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1
The "colossal affair" that is Jay Gatsby's mansion, Owl Eyes, Wolfsheim and his "gonnegtions," West Egg, East Egg, the valley of ashes, Jordan Baker, and Daisy Fay—they belong to all time as does the American classic in which they appear. But a classic belongs to its own time, too, and this meticulously compiled, handsomely designed and generously illustrated volume documents the social reality out of which The Great Gatsby grew and the cultural milieu in which F. Scott Fitzgerald wrote. It thus identifies for contemporary readers the crazes and events, the celebrities and the criminals, the... more The "colossal affair" that is Jay Gatsby's mansion, Owl Eyes, Wolfsheim and his "gonnegtions," West Egg, East Egg, the valley of ashes, Jordan Baker, and Daisy Fay—they belong to all time as does the American classic in which they appear. But a classic belongs to its own time, too, and this meticulously compiled, handsomely designed and generously illustrated volume documents the social reality out of which The Great Gatsby grew and the cultural milieu in which F. Scott Fitzgerald wrote. It thus identifies for contemporary readers the crazes and events, the celebrities and the criminals, the music and dances and books, that the novel's first readers in 1925 would have immediately recognized. This invaluable companion to The Great Gatsby also examines—and illustrates with facsimiles of pages from Fitzgerald's handwritten drafts and revised typescripts—the arduous process of composition that ultimately produced the book hailed by critic Gilbert Seldes as "vivid and glittering and entertaining." Reviews and promotions as well as correspondence and comment from such literary figures as Edmund Wilson, Ernest Hemingway, Edith Wharton, and H. L. Mencken illuminate Gatsby's mostly favorable critical reception. Still, in the wake of the 1940s' Fitzgerald revival, as this volume's final chapter on the enduring reputation of The Great Gatsby shows, the novel has fulfilled Fitzgerald's boast that he wrote for "the youth of his own generation, the critics of the next, and the schoolmasters ever afterward," as well as the moviemakers, play producers, choreographers, and composers. And all students of Fitzgerald and general readers will find new insights into what makes Gatsby great in this generously illustrated, engaging reference book's every chapter. less 
Sarah ChurchwellThis is a collection of historical documents from which The Great Gatsby emerged. There are many references in Gatsby to actual events. (Source)
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3
In her exuberant new work, Marion Meade presents a portrait of four extraordinary writers - Dorothy Parker, Zelda Fitzgerald, Edna St.Vincent Millay, and Edna Ferber- whose loves, lives, and literary endeavors embodied the spirit of the 1920s.
These literary heroines did what they wanted and said what they thought, living wholly in the moment. They kicked open the door for twentieth-century women writers and set a new model for every woman trying to juggle the serious issues of economic independence, political power, and sexual freedom. Here are the social and literary triumphs... more In her exuberant new work, Marion Meade presents a portrait of four extraordinary writers - Dorothy Parker, Zelda Fitzgerald, Edna St.Vincent Millay, and Edna Ferber- whose loves, lives, and literary endeavors embodied the spirit of the 1920s.
These literary heroines did what they wanted and said what they thought, living wholly in the moment. They kicked open the door for twentieth-century women writers and set a new model for every woman trying to juggle the serious issues of economic independence, political power, and sexual freedom. Here are the social and literary triumphs and inevitably the penances paid: crumbled love affairs, abortions, depression, lost beauty, nervous breakdowns, and finally, overdoses and even madness.
A vibrant mixture of literary scholarship, social history, and scandal, Bobbed Hair and Bathtub Gin is a rich evocation of a period that will forever intrigue and captivate us.
less Sarah ChurchwellIf you want an introduction to the Jazz Age, this tells the story of the 1920s through the lives and careers of these women who all knew each other. (Source)
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5
F. Scott Fitzgerald, Matthew Bruccoli, Judith S. Baughman | 4.47
A vibrant self-portrait of an artist whose work was his life. In this new collection of F. Scott Fitzgerald's letters, edited by leading Fitzgerald scholar and biographer Matthew J. Bruccoli, we see through his own words the artistic and emotional maturation of one of America's most enduring and elegant authors. "A Life in Letters" is the most comprehensive volume of Fitzgerald's letters -- many of them appearing in print for the first time. The fullness of the selection and the chronological arrangement make this collection the closest thing to an autobiography that Fitzgerald ever wrote. more A vibrant self-portrait of an artist whose work was his life. In this new collection of F. Scott Fitzgerald's letters, edited by leading Fitzgerald scholar and biographer Matthew J. Bruccoli, we see through his own words the artistic and emotional maturation of one of America's most enduring and elegant authors. "A Life in Letters" is the most comprehensive volume of Fitzgerald's letters -- many of them appearing in print for the first time. The fullness of the selection and the chronological arrangement make this collection the closest thing to an autobiography that Fitzgerald ever wrote.
While many readers are familiar with Fitzgerald's legendary "jazz age" social life and his friendships with Ernest Hemingway, Gertrude Stein, Edmund Wilson, and other famous authors, few are aware of his writings about his life and his views on writing. Letters to his editor Maxwell Perkins illustrate the development of Fitzgerald's literary sensibility; those to his friend and competitor Ernest Hemingway reveal their difficult relationship. The most poignant letters here were written to his wife, Zelda, from the time of their courtship in Montgomery, Alabama, during World War I to her extended convalescence in a sanatorium near Asheville, North Carolina. Fitzgerald is by turns affectionate and proud in his letters to his daughter, Scottie, at college in the East while he was struggling in Hollywood.
For readers who think primarily of Fitzgerald as a hard-drinking playboy for whom writing was effortless, these letters show his serious, painstaking concerns with creating realistic, durable art. less Sarah ChurchwellIf you really want to understand Fitzgerald you need to hear his own voice. What I love about this book is that it clearly conveys his sense of humour. (Source)
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6
For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place.
This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from... more For as long as humans have gathered in cities, those cities have had their shining—or shadowy—counterparts. Imaginary cities, potential cities, future cities, perfect cities. It is as if the city itself, its inescapable gritty reality and elbow-to-elbow nature, demands we call into being some alternative, yearned-for better place.
This book is about those cities. It’s neither a history of grand plans nor a literary exploration of the utopian impulse, but rather something different, hybrid, idiosyncratic. It’s a magpie’s book, full of characters and incidents and ideas drawn from cities real and imagined around the globe and throughout history. Thomas More’s allegorical island shares space with Soviet mega-planning; Marco Polo links up with James Joyce’s meticulously imagined Dublin; the medieval land of Cockaigne meets the hopeful future of Star Trek. With Darran Anderson as our guide, we find common themes and recurring dreams, tied to the seemingly ineluctable problems of our actual cities, of poverty and exclusion and waste and destruction. And that’s where Imaginary Cities becomes more than a mere—if ecstatically entertaining—intellectual exercise: for, as Anderson says, “If a city can be imagined into being, it can be re-imagined.” Every architect, philosopher, artist, writer, planner, or citizen who dreams up an imaginary city offers lessons for our real ones; harnessing those flights of hopeful fancy can help us improve the streets where we live.
Though it shares DNA with books as disparate as Calvino’s Invisible Cities and Jane Jacobs’s Death and Life of Great American Cities, there’s no other book quite like Imaginary Cities. After reading it, you’ll walk the streets of your city—real or imagined—with fresh eyes.
less Sarah ChurchwellWish I’d clocked this before my event today on history of America First for @FavershamLit. I’d most def have shouted out to the great man, & let’s add Black Reconstruction in America as a book that rewrote US history, tho white America refused to see it for half a century. https://t.co/z332g57G4Q (Source)
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7
From the award-winning author of Soldiers of Salamis, a propulsive and riveting narrative investigation into an infamous fraud: a man who has been lying his entire life.
Who is Enric Marco? An elderly man in his nineties, living in Barcelona, a Holocaust survivor who gave hundreds of speeches, granted dozens of interviews, received important national honors, and even moved government officials to tears. But in May 2005, Marco was exposed as a fraud: he was never in a Nazi concentration camp. The story was reported around the world, transforming him from hero to... more From the award-winning author of Soldiers of Salamis, a propulsive and riveting narrative investigation into an infamous fraud: a man who has been lying his entire life.
Who is Enric Marco? An elderly man in his nineties, living in Barcelona, a Holocaust survivor who gave hundreds of speeches, granted dozens of interviews, received important national honors, and even moved government officials to tears. But in May 2005, Marco was exposed as a fraud: he was never in a Nazi concentration camp. The story was reported around the world, transforming him from hero to villain in the blink of an eye. Now, more than a decade later--in a hypnotic narrative that combines fiction and nonfiction, detective story and war story, biography and autobiography--Javier Cercas sets out to unravel Marco's enigma. With both profound compassion and lacerating honesty, Cercas takes the reader on a journey not only into one man's gigantic lie, but also--through its exploration of our infinite capacity for self-deception, our opposing needs for fantasy and reality, our appetite for affection--into the deepest, most flawed parts of our humanity. less Sarah Churchwell@HadleyFreeman @janemerrick23 Have you read Javier Cercas’s The Impostor, about Enric Marco? Astonishing. (Also, congrats on the book - that’s an amazing achievement.) (Source)
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8
Winner of the Baillie Gifford Prize for Non-Fiction
Five devastating human stories and a dark and moving portrait of Victorian London—the untold lives of the women killed by Jack the Ripper.
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden, and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their... more Winner of the Baillie Gifford Prize for Non-Fiction
Five devastating human stories and a dark and moving portrait of Victorian London—the untold lives of the women killed by Jack the Ripper.
Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden, and Wales. They wrote ballads, ran coffee houses, lived on country estates, they breathed ink-dust from printing presses and escaped people-traffickers.
What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.
For more than a century, newspapers have been keen to tell us that "the Ripper" preyed on prostitutes. Not only is this untrue, as historian Hallie Rubenhold has discovered, it has prevented the real stories of these fascinating women from being told. Now, in this devastating narrative of five lives, Rubenhold finally sets the record straight, revealing a world not just of Dickens and Queen Victoria, but of poverty, homelessness and rampant misogyny. They died because they were in the wrong place at the wrong time—but their greatest misfortune was to be born a woman. less Sarah ChurchwellMassive congratulations to @HallieRubenhold for being longlisted for the @BGPrize for her brilliant book The Five!! So well deserved and a complete thrill for #twitterstorians! 🎉🎊📚💃 (Source)
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