Want to know what books Helen Hackett recommends on their reading list? We've researched interviews, social media posts, podcasts, and articles to build a comprehensive list of Helen Hackett's favorite book recommendations of all time.
1
Examining Elizabeth I's lasting impact on the Anglo-American historical imagination, John Watkins traces the development of Elizabeth I's iconic significance in the political and popular imagination of the seventeenth century. From powerful monarch to the perfect model of the tragic individual pitted against a hostile social order, Elizabeth's story informs contemporary debates. This study appeals to literary and cultural historians alike. more Examining Elizabeth I's lasting impact on the Anglo-American historical imagination, John Watkins traces the development of Elizabeth I's iconic significance in the political and popular imagination of the seventeenth century. From powerful monarch to the perfect model of the tragic individual pitted against a hostile social order, Elizabeth's story informs contemporary debates. This study appeals to literary and cultural historians alike. less 
Helen HackettI have chosen this one because, alongside the representation of Elizabeth in her own time, another huge and fascinating topic is the way she has been represented ever since. That is set in motion in the 17th century, the century after her death. John Watkins has written this wonderful study of it. (Source)
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Juxtaposing the insights of feminism with those of marxism, psychoanalysis, and deconstruction, this unique collection creates new common ground for women's studies and Renaissance studies. An outstanding array of scholars—literary critics, art critics, and historians—reexamines the role of women and their relations with men during the Renaissance. In the process, the contributors enrich the emerging languages of and about women, gender, and sexual difference.
Throughout, the essays focus on the structures of Renaissance patriarchy that organized power relations both in the state... more Juxtaposing the insights of feminism with those of marxism, psychoanalysis, and deconstruction, this unique collection creates new common ground for women's studies and Renaissance studies. An outstanding array of scholars—literary critics, art critics, and historians—reexamines the role of women and their relations with men during the Renaissance. In the process, the contributors enrich the emerging languages of and about women, gender, and sexual difference.
Throughout, the essays focus on the structures of Renaissance patriarchy that organized power relations both in the state and in the family. They explore the major conequences of patriarchy for women—their marginalization and lack of identity and power—and the ways in which individual women or groups of women broke, or in some cases deliberately circumvented, the rules that defined them as a secondary sex. Topics covered include representations of women in literature and art, the actual work done by women both inside and outside of the home, and the writings of women themselves. In analyzing the rhetorical strategies that "marginalized" historical and fictional women, these essays counter scholarly and critical traditions that continue to exhibit patriarchal biases.
less Helen HackettThis is an essay collection from the mid 1980s and it exemplifies the movement known as new historicism, which was a new development which tried to bring together history and literary criticism in a new dynamic way, to show the way that literature is situated in history and history is made up of texts and always open to interpretation. (Source)
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England’s Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth’s translations from and into Latin, French, and Italian.
Presenting original and modernized spellings in a facing-page format,... more England’s Virgin Queen, Elizabeth Tudor, had a reputation for proficiency in foreign languages, repeatedly demonstrated in multilingual exchanges with foreign emissaries at court and in the extemporized Latin she spoke on formal visits to Cambridge and Oxford. But the supreme proof of her mastery of other tongues is the sizable body of translations she made over the course of her lifetime. This two-volume set is the first complete collection of Elizabeth’s translations from and into Latin, French, and Italian.
Presenting original and modernized spellings in a facing-page format, these two volumes will answer the call to make all of Elizabeth’s writings available. They include her renderings of epistles of Cicero and Seneca, religious writings of John Calvin and Marguerite de Navarre, and Horace’s Ars poetic, as well as Elizabeth’s Latin Sententiae drawn from diverse sources, on the responsibilities of sovereign rule and her own perspectives on the monarchy. Editors Janel Mueller and Joshua Scodel offer introduction to each of the translated selections, describing the source text, its cultural significance, and the historical context in which Elizabeth translated it. Their annotations identify obscure meanings, biblical and classical references, and Elizabeth’s actual or apparent deviations from her sources.
The translations collected here trace Elizabeth’s steady progression from youthful evangelical piety to more mature reflections on morality, royal responsibility, public and private forms of grief, and the right way to rule. Elizabeth I: Translations is the queen’s personal legacy, an example of the very best that a humanist education can bring to the conduct of sovereign rule. less Helen HackettYes, I wanted to give an example of some of her own writing because that is where we get closest to feeling that we know her and we get an insight into her own mind and attitude and ideas. I have been massively assisted in that because in the last ten years the University of Chicago has been publishing a series of volumes of Elizabeth’s collected works. From these you get a sense of her breadth... (Source)
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Edmund Spenser, Thomas P. Roche, C. Patrick O'Donnell | 3.78
The Faerie Queene was the first epic in English and one of the most influential poems in the language for later poets from Milton to Tennyson. Dedicating his work to Elizabeth I, Spenser brilliantly united medieval romance and renaissance epic to expound the glory of the Virgin Queen. The poem recounts the quests of knights including Sir Guyon, Knight of Constance, who resists temptation, and Artegall, Knight of Justice, whose story alludes to the execution of Mary Queen of Scots.
Composed as an overt moral and political allegory, The Faerie Queene, with its dramatic... more The Faerie Queene was the first epic in English and one of the most influential poems in the language for later poets from Milton to Tennyson. Dedicating his work to Elizabeth I, Spenser brilliantly united medieval romance and renaissance epic to expound the glory of the Virgin Queen. The poem recounts the quests of knights including Sir Guyon, Knight of Constance, who resists temptation, and Artegall, Knight of Justice, whose story alludes to the execution of Mary Queen of Scots.
Composed as an overt moral and political allegory, The Faerie Queene, with its dramatic episodes of chivalry, pageantry and courtly love, is also a supreme work of atmosphere, colour and sensuous description. less Helen HackettI wanted to include an example of literature from Elizabeth’s reign because she inspired a fantastic richness and breadth of poetry, with lots of writers competing with each other to praise her in ever more elaborate ways. Probably the most powerful example of that is Spenser’s Faerie Queene which is a huge epic romance published in two parts in the 1590s. (Source)
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5
This lavishly illustrated book ties in with a major international exhibition opening at the National Maritime Museum in Greenwich on 1 May 2003. Timed to commemorate the 400th anniversary since the death of Queen Elizabeth I in 1603, and sponsored by Morgan Stanley, the exhibition brings together a wealth of paintings, manuscripts, fine art objects and personal effects which illuminate Elizabeth's fascinating history. Elizabeth was born at Greenwich and spent her first months at Greenwich Palace, on the site of what is now a World Heritage Site, Maritime Greenwich. The book, containing... more This lavishly illustrated book ties in with a major international exhibition opening at the National Maritime Museum in Greenwich on 1 May 2003. Timed to commemorate the 400th anniversary since the death of Queen Elizabeth I in 1603, and sponsored by Morgan Stanley, the exhibition brings together a wealth of paintings, manuscripts, fine art objects and personal effects which illuminate Elizabeth's fascinating history. Elizabeth was born at Greenwich and spent her first months at Greenwich Palace, on the site of what is now a World Heritage Site, Maritime Greenwich. The book, containing contributions from a number of well-known experts on Tudor history, will focus on Elizabeth's Court as well as her relationship with the City of London and its increasingly influential mercantile class. It will also reflect the importance of Elizabeth's maritime adventurers, and their role in creating wealth for the crown, burgeoning maritime enterprise and the beginnings of an overseas empire. less Helen HackettI chose this one because it is a catalogue of an excellent exhibition at the National Maritime Museum in 2003. That was one of a whole lot of events and publications for the 400-year anniversary of Elizabeth’s death in 1603. This volume is particularly interesting because it is a really rich, full, broad catalogue where they tried to present some unusual things that people haven’t seen before,... (Source)
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