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Lucy NewlynDorothy Wordsworth: Wonders of the Everyday is an exhibition catalogue. It was written to accompany an exhibition which ran at the Wordsworth Museum in Grasmere. The exhibition focused on Dorothy’s life, using contemporary watercolours, artefacts, manuscripts, and selections from her writings. Pamela Woof, who edited the Alfoxden and Grasmere Journals, was very well equipped as a scholar to... (Source)
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Over a dramatic six-month period in 1802, William Wordsworth, S.T. Coleridge, Wordsworth's sister Dorothy, and the two Hutchinson sisters Sara and Mary formed a close-knit group whose members saw or wrote to one another constantly. Coleridge, whose marriage was collapsing, was in love with Sara, and Wordsworth was about to be married to Mary, who would be moving in beside Dorothy in their Grasmere cottage. Throughout this extraordinary period both poets worked on some of their finest and most familiar poems, Coleridge's Dejection: An Ode and Wordsworth's Immortality Ode. In this fascinating... more Over a dramatic six-month period in 1802, William Wordsworth, S.T. Coleridge, Wordsworth's sister Dorothy, and the two Hutchinson sisters Sara and Mary formed a close-knit group whose members saw or wrote to one another constantly. Coleridge, whose marriage was collapsing, was in love with Sara, and Wordsworth was about to be married to Mary, who would be moving in beside Dorothy in their Grasmere cottage. Throughout this extraordinary period both poets worked on some of their finest and most familiar poems, Coleridge's Dejection: An Ode and Wordsworth's Immortality Ode. In this fascinating book, John Worthen recreates the group's intertwined lives and the effect they had on one another.Drawing on the group's surviving letters, and poems, as well as Dorothy's diaries, Worthen throws new light on many old problems. He examines the prehistory of the events of 1802, the dynamics of the group between March and July, the summer of 1802, when Wordsworth and Dorothy visited Calais to see his ex-mistress and his daughter Caroline, and the wedding between Wordsworth and Mary in October of that year. In an epilogue he looks forward to the ways in which relationships changed during 1803, concentrating on a single day -- 11 January 1803 -- in the lives of the group. less Lucy NewlynThe friendship between William Wordsworth and Samuel Taylor Coleridge was at its most intense during their year in Somerset, from 1797 to 1798. But John Worthen chooses to concentrate on 1802. During that year the friendship was under considerable strain, because Coleridge was having terrible problems with his marriage and was in love with Sara Hutchinson, Mary’s sister.
Worthen’s book... (Source)
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Dorothy Wordsworth, Pamela Woof | 4.00
Dorothy Wordsworth's journals are a unique record of her life with her brother William, at the time when he was at the height of his poetic powers. Invaluable for the insight they give into the daily life of the poet and his friendship with Coleridge, they are also remarkable for their spontaneity and immediacy, and for the vivid descriptions of people, places, and incidents that inspired some of Wordsworth's best-loved poems. The Grasmere Journal was begun at Dove Cottage in May 1800 and kept for three years. Dorothy notes the walks and the weather, the friends, country neighbors... more Dorothy Wordsworth's journals are a unique record of her life with her brother William, at the time when he was at the height of his poetic powers. Invaluable for the insight they give into the daily life of the poet and his friendship with Coleridge, they are also remarkable for their spontaneity and immediacy, and for the vivid descriptions of people, places, and incidents that inspired some of Wordsworth's best-loved poems. The Grasmere Journal was begun at Dove Cottage in May 1800 and kept for three years. Dorothy notes the walks and the weather, the friends, country neighbors and beggars on the roads; she sets down accounts of the garden, of Wordsworth's marriage, their concern for Coleridge, the composition of poetry. The earlier Alfoxden Journal was written during 1797-8, when the Wordsworths lived near Coleridge in Somerset. Not intended for publication, but to "give Wm Pleasure by it," both journals have a quality recognized by Wordsworth when he wrote of Dorothy that "she gave me eyes, she gave me ears."
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
less Lucy NewlynThe Grasmere Journal, written by Dorothy between 1800 and 1803, covers the most formative and important years in the Lake District, after William and Dorothy settled in a small house (now known as Dove Cottage) by the side of Grasmere lake. They were cohabiting, companionably and very happily, in the period leading up to William’s marriage to Mary Hutchinson. The journal records many details of... (Source)
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William Wordsworth, Stephen Gill | 4.17
William Wordsworth (1770-1850) has long been one of the best-known and best-loved English poets. The Lyrical Ballads, written with Coleridge, is a landmark in the history of English romantic poetry. His celebration of nature and of the beauty and poetry in the commonplace embody a unified and coherent vision that was profoundly innovative.
This volume presents the poems in their order of composition and in their earliest completed state, enabling the reader to trace Wordsworth's poetic development and to share the experience of his contemporaries. It includes a large... more William Wordsworth (1770-1850) has long been one of the best-known and best-loved English poets. The Lyrical Ballads, written with Coleridge, is a landmark in the history of English romantic poetry. His celebration of nature and of the beauty and poetry in the commonplace embody a unified and coherent vision that was profoundly innovative.
This volume presents the poems in their order of composition and in their earliest completed state, enabling the reader to trace Wordsworth's poetic development and to share the experience of his contemporaries. It includes a large sample of the finest lyrics, and also longer narratives such as The Ruined Cottage, Home at Grasmere, Peter Bell, and the autobiographical masterpiece, The Prelude (1805). All the major examples of Wordsworth's prose on the subject of poetry are also included.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
less Lucy NewlynStephen Gill’s edition gives us William Wordsworth’s career from the beginning right the way through, and it’s a long career – he started writing very young. Gill gives it to us collection by collection, so we see Wordsworth emerging at publication moments. The poems are selected with considerable care, and the book gives a very even account of Wordsworth’s whole life as a writer – prose as well... (Source)
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“A manifesto of sorts for anyone who makes art [and] cares for it.” —Zadie Smith
“The best book I know of for talented but unacknowledged creators. . . . A masterpiece.” —Margaret Atwood
“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster Wallace
By now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first... more “A manifesto of sorts for anyone who makes art [and] cares for it.” —Zadie Smith
“The best book I know of for talented but unacknowledged creators. . . . A masterpiece.” —Margaret Atwood
“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster Wallace
By now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.
An illuminating and transformative book, and completely original in its view of the world, The Gift is cherished by artists, writers, musicians, and thinkers. It is in itself a gift to all who discover the classic wisdom found in its pages. less 
Austin KleonI’m not really sure what to say about this book. It just kind of re-affirmed a lot of what I’ve been thinking about making art: that it’s important for me to have a day job, so I can separate work from play, and that the more generous you are with your audience (through blogging, teaching, sharing, etc.) the better off you’ll be as an artist—spiritually and financially. (Source)
Lucy NewlynThe Gift is not a book about Wordsworth. The subtitle of the UK edition is “How the Creative Spirit Transforms the World”. Lewis Hyde looks at creativity not as the route to celebrity, but rather in terms of a “gift economy”. He plays off the great Marcel Mauss’s 1923 anthropological essay The Gift, building on Mauss’s idea that there’s no such thing as a free gift – when you give something, you... (Source)
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