Want to know what books Claire Jarvis recommends on their reading list? We've researched interviews, social media posts, podcasts, and articles to build a comprehensive list of Claire Jarvis's favorite book recommendations of all time.
1
'My Secret Life' is perhaps the most infamous of all underground Victorian erotica. It is the sexual memoir of a well-to-do gentleman who began at an early age to keep a diary of his erotic behavior. He continues this record for over 40 years, creating in the process a unique social & psychological document.
Authorship of the book is mysterious. Henry Spencer Ashbee, a book collector, writer & bibliographer notable for his particular focus on sexuality is suspected by some to be "Walter". He is very likely the compiler of the book's index, the provider of some editorial... more 'My Secret Life' is perhaps the most infamous of all underground Victorian erotica. It is the sexual memoir of a well-to-do gentleman who began at an early age to keep a diary of his erotic behavior. He continues this record for over 40 years, creating in the process a unique social & psychological document.
Authorship of the book is mysterious. Henry Spencer Ashbee, a book collector, writer & bibliographer notable for his particular focus on sexuality is suspected by some to be "Walter". He is very likely the compiler of the book's index, the provider of some editorial assistance & the person who saw the text into print.
Gershon Legman was 1st to link "Walter" & Ashbee in Legman's introduction to the 1962 reprints of Ashbee's bibliographies. The 1966 Grove Press edition of 'My Secret Life' included an expanded version of that essay.
More recently, however, Ian Gibson's 'The Erotomaniac: The Secret Life of Henry Spencer Ashbee' (2001, ISBN 0-571-19619-5) provides a detailed review of circumstantial evidence arguing that Ashbee wrote 'My Secret Life', presumably weaving fantasy & anecdotes from friends in with his own real-life experiences. Just prior to this, in May 2000, Channel 4 UK broadcast a documentary, 'Walter-The Secret Life of a Victorian Pornographer', which also claimed that Ashbee was Walter. less See more recommendations for this book...
2
Algernon Charles Swinburne, Kenneth Haynes | 4.39
This volume brings together Swinburne's major poetic works, ATALANTA IN CALYDON (1865) and POEMS AND BALLADS (1866). ATALANTA IN CALYDON is a drama in classical Greek form, which revealed Swinburne's metrical skills and brought him celebrity. POEMS AND BALLADS brought him notoriety and demonstrates his preoccupation with de Sade, masochism, and femmes fatales. Also reproduced here is 'Notes on Poems and Reviews', a pamphlet Swinburne published in 1866 in response to hostile reviews of POEMS AND BALLADS. more This volume brings together Swinburne's major poetic works, ATALANTA IN CALYDON (1865) and POEMS AND BALLADS (1866). ATALANTA IN CALYDON is a drama in classical Greek form, which revealed Swinburne's metrical skills and brought him celebrity. POEMS AND BALLADS brought him notoriety and demonstrates his preoccupation with de Sade, masochism, and femmes fatales. Also reproduced here is 'Notes on Poems and Reviews', a pamphlet Swinburne published in 1866 in response to hostile reviews of POEMS AND BALLADS. less 
Claire JarvisYou can see the blend of contagion and desire that is so central to Baudelaire in Swinburne very early in the nineteenth century. (Source)
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3
Mary Elizabeth Braddon, P. D. Edwards | 3.69
With Lady Audley's Secret, Mary Elizabeth Braddon had established herself, alongside Wilkie Collins and Mrs Henry Wood, as one of the ruling triumvirate of sensation novelists'. Aurora Floyd (1862-3), following hot on its heels, achieved almost equal popularity and notoriety.
Like Lady Audley, Aurora is a beautiful young woman bigamously married and threatened with exposure by a blackmailer. But in Aurora Floyd, and in many of the novels written in imitation of it, bigamy is little more than a euphemism, a device to enable the heroine, and vicariously the reader, to enjoy the forbidden... more With Lady Audley's Secret, Mary Elizabeth Braddon had established herself, alongside Wilkie Collins and Mrs Henry Wood, as one of the ruling triumvirate of sensation novelists'. Aurora Floyd (1862-3), following hot on its heels, achieved almost equal popularity and notoriety.
Like Lady Audley, Aurora is a beautiful young woman bigamously married and threatened with exposure by a blackmailer. But in Aurora Floyd, and in many of the novels written in imitation of it, bigamy is little more than a euphemism, a device to enable the heroine, and vicariously the reader, to enjoy the forbidden sweets of adultery without adulterous intentions. Passionate, sometimes violent, Aurora does succeed in enjoying them, her desires scarcely chastened by her disastrous first marriage. She represents a challenge to the mid-Victorian sexual code, and particularly to the feminine ideal of simpering, angelic young ladyhood.
P. D. Edward's introduction evaluates the novel's leading place among bigamy-novels' and Braddon's treatment of the power struggle between the sexes, as well as considering the similarities between the author and her heroine.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
less Claire JarvisThe horsewhipping scene in this book skates the line between rage and erotic rage. It’s done really well, so as to signal eroticism without it being explicit. (Source)
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4
You can find the redesigned cover of this edition HERE.
This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.
New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of... more You can find the redesigned cover of this edition HERE.
This best-selling Norton Critical Edition is based on the 1847 first edition of the novel. For the Fourth Edition, the editor has collated the 1847 text with several modern editions and has corrected a number of variants, including accidentals. The text is accompanied by entirely new explanatory annotations.
New to the fourth Edition are twelve of Emily Bronte's letters regarding the publication of the 1847 edition of Wuthering Heights as well as the evolution of the 1850 edition, prose and poetry selections by the author, four reviews of the novel, and poetry selections by the author, four reviews of the novel, and Edward Chitham's insightful and informative chronology of the creative process behind the beloved work.
Five major critical interpretations of Wuthering Heights are included, three of them new to the Fourth Edition. A Stuart Daley considers the importance of chronology in the novel. J. Hillis Miller examines Wuthering Heights's problems of genre and critical reputation. Sandra M. Gilbert assesses the role of Victorian Christianity plays in the novel, while Martha Nussbaum traces the novel's romanticism. Finally, Lin Haire-Sargeant scrutinizes the role of Heathcliff in film adaptations of Wuthering Heights.
A Chronology and updated Selected Bibliography are also included. less 
John SutherlandThe Brontës had this idea of a Samson figure. Rochester, like Samson, has to be mutilated before he can be domesticated. What is interesting about Heathcliff, in Wuthering Heights, is that he isn’t. He remains this superman. He is greater than a human being. He is named after two elemental things, the heath and the cliff. We never know what his first name is. (Source)
Robert McCrumCathy—and all of Emily Brontë’s characters—are more or less feral. That’s why we love them. It’s a different world, it’s a mad world. In some ways, Emily Brontë is more of a poet. But she has inspired many subsequent writers of fiction. You couldn’t imagine Lawrence without her, for example. You couldn’t imagine some of Hardy. (Source)
Riz KhanAgain it’s about love turning into obsessions and being all-consuming and how even future generations are manipulated by this love. (Source)
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5
“Welcome to my house. Come freely. Go safely; and leave something of the happiness you bring.” more “Welcome to my house. Come freely. Go safely; and leave something of the happiness you bring.” less 
Becky Cloonan@Noise_Raptor Oh, thank you so much! This book was such a delight, and such a challenge! Dracula is one of my favorites- funny enough I'd jump at the chance to do this again XD (Source)
Douglas StarrWhen you read the physical description of Count Dracula, he does not resemble the handsome vampires we see on television; rather, he looks like a thug. He has one continuous eyebrow across his forehead, thick hands, pointy teeth and pointy ears. (Source)
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