Want to know what books Jeremy Noel-Tod recommends on their reading list? We've researched interviews, social media posts, podcasts, and articles to build a comprehensive list of Jeremy Noel-Tod's favorite book recommendations of all time.
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A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.
Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative... more A provocative meditation on race, Claudia Rankine's long-awaited follow up to her groundbreaking book Don't Let Me Be Lonely: An American Lyric.
Claudia Rankine's bold new book recounts mounting racial aggressions in ongoing encounters in twenty-first-century daily life and in the media. Some of these encounters are slights, seeming slips of the tongue, and some are intentional offensives in the classroom, at the supermarket, at home, on the tennis court with Serena Williams and the soccer field with Zinedine Zidane, online, on TV-everywhere, all the time. The accumulative stresses come to bear on a person's ability to speak, perform, and stay alive. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. In essay, image, and poetry, Citizen is a powerful testament to the individual and collective effects of racism in our contemporary, often named "post-race" society. less 
Jeremy Noel-TodObviously, it’s been admired and acclaimed, but I do feel the general reception of it has underplayed its artfulness. Its technical subtlety and overall arrangement has been neglected, because it has been classified as a kind of documentary work. (Source)
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Short prose forms are elusive to define--one writer's prose poem is another's flash fiction or brief essay. Rather than quibble, Short opts for inclusiveness. Here is a dazzling array: 100s of pieces (under 1250 words) from 24 Western countries, written over five centuries by more than 200 contributors, including major authors of every era. Fables, histories, aphorisms, anecdotes, faux dictionary entries, a faux job application, hint fiction, lists, tableaus, meditations, chants, rants, and much more. Intensely pleasurable.
Contributors include: Montaigne, von... more Short prose forms are elusive to define--one writer's prose poem is another's flash fiction or brief essay. Rather than quibble, Short opts for inclusiveness. Here is a dazzling array: 100s of pieces (under 1250 words) from 24 Western countries, written over five centuries by more than 200 contributors, including major authors of every era. Fables, histories, aphorisms, anecdotes, faux dictionary entries, a faux job application, hint fiction, lists, tableaus, meditations, chants, rants, and much more. Intensely pleasurable.
Contributors include: Montaigne, von Kleist, Leopardi, Poe, Baudelaire, Bierce, Chopin, Stein, Jacob, Woolf, Kafka, J. Roth, Toomer, Borges, Queneau, Kunitz, Beckett, Milosz, Cortazar, Paz, Barthes, Calvino, O'Hara, Merwin, Lispector, Transtromer, Sanchez, Edson, Simic, Atwood, Valenzuela, Wideman, L. Davis, Komunyakaa, A. Carson, Forche, Harjo, Hempel, Wenderoth, Keret, B. Marcus, A. Bender, Eggers, B. Lerner, T. Brimhall. less Jeremy Noel-TodI’ve never met Alan Ziegler, but I feel a lot of sympathy with him, because this anthology is the closest thing to what I was trying to do in mine. I also admire him because when confronted with this question—where does the prose poem begin, and how do you define it?—he actually opens it up more and says, ‘No, what I’m interested in is this perhaps even more elusive mode which is the short prose... (Source)
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Poems
Francis Ponge and Beverley Bie Brahic | 4.47
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The MLA Committee on Scholarly Editions has awarded Tender Buttons: The Corrected Centennial Edition its seal designating it an MLA Approved Edition.
2014 marks the one hundredth anniversary of the original publication of Gertrude Stein's groundbreaking modernist classic, Tender Buttons. This centennial edition is the first and only version to incorporate Stein's own handwritten corrections—found in a first-edition copy at the University of Colorado—as well as corrections discovered among her papers at the Beinecke Library at Yale University. Editor Seth Perlow has... more The MLA Committee on Scholarly Editions has awarded Tender Buttons: The Corrected Centennial Edition its seal designating it an MLA Approved Edition.
2014 marks the one hundredth anniversary of the original publication of Gertrude Stein's groundbreaking modernist classic, Tender Buttons. This centennial edition is the first and only version to incorporate Stein's own handwritten corrections—found in a first-edition copy at the University of Colorado—as well as corrections discovered among her papers at the Beinecke Library at Yale University. Editor Seth Perlow has assembled a text with over one hundred emendations, resulting in the first version of Tender Buttons that truly reflects its author's intentions. These changes are detailed in Perlow's "Note on the Text," which describes the editorial process and lists the specific variants for the benefit of future scholars. The book includes facsimile images of some of Stein's handwritten edits and lists of corrections, as well as an afterword by noted contemporary poet and scholar Juliana Spahr. A compact, attractive edition suitable for general readers as well as scholars, Tender Buttons: The Corrected Centennial Edition is unique among the available versions of this classic text and is destined to become the standard.
Gertrude Stein (1874–1946) was one of the most important and innovative American writers of literary modernism, as well as one of the great art collectors and salon hosts of the period. A pioneering lesbian writer, Stein lived most of her life in Paris but became a celebrity in the United States with the publication of The Autobiography of Alice B. Toklas (1933).
Seth Perlow teaches English at Oklahoma State University.
Juliana Spahr teaches writing at Mills College.
"Tender Buttons was recently reissued by City Lights Books, to mark the centennial of a volume that broke language barriers, acknowledging hungers to see more. It challenged with inspired daring."--Barbara Berman, The Rumpus
"For the centennial of this masterpiece, Seth Perlow has given us much the best edition of the poem, based on Stein’s manuscript and corrections she made to the first edition. Punctuation, spelling, format, and a few phrases are affected and most especially the change in the capitalization of the section titles. 'The difference is spreading.'"--Charles Bernstein, University of Pennsylvania, author of Attack of the Difficult Poems: Essays and Inventions
"Happy 100th birthday, TENDER BUTTONS. You are as explosive, tantalizing, and delicious as you were on the day you were born. Your birthday gift from Seth Perlow and Juliana Spahr is a beautiful new edition that will carry you into your next century, the best edition ever. Your birthday gift from all of us who love literature and culture is to buy this edition for ourselves and all our friends. Congratulations to all."--Catharine R. Stimpson, Professor, New York University, and co-editor of the two-volume Gertrude Stein: Writings published by the Library of America
“The publication of an authoritative edition of Tender Buttons, with Stein’s hitherto unpublished corrections and editions, is a splendid way to celebrate the centennial of this influential modernist work. Scholars will benefit from the full documentation, and readers will appreciate its convenient format, which resembles the original publication.”--Jonathan Culler, Cornell University
"This radical multi-dimensional generative cubist text with the simplest words imaginable continues to alter and shape poetics into the post post modernist future. We have Gertrude Stein's 'mind grammar' operating at full tilt, with unpredictability, wit and sensory prevarication. Look to the 'minutes particulars,' Blake admonished, and here she does just that: 'it is a winning cake.' Salvos to the editor and salient 'afterword' that give belletristic notes and political perspective as well. A unique edition."--Anne Waldman, The Jack Kerouac School of Disembodied Poetics
less Jeremy Noel-TodTender Buttons in particular was the book that made her notorious. She knew that there was something about her writing that fascinated people, and it fascinated them partially because it irritated them. But it irritated them because they were sort of attracted to it, without knowing why. It irritates the rational part of the mind which expects to be able to explain things. (Source)
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Arthur Rimbaud, John Ashbery | 4.34
"This may be the most beautiful book in the world, lighted from within and somehow embodying all forms of literature." - Susan Salter Reynolds, Los Angeles Times
The modernist masterpiece that is Arthur Rimbaud's Illuminations has been given new life with the publication of John Ashbery's "dazzling" ( The Economist ) new translation, widely hailed as one of the literary events of the year. Presented with French text in parallel and a preface by its translator, Ashbery's rendering powerfully evokes the glittering, kaleidoscopic beauty of the original more "This may be the most beautiful book in the world, lighted from within and somehow embodying all forms of literature." - Susan Salter Reynolds, Los Angeles Times
The modernist masterpiece that is Arthur Rimbaud's Illuminations has been given new life with the publication of John Ashbery's "dazzling" ( The Economist ) new translation, widely hailed as one of the literary events of the year. Presented with French text in parallel and a preface by its translator, Ashbery's rendering powerfully evokes the glittering, kaleidoscopic beauty of the original less Jeremy Noel-TodThey have this very mysterious, elusive, hallucinatory quality. They’re the product of what Rimbaud said he wanted to do as a poet: the systematic derangement of the senses. But the amazing thing about them is that they are so lucid. T S Eliot called the effect on the reader an instant and simple impression. (Source)
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