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Milovan Djilas was one of four senior members of Tito's government until his expulsion from the Yugoslav Communist party in '54 & eventual imprisonment on political charges. He wrote Conversations With Stalin in '61, between arrests. The book is a diary of his three voyages to Moscow in '43, '44 & '48. Djilas, memories no doubt leavened by hindsight, titles the three meetings "Raptures", "Doubts" & "Disappointments". As these names indicate, the book chronicles his growing disillusionment with Soviet-led socialism. Djilas was an educated man, a sophisticated thinker & a... more Milovan Djilas was one of four senior members of Tito's government until his expulsion from the Yugoslav Communist party in '54 & eventual imprisonment on political charges. He wrote Conversations With Stalin in '61, between arrests. The book is a diary of his three voyages to Moscow in '43, '44 & '48. Djilas, memories no doubt leavened by hindsight, titles the three meetings "Raptures", "Doubts" & "Disappointments". As these names indicate, the book chronicles his growing disillusionment with Soviet-led socialism. Djilas was an educated man, a sophisticated thinker & a writer. So that when we read passages in the "Raptures" section such as, "My entire being quivered from the joyous anticipation of an imminent encounter with the Soviet Union", it seems clear he was not the naïf that he makes himself out to be. Rather, given his circumstances at the time that he was writing, he was heightening the sense of his early fascination with all things Soviet so that his later disenchantment is all the more palpable. The book fascinates with its detail. He travels to Moscow as a foreign dignitary to discuss Yugoslav-Soviet policies. He must cool his heels for days before he's finally summoned to meet Stalin. Then the meetings are typically all night dinners with copious drinking & byzantine political subtext to the conversation. Stalin dominates the discussion so thoroughly that when he insists that the Netherlands was not a member of the Benelux union, nobody dares correct him. Djilas recognizes traits of greatness in Stalin, his ruthlessness & farsightedness. He describes these not out of regard or respect, but because they are precisely the qualities which make Stalin evil. "Every crime was possible to Stalin, for there was not one he had not committed." As doubts begin to creep in, he records the development of his own cynicism. "In politics, more than in anything else, the beginning of everything lies in moral indignation & in doubt of the good intentions of others". His portraits of Krushchev, open-minded & clever; of Molotov, Stalin's taciturn lieutenant; Dimitrov, the powerful Bulgarian kept on Stalin's string; Beria, sinister & drunk; & a host of other prominent figures make this book required reading for those interested in the era. The descriptions of machinations surrounding Yugoslav-Albanian-Bulgarian politics & his unflattering characterization of Croatian hero Andrija Hebrang are of great interest to students of Balkan history. less 
Anna ReidDjilas was Tito’s number two, and negotiated with the Kremlin on various diplomatic missions. He’s a terrific source on the grotesque late-Stalin court – the ghastly, drunken, late-night banquets at Stalin’s dacha, the bullying, fear and paranoia; the way the whole Kremlin circle was completely cut off from reality. (Source)
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This collection of essays thrusts Brodsky--heretofore known more for his poetry and translations--into the forefront of the "Third Wave" of Russian emigre writers. His insights into the works of Dostoyevsky, Mandelstam, Platonov, as well as non-Russian poets Auden, Cavafy and Montale are brilliant. While the Western popularity of many other Third Wavers has been stunted by their inability to write in English, Brodsky consumed the language to attain a "closer proximity" to poets such as Auden. The book, which won a National Book Critics Circle Award, opens and closes with revealing... more This collection of essays thrusts Brodsky--heretofore known more for his poetry and translations--into the forefront of the "Third Wave" of Russian emigre writers. His insights into the works of Dostoyevsky, Mandelstam, Platonov, as well as non-Russian poets Auden, Cavafy and Montale are brilliant. While the Western popularity of many other Third Wavers has been stunted by their inability to write in English, Brodsky consumed the language to attain a "closer proximity" to poets such as Auden. The book, which won a National Book Critics Circle Award, opens and closes with revealing autobiographical essay. less Anna ReidBrodsky lived through the first part of the siege as a baby, in a one-room flat on the Liteiny, right in the centre of town. He brilliantly describes the atmosphere of the postwar city: the bombed-out buildings – ‘haggard and hollow-eyed’ – and the feeling of emptiness, of crowding ghosts. He’s good, as well, on how pinched and harsh life continued to be well after the war. One of his earliest... (Source)
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Dmitry S. Likhachev | 4.30
This compelling and often traumatic book is the memoir of one of the most important figures in modern Russian history. Is is an incredible account of of an intellectual's turbulent journey through 20th Century Russia. Likhachev recounts the fortunes of people with whom he came into contact and produces the air of passed years in Russia. more This compelling and often traumatic book is the memoir of one of the most important figures in modern Russian history. Is is an incredible account of of an intellectual's turbulent journey through 20th Century Russia. Likhachev recounts the fortunes of people with whom he came into contact and produces the air of passed years in Russia. less Anna ReidWhen Likhachov died his obituarists called him ‘the last of the Petersburg intelligentsia’. A scholar of medieval literature at Leningrad University, his life [from 1906 to 1999] spanned the birth and death of Russian Communism. In his twenties, he was one of the first generation of Gulag prisoners – on the Solovetsky Islands in the White Sea, where the Gulag was trialled. And in his eighties,... (Source)
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Edited and translated from the Russian by Antony Beevor and Luba Vinogradova, Knopf Canada is proud to present a masterpiece of the Second World War, never before published in English, from one of the great Russian writers of the 20th century – a vivid eyewitness account of the Eastern Front and “the ruthless truth of war.”
When the Germans invaded Russia in 1941, Vasily Grossman became a special correspondent for the Red Star, the Red Army’s newspaper. A Writer at War – based on the notebooks in which Grossman gathered raw material for his articles – depicts the crushing... more Edited and translated from the Russian by Antony Beevor and Luba Vinogradova, Knopf Canada is proud to present a masterpiece of the Second World War, never before published in English, from one of the great Russian writers of the 20th century – a vivid eyewitness account of the Eastern Front and “the ruthless truth of war.”
When the Germans invaded Russia in 1941, Vasily Grossman became a special correspondent for the Red Star, the Red Army’s newspaper. A Writer at War – based on the notebooks in which Grossman gathered raw material for his articles – depicts the crushing conditions on the Eastern Front, and the lives and deaths of soldiers and civilians alike. It also includes some of the earliest reportage on the Holocaust. In the three years he spent on assignment, Grossman witnessed some of the most savage fighting of the war: the appalling defeats of the Red Army, the brutal street fighting in Stalingrad, the Battle of Kursk (the largest tank engagement in history), the defense of Moscow, the battles in Ukraine and much more.
Historian Antony Beevor has taken Grossman’s raw notebooks, and fashioned them into a narrative providing one of the most even-handed descriptions – at once unflinching and sensitive – we have ever had of what he called “the ruthless truth of war.”
From the Hardcover edition. less Anna ReidThese are the notes Grossman took while a war correspondent for the army newspaper, the Red Star. They are true first drafts of history – quick descriptions of what was going on around him as he sat in some truck or dugout, waiting for something to happen. He has a wonderful, cinematic eye, describing the look of burned-out villages, roads full of refugees, and so on. And he gets the voices of... (Source)
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In 1941, Russian-born British journalist Alexander Werth observed the unfolding of the Soviet-German conflict with his own eyes. What followed was the widely acclaimed book, Russia at War, first printed in 1964. At once a history of facts, a collection of interviews, and a document of the human condition, Russia at War is a stunning, modern classic that chronicles the savagery and struggles on Russian soil during the most incredible military conflict in modern history.
As a behind-the-scenes eyewitness to the pivotal, shattering events as they occurred, Werth chronicles... more In 1941, Russian-born British journalist Alexander Werth observed the unfolding of the Soviet-German conflict with his own eyes. What followed was the widely acclaimed book, Russia at War, first printed in 1964. At once a history of facts, a collection of interviews, and a document of the human condition, Russia at War is a stunning, modern classic that chronicles the savagery and struggles on Russian soil during the most incredible military conflict in modern history.
As a behind-the-scenes eyewitness to the pivotal, shattering events as they occurred, Werth chronicles with vivid detail the hardships of everyday citizens, massive military operations, and the political movements toward diplomacy as the world tried to reckon with what they had created. Despite its sheer historical scope, Werth tells the story of a country at war in startlingly human terms, drawing from his daily interviews and conversations with generals, soldiers, peasants, and other working class civilians. The result is a unique and expansive work with immeasurable breadth and depth, built on lucid and engaging prose, that captures every aspect of a terrible moment in human history.
Now newly updated with a foreword by Soviet historian Nicolas Werth, the son of Alexander Werth, this new edition of Russia at War continues to be indispensable World War II journalism and the definitive historical authority on the Soviet-German war.
less Anna ReidAlexander Werth was the BBC’s Moscow correspondent through the war. He had been brought up in St Petersburg and emigrated with his family to Britain soon after the revolution [of 1917]. So not only was he an excellent writer, but unlike most of the foreign press corps had the enormous advantage of being bilingual. Part history and part memoir, his book is shrewd, vivid and even funny. Published... (Source)
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