100 Best Mayan Books of All Time

The myths and beliefs of the great Precolumbian civilizations of Mesoamerica have baffled and fascinated outsiders ever since the Spanish Conquest. Yet, until now, no single-volume introduction has existed to act as a guide to this labyrinthine symbolic world. In The Gods and Symbols of Ancient Mexico and the Maya nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. Two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. This authoritative work serves as a standard reference for students, scholars, and travelers.

Could the story of mankind be far older than we have previously believed? Using tools as varied as archaeo-astronomy, geology, and computer analysis of ancient myths, Graham Hancock presents a compelling case to suggest that it is.
In Fingerprints of the Gods, Hancock embarks on a worldwide quest to put together all the pieces of the vast and fascinating jigsaw of mankind’s hidden past. In ancient monuments as far apart as Egypt’s Great Sphinx, the strange Andean ruins of Tihuanaco, and Mexico’s awe-inspiring Temples of the Sun and Moon, he reveals not only the clear fingerprints of an as-yet-unidentified civilization of remote antiquity, but also startling evidence of its vast sophistication, technological advancement, and evolved scientific knowledge.
A record-breaking number one bestseller in Britain, Fingerprints of the Gods contains the makings of an intellectual revolution, a dramatic and irreversible change in the way that we understand our past—and so our future.
And Fingerprints of the Gods tells us something more. As we recover the truth about prehistory, and discover the real meaning of ancient myths and monuments, it becomes apparent that a warning has been handed down to us, a warning of terrible cataclysm that afflicts the Earth in great cycles at irregular intervals of time—a cataclysm that may be about to recur.

The ancient Maya city of Lakam Ha has a new, young ruler, K'inich Janaab Pakal. His mother and prior ruler, Sak K’uk, has selected his wife, the next queen. Lalak is a shy and homely young woman from a nearby city who relates better to animals than people. She is chosen as Pakal’s wife because of her pristine lineage to B’aakal dynasty founders ̶ but also because she is no beauty.

Arriving at Lakam Ha, she is overwhelmed by its sophisticated, complex society and expectations of the royal court. Her mother-in-law, Sak K’uk, is critical and hostile, resenting any intrusion between herself and her son. She chose Lalak to avoid being displaced in Pakal’s affections, and does everything she can to keep it this way. The official name she confers on Lalak exposes her view of the girl as a breeder of future rulers: Tz’aabk’u Ahau, the Accumulator of Lords who sets the royal succession.

Lalak struggles to learn her new role and prove her worth, facing challenges in her relationship with Pakal, for he is enamored of a beautiful woman banished from Lakam Ha by his mother. Pakal’s esthetic tastes and love of beauty affect his view of his homely wife. Lalak, however, is fated to play a pivotal role in Pakal’s mission to restore the spiritual portal to the Triad Gods that was destroyed in a devastating attack by archenemy Kan. Through learning sexual alchemy, Lalak brings the immense creative force of sacred union to rebuild the portal, but first Pakal must come to view his wife in a new light.

In modern times, ten years after the discovery of the Red Queen's tomb, archeologist Francesca is studying new research about this mysterious royal woman in Mérida, Mexico. She teams up with British linguist Charlie to decipher an ancient manuscript left by her deceased grandmother. It provides clues about her grandmother's secrets that propel them into exploring her family history in a remote Maya village.

How can that be? As they plunge into their research, tantalizing clues about a link between the Vikings and the legendary Toltec feathered serpent god Quetzalcoatl—and a fabled object known as the Eye of Heaven—begin to emerge. But so do many dangerous people. Soon the Fargos find themselves on the run through jungles, temples, and secret tombs, caught between treasure hunters, crime cartels, and those with a far more personal motivation for stopping them. At the end of the road will be the solution to a thousand-year-old mystery—or death.

‘An instant classic recognizable to specialists as an innovative contribution, and to general readers as a gripping account of a disappeared world’ – The Times Higher Education Supplement

‘Beautifully designed and illustrated … a handy guide to the latest in Maya written history’ – American Archaeology

‘Offers rich details of the Mayan culture, politics and economics … Replete with informative sidebars, timelines, site maps and sketches, this text serves as the ideal reference on Maya archaeology’ – Science News

The only comprehensive, kingdom-by-kingdom history of the ancient Maya, this Chronicle has now been revised and updated to include coverage of the most recent discoveries, from previously unknown rulers and new glyphic readings to expanded coverage of diplomacy and warfare.

Simon Martin is a Research Specialist at the University of Pennsylvania Museum. For the past fourteen years he has been conducting epigraphic fieldwork at Calakmul, Mexico.
Nikolai Grube is a professor of anthropology of the Americas at the University of Bonn. He has been closely associated with several archaeological projects in the Maya area and is director of the excavation of Uxul in Campeche, Mexico.

With 366 illustrations, 86 in color.

Of all the ancient civilizations that flourished in the Americas, only one perfected true portraiture of living people and produced it in quantity—the Moche who inhabited the north coast of Peru between approximately AD 100 and 800. Using the medium of three-dimensional ceramic vessels that could have contained liquid, Moche artisans typically formed the heads of the individuals they wished to portray, though sometimes they presented full figures with realistic portrait faces. Depicting an astonishing range of physical types, these portraits now allow us to meet Moche people who lived more than 1,500 years ago and to sense the nuances of their individual personalities.

This pathfinding book presents the first wide-ranging, systematic study of the Moche portraits. Drawing on more than 900 examples from museums and private collections around the world (some 300 of which are illustrated here in full color) Christopher Donnan documents how the portrait tradition evolved, how the portraits were produced and distributed, who they portrayed, why they were made, and how they were used in Moche society. His analysis is supported by extensive archaeological evidence, which provides the context for portraits found in Moche tombs and midden deposits, as well as useful information for identifying the headdresses and ornaments worn by the individuals portrayed.

As a Miami narcotics detective, Leah Daniels never knows how her day will turn out. But she certainly doesn't expect to be strapped to a stone altar as the human sacrifice in an ancient Mayan ritual meant to coax a demon from the underworld - or to be saved by a handsome warrior-priest king, who claims to recognize her from his visions.

Striking Jaguar thinks he is the last of the Nightkeeper warrior-priests, but as the end-time approaches, his mentor reveals there are twelve others. In reuniting them, Strike - king by birthright - gains the power to summon a Mayan god to combat the demons. But the woman of his visions is the gods' chosen sacrifice. Now he must decide between love and duty...or find another way to invoke otherworldly magic in a death-defying race against the end of time.