools pave the way for music creation and distribution, Rick Beato and Chris Williamson discuss the consequences of these advancements on music homogenization.
Rick Beato notes that modern musicians often rely on digital modeling amplifiers such as the Helix, Axe-FX, and Kemper, leading to a uniform sonic palette in music. He points out that these digital tools use the same algorithms to model amplifier sounds, which contributes to a homogenized sound in recordings. Music now is easier to produce than ever, resulting in a less diverse auditory landscape.
Beato observes that the digital nature of the tools lacks the uniqueness that could come from physical interactions with amplifiers. For instance, unique sounds in the past were often the result of unconventional microphone placement or accidental mic positions, leading to distinctive and iconic sounds. Furthermore, many contemporary recordings sound similar because artists are using standardized digital amp simulators and drum samples.
He also reflects on a song from 2007, highlighting the distinct sound of the drums and guitars recorded with amplifiers in a professional studio before the ubiquity of digital tools.
The accessibility of digital tools in music production has reduced the need for live musicianship, as Beato explains the music writing process in Nashville, where collaborators from different publishing companies use pre-programmed tracks and samples on their laptops. This convenience suggests that there's a declining need for professionals, possibly affecting the level of sonic innovation within the industry.
Beato further explains that due to the convenience of digital music tools, there's a reduction in professional skills needed and everything is more immediate. The financial structure of the music industry has shifted, making it less appealing for top-tier professionals to engage in innovative production techniques. As fewer professional producers and mixing engineers work in rock music, the diversity in sound diminishes. Williamson adds that as everyone uses the same presets and digital audio workstations (DAWs), the traditional production process is replaced, further leading to a potential decline in sonic innovatio ...
Technology and Digital Tools' Impact on Music Homogenization
Chris Williamson and Rick Beato dive into the evolving landscape of the music industry, highlighting how streaming platforms have upended traditional revenue models and impacted artists' strategies for connecting with audiences.
Beato and Williamson point out that the streaming-dominated music industry presents challenges for artists, especially concerning earning potential. Beato notes that achieving 100 million plays on a streaming platform may only yield about $300,000, with a billion plays potentially bringing in around $3-5 million, depending on various factors.
The conversation pivots to the insufficiency of artist royalties from streaming platforms. Williamson states that it's very rare for musicians to speak positively about Spotify regarding satisfaction with royalties, with even medium-sized bands who garner hundreds of thousands of streams monthly finding the compensation insufficient. Beato mentions that genres like rock earn less from streaming compared to live music, emphasizing that artists, including big names like Metallica, aren't reliant solely on streaming for income. Williamson relays concerns about the fairness of artist royalties, suggesting that record labels may receive a higher payout rate per stream than independent artists.
Algorithmic curation's role in siloing listeners and its influence on shared musical experiences raises questions. Beato points out that big platforms like Spotify, YouTube, TikTok, and Instagram control the music landscape algorithmically, often recommending similar bands and songs based on listeners' previous habits. Beato discusses an app called ChartMetrics that shows when a song's popularity spikes across various platforms and the power of algorithmic discovery on platforms like TikTok in reviving old songs like Imogen Heap's "Headlock."
Moreover, inconsistencies in Spotify's credits lead to questions about transparency, as some artists have incomplete listings on certain songs. Beato criticizes Spotify’s cumbersome process for accessing complete credits and user experience, indicating a need for improvement in how listeners access information about music on the platform.
Artists are now finding new ways to monetize their work beyond streaming royalties. Beato emphasize ...
Music Streaming Platforms' Changing Dynamics and Effects on Artists
The disruptive potential of AI-generated music in the industry has garnered attention. Chris Williamson and Rick Beato discussed AI's impact on music, indicating emerging concerns.
Rick Beato and Chris Williamson discussed AI's role in music production. Beato noted that AI is capable of tasks such as mastering songs and potentially mimicking styles of famous mixers. However, he argues that elements of taste in mixing might remain unique to humans. Williamson expressed discomfort with AI-generated music, valuing the emotional story and intent of human artists.
The introduction of AI music on platforms like Spotify is a concern for Beato as it could lead to a preference over human artists, impacting traditional revenue streams. He mentioned The Velvet Sundown, a purportedly fake band with AI-generated songs and images on Spotify, which he suspects could profit the platform more than real artists. Beato contemplated the legal challenges of AI song ownership and the rights involved if a human were to claim and cover an AI-created song.
Chris Williamson voiced musicians' unease regarding AI, as it bypasses the barriers they've historically faced, such as the high costs and effort to enter the music scene.
Beato discussed using blockchain technology to verify real artists against AI-created music. He and Williamson explored how AI can replicate content based on data and posed privacy issues, like AI voice cloning that Beato experienced with a company called 11 Labs.
Williamson shared that his voice is used by an AI for commercial purposes and questioned the ownership of his voice likeness. Beato uses AI voice cloning experimentally, and Williamson aired concerns about AI replacing human content creators, including fea ...
Ai-generated Music's Disruptive Potential
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