PDF Summary:Moonwalking With Einstein, by Joshua Foer
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In 2005, journalist Joshua Foer attended the US Memory Championships and became interested in memory. Over the next year, he interviewed mnemonists (master memorizers), researchers, and scientists; researched the history of memory; and trained with a grand master of memory, learning enough mnemonic techniques to win the US Memory Championships the following year.
Moonwalking with Einstein (the title is a mnemonic) is a record of everything Josh learned during his year of exploring memory. Most notably, he learned that a good memory isn’t an inherent talent—anyone can improve their memory if they employ the right techniques.
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Writing and book-making improved over the centuries. The parchment codex (a bound book) replaced scrolls and punctuation evolved. A notable book on the memory arts was written sometime between 86-82 BC, the Rhetorica ad Herennium. Mnemonists still refer to this book today.
The game-changer for the utility of books as external memory aids was the index. In the 13th century AD, the first index-like structure appeared, the concordance of the Bible. A concordance is a list of words and phrases with a locator that tells you where in a work they appear. Using a concordance, for the first time, you could find a specific piece of information without already knowing the organization of the work.
Around 1440, the printing press appeared. Now, books were easier to make and reproduce, and they became affordable. Interestingly, memory techniques experienced a renaissance even though they were less necessary than ever. Giulio Camillo tried to build a “Theater of Memory,” a building that would house every piece of knowledge in the universe, and Giordano Bruno built a device that would let him turn a word into an image (it worked a bit like a cipher wheel).
From the nineteenth century on, however, memory became less important to the general public. Memory techniques are no longer taught in school, and a good memory is impressive, but more of a party trick than a virtue. These days, most of us rely on external memories such as calendars and phones to remember things for us.
Memory and Education
In the 5th century BC, the memory arts were part of a classical education. Today, rote memorization is seen as unnecessary and even bad for the mind. What happened?
Initially, schools based the educational system on the military, which was all about rote memorization. Educators used to think memorization was good for the brain because regardless of what students were memorizing, they were training their minds.
Over the years, however, there were many critics of the rote memorization approach and progressional education reform changed the system. School became more about experiences and focused on teaching skills such as logic and creativity rather than straight facts.
There are critics of this new approach too. 66% of American 17-year-olds don’t know when the civil war took place and can’t even guess within 50 years. Tony Buzan, a well-known mnemonist, has tried to get memory techniques back into the classroom. (He’s been less successful at this than he has at selling self-help books.)
As we learned above, memory is related to intelligence and expertise—the more associations we already have in our brains, the more new information has to stick to. As a result, it is easier to educate ourselves when we have an initial network of facts to connect new information to. Some educators believe that rote memorization should still be part of the curriculum.
Memory Techniques
The goal of memory techniques is to transform information into a format the brain is naturally good at understanding—meaningful images and places. To do this, you’ll use the method of loci, which is the foundation for the memory techniques that follow.
The method of loci involves placing images of whatever you need to remember inside a “memory palace,” which is a memory of a real place you know very well, such as your childhood home. For example, if your shopping list contains blueberries, crackers, cereal, and beer and you wanted to memorize this shopping list, you might mentally place the blueberries in the mailbox at the end of your driveway, the crackers on the front lawn, the cereal in front of the front door, and the beer on the entranceway mat. When you need to remember the list, you simply mentally tour your memory palace and look for the objects you left in significant locations.
Some things you need to remember might not lend themselves well to imagery. There are some more structured techniques for remembering cards, numbers, and words below, but in general, you can transform abstract things to remember into images using creativity. You’ll remember images best if you can harness the brain’s natural strengths and interests. Try to make images:
- Novel. If you’ve seen something before, you’re less likely to remember a specific instance of it.
- For example, if you need to remember to charge your phone, imagine your phone and charger having a silly conversation.
- Lewd or funny. The brain is naturally interested in both of these things.
- For example, if you need to remember to go to the bank, imagine a bunch of nude bank robbers.
- Multisensory. The more cues you can create for a memory, the easier it will be to recall it.
- For example, if you need to remember to pick up horseradish, imagine the smell, taste, and texture of it as well as the visual image.
- Personal. You’ll remember things better if they relate to what’s already in your head because they have a web to fit into.
- For example, if you’re interested in military history, use tanks and planes in your images.
In addition to the method of loci, there are five additional memory techniques. You can combine any of them with the method of loci—once you’ve used the technique to transform information into an image or more memorable form, you can store it in your memory palace.
Punning
To use punning, change an abstract word into a concrete word by using rhymes or puns. You can also employ alliteration or repetition. For example, if you need to remember the title of the book The Joy of Cooking, you might picture a boy who’s good-looking.
Punning can also be used to memorize word-for-word. For example, mental athletes assign images to words like “and” and “the” and then picture a string of images to remember the exact words. One German mnemonist remembers the word “and” by picturing a circle because the German word for round, “rund,” rhymes with “and.”
Baker/baker Paradox
The Baker/baker paradox is a phenomenon you can manipulate to help yourself remember names. If you’re shown a picture of a person and told her last name is Baker, you won’t remember “baker” as well as if you’re told she is a baker. This is because “Baker,” as a name, is an abstract concept without much to associate with it. As a profession, however, “baker” is associated with things like flour, the smell of cookies, the heat of an oven, and so on.
To remember people’s names, create an image that combines what they look like with a visual of something that will cue a memory of their name. For example, the name Joshua Foer could be remembered by imaging Joshua (he looks like this) joshing you so hard you break into four pieces.
“Method Acting”
This is a method of memorizing word-for-word that’s similar to method acting. To use this method, break sections of a text into small chunks and assign them emotions rather than images.
Chunking
Your working memory can only hold five to nine pieces of information at once, so if you need to remember something like a 16-digit credit card number, it’s a tall order. Chunking is a method of breaking and combining individual things into meaningful groups so that you have fewer things to remember.
For example, if you had to remember the letters ONCEUPONATIME, that’s 13 individual letters, more than your working memory can handle. However, if you group those letters into four words, ONCE UPON A TIME, then you only have to remember four things instead of 13.
The Major System
The major system is a method of converting numbers into sounds, then into words, then into images. You can use it to memorize any string of numbers, such as your SSN or phone numbers. Here’s how it works:
- Memorize the digit-to-letter conversions:
- 0=S
- 1=T/D
- 2=N
- 3=M
- 4=R
- 5=L
- 6=Sh/Ch
- 7=K/G
- 8=F/V
- 9=P/B
- Convert your number into letters. For example, the number 43 would be RM.
- Add vowels to the letters to make a word. For example, RM could become “rim.”
- Create an image associated with the word. For example, you could picture the edge of a cup for “rim.”
- Place the image in your memory palace.
The Person-Action-Object (PAO) System
The person-action-object system is a method for remembering the order of numbers or cards. This method is used primarily by mental athletes who have to memorize hundreds of digits—if you’re just memorizing everyday numbers such as phone numbers, the major system will likely serve your purposes.
Here’s how the PAO works for numbers:
- Come up with 100 sentences that involve a different person acting on a different object.
- Assign each sentence to each two-digit number between 00 and 99.
- Example #1: 45 is Albert Einstein brushing his hair
- Example #2: 78 is Michael Jackson moonwalking a stage.
- Example #3: 89 is Mr. Dressup opening the tickle trunk.
- When presented with a number to memorize, break it into six-digit chunks.
- For example, 457889894578 becomes 457889 and 894578.
- Combine the person from the first two digits with the action from the second two digits with the object from the last digits and create a new image.
- Example #1: 457889 is Einstein moonwalking on the tickle trunk.
- Example #2: 894578 is Mr. Dressup brushing a stage.
- Place the images in your memory palace.
Here’s how it works for cards:
- Create 52 person-action-object sentences.
- Attach one to each card.
- When presented with a deck of cards to memorize, break it into groups of three cards.
- Combine the person of the first card with the action of the second card and the object of the third. Do the same for each group of three cards.
- Place the resulting images in your memory palace.
Competitive mnemonists are always refining this method and some have even gone beyond creating images for two-digit numbers or single cards, instead coming up with images for every three-digit number or two-card combination.
The 2006 US Memory Championships
After a year of working with Ed Cooke and learning about memory, Josh competed in the US Memory Championships. The qualifying events include memorizing:
- As many names of people featured in headshots as possible in fifteen minutes (up to 198 names)
- As many random digits as possible in five minutes (up to 1,000 digits)
- The order of a deck of cards as fast as possible (at the time, the US record was 1 minute, 56 seconds)
- As many lines of a poem as possible in 15 minutes (up to 50 lines)
Josh did very well in speed cards—he used an advanced version of the PAO system that allowed him to beat the US record and advance to the finals.
The finals were three elimination-style events that included memorizing a list of random words, facts about strangers, and the order of two decks of cards. Josh got lucky in the facts-about-strangers event—he didn’t get asked about anything he’d forgotten—and advanced to the final event, which was memorizing the order of two decks of cards. At this point, only he and the defending US champion were left. Josh’s strength was cards, which were his opponent’s weakness, and Josh won.
As the US champion, Josh went on to compete in the World Memory Championships, which are much more competitive than the US event, and he finished 13th. After reflecting on the past year, he decided not to continue with the sport and to keep using external memory aids like notes and a Dictaphone. The memory techniques absolutely work—Josh had personally used them to memorize a deck of cards in less than two minutes—but he found external memory aids more helpful. Ultimately, the most poignant thing Josh learned about memory is that it makes us who we are—every new thing we encounter is influenced by the web of associations already in our brains.
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